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{ "products": [ { "_id": "686403448c31e67c359cc25c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "HDH -50 High Definition Headphones", "description": "Hear the music. Hone your craft.\nBuilding upon M-Audio’s world-class reference monitor technology, the HDH50 high-definition headphones bridge the gap between studio monitor engineering and private audio. Incorporating premium audio components into a rugged, durable design, HDH50 delivers critical sound reproduction and audio isolation for use in professional recording and monitoring environments. The over-the-ear design helps reduce fatigue during extended studio sessions, and the plush padding ensures that the HDH50 stays secured. For music production and listening, the HDH50 headphones deliver purpose-built, high-fidelity sound.\n\nSuperior Frequency Response\nExpertly tuned and optimized for impressive audio clarity, the HDH50 headphones feature powerful, 50mm neodymium drivers for full-range frequency response. These extra-large drivers offer authentic bass response and allow producers to make accurate mix adjustments to the low end in private listening environments. Built with a rugged aluminum and steel construction, HDH50 gives producers and listeners high-definition sound in a headphone that's built to last.\n\nFatigue-Free Listening\nHDH50 was developed for musicians and engineers who desire fatigue-free listening and maximum comfort during long recording, mixing, and listening sessions. Its closed-back construction is ideal for those long hours spent in the studio and helps reduce signal bleed to neighboring microphones for cleaner tracking. Overstuffed padding on the ear cups and headband provide unparalleled comfort during demanding recording sessions, and the ear cups completely surround the ears for excellent audio isolation.\n\nFull-Range Frequency Response\nWith an expansive 12Hz-24kHz frequency range, there’s more than enough frequency range for creating, mixing, or monitoring any project. HDH50 is capable of producing the entire human frequency range, from low bass frequencies to crystal-clear highs, for reliable sound reproduction. Additionally, HDH50 creates an accurate stage-wide stereo image for precise mixing and instrument placement. With HDH50, you get the technology of a close-range monitoring system with the benefits, convenience, and comfort of headphones.\n\nFeatures - \n\n1. Premium build quality and tuning with 12Hz-24kHz frequency response\n2. Powerful 50mm drivers with neodymium magnets offer an immersive audio experience\n3. Built to last with rugged aluminum and steel construction\n4. Plush leather cushioning with a comfortable over-the-ear design\n5. Audio cable with 1/4” adapter included\n6. Communication cable with built-in microphone included\n\nSpecifications - \n\nFrequency Response: 12Hz-24kHz\nMax SPL: 114dB @ 1kHz\nImpedance: 16 Ohms\nCable: 6.8 ft. (2.1m) with 1/8\" connector", "price": 19600.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "18 connector", "maximum comfort", "benefits convenience", "instrument placement", "crystalclear highs", "ear cups", "neighboring microphones", "rugged aluminum", "music production", "monitoring environments", "craft building", "music hone", "precise mixing", "creating mixing", "project hdh50", "frequency range", "closedback construction", "low end", "audio isolation", "professional recording", "listening sessions", "fatiguefree listening hdh50", "steel construction hdh50", "closerange monitoring system", "long recording mixing", "extended studio sessions", "desire fatiguefree listening", "demanding recording sessions", "studio monitor engineering", "hdh50 stays secured", "low bass frequencies", "fullrange frequency response", "impressive audio clarity", "neodymium magnets offer", "long hours spent", "listeners highdefinition sound", "plush padding ensures" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 545, "imageuri": "https://productimages.withfloats.com/actual/68640348104aaba114c9c962.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68640348104aaba114c9c962.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:48:20.166Z", "updatedon": "2025-07-01T15:48:20.166Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/hdh-50-high-definition-headphones/545", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "HEADPHONE", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6863fb7dfd0c0053e1ad6449", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX8-D3 ( Singles ) ", "description": "Introducing M-Audio’s BX8-D3 monitors—the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio’s BX monitors guarantee absolute surgical precision and repeatable engineering excellence.\n\nListen with confidence: with M-Audio’s BX8-D3 studio reference monitors, you’ll hear everything in lifelike detail, so your mixes and recordings will sound their best!\n\nMonitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3’s 8-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX8- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nKey Features - \n\n1. Bi-amplified design with 150 watts (80 LF, 70 HF) for powerful, accurate sound\n2. 8” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1.25” natural silk dome tweeter delivers superb transient details\n4. Computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Wide range 37-22kHz frequency response covers full musical spectrum\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 8 inch (203 mm) Kevlar curved cone with high temperature voice coil and damped rubber surround, magnetically shielded\nHigh Freq. Driver- 1.25 inch (32mm) magnetically shielded natural silk dome\nFrequency Response- \t37Hz – 22kHz\nCrossover Frequency - 2.0kHz\nLow Freq. Amplifier Power - 80W\nHigh Freq. Amplifier Power - 70W\nMaximum Peak SPL - 114dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -12dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 150W\nFuse - 220–240V~ T1AL, 250V / 100–120V~ T2AL, 250V\nCabinet - Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t9.8” x 11.9” x 15.1” / 250 x 302 x 384 mm\nWeight - 23.1 lb / 10.5 kg", "price": 24300.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "151 250", "height 98", "14 balancedunbalanced inputs", "dynamic accuracy", "audible resonances", "low mass", "perfect combination", "monitors drivers", "driver excellence", "lifelike detail", "recordingmix engineers", "studio icon", "performance driving", "finetune lowend response", "monitor performance starts", "hightemp voice coil", "plague conventional tweeters" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 541, "imageuri": "https://productimages.withfloats.com/actual/6863fb82b4569e08d7830a0d.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6863fb82b4569e08d7830a0d.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:15:09.659Z", "updatedon": "2025-07-01T15:15:09.659Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx8-d3-singles-/541", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "685f7982c31b920a98cdd15b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|8 ( 2-In/4-Out 24/192 Audio MIDI Interface )", "description": "With the AIR 192|8, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|8’s flexible inputs enable you to record up to 2 channels at once with its 2 dedicated XLR+¼” balanced combo inputs with switchable -10dB mic pad, and 2 all-new ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. The (2) ¼” and (4) RCA outputs with USB/Direct control, and Direct Mono/Stereo switch provide multiple output options for connecting to outboard gear, DJ mixers, or studio monitors. The headphone output with independent level, USB/Direct, and switchable 1/2 or 3/4 audio stream controls are perfect for discretely listening to a cue mix, sub mix, or main mix. MIDI In and Out connections are included for connecting synths, sequencers and external MIDI gear.\n\nThe AIR 192|8 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|8 includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you’ll have a virtual drummer, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. Flexible inputs: (2) XLR+¼” TRS combo with -10dB mic pad or ¼” instrument inputs\n6. Use any combination of TRS combo or ¼” instrument input on the two channels:(2) TRS, (2) instrument or (1) of each\n7. MIDI input/output for connecting virtually any external MIDI gear\n8. Stereo ¼” and RCA outs with direct mono/stereo switch\n9. (2) RCA assignable auxiliary outputs; ¼” headphone output with independent source and level controls\n10. Rugged metal chassis; large central control for easy volume adjustment\n11. USB/Direct knob for balancing between the input signal and the computer signal\n12. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|8\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\n(2) 1/8“ (3.5 mm) to MIDI Adapters\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \n\nMinimum System Requirements\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\nMic Inputs 1-2 (balanced XLR)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1 dB)\nDynamic Range - \t104dB (A-weighted)\nSignal-to-Noise Ratio - 104dB (+1.0dBu, A-weighted)\nTHD+N - 0.001% (1kHz, +0.8dBu, -1dBFS)\nPreamp EIN- -126dBu (150Ω, unweighted)\nMax Input Level - +1.8dBu\nGain Range - 60dB\n\nLine Input 1-2 (balanced 1/4” TRS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nSignal-to-Noise Ratio - 101dB (1kHz, +4dBu, A-weighted)\nTHD+N - 0.002% (1kHz, +19.7dBu, -1dBFS)\nMax Input Level - +20.7dBu\nDynamic Range - 106dB (A-weighted)\n\nInst Input 1-2 (unbalanced 1/4“ TS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nDynamic Range - \t106dB (A-weighted)\nSignal-to-Noise Ratio - 98dB (+4dBu, A-weighted)\nTHD+N - 0.001% (1kHz, +5.8dBu, -1dBFS)\nMax Input Level - +6.8dBu\nInput Impedance - ~1MΩ\nGain Range - 24dB\n\nMain TRS Outputs, 1/L & 2/R (balanced 1/4” TRS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nDynamic Range - 109dB (A-weighted)\nTHD+N - 0.003% (1kHz, -1dBFS)\nMax Output Level - +13dBu\n\nMain & Aux RCA Outputs 1 - 4 (Unbalanced RCA)\n\nFrequency Response - 20Hz - 20kHz (+/-0.1dB)\nDynamic Range - 109dB (A-weighted)\nTHD+N - 0.003% (1kHz, -1dBFS)\nMax Output - +7dBu\n\nHeadphone Outputs (Stereo 1/4\" TRS)\n\nDynamic Range - \t101dB\nTHD+N - 0.008% (1kHz, -1dBFS, 36mW)\nMax Power - \t36mW (32-ohm load)\nMin Impedance - 32-ohm", "price": 23250.0, "discountamount": 4882.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "2 ¼", "switchable 12", "2 channels", "air 1928", "buffer settings", "input signal", "rca outs", "connecting virtually", "¼ instrument input", "trs combo", "fastest connection", "professional recording", "piano plugins", "loop package", "powerful daw", "software package", "cue mix", "discretely listening", "headphone output", "studio monitors", "4 rca outputs", "accurate representation", "impedance stage", "independent source", "delay weve", "usbdirect control", "7 midi inputoutput", "main mix midi", "guitar tone reverb", "connecting synths sequencers", "independent level usbdirect", "easytouse audio interface", "mpc beats weve", "external midi gear", "computer hardware whats", "10db mic pad", "ultrapristine ad converters", "classleading roundtrip latency", "add worldclasssounding instruments", "bass plugged directly", "specially designed gain" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 520, "imageuri": "https://productimages.withfloats.com/actual/685f7985d929e29452610925.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f7985d929e29452610925.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:11:30.349Z", "updatedon": "2025-06-30T05:09:01.686Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-8-2-in-4-out-24-192-audio-midi-interface-/520", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M- Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. 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20kHz ± 0.1dB\n\nDynamic Range: 111dB (A-weighted)\n\nTHD+N: <0.0012% \n\nNoise EIN:-128dB (A-weighted)\n\nMaximum Input Level: 9dBu (at minimum gain)\n\nGain Range: 56dB\n\nImpedance: 3kΩ\n\nLine Inputs\nFrequency Response: 20Hz - 20kHz ± 0.1dB\n\nDynamic Range:110.5dB (A-weighted)\n\nTHD+N:<0.002%\n\nMaximum Input Level:22dBu (at minimum gain)\n\nGain Range:56dB\n\nImpedance: 60kΩ\n\nInstrument Inputs \nFrequency Response 20Hz - 20kHz ± 0.1dB\n\nDynamic Range110dB (A-weighted)\n\nTHD+N<0.03%\n\nMaximum Input Level12.5dBu (at minimum gain)\n\nGain Range56dB\n\nImpedance 1.5MΩ\n\nLine/Monitor Outputs\nDynamic Range (Line Outputs):108dB\n\nTHD+N: <0.002%\n\nMaximum Output Level (0 dBFS): 15.5dBu \n\nImpedance: 430Ω\n\nHeadphone Outputs\nDynamic Range: 104dB (A-weighted)\n\nTHD+N: <0.002%\n\nMaximum Output Level:7dBu\n\nImpedance: <1Ω", "price": 69555.0, "discountamount": 11000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "430Ω", "dBFS", "Noise", "THD+N", "20kHz", "rd Gen", "Impedance", "Gain Range", "minimum gain", "Line Outputs", "3kΩ\n\nLine Inputs", "Microphone Inputs", "Dynamic Range110dB", "Focusrite Scarlett", "Maximum Input Level", "Maximum Output Level", "Frequency Response 20Hz", "60kΩ\n\nInstrument Inputs", "Headphone Outputs\nDynamic Range", "MΩ\n\nLine/Monitor Outputs\nDynamic Range" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 464, "imageuri": "https://productimages.withfloats.com/actual/61a8f96af472c30001964426.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8f96af472c30001964426.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:50:50.062Z", "updatedon": "2023-07-16T12:55:34.402Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/focusrite-scarlett-18i20-3rd-gen-/464", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Focusrite", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Focusrite Scarlett 18i20 (3rd Gen)", "Scarlett 18i20 (Gen.3)", "Focusrite 18i20 3rd Generation price", "Focusrite Scarlett 18i20 3rd Generation price in I", "Focusrite Audio Interface online", "Price", "Focusrite Scarlet 18i20 3rd Generation USB Audio I" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8f43f96ed480001875015", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Focusrite Scarlett 4i4 (3rd Gen)", "description": "Focusrite Scarlett 4i4 (3rd Gen)\nIn Stock\nShares\nfacebook sharing buttontwitter sharing buttonpinterest sharing buttonlinkedin sharing buttonsharethis sharing buttongooglebookmarks sharing button\nDescription\nSpecifications\nReviews (0)\nMicrophone Inputs\n\nFrequency Response: 20Hz - 20kHz ± 0.1dB\n\nDynamic Range:111dB (A-weighted)\n\nTHD+N: <0.0012% \n\nNoise EIN:-128dB (A-weighted)\n\nMaximum Input Level: 9dBu (at minimum gain)\n\nGain Range: 56dB\n\nImpedance: 3kΩ\n\nLine Inputs 1-2 (Variable Gain)\nFrequency Response: 20Hz - 20kHz ± 0.1dB\n\nDynamic Range: 110.5dB (A-weighted)\n\nTHD+N: <0.002%\n\nMaximum Input Level :22dBu (at minimum gain)\n\nGain Range: 56dB\n\nImpedance : 60kΩ\n\n\n\nLine Inputs 3-4 (Fixed Gain)\n\nFrequency Response : 20Hz - 20kHz ± 0.1dB\n\nDynamic Range :110dB (A-weighted)\n\nTHD+N : <0.002%\n\nMaximum Input Level :18dBu (at minimum gain)\n\nImpedance :44Ω\n\nInstrument Inputs\nFrequency Response :20Hz - 20kHz ± 0.1dB\n\nDynamic Range :110dB (A-weighted)\n\nTHD+N :<0.03%\n\nMaximum Output Level (0 dBFS) :12.5dBu (at minimum gain)\n\nGain Range :56dB\n\nImpedance :1.5MΩ\n\nLine/Monitor Outputs\nDynamic Range (Line Outputs) :108dB\n\nTHD+N :<0.002%\n\nMaximum Output Level : (0 dBFS) 15.5dBu \n\nImpedance :430Ω\n\nHeadphone Outputs\nDynamic Range :104dB (A-weighted)\n\nTHD+N :<0.002%\n\nMaximum Output Level :7dBu\n\nImpedance :<1Ω", "price": 30140.0, "discountamount": 5000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "20Hz", "DEAL", "THD+N", "20kHz", "Stock", "Noise", "rd Gen", "k\nShares", "Impedance", "Fixed Gain", "Gain Range", "Line Outputs", "availability", "minimum gain", "Variable Gain", "buttonsharethis", "3kΩ\n\nLine Inputs", "Instrument Inputs", "Microphone Inputs", "Frequency Response", "60kΩ\n\n\n\nLine Inputs", "Maximum Input Level", "Maximum Output Level", "buttongooglebookmarks", "Focusrite Scarlett 4i4", "0 reviews\nProduct Code", "facebook sharing buttontwitter", "Headphone Outputs\nDynamic Range", "Description\nSpecifications\nReviews", "Ω\n\nLine/Monitor Outputs\nDynamic Range", "buttonpinterest sharing buttonlinkedin" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 462, "imageuri": "https://productimages.withfloats.com/actual/61a8f440efc34900014e4fa3.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8f440efc34900014e4fa3.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:28:47.042Z", "updatedon": "2023-07-16T12:38:08.037Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/focusrite-scarlett-4i4-3rd-gen-/462", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Focusrite ", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Focusrite Scarlett 4i4 (3rd Gen)", "AUDIO INTERFACES / SOUND CARDS", "Scarlett 4i4 (3rd Gen)", "Focusrite Scarlett 4i4 3rd Generation USB Audio In", "Focusrite Scarlett 4i4 3rd Gen price in India", "Focusrite 4i4", "Focusrite Audio Interface" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "612921084fd5270001c171c3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA MGP24X MIXING CONSOLE", "description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")", "price": 129500.0, "discountamount": 35900.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 395, "imageuri": "https://productimages.withfloats.com/actual/61292109d6c8110001f7e6cb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61292109d6c8110001f7e6cb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-27T17:29:44.986Z", "updatedon": "2025-08-04T13:44:28.206Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-mgp24x-mixing-console/395", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA ", "category": "Audio Mixers", "tags": [ "YAMAHA MGP24X MIXING CONSOLE", "MGP24X mixer", "yamaha mgp24x", "yamaha mixing", "MIXING CONSOLE", "Audio Mixers", "Yamaha MGP24X price in India", "Yamaha MGP24X manual PDF", "Yamaha mgp24x mixing review", "Yamaha MGP16X", "Yamaha MGP24X details", "Yamaha mixer 24 channel olx", "Yamaha mgp24x price in India Amazon", "Yamaha mgp24x mixing price", "Yamaha Mgp24x 24-channel Premium Mixing Console", "MGP Series Mixing Console - Yamaha Asia" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b80c723f9cc21066bc85d5c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Aphex Channel Master Preamplifier and Input Processor ", "description": "Patented RPA tube preamp\nEasyRider® Class A automatic compressor\nPatented logic-assisted gate\nUniversal de-esser\nPatented Aphex Aural Exciter® and Big Bottom® processors\nS/PDIF and AES/EBU digital outputs\nComplete High Performance Channel Strip\nWith more and more studios foregoing consoles in favor of recording and mixing \"in the box\", a clean and versatile front end input stage is indispensible. There are dozens and dozens of channel strips and similar devices to choose from, but none that come close to the Channel in terms of sound, features or performance.\n\nOur legendary Model 230 has been re-imagined as the Channel, adding a host of new features to address a greater number of workflows while retaining the sound, functionality and versatility that made the 230 one of the most in-demand processors ever for professional audio, live sound, broadcast and post production.\n\nChannel incorporates seven powerful devices within a compact, single rack space design, including five of Aphex''s exclusive patented technologies. The result is the highest possible audio quality, processing power and flexibility.\n\nThe elegant front panel not only looks great, but is laid out in an intuitive, easy-to-use workflow with easy to understand labeling. Building on the foundation of the Model 230, the Channel features an instrument input, dedicated output and gain reduction metering, front panel sample rate and clock source selection; and a reference quality internal clock.\n\nApplications\nBroadcast - Channel is a tube microphone preamp and signal processor that is an indispensable broadcast station tool. You''ll find them in the production room and installed as permanent on-air processing for pumping up voices.\n\nRecording Studios - Channel is a powerful and easy-to-use channel strip for commercial and project studios, featuring our reflected-plate amplifier tube microphone preamp design plus compression, gating, de-esser, parametric EQ, Aural Exciter and Big Bottom bass enhancement.\n\nLive Sound - When space is at a premium in a touring rig, and night after night reliability is essential, the rugged Channel provides all the top quality processing needed for any instrument without taking up precious rack space.\n\n\nConnector\tXLR-3F\nType\tTransformerless, NPN active balanced, tube second stage\nInput Z\t2k ? nominal\nMaximum Input Level (MIL)\t+25dBu\nCMRR\t70 dB @ 60 Hz\nNominal Preamp Gain\t20 to 65 dB\nPhantom Power\t+48VDC\nPad\t20dB\nEIN\t-127dBu (input shorted)\nTube Type\t12AT7/ECC81 Dual Triode\nOutput\nConnector\tXLR-3M and 1/4\" TRS phone jacks\nType\tXLR is Impedance Balanced (may be used unbalanced)\nTRS is unbalanced\nOut Z Balanced\tXLR 66 ?\nOut Z Unbalanced\tXLR 33 ?\nTRS 600 ?\nNominal Level\tXLR +4dBu\nTRS -10dBV\nMaximum Output Level\t+25dBu Unloaded\nTRS +11dBV\nCompressor\nAttack / Release\tProgram dependent, user variable release baseline\nRatio\t4:1\nThreshold\tFixed\nKnee\tMedium hard\nGate\nAttack\t0.1 millisecond\nHold / Release\t300 milliseconds / 400 milliseconds\nThreshold\t-50 to +20dB (variable)\nDepth\t1 to 58dB (variable)\nDe-Esser\nAttack\t0.1 millisecond\nRelease\t100 milliseconds\nThreshold\tVariable -20 to +20dB\nRatio\t5:1\nActive Band\t4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover\nInsert\nConnector Type - Send\t1/4\" TRS phone jack (balanced)\nConnector Type - Return\t1/4\" TRS phone jack (balanced)\nNominal Operating Level\t0 dBu\nPoint of Insertion\tBetween dynamics processing and equalizers\nBig Bottom\nFrequency\t50 Hz to 280 Hz\nTune\tOff to +12dB\nParametric EQ\nFrequency Tune\t240 Hz to 8 kHz\nPeak / Dip\t±12dB\nQ Range\t0.5 to 5\nAural Exciter\nFrequency Tune\t500 Hz to 5kHz\nMix\tOff to +12dB\nAnalog Audio\nTHD\t<.01% @ +4dBu Out\nIMD\t01% @ +4dBu Out\nFreq Response (Flat)\t18 Hz to 24kHz ±1dB\nDigital Audio\nInternal Sample Rates\t44.1KHz, 48KHz, 88.2KHz, 96KHz\nExternal Sample Rates\tAutomatically syncs to any Word Clock between 32KHz and 96KHz\nResolution\t24 bits\nWord Clock Input\tBNC jack, High Z, Captures\nWord Clock Output\tBNC jack, 75 ?, 5Vp-p\nDynamic Range\tDigital dynamic range greater than analog front end\nNoise Dither\tDithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither.\nLevel Equivalency\t-20dBFS Digital = +4dBu Analog\nPower Requirements\t90-250 VAC 50-60 Hz 12W\nDimensions\t19\"W x 1.75\"H x 8.25\" D 1 Rack U (482.6mm x 44.5mm x 209.6mm)\nDepth Behind Front Panel\t7.5\" (190.5mm)\nNet Weight\t6 lbs(2.73 kg)\nShipping Weight\t9 lbs (4.1 kg)", "price": 0.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": true, "shipmentduration": 7, "_keywords": [ "Channel features", "user variable release", "possible audio quality", "top quality processing", "clock source selection", "front panel sample rate", "High Performance Channel", "single rack space design", "reference quality internal", "versatile front end input stage", "Aphex Channel Master Preamplifier", "s exclusive patented technologies", "incorporates seven powerful devices", "indispensable broadcast station tool", "amplifier tube microphone preamp design" ], "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 234, "imageuri": "https://productimages.withfloats.com/actual/5b80c723b106b90505d40c01.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5b80c723b106b90505d40c01.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-08-25T03:04:03.254Z", "updatedon": "2020-12-17T05:22:09.935Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/aphex-channel-master-preamplifier-and-input-processor-/234", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Aphex", "category": "Preamplifier", "tags": [ "Aphex Channel Master Preamplifier and Input Proces", "CHANNEL", "8 Master Preamp & Input Processor" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68bc3606cb617ef27c577bfb", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio Bock 187 Large-diaphragm Condenser Microphone", "description": "Universal Audio Bock 187 Large-diaphragm Condenser Microphone", "price": 131450.0, "discountamount": 5000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 629, "imageuri": "https://productimages.withfloats.com/actual/68bc360dea75da0eef1730db.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68bc360dea75da0eef1730db.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-09-06T13:24:22.512Z", "updatedon": "2025-09-06T13:24:22.512Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-bock-187-large-diaphragm-condenser-microphone/629", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio ", "category": " Condenser Microphone", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }