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"description": "The M-Track Duo is the best, most portable recording interface in its class. It delivers 48 kHz audio resolution in a compact and easy to use format that is ideal for creating music on any Mac, PC or iOS device. This versatile interface works great for recording any type of sound source and features two Combo Crystal Preamps with phantom power, making it compatible with any microphone. Plus, there is a dedicated switch to choose either a line level or instrument level input, perfect for connecting digital pianos, drum machines or any other stereo ¼” inch line level device, as well as the best possible signal for DI guitar or bass. M-track Duo is completely powered by USB, which makes it portable and perfect for anyone on-the-go. Throw it into your bag, grab a laptop, and create your next podcast, song, or mix, anywhere you want!\n\nKey Features -\n\n1. 2-Channel USB recording interface for Mac and PC\n2. (2) Combo inputs with Crystal Preamps amazing audio quality\n3. Dedicated switches to enable any microphone, instrument, or line level device\n4. +48V phantom power for connecting studio condenser microphones\n5. Stereo 1/4” outs; 1/4” headphone out with independent level controls\n6. USB/Direct Mono/Direct Stereo switch for monitoring mic, line or instrument inputs in stereo or mono\n7. Software bundle, including: MPC Beats, AIR Music Tech Electric, Bassline, and TubeSynth, Revalver guitar amp plugin and 80 AIR plugin effects.\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - -128 dBu (max. gain, 40 Ω source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB Direct Stereo: 6 dB to +60 dB\n\n\nLine Input - (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4' [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nMain Outputs - L and R (impedance-balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - +4 dBu\n\n\nHeadphone Output - (1/4” [6.35 mm] TRS)\n\nPower - 60 mW/Ch, 32 Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nWhat’s In The Box\n\nM-Track Duo\nUSB-B–to–USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety & Warranty Manual",
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"description": "The M-Track Solo is the best, most portable recording interface in its class. It delivers 48 kHz audio resolution in a compact and easy to use format that is ideal for creating music on any Mac, PC or iOS device. This versatile interface works great for recording any type of sound source and features a single Combo Crystal Preamp with phantom power, plus a switchable Line / Instrument input making it compatible with any guitar or microphone. Plus, with M-Track Solo's 2-channel recording you can use both line inputs simultaneously to capture digital pianos, drum machines or any other stereo 1/4' device. M-track Solo is completely powered by USB, removing the need for an external power supply and making it perfectly portable for recording on-the-go. Throw it into your bag, grab a laptop, and create your next podcast, song, or mix anywhere you want!\n\nKey Features - \n\n1.2-Channel USB recording interface for Mac and PC\n2. (1) Combo input with Crystal Preamp for amazing audio quality\n3. +48V phantom power for connecting studio condenser microphones\n4. Dedicated instrument input for guitar or bass\n5. Stereo line input for connecting digital piano, keyboard and more!\n6. 1/8” headphone and RCA stereo outputs provide easy monitoring\n7. USB/Direct switch for listening to the input signal or the computer signal\n8. Software bundle, including: MPC Beats, AIR Music Tech Electric, Bassline, and TubeSynth, Revalver guitar amp plugin and 80 AIR plugin effects.\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - -128 dBu (max. gain, 40 Ω source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB Direct Stereo: 6 dB to +60 dB\n\nLine Input - (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4' [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\n\nMain Outputs - L and R (impedance-balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - +4 dBu\n\n\nHeadphone Output - (1/4” [6.35 mm] TRS)\n\nPower - 60 mW/Ch, 32 Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nWhat’s In The Box\n\nM-Track Duo\nUSB-B–to–USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety & Warranty Manual",
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"name": "YAMAHA MGP24X MIXING CONSOLE",
"description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")",
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"description": "The M-Audio M-Track Duo HD Producer Pack is the perfect introduction to the world of studio-quality audio for first-time producers, content creators, songwriters, and every kind of artist in between. This powerful and cost-effective bundle combines the M-Track Duo HD audio interface with M-Audio HDH41 over-ear studio monitoring headphones and a professional-grade M-Audio M100 condenser microphone.\n\nThe M-Track Duo HD Producer Pack includes everything you need to take that song idea, podcast concept, or audiobook from dream into reality.\n\nThe M-Track Duo HD audio interface features a set of pared-down controls with just the right amount of added flourish: two combo XLR/TRS inputs, two ¼ TRS outputs, a headphone jack, ultra-transparent Crystal™ preamps, pro-quality converters, switchable +48V phantom power, USB-C connector, and access to included software to help enrich your sonic journey.\n\nExperience precise, studio-quality monitoring with the included M-Audio HDH41 headphones and clean audio via the included M100 condenser mic.\n\nComplete Feature List\n\n1. 2-in/2-out USB-C audio interface for Mac, PC, iOS, and Android\n2. Pro-grade 24-bit/192kHz audio resolution\n3. 2 combo inputs for mic, instrument, or line-level source\n4. Crystal preamps deliver 55 dB of clear, detailed gain\n5. Pro A/D converters faithfully capture your performances\n6. Switchable +48V phantom power feeds studio condenser microphones\n7. Direct/USB monitor switch tailors your monitoring output\n8. Headphone output with independent level control\n9. Includes HDH41 headphones with ¼” adapter\n10.Includes M100 studio condenser microphone with mic stand mount, zipper bag, and XLR to XLR cable\n11. Includes 1m/3.3ft USB-C to USB-C cable\n12. Includes Producer Essentials software bundle (a $1,200+ value) with professional audio production tools and sound libraries from industry-leading brands. All software listed below includes lifetime access unless otherwise noted.\n\n\nDAWs - \n\nAbleton Live Lite\nMPC Beats\nReason+ (6-month subscription)\n\nEffects - \n\nVocals: Antares AutoTune Unlimited (2-month access)\nGuitar: HeadRush ReValver\nDrums: BFD Player + Dark Mahogany\nMixing: AIR Creative FX Collection Essentials\nProduction: AIR Jura Chorus\nProduction: AIR Multiband Filterbank\n\nInstruments - \n\nAIR Essential Keyboards\nAIR Xpand!2\nAIR Bassline\nAIR OPx-4\nAIR Tubesynth\n\nSamples\n\nSplice (2-month access)\n\nMic Input (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - 128 dBu (max. gain, 40 source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB / Direct Stereo: 6 dB to +60 dB\n\nLine Input (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - \t0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\n\nInstrument Input (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD -\t0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\nDirect Stereo - -4 dB to +50 dB\n\nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - \t0.002% (0 dBu out, A-weighted)\nMax Output Level -\t+4 dBu\n\nHeadphone Output (1/4” [6.35 mm] TRS)\n\nPower - \t60 mW/Ch, 32Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nPower\n\nUSB bus-powered\n\nDimensions (WDH)\n\n7.5 x 4.4 x 2.1 in / 191 x 111 x 55 mm\n\nWeight\n\n3.0 lbs / 1.34 kg",
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