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{ "products": [ { "_id": "685e77e6ca2e6c61c5b792af", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "M-Track Solo - 48-KHz, 2-channel USB Audio Interface with 1 Crystal Preamp, Phantom Power and Instrument Input", "description": "The M-Track Solo is the best, most portable recording interface in its class. It delivers 48 kHz audio resolution in a compact and easy to use format that is ideal for creating music on any Mac, PC or iOS device. This versatile interface works great for recording any type of sound source and features a single Combo Crystal Preamp with phantom power, plus a switchable Line / Instrument input making it compatible with any guitar or microphone. Plus, with M-Track Solo's 2-channel recording you can use both line inputs simultaneously to capture digital pianos, drum machines or any other stereo 1/4' device. M-track Solo is completely powered by USB, removing the need for an external power supply and making it perfectly portable for recording on-the-go. Throw it into your bag, grab a laptop, and create your next podcast, song, or mix anywhere you want!\n\nKey Features - \n\n1.2-Channel USB recording interface for Mac and PC\n2. (1) Combo input with Crystal Preamp for amazing audio quality\n3. +48V phantom power for connecting studio condenser microphones\n4. Dedicated instrument input for guitar or bass\n5. Stereo line input for connecting digital piano, keyboard and more!\n6. 1/8” headphone and RCA stereo outputs provide easy monitoring\n7. USB/Direct switch for listening to the input signal or the computer signal\n8. Software bundle, including: MPC Beats, AIR Music Tech Electric, Bassline, and TubeSynth, Revalver guitar amp plugin and 80 AIR plugin effects.\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - -128 dBu (max. gain, 40 Ω source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB Direct Stereo: 6 dB to +60 dB\n\nLine Input - (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4' [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\n\nMain Outputs - L and R (impedance-balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - +4 dBu\n\n\nHeadphone Output - (1/4” [6.35 mm] TRS)\n\nPower - 60 mW/Ch, 32 Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nWhat’s In The Box\n\nM-Track Duo\nUSB-B–to–USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety & Warranty Manual", "price": 6700.0, "discountamount": 1407.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "6 18 headphone", "mac pc", "input signal", "crystal preamp", "podcast song", "bag grab", "usb removing", "completely powered", "sound source", "ios device", "creating music", "perfectly portable", "phantom power", "portable recording interface", "recording onthego throw", "external power supply", "line inputs simultaneously" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 514, "imageuri": "https://productimages.withfloats.com/actual/685e77e95d1b008bf30737f3.png", "tileimageuri": "https://productimages.withfloats.com/tile/685e77e95d1b008bf30737f3.png", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T10:52:22.163Z", "updatedon": "2025-06-30T05:02:45.381Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/m-track-solo-48-khz-2-channel-usb-audio-interface-with-1-crystal-preamp-phantom-power-and-instrument-input/514", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-AUDIO", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685f7c112379df52a2c5b677", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|14 ( 8-In/4-Out 24/192 USB Audio Interface )", "description": "The M-Audio AIR 192|14 is an 8-in 4-out feature-packed USB audio/MIDI interface that provides all of the connections and software you need to easily create professional 24-bit/192kHz studio-quality recordings. The AIR 192|14 features (4) XLR+¼” TRS combo inputs, (2) ¼” line inputs and (2) ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of your guitar or bass when plugged directly into the interface. There is also MIDI input and output connections so you can connect any external midi gear that you may have such as external sequencers, drum machines and controllers.\n\nThe AIR 192|14 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|14 includes Ableton Live Lite and MPC Beats. This amazing audio and MIDI recording software will inspire you to create, record and share your ideas across the world at any time.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, 80 effect plugins and AIR’s Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you’ll have a virtual drummer, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. (4) XLR+¼“ TRS combo inputs, (2) ¼” instrument inputs and (2) ¼” line inputs\n6. MIDI input/output for connecting virtually any external MIDI gear\n7. Stereo ¼” with direct mono/stereo switch; (2) ¼” assignable auxiliary outs\n8. (2) ¼” headphone outputs with independent source and level controls\n9. Rugged metal chassis; large central control for easy volume adjustment\n10.USB/Direct knob for balancing between the input signal and the computer signal\n11. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|14\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\n(2) 1/8” (3.5 mm) to MIDI Adapters\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \n\nMinimum System Requirements - \nStandard USB 2.0 or USB-C Port\nWindows: 7 (32 or 64 bit)\nOSX: 10.8\n\nMic Inputs 1-4 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -137 dBu (40 Ω source, A-weighted) -129 dBu (150 Ω source, unweighted)\nMax Input Level - +14 dBu\nGain Range - 62 dB\n\nLine Inputs 1-4 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nMax Input Level - +30 dBu\nGain Range - 61 dB\n\nInst Inputs 5-6 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nDynamic Range - \t110 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nMax Input Level - +16 dBu\nInput Impedance - ~1 MΩ\nGain Range - 59 dB\n\nFixed Line Inputs 7–8 (balanced 1/4“ TRS)\n\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nMax Input Level - +17 dBu\n\nLine Outputs 1–2 (balanced 1/4” TRS)\n\nDynamic Range - \t112 dB (A-weighted)\nTHD+N - 0.002% (1 kHz, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Output Level - +17 dBu\n\nFixed Line Outputs 3–4 (balanced 1/4“ TRS)\n\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.002% (1 kHz, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Output Level - +17 dBu\n\nHeadphone Outputs (stereo 1/4”)\n\nDynamic Range - 111 dB (A-weighted, 32 Ω load)\nTHD+N - 0.002% (1 kHz, -1 dBFS, 10 mW/channel into 32 Ω load)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Power Delivered - 160mW (<1% THD, 32 Ω load)\nMaximum Output Level - \t+15 dBu (unloaded)\nImpedance Range - \t32 Ω – 600 Ω\n\nGeneral\n\nOther Connectors - \t(1) 1/8” (3.5 mm) MIDI input\n(1) 1/8” (3.5 mm) MIDI output\n(1) USB Type-C port\n(1) Power adapter input\nPower Adapter - \t12 VAC, 2 A, center-positive (included)\nDimensions (width x depth x height) - 10.2“ x 7.3” x 3.6\" (25.9 x 18.6 x 9.1 cm)\nWeight - 3.9 lbs. 1.8 kg\n", "price": 42250.0, "discountamount": 8872.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "36 259", "height 102", "air 19214", "output connections", "maudio air 19214", "buffer settings", "input signal", "independent source", "connecting virtually", "fastest connection", "piano plugins", "delay weve", "loop package", "time weve", "create record", "amazing audio", "mpc beats", "powerful daw", "software package", "plugged directly", "accurate representation", "impedance stage", "professional recording", "midi input", "midi recording software", "guitar tone reverb", "external midi gear", "computer hardware whats", "ultrapristine ad converters", "classleading roundtrip latency", "add worldclasssounding instruments", "specially designed gain" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 521, "imageuri": "https://productimages.withfloats.com/actual/685f7c1463681791219a1c05.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f7c1463681791219a1c05.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:22:25.476Z", "updatedon": "2025-06-30T05:07:24.425Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-14-8-in-4-out-24-192-usb-audio-interface-/521", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685f7982c31b920a98cdd15b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|8 ( 2-In/4-Out 24/192 Audio MIDI Interface )", "description": "With the AIR 192|8, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|8’s flexible inputs enable you to record up to 2 channels at once with its 2 dedicated XLR+¼” balanced combo inputs with switchable -10dB mic pad, and 2 all-new ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. The (2) ¼” and (4) RCA outputs with USB/Direct control, and Direct Mono/Stereo switch provide multiple output options for connecting to outboard gear, DJ mixers, or studio monitors. The headphone output with independent level, USB/Direct, and switchable 1/2 or 3/4 audio stream controls are perfect for discretely listening to a cue mix, sub mix, or main mix. MIDI In and Out connections are included for connecting synths, sequencers and external MIDI gear.\n\nThe AIR 192|8 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|8 includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you’ll have a virtual drummer, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. Flexible inputs: (2) XLR+¼” TRS combo with -10dB mic pad or ¼” instrument inputs\n6. Use any combination of TRS combo or ¼” instrument input on the two channels:(2) TRS, (2) instrument or (1) of each\n7. MIDI input/output for connecting virtually any external MIDI gear\n8. Stereo ¼” and RCA outs with direct mono/stereo switch\n9. (2) RCA assignable auxiliary outputs; ¼” headphone output with independent source and level controls\n10. Rugged metal chassis; large central control for easy volume adjustment\n11. USB/Direct knob for balancing between the input signal and the computer signal\n12. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|8\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\n(2) 1/8“ (3.5 mm) to MIDI Adapters\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \n\nMinimum System Requirements\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\nMic Inputs 1-2 (balanced XLR)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1 dB)\nDynamic Range - \t104dB (A-weighted)\nSignal-to-Noise Ratio - 104dB (+1.0dBu, A-weighted)\nTHD+N - 0.001% (1kHz, +0.8dBu, -1dBFS)\nPreamp EIN- -126dBu (150Ω, unweighted)\nMax Input Level - +1.8dBu\nGain Range - 60dB\n\nLine Input 1-2 (balanced 1/4” TRS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nSignal-to-Noise Ratio - 101dB (1kHz, +4dBu, A-weighted)\nTHD+N - 0.002% (1kHz, +19.7dBu, -1dBFS)\nMax Input Level - +20.7dBu\nDynamic Range - 106dB (A-weighted)\n\nInst Input 1-2 (unbalanced 1/4“ TS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nDynamic Range - \t106dB (A-weighted)\nSignal-to-Noise Ratio - 98dB (+4dBu, A-weighted)\nTHD+N - 0.001% (1kHz, +5.8dBu, -1dBFS)\nMax Input Level - +6.8dBu\nInput Impedance - ~1MΩ\nGain Range - 24dB\n\nMain TRS Outputs, 1/L & 2/R (balanced 1/4” TRS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nDynamic Range - 109dB (A-weighted)\nTHD+N - 0.003% (1kHz, -1dBFS)\nMax Output Level - +13dBu\n\nMain & Aux RCA Outputs 1 - 4 (Unbalanced RCA)\n\nFrequency Response - 20Hz - 20kHz (+/-0.1dB)\nDynamic Range - 109dB (A-weighted)\nTHD+N - 0.003% (1kHz, -1dBFS)\nMax Output - +7dBu\n\nHeadphone Outputs (Stereo 1/4\" TRS)\n\nDynamic Range - \t101dB\nTHD+N - 0.008% (1kHz, -1dBFS, 36mW)\nMax Power - \t36mW (32-ohm load)\nMin Impedance - 32-ohm", "price": 23250.0, "discountamount": 4882.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "2 ¼", "switchable 12", "2 channels", "air 1928", "buffer settings", "input signal", "rca outs", "connecting virtually", "¼ instrument input", "trs combo", "fastest connection", "professional recording", "piano plugins", "loop package", "powerful daw", "software package", "cue mix", "discretely listening", "headphone output", "studio monitors", "4 rca outputs", "accurate representation", "impedance stage", "independent source", "delay weve", "usbdirect control", "7 midi inputoutput", "main mix midi", "guitar tone reverb", "connecting synths sequencers", "independent level usbdirect", "easytouse audio interface", "mpc beats weve", "external midi gear", "computer hardware whats", "10db mic pad", "ultrapristine ad converters", "classleading roundtrip latency", "add worldclasssounding instruments", "bass plugged directly", "specially designed gain" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 520, "imageuri": "https://productimages.withfloats.com/actual/685f7985d929e29452610925.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f7985d929e29452610925.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:11:30.349Z", "updatedon": "2025-06-30T05:09:01.686Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-8-2-in-4-out-24-192-audio-midi-interface-/520", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M- Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685e7a0eea37e2858df05d1e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "M-Track Duo - 48-KHz, 2-channel USB Audio Interface with 2 Combo Inputs with Crystal Preamps, and Phantom Power", "description": "The M-Track Duo is the best, most portable recording interface in its class. It delivers 48 kHz audio resolution in a compact and easy to use format that is ideal for creating music on any Mac, PC or iOS device. This versatile interface works great for recording any type of sound source and features two Combo Crystal Preamps with phantom power, making it compatible with any microphone. Plus, there is a dedicated switch to choose either a line level or instrument level input, perfect for connecting digital pianos, drum machines or any other stereo ¼” inch line level device, as well as the best possible signal for DI guitar or bass. M-track Duo is completely powered by USB, which makes it portable and perfect for anyone on-the-go. Throw it into your bag, grab a laptop, and create your next podcast, song, or mix, anywhere you want!\n\nKey Features -\n\n1. 2-Channel USB recording interface for Mac and PC\n2. (2) Combo inputs with Crystal Preamps amazing audio quality\n3. Dedicated switches to enable any microphone, instrument, or line level device\n4. +48V phantom power for connecting studio condenser microphones\n5. Stereo 1/4” outs; 1/4” headphone out with independent level controls\n6. USB/Direct Mono/Direct Stereo switch for monitoring mic, line or instrument inputs in stereo or mono\n7. Software bundle, including: MPC Beats, AIR Music Tech Electric, Bassline, and TubeSynth, Revalver guitar amp plugin and 80 AIR plugin effects.\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - -128 dBu (max. gain, 40 Ω source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB Direct Stereo: 6 dB to +60 dB\n\n\nLine Input - (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4' [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nMain Outputs - L and R (impedance-balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - +4 dBu\n\n\nHeadphone Output - (1/4” [6.35 mm] TRS)\n\nPower - 60 mW/Ch, 32 Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nWhat’s In The Box\n\nM-Track Duo\nUSB-B–to–USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety & Warranty Manual", "price": 7650.0, "discountamount": 1606.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "microphone instrument", "mac pc", "instrument inputs", "podcast song", "bag grab", "onthego throw", "completely powered", "di guitar", "dedicated switch", "sound source", "ios device", "creating music", "line level", "2 combo inputs", "crystal preamps", "portable recording interface", "combo crystal preamps", "monitoring mic line", "bass mtrack duo", "phantom power making" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 515, "imageuri": "https://productimages.withfloats.com/actual/685e7a116e3b5e3c3ac1957c.png", "tileimageuri": "https://productimages.withfloats.com/tile/685e7a116e3b5e3c3ac1957c.png", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T11:01:34.473Z", "updatedon": "2025-06-30T05:03:51.647Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/m-track-duo-48-khz-2-channel-usb-audio-interface-with-2-combo-inputs-with-crystal-preamps-and-phantom-power/515", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-AUDIO", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "65bcedac7d5b260c20c24c7c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "description": "The 50-watt KC-80 is a miniature powerhouse with three line input channels, a dedicated aux input, and support for an XLR vocal mic. Compared to the previous-generation KC-60, the power section has been completely redesigned for higher output, better stability, and enhanced bass reproduction. In addition, the 10-inch woofer has been upgraded for improved sound quality. If desired, the low-end performance can be extended by driving a powered subwoofer from the KC-80’s Sub Out jack.\n\n\n\nFEATURES\nCompact and affordable keyboard amplifier with 50 watts of power\nRedesigned power amp and power supply sections provide increased stability and improved bass reproduction\nCustom two-way speaker system with newly developed 10-inch woofer and tweeter\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nXLR mic input, 1/4-inch line output, headphones output, and sub output\nMetal jacks for increased durability\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-80 offers full-range audio reproduction in an easy-to-carry portable amp. The cabinet features Roland’s patented twin bass-reflex design, providing extended low-frequency response without distortion. Paired with the newly redesigned power section and updated 10-inch woofer, the KC-80 delivers even better bass performance for amplifying 88-note stage pianos, organs, and synthesizers, plus rhythm machines and other electronic instruments.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its easy-access connectivity, the KC-80 integrates into any playing environment. A 1/4-inch line output enables you to interface with PA systems, stage monitors, and recording devices. There’s also a Sub Out jack for connecting to a powered subwoofer, with level conveniently tied to the amp’s master volume for one-touch control. Plugging into the Phones jack mutes the onboard speakers and Sub Out, perfect for private practice sessions and checking sounds on stage with headphones.\n\nOnboard 3+1 Mixing\nThe KC-80’s three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments. In addition, there’s an auxiliary channel with 1/8-inch and RCA inputs for connecting smartphones, music players, or other devices. Channel 1 also includes an XLR input, allowing you to plug in a vocal mic for even more versatility.", "price": 56645.0, "discountamount": 9145.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "level", "carry", "sounds", "organs", "support", "cabinet", "Compact", "tweeter", "50 watts", "addition", "1/8-inch", "FEATURES", "RCA jacks", "XLR input", "stability", "The KC-80", "dedicated", "Keyboards", "distortion", "3+1 Mixing", "PA systems", "sub output", "Performing", "RCA inputs", "Metal jacks", "smartphones", "versatility", "Sub Out jack", "synthesizers", "portable amp", "drum machines", "music players", "master volume", "50-watt KC-80", "power section", "other devices", "sound quality", "higher output", "XLR vocal mic", "10-inch woofer", "stage monitors", "auxiliary input", "rhythm machines", "bass performance", "onboard speakers", "auxiliary channel", "one-touch control", "recording devices", "powered subwoofer", "headphones output", "bass reproduction", "low-end performance", "playing environment", "miniature powerhouse", "Redesigned power amp", "88-note stage pianos", "power supply sections", "Versatile Connectivity", "A 1/4-inch line output", "master EQ XLR mic input", "twin bass-reflex design", "easy-access connectivity", "previous-generation KC-60", "private practice sessions", "three line input channels", "durability Full-Range Sound", "other electronic instruments", "affordable keyboard amplifier", "three 1/4-inch input channels", "Custom two-way speaker system", "full-range audio reproduction", "Electronic Musical Instruments", "various electronic instruments", "extended low-frequency response", "three 1/4-inch line input channels", "Roland KC-80 3-Ch Mixing Keyboard Amplifier" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 490, "imageuri": "https://productimages.withfloats.com/actual/65bcedae8f3782b8fa081035.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bcedae8f3782b8fa081035.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-02T13:27:08.726Z", "updatedon": "2024-09-08T15:50:43.253Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-80-3-ch-mixing-keyboard-amplifier/490", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "Roland kc 80 3 ch mixing keyboard amplifier price", "Roland kc 80 3 ch mixing keyboard amplifier specs", "Roland kc 80 3 ch mixing keyboard amplifier review", "roland kc-80 review", "Roland KC-80 price", "roland kc-80 manual", "Roland KC-80 Weight", "Roland KC-80 used" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8ec6b786f1f0001618cd9", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio Apollo x8 [Heritage Edition]", "description": "Apollo x8 Heritage Edition has all the benefits of the acclaimed Apollo x8, including world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Unison-enabled mic preamps, and full LUNA Recording System integration. And it goes a step further, with a software suite of 10 award-winning UAD plug-in titles, featuring Collections from Helios,® Fairchild,® Teletronix,® Pultec,® and UA.\n\n● Produce with a special edition of UA's elite-class Apollo x8 interface, including a premium suite of award-winning UAD plug-ins worth over $2,400\n● Record with elite-class A/D and D/A conversion nearing the widest dynamic range and lowest signal to noise available — at any price\n● Track and mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more award-winning UAD Powered Plug-Ins in real time\n● Record with near-zero latency through preamp emulations from Neve,® API,® SSL,® Helios,® Manley,® Avalon,® and more using Unison™ technology*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Run UAD Powered Plug-Ins via VST, AU, and AAX 64 in all major DAWs\n● Easily connect to consoles and studio gear with switchable +24 / +20 dBu headroom settings\n● Work in surround formats up to 7.1, complete with speaker calibration and fold-down\n● Use integrated Talkback mic and built-in cues for easy communication and slating takes\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo x8 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 Unison mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to the Apollo x8's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.\n\nRealtime UAD HEXA Core Processing\nApollo x8 Heritage Edition features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. 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But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nSurround Sound Monitoring and +24 dBu Operation\nWith comprehensive surround monitoring support for formats up to 7.1, Apollo x8 Heritage Edition is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x8 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x8 Heritage Edition offers 18 x 24 simultaneous inputs/outputs (8 x 14 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo desktop or rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices.\n\nApollo x8 Heritage Edition Key Features:\n● A special edition of UA's acclaimed Apollo x8 interface — with a premium suite of 10 award-winning plug-in titles from Helios,® Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value\n● 18 x 24 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion\n● Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size\n● 4 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, SSL, Manley, Avalon, Helios, UA, and more*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Surround monitor controller up to 7.1 format\n● UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs\n● Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 Macs via optional adapter \n● Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines\n● Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono\n● Uncompromising UA analog design, superior components, and premium build quality\n● Also includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp, Legacy Pultec EQ, additional LA-2A and 1176 compressors, Marshall Plexi Classic, Ampeg SVT-VR Classic, and more\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nFairchild Tube Limiter Collection\nTeletronix LA‑3A Audio Leveler\nUA 610 Tube Preamp & EQ Collection\nHelios Type 69 Preamp & EQ Collection\nV76 Preamplifier\nOxide Tape Recorder\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Plus Bundle:\nUA 610-B Tube Preamp & EQ\nMarshall Plexi Classic Guitar Amp\nAmpeg SVT-VR Classic Bass Amp\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nFairchild 670 Compressor (Legacy)\nPrecision Enhancer Hz\nRaw Distortion\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler", "price": 298810.0, "discountamount": 21410.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "Apollo x8 interface", "Realtime UAD Processing", "Universal Audio Apollo x8", "UA 610 Unison mic preamps", "Apollo x8 Heritage Edition", "Apollo X series interfaces", "previous generation Apollo", "Iconic UAD Analog Collections", "Precision Mix Rack Collection", "premium Heritage Edition titles", "x8 Heritage Edition Key Features", "UAD HEXA Core processing onboard", "Realtime UAD HEXA Core Processing", "18 x 24 Thunderbolt 3 audio interface", "full LUNA Recording System integration" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 458, "imageuri": "https://productimages.withfloats.com/actual/61a8ec6b7f946e000176c5c9.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8ec6b7f946e000176c5c9.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T15:55:23.307Z", "updatedon": "2022-10-08T17:07:50.86Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-apollo-x8-heritage-edition-/458", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio ", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Universal Audio Apollo x8 [Heritage Edition]", "AUDIO INTERFACES / SOUND CARDS" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6863fb7dfd0c0053e1ad6449", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX8-D3 ( Singles ) ", "description": "Introducing M-Audio’s BX8-D3 monitors—the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio’s BX monitors guarantee absolute surgical precision and repeatable engineering excellence.\n\nListen with confidence: with M-Audio’s BX8-D3 studio reference monitors, you’ll hear everything in lifelike detail, so your mixes and recordings will sound their best!\n\nMonitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3’s 8-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX8- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nKey Features - \n\n1. Bi-amplified design with 150 watts (80 LF, 70 HF) for powerful, accurate sound\n2. 8” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1.25” natural silk dome tweeter delivers superb transient details\n4. Computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Wide range 37-22kHz frequency response covers full musical spectrum\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 8 inch (203 mm) Kevlar curved cone with high temperature voice coil and damped rubber surround, magnetically shielded\nHigh Freq. 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Melodics is a desktop app that teaches you to play and perform with MIDI keyboards, pad controllers, and drums. Whether your just starting out or a seasoned pro looking to learn advanced techniques Melodics grows with you. It’s free to download upon registration of your controller, and comes with over 60 free lessons (Including Five Exclusive to M-Audio) to get you started!\n\nNEW: Welcome to The World of VIP Music Software | Effortless Integration, Enhanced Workflow\nExperience expanded control of your VST instrument and effect collection with CODE 49 and VIP3.0 (Free Download Included a $99.99 Value). VIP3.0 provides you with unparalleled access to your virtual instrument and effect collection, seamlessly integrating the hardware / software experience and grants the unrestricted freedom to create in a user-friendly, intuitive format. The combination of VIP and CODE 49 maximizes workflow and ensures a playing experience that feels natural and enhances creativity – the natural, tactile feel of hardware fused with the unrivalled processing capability of virtual Instruments. Quickly find sounds based on instrument type, timbre, style or articulation from your entire VST library; sculpt immersive, expressive sounds and textures layering up to 8 separate instruments and patches per VIP instance; load up to 4 different VST effects per instrument channel to sculpt the perfect sound; put power into your performance with Pad Chord Progressions and user-friendly Key Control processors; and much more. From live performance to studio production, VIP’s user-friendly functionality coupled with a diverse feature set guarantees simple, seamless integration into your existing setup and provides the ultimate platform for unrestricted creative expression.\n\nThe Oxygen Series\nM-Audio pioneered the portable MIDI controller market with the Oxygen series of keyboard controllers. Today, M-Audio continues to be a leader of this technology by developing intuitive controllers for software-based music production and performance. Thanks to continued innovation over the course of nearly a decade, the new Oxygen series controllers offer more control, deep hardware/software integration, and come equipped with a reliable build that enables you to make music on the go or implement these controllers into any studio.\n\nStreamlined Control\nWith an array of assignable knobs, pads, and faders, Oxygen 61 gives you total control over your software, allowing you to stay engaged in the creative flow of recording and mixing music without ever reaching for the mouse. It features 61 velocity-sensitive keys for playing chords, bass lines, and melodies; eight assignable knobs for tweaking effect plugins and virtual instruments; eight velocity-sensitive pads for triggering samples or finger drumming; and nine assignable faders for mixing tracks together and controlling the master output. Oxygen 61 also has dedicated transport controls and track-up and -down buttons that allow you to initiate play, stop, and record in the DAW environment right from your keyboard controller.\n\nUse Your Favorite DAW\nThe Oxygen 61 MIDI controller offers out-of-the-box integration with popular DAWs including Ableton Live, Pro Tools, Logic, Cubase, and many more. Using DirectLink, Oxygen 61's controls instantly map to key parameters in your favorite DAW, enabling you to immediately tweak the mixers, editors, and transport windows. Additionally, Oxygen 61 has built-in customizable mapping presets that quickly interface Oxygen 61 with your favorite effect plugins and virtual instruments. Setting up a MIDI controller with your software doesn’t get any easier than this.\n\nFor an easy-to-use and portable setup, all Oxygen controllers are USB-powered, class-compliant, and support USB-MIDI connectivity. Plus, they support iOS connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.\n\nAbleton Live Lite\nAbleton Live Lite is included with Oxygen 61 for immediate music creation. One of the most popular performance and production programs available in the world, Ableton Live Lite is a powerful music creation tool that enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Host plugins and use Oxygen 61 to produce, compose, or perform all within Ableton Live Lite. When you are satisfied with your work, Ableton Live lets you save it or mix it down.\n\nAIR Music Tech Xpand!2\nXpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nTouch Loops\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n\nAbleton is a trademark of Ableton AG. Cubase is a registered trademark of Steinberg Media Technologies AG. Pro Tools is a registered trademark of Avid Technology, Inc. in the U.S. and other countries. Logic is a trademark of Apple Inc., registered in the U.S. and other countries. M-Audio is a trademark of inMusic Brands Inc., registered in the US and other countries. All other product or company names are trademarks or registered trademarks of their respective owners.\n\nFeatures - \n\n1. 61 full-size, synth-action velocity-sensitive keys\n2. 8 velocity-sensitive trigger pads for beat production, clip launching, and more\n3. 8 assignable knobs for manipulating virtual instruments and plugins\n4. 9 assignable faders built in so you can mix with ease\n5. Transport buttons let you control your DAW without reaching for the mouse\n6. DirectLink automatically maps controls to popular DAWs: Ableton Live, Pro Tools, Logic, Cubase, and more\n7. LCD screen provides instant parameter feedback\n8. 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