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{ "products": [ { "_id": "68bc323ddc6ff268b2215197", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio 1176 LN", "description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.", "price": 344205.0, "discountamount": 8606.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 628, "imageuri": "https://productimages.withfloats.com/actual/68bc32447835a9672ae7dffc.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68bc32447835a9672ae7dffc.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-09-06T13:08:13.946Z", "updatedon": "2025-09-06T13:08:13.946Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-1176-ln/628", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "Universal Audio Classic Limiting Amplifier", "tags": [ "Universal Audio Classic Limiting Amplifier", "Universal Audio 1176 LN" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68a4900ff5434d48fca8b12b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth", "description": "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth\n\nThe Alesis Nitro Pro XL 10-piece electronic drum kit with Mesh heads & Bluetooth redefines the electronic drum experience, offering an expansive setup for players who demand versatility and precision. This upgraded version of the standard Nitro kit features an additional tom and cymbal, creating a dynamic 10-piece configuration that caters to advanced playing styles. With premium mesh drum heads, Bluetooth connectivity, and an intuitive module powered by professionally recorded kits, this model delivers a realistic feel and a rich, customizable sound palette. Designed for practice, live performance, and recording, the Nitro Pro XL combines cutting-edge technology with superior build quality to inspire creativity and elevate your drumming.\n\nAlesis Ntro Pro Premium Mesh Heads For Enhanced Playability\n\nThe Nitro Pro XL features premium mesh drum heads that deliver a natural rebound and quiet performance, closely mimicking the feel of acoustic drums. The 10\" dual-zone snare and four 8\" dual-zone tom pads provide exceptional responsiveness and dynamic range, allowing nuanced articulation whether you're playing soft rolls or aggressive strikes. The mesh heads also ensure that vibrations are evenly distributed across the surface, improving playability and reducing noise. This advanced design lets drummers practice freely without disturbing others, while retaining the tactile feedback needed for expressive playing.\n\nIconic Drum Sounds Powered By BFD Kits\n\nAt the heart of this electronic drum kit is the Nitro Pro XL module, loaded with 36 professionally recorded kits sourced from the renowned BFD library. These kits span decades of iconic drum sounds, from rock and pop to jazz and funk, giving players an expansive sound palette. Additionally, the module includes 52 kits—36 pre-configured and 16 user-customizable—allowing drummers to tweak sounds and create their own unique setups. With intuitive controls and high-quality samples, the module ensures every hit translates into rich, lifelike tones that inspire creativity and enhance performance.\n\nAdvanced Hardware For Dynamic Performance\n\nThis electronic drum kit is equipped with hardware designed to support advanced playing techniques and configurations. The 8\" mesh bass drum tower accommodates double kick pedals, perfect for drummers exploring complex rhythms and fast-paced patterns. The cymbal setup includes two 10\" crash cymbals with choke, a 10\" ride cymbal, and a 10\" hi-hat with foot controller for precise expression. An aluminum rack provides a stable foundation, ensuring the kit remains secure during intense practice sessions or live performances. Together, these components create a platform for dynamic play and reliable functionality.\n\nDurable Construction For Reliable Use\n\nThe Nitro Pro XL is built with durability in mind, featuring high-quality materials and engineering that withstand extended use. The aluminum rack offers lightweight stability, making it easy to transport while maintaining a robust setup for demanding practice or stage environments. Mesh drum heads are designed for long-lasting performance, resisting wear and tear while maintaining consistent response. Every detail—from the reinforced hardware to the module's user-friendly interface—contributes to a kit that's ready to perform and endure over time.\n\nPerfect For Intermediate And Advanced Drummers\n\nThe Alesis Nitro Pro XL combines professional-grade features with intuitive usability, making it ideal for intermediate and advanced players looking to expand their skills. With its premium mesh heads, BFD-powered sound library, and ergonomic design, this electronic drum kit provides the tools needed to explore new techniques and sounds. Whether you're refining your craft or performing live, the Nitro Pro XL offers the precision, durability, and tonal quality to inspire your playing.\n\nFEATURES\n\n10\" dual-zone deep mesh snare for realistic response and dynamic sensitivity\n8\" mesh tom pads ensure quiet play and acoustic-like feel\n8\" mesh drum tower supports double kick pedals for advanced techniques\n10\" crash cymbals with choke provide expressive control and versatility\n10\" ride cymbal delivers consistent tone for various playing styles\n10\" hi-hat with foot controller offers precision for detailed performance\nAluminum rack ensures stability during long practice sessions or gigs\n52 drum kits offer expansive options for creativity and customization\nPremium BFD sounds deliver iconic tones for diverse genres\nBluetooth connectivity enables effortless integration with modern devices", "price": 95377.0, "discountamount": 13077.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 612, "imageuri": "https://productimages.withfloats.com/actual/68a49013f21481169198f8ca.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a49013f21481169198f8ca.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-19T14:54:07.499Z", "updatedon": "2025-08-19T14:54:07.499Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/alesis-nitro-pro-xl-10-piece-electronic-drum-kit-with-mesh-heads-bluetooth/612", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Alesis ", "category": "electronic drum kit", "tags": [ "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth", "Alesis Nitro Pro XL 10PC Electronic Drum Kit ", "Alesis Nitro Pro XL " ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65d05dee5f72731e00bc3ea4", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Mark bass little mark vintage 1000 MBH110093Z", "description": "Little Mark Vintage 1000\nProduct code: MBH110093Z\nFollowing the astounding success of the 500W version, this 1000W high-power head is created for those who need the highly appreciated features and lot of tone options of the LITTLE MARK VINTAGE but also like to have a massive supply of power, no matter how big is the stage and the volume you play!\n\nThis one is part of the Gold Series, a state of the art lineup offering superior quality, recognizable by its catching new look marking a new era at Markbass, starting from gold plated circuits, to the highly selected components, to some of the most requested features!\n\n> key points\n\n> Tube Preamp\nThe Little Mark Vintage 1000 features a Tube Preamp, to get rich and warm tone full of harmonics.\n\n> 1000W MPT (Mark Proprietary Technology) Power Amp \nThis ultrahigh-power head gets amplified by a powerful 1000W MPT power amp, delivering a large supply of power and serious headroom with amazing definition and dynamics.\nAbout all the bass amps on the market use the same power amp from different manufacturers, which are not specificically designed for bass. At Markbass, Marco De Virgiliis invested a lot on R&D to create a proprietary power amp technology, specifically designed to respect and glorify the tone of your instrument.\n\n> Limiter Control\nThis control offers a modern reaction when you set it all the way up, or put it down to zero to create that old generation behavior with its typical distortion you get when the Limiter effect is really low, and of course you can also get everything in between.\n\n> New EQ setting / ​​​​​3-WAY Switch\nThe 4 Bands EQ of the Little Mark Vintage 1000 have a new setting on frequencies center, all tuned to offer a pretty balanced tone that easily cuts in the mix, plus a 3-WAY switch with three useful EQ preset options to get very quickly a real FLAT setting, a CUT one with scooped Mids and enhanced Low and High and an OLD one with scooped High to get an old vintage style tone.\n\n> Real DI box\nThe BALANCED DI OUT with transformer is optimized to give pure, full, rich, linear sound on all frequencies. Although Little Mark amp heads already feature high-quality DI circuitry, the transformer upgrades the DI performance offering a real DI box inside the head, handling extreme transients without introducing any distortion or coloration.\n\n> Gold Line Top Features\nAs it happens in the Gold Line series, the Little Mark Vintage 1000 features gold plated circuits and top quality selected components, providing the purest and cleanest sound you can imagine.\n\n> Mute and ON/OFF EQ\nFootswitchable MUTE is one of the most requested features in order to tune or switch an instrument in a silent way. The optional Dual Footswitch also allows to turn ON/OFF the EQ section.\n\n> Size/Weight\nThe Little Mark Vintage 1000 features the same compact SIZE and light WEIGHT of all the Little Mark family heads.\n\n \n\n \n\nMinimum ohm load for all Markbass heads is 4 ohms.\nMarkbass amps/combos are manufactured to be sold and used in the country of purchase, and they are factory preset to that country’s voltage. Due to homologation issues, the voltage may not be changed.", "price": 104480.0, "discountamount": 13580.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "R&D", "lot", "CUT", "mix", "Mids", "part", "stage", "order", "state", "4 ohms", "purest", "volume", "market", "OLD one", "voltage", "new era", "country", "purchase", "dynamics", "Mark bass", "bass amps", "harmonics", "warm tone", "coloration", "EQ section", "instrument", "everything", "key points", "art lineup", "silent way", "Tube Preamp", "Real DI box", "new setting", "transformer", "Size/Weight", "Gold Series", "Product code", "light WEIGHT", "large supply", "500W version", "The BALANCED", "tone options", "balanced tone", "Markbass heads", "same power amp", "Limiter effect", "massive supply", "cleanest sound", "The 4 Bands EQ", "New EQ setting", "DI performance", "modern reaction", "Limiter Control", "serious headroom", "superior quality", "Minimum ohm load", "Gold Line series", "same compact SIZE", "​​​​​3-WAY Switch", "catching new look", "real FLAT setting", "frequencies center", "Marco De Virgiliis", "typical distortion", "extreme transients", "astounding success", "amazing definition", "homologation issues", "Footswitchable MUTE", "ultrahigh-power head", "gold plated circuits", "Little Mark amp heads", "1000W high-power head", "Gold Line Top Features", "old vintage style tone", "different manufacturers", "old generation behavior", "The Little Mark Vintage", "optional Dual Footswitch", "Little Mark family heads", "high-quality DI circuitry", "Mark Proprietary Technology", "powerful 1000W MPT power amp", "MBH110093Z Little Mark Vintage", "three useful EQ preset options", "pure, full, rich, linear sound", "top quality selected components", "proprietary power amp technology" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 499, "imageuri": "https://productimages.withfloats.com/actual/65d05df27e38dded8f74a74c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65d05df27e38dded8f74a74c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-17T07:19:10.443Z", "updatedon": "2024-09-08T15:41:09.467Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/mark-bass-little-mark-vintage-1000-mbh110093z/499", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "MARK BASS", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Little Mark Vintage 1000", "MARK BASS LITTLE MARK VINTAG 1000", "Mark Bass Amps", "MARKBASS PRICE IN INDIA", "MRAK BASS", "MARK BASS INDIA", "LITTLE MARK VINTAGE 1000 PRICE IN INDIA", "Markbass Little Mark Vintage D2", "Mark Bass Cabinet", "Markbass Little Mark 250 combo review", "Markbass for sale", "Markbass Little Mark IV 300", "Mark Bass manuals", "Markbass Little Marcus 58R", "Markbass 12 cabinet" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65d052f47f2ccc187cd00b7a", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Markbass Standard 104HF Front-Ported Neo 4x10 Bass Speaker Cabinet Ohm", "description": "Markbass Standard 104HF Bass Cabinet\nThe Standard 104HF is one of our most popular cabinets and, for many players, it sets a new standard for 4x10s. Hear the miracle of neodymium speakers by playing through this cabinet... then FEEL the miracle when you pick it up! The Standard 104HF is a leader in its field due to its sound, power and portability. But you don't have to trust us; let your ears and your lower back be the judge!\n\n \n\nThis cabinet is available in both 8 ohm (STD104HF-8) and 4 ohm (STD104HF-4) versions.", "price": 101152.0, "discountamount": 11002.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "ears", "4x10s", "judge", "power", "sound", "field", "8 ohm", "4 ohm", "leader", "miracle", "STD104HF", "lower back", "portability", "4) versions", "many players", "new standard", "popular cabinets", "The Standard 104HF", "neodymium speakers", "Markbass Standard 104HF Bass Cabinet", "Markbass Standard 104HF Front-Ported Neo 4x10 Bass Speaker Cabinet Ohm" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 498, "imageuri": "https://productimages.withfloats.com/actual/65d052f67d5970cd2abd0fb7.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65d052f67d5970cd2abd0fb7.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-17T06:32:20.332Z", "updatedon": "2024-09-08T15:42:58.514Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/markbass-standard-104hf-front-ported-neo-4x10-bass-speaker-cabinet-ohm/498", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Markbass ", "category": "AMPLIFIERS", "tags": [ "Markbass Standard 104HF Bass Cabinet", "Markbass Standard 104HF Front-Ported Neo 4x10 Bass", "STANDARD 104HF", "MARKBASS STD104HF", "Mark Bass Amps", "MARK BASS GUITAR AMPLIFIER", "MARK BASS PRICE IN INDIA", "Markbass standard 104hf review", "Markbass standard 104hf price", "Markbass standard 104hf specs", "Markbass standard 104hf manual", "Markbass 102HF review", "Markbass 4 ohm cab", "Markbass Traveler 102P", "Mark Bass combo 500W" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65d02ff4e34ecc1320a76ba8", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Markbass MB58R 104 ENERGY 4x10 800W Bass Speaker", "description": "MB58R 104 ENERGY\nProduct code: N/A\nThe MB58R series is a further example of how Markbass is always one step ahead in innovating using state-of-the-art technologies. Once again Marco De Virgiliis with his pioneering soul has managed to create this new series of products which, with the use of custom components born thanks to years of experience and research Markbass and the use of revolutionary materials with an eye to the future and the evironment, has really nailed the tone and power versus portability issue.\nThe MB58R 104 ENERGY features 4x10\" Markbass Neodymium custom speakers and 1\" driver with horn, boasts an impressive 800W of power handling and weights 36.4 lbs / 16.5 kg . This cabinet works great on its own, plus the 8ohm version makes up an amazing stack when added to another Markbass 8 ohm cab (for example, another MB58R 104 ENERGY or a MB58R 151 ENERGY).\n\nKEY POINTS\n> UNMISTAKABLE TONE\nStrength for Markbass products has always been an unmistakable tone. This new series has custom components born thanks to years of experience and research.\n> MADE IN ITALY\nNot just technology but also GLOCALIZATION and Made in Italy. Glocalization is for Markbass a key word, intended as the use and optimization of local resources to be competitive on the global market.\n> ECO-FRIENDLY\nIt’s time to think about the future; focus on the product and on the natural environment that surrounds it.\n> AMAZING POWER TO WEIGHT RATIO\nState of the art and technology with an amazing power to weight ratio.The MB58R 104 ENERGYfeatures 4x10\" ultra-light neodymium speakers and thanks to the revolutionary material and technology used for its enclosure this cabinet weighs only 36.4 lbs / 16.5 kg, it has an impressive 800 watts (RMS) of power handling, controlled bottom end and ultra-focused sound.\n> BEST QUALITY, RIGHT PRICE\nThe new series of products has an incredible strength point: high quality and innovation at the right price.\n> MODERN CLASSIC WINNING AESTHETIC\nConsidered by all as the most beautiful cabinet on the market!\n\n \n\nProduct weight and specs are subject to change without notice.\n\n", "price": 101154.0, "discountamount": 11004.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "RMS", "eye", "ECO", "N/A", "time", "horn", "MADE", "specs", "state", "years", "ITALY", "notice", "future", "change", "weights", "16.5 kg", "example", "research", "key word", "FRIENDLY", "36.4 lbs", "1\" driver", "enclosure", "evironment", "new series", "experience", "bottom end", "innovation", "technology", "KEY POINTS", "RIGHT PRICE", "optimization", "Product code", "high quality", "BEST QUALITY", "WEIGHT RATIO", "8ohm version", "amazing stack", "GLOCALIZATION", "global market", "focused sound", "AMAZING POWER", "Product weight", "power handling", "impressive 800W", "pioneering soul", "local resources", "The MB58R series", "art technologies", "MB58R 151 ENERGY", "portability issue", "Markbass products", "custom components", "beautiful cabinet", "UNMISTAKABLE TONE", "Marco De Virgiliis", "Markbass 8 ohm cab", "natural environment", "impressive 800 watts", "The MB58R 104 ENERGY", "revolutionary materials", "incredible strength point", "MODERN CLASSIC WINNING AESTHETIC", "4x10\" ultra-light neodymium speakers", "4x10\" Markbass Neodymium custom speakers", "Markbass MB58R 104 ENERGY 4x10 800W Bass Speaker MB58R 104 ENERGY" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 497, "imageuri": "https://productimages.withfloats.com/actual/65d02ff69f5eaf46c2250f3b.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65d02ff69f5eaf46c2250f3b.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-17T04:03:00.357Z", "updatedon": "2024-09-08T15:45:30.073Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/markbass-mb58r-104-energy-4x10-800w-bass-speaker/497", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "MARK BASS", "category": "AMPLIFIERS & EFFECTS", "tags": [ "MB58R 104 ENERGY", "Markbass MB58R 104 ENERGY 4x10 800W Bass Speaker", "35Hz to 20KHz", "", "mb58r 104 energy price in india", "MARK BASS MB58R 104 ENERGY PRICE IN INDIA", "MRAK BASS", "MARKBASS INDIA", "Markbass mb58r 104 energy 4x10 800w bass speaker r", "Markbass mb58r 104 energy 4x10 800w bass speaker s", "Markbass MB58R 104 Energy review", "Markbass mb58r 104 energy 4x10 800w bass speaker m", "Markbass 4x10 Used", "Markbass MB58R 102 Energy review", "Markbass 104 PURE", "Markbass Pure vs Energy", "", "MB58R 104 ENERGY", "mark bass amp price", "Markbass mb58r 104 energy 4x10 800w bass speaker r", "Markbass mb58r 104 energy 4x10 800w bass speaker s", "Markbass MB58R 104 Energy review", "Markbass mb58r 104 energy 4x10 800w bass speaker m", "Markbass 4x10 Used", "Markbass MB58R 102 Energy review", "Markbass 104 PURE", "Markbass Pure vs Energy" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "63cd366c722f5e0001c0db4d", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland SPD-SX PRO Sampling Pad", "description": "The SPD-SX PRO is the ultimate sampling pad for the most demanding gigs. With years of road testing and extensive user feedback from the SPD-S and SPD-SX, the top-tier SPD-SX PRO raises the bar again. Harnessing the advanced sample pad technology of its predecessors, the SPD-SX PRO boasts an array of requested professional enhancements and is built for life on the road. Illuminate dark stages with a large color display and customizable multi-color trigger lights. Expand your performance setup with more audio outputs, additional trigger inputs, and hi-hat and FX expression pedal control. And go further with a massive 32 GB memory, 48 kHz audio playback, increased pad sensitivity without crosstalk, and a dedicated SPD-SX PRO App for easier kit editing.\nHighlights\nNine pads with Roland’s advanced trigger technology, including six large pads and three top-row shoulder pads\nHigh-visibility, horizontal and vertical LEDs with multi-color customization\nIncreased shoulder pad sensitivity and improved crosstalk performance\n4.3-inch color display for easy navigation and viewing during performance\nImport 48/44.1 kHz (16-/24-/32-bit) WAV/AIFF files and MP3s (32–320 kbps) with automatic conversion to 48 kHz/16-bit upon loading\nStereo main output, four direct mono outputs, balanced for easy mixing on stage\nConnectivity for up to eight external individual triggers/pads (four stereo triggers or eight mono triggers with Y-cables)\nDedicated SPD-SX PRO App for Windows/Mac for easy importing, managing samples, and deep kit editing\n32 GB of internal storage for samples, backing tracks, and click tracks\nInput for hi-hat or footswitch expression control\nConnect hi-hats, kick, and snare for a ‘mini drum kit’ setup\nUp to 200 kit patches (43 erasable preset kits and 157 user kits)\nOver 1550 pre-loaded, high-quality samples and sounds\n16-step pad sequencer function\nOnboard effects engine with up to four effects in parallel, plus side chain with output routing\nBuilt-in click/metronome\nCreate in real time by recording performances as WAV files and assigning them to pads", "price": 129900.0, "discountamount": 23700.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "large color display", "eight mono triggers", "four stereo triggers", "massive 32 GB memory", "sample pad technology", "48 kHz audio playback", "ultimate sampling pad", "extensive user feedback", "43 erasable preset kits", "shoulder pad sensitivity", "four direct mono outputs", "additional trigger inputs", "eight external individual", "professional enhancements", "FX expression pedal control" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 475, "imageuri": "https://productimages.withfloats.com/actual/63cd366e91523a000120b795.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/63cd366e91523a000120b795.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2023-01-22T13:13:16.48Z", "updatedon": "2023-02-14T09:31:22.534Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-spd-sx-pro-sampling-pad/475", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "Sampling", "tags": [ "Roland SPD-SX PRO Sampling Pad", "Roland SPD-SX PRO", "Sampling Pad", "Roland SPD-SX PRO Sampling Pad Electric Drum V Dru", "SPD-SX PRO", "roland dealer in india", "roland spd-sx pro price in india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. 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And it goes a step further, with a software suite of 5 award-winning UAD plug-in titles, featuring Collections from Teletronix,® Pultec,® and UA.\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo Twin X Heritage Edition gives you 5 premium plug-in titles worth over $1,300 — including the full suite of UA's Teletronix and 1176 compressors, all Pultec EQs, UA 610 Unison mic preamps, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to Apollo Twin X's included \"Realtime Analog Classics\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nTwo Unison Preamps — The Sound of Neve, Helios, API, Avalon & More\nApollo Twin X Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nUnison technology is also found on Apollo Twin X's front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more.\n\nElite-Class A/D and D/A Conversion\nWith thousands of hit songs and hundreds of Grammy-winning albums under their belt, Apollo Twin interfaces are used to create exceptional-sounding records every day. To improve upon the previous generation, UA engineers redesigned the Apollo Twin X's audio conversion to deliver a striking 127 dB dynamic range and -117 dB THD+N, giving it a spacious, organic sound that easily rivals dedicated high-end converters costing much more.\n\nLUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow\nAll Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nAdditional Connections & Built-in Talkback Mic\nWith its two Unison-equipped preamps, two line outs, and optical ADAT/SPDIF input — plus dedicated monitor remote controls and built-in Talkback mic — the 10 x 6 Apollo Twin X Heritage Edition gives you the I/O you need for professional tracks and mixes.\n\nProfessional Performance and Scalability\nUsers of Apollo Twin X Heritage Edition can combine up to four Thunderbolt Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo X rackmount unit, you can use Apollo Twin X as a desktop monitor control with additional I/O and DSP power.\n \nKey Features\n● A special edition of UA's acclaimed Apollo Twin X interface — with a premium suite of 5 award-winning plug-in titles from Teletronix,® Pultec,® and UA — a $1,300 value\n● Elite-class A/D and D/A conversion derived from the Apollo X rackmount interfaces\n● 2 Unison mic preamps offer stunning models of classic tube and transformer-based mic preamps and guitar amps\n● UAD DUO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Runs UAD Powered Plug-Ins via VST, AU, and AAX 64 formats in all major DAWs\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Front-panel Unison-enabled Hi-Z instrument input and headphone out\n● Built-in Talkback mic for communication with studio talent and recording slate cues\n● Dedicated monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls\n● Up to 8 channels of additional digital input via optical ADAT/SPDIF input\n● Also includes “Realtime Analog Classics” UAD plug-in bundle featuring UA 610-B Tube Preamp Legacy Pultec EQ, LA-2A and 1176 compressors, Marshall Plexi Classic, Ampeg SVT-VR Classic, and more\n● Uncompromising analog design, superior components, and premium build quality\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n \n*Apollo Twin X Heritage Edition includes 5 premium UAD plug-in titles, plus the “Realtime Analog Classics” UAD plug-in bundle. 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And it goes a step further, with a software suite of 5 award-winning UAD plug-in titles, featuring Collections from Teletronix,® Pultec,® and UA.\n \nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo Solo USB Heritage Edition gives you 5 premium plug-in titles worth over $1,300 — including the full suite of UA's Teletronix and 1176 compressors, all Pultec EQs, UA 610 Unison mic preamps, and Pure Plate Reverb. These premium Heritage Edition titles are in addition to Apollo Solo USB's included \"Realtime Analog Classics\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nThe full UAD plug-in library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs — with more being added regularly. These are the exact same plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.\n\nTwo Unison Preamps: The Sound of Neve, Helios, API, Avalon & More\nApollo Solo USB Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nUnison technology is also found on Apollo Solo USB's front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more.\n\nBuilt for Musicians, Electronic Producers, and Songwriters\nApollo Solo USB Heritage Edition features robust all-metal construction, best-in-class headphone amplifier, and superior audio conversion. It’s perfect for musicians, songwriters, and electronic music producers who need UA quality in a compact package.\n\nKey Features\n● A special edition of UA's popular Apollo Solo USB interface — with a premium suite of 5 award-winning plug-in titles from Teletronix,® Pultec,® and UA — a $1,300 value\n● UAD SOLO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency\n● Unison mic preamp and guitar amp emulations from Neve,® API,® Avalon,® Manley,® Marshall,® Fender,® and more\n● Runs UAD Powered Plug-Ins via VST, AU, and AAX 64 formats in major DAWs\n● Compatible with Pro Tools, Cubase, Ableton Live, and more**\n● Best-in-class headphone amplifier for loud, detailed, low-noise monitoring\n● Uncompromising analog design, superior components, and premium build quality\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n \n*Apollo Solo USB Heritage Edition includes 5 premium UAD plug-in titles, plus the “Realtime Analog Classics” UAD plug-in bundle. 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