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"name": "Ibanez Q Series QX54QM BSM Electric Guitar",
"description": "Ibanez Q Series QX54QM BSM Electric Guitar\nSPECS\nneck type\tParallel Wizard3pc Roasted Maple/Bubinga neck\ntop/back/body\tQuilted Maple topNyatoh body\nfretboard\tRoasted Birdseye Maple fretboardMother of Pearl Step off-set dot inlay\nfret\tJumbo Stainless Steel frets\nnumber of frets\t24\nbridge\tIbanez Mono-Tune bridge\nstring space\t10.8mm\nneck pickup\tR1 (S) neck pickupPassive/Ceramic\nmiddle pickup\tR1 (S) middle pickupPassive/Ceramic\nbridge pickup\tQ58 (H) bridge pickupPassive/Ceramic\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nhardware color\tCosmo black\nNECK DIMENSIONS\nScale :\t648mm/25.5'\na : Width\t42mm at NUT\nb : Width\t57mm at 24F\nc : Thickness\t19mm at 1F\nd : Thickness\t19mm at 12F\nRadius :\t508mmR\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nQX54QM's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nQX54QM's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nRecommended Case\tMR350C\nGig bag included\ndyna-MIX9 switching system w/Alter Switch\nIbanez Custom String Lock\nLuminescent side dot inlay\nFeatures\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nThe Parallel Wizard neck is 19mm thick all the way through the entire length. It provides an amazing fretting-hand experience for the players who prefer their instrument held in a higher playing position. The 3pc Roasted Maple/Bubinga construction also offers excellent stability and long-term durability.\n\nQuilted Maple top / Nyatoh body\nQuilted Maple top / Nyatoh body\nThe Quilted Maple top sonically enriches the response for picking. Nyatoh used as body wood provides a rich mid-low end.\n\nR1 / Q58 S-S-H pickups\nR1 / Q58 S-S-H pickups\nThe R1 / Q58 pickup combo is designed specifically for use in headless guitars. They provide a clearly defined sound, facilitating excellent tonal balance through all frequencies. The lows are powerful without being muddy, and the highs are bright and clear, but never harsh. As a result, every single note within the chord structure is well defined, and clearly audible. These pickups, with their tonal balance, and extremely low noise performance, work extremely well with both digital and analog effects.\n\nCustom string lock\nCustom string lock\nThis custom string lock is one-piece unit that features very simple construction. This means the hardware requires less maintenance, is highly durable, and allows for very easy string changes. Additionally, no proprietary string is required, so you can continue to use your favorite gauge and brand.\n\nMono-Tune bridges\nMono-Tune bridges\nThe Mono-Tune bridges offer a wide intonation range so that you can easily set the instrument up for tuning down a whole step or even further. The string height is also easily adjustable, and each saddle generally has less material, which leads to more natural and organic tone.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSlanted frets\nSlanted frets\nAll of the frets are equally slanted at an 8-degree angle. Many contemporary players tend to favor a much higher playing positon to execute more effectively, highly technical and intricate techniques like tapping, finger style, and even occasional bass-inspired slap riff. This higher position results in the four fretting fingers naturally tilting slightly inwards. This 8-degree inward tilt of the frets perfectly accommodates this and offers a more natural feeling and comfortably playing guitar.\n\nRoasted Birdseye Maple fretboard\nRoasted Birdseye Maple fretboard\nThe beautiful Birdseye Maple fretboard imbues this model with an exotic appearance . The fretboard is heat-treated for a balanced attack and rich sustain.\n\nJumbo Stainless Steel frets\nJumbo Stainless Steel frets\nStainless steel frets boast excellent corrosion resistance. The wide and tall fret-type offers a quick response and effortless articulation when playing chords and clear tone when playing single notes.\n\nErgonomic body design\nErgonomic body design\nThe body features a number of strategically placed curves on both the top and back of the instrument. This complex, yet sophisticated design provides maximum playing comfort.\n\nCompact and light-weight, yet resonant body\nCompact and light-weight, yet resonant body\nWhile it is really compact and light-weight, its non-chambered, solid body provides great sound with rich woody tones.\n\nLuminescent side dot inlays",
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"name": "casio ct-x9000in portable keyboard",
"description": "Specification\nKeyboard\t\n61 standard size keys\nTouch Response: Sensitivity 3 types, Off\nMaximum Polyphony\t\n64 notes (32 for certain tones)\nTones\t\nPreset Tones: 800\nUser Tones: 100\nOther: Layer, split (configurable split point, lower point, chord point settings)\nSystem Effects\t\nReverb: 32 types, Off\nChorus: 16 types, Tones\nDelay: 20 types, Tones\nDSP: 100 types (Can be applied to user tones using DSP editing.), DSP tones\nMaster Effects\t\nEqualizer (10 presets)\n4-band User Equalizer\nExternal Input Effects\t\nCenter cancel (vocal cut) for input from the Audio In jack\nMetronome\t\nBeat: 0 (accented tone off), 1 to 16\nTempo: Tempo value: 20 to 255\nDemo Songs\t\n3\nSong Bank\t\nBuilt-in Songs: 30\nUser-recorded Songs: 10\nUSB Memory Songs: Playback of standard MIDI files (SMF format 0/1), CASIO MIDI files (CMF format) on a USB flash drive is supported.\nUSB Audio Playback\t\nPlayback of audio files on a USB flash drive is supported.\nSupported File Formats: WAV format, 44.1 kHz 16 bit\nOther Functions: Center Cancel (Vocal Cut)\nAuto Accompaniment\t\nBuilt-in Rhythms: 250\nUser Rhythms: 100\nOne Touch Presets 235\nMusic Presets\t\n310 (With chord progressions)\nPhrase Pads\t\nNumber of Pads: 4\nUser Phrases: 100 (4 phrases x 25 pads)\nEditing Mode: Copy, delete, phrase editing\nMixer function\t\nAffected Parts: Sound source parts, microphone input part\nParameters: Part on/off, volume, pan, reverb send, chorus send, delay send\nRegistration\t\nMaximum 128 setups (8 setups x 16 banks), registration sequence\nTone Editing\t\nPreset tone editing, DSP editing\nMemory for storage of edited tones (up to 100)\nRhythm Editing\t\nNew rhythm creation, rhythm editing\nMemory for storage of created/edited rhythms (up to 100)\nMIDI Recorder\t\nReal-time recording, playback\nKeyboard Performance Recording: 10 songs, 17 tracks (1 system track, 16 solo tracks)\nMemory Capacity: Approximately 40,000 notes (per song)\nEditing Mode: Song editing, track editing, event editing, step input\nOther Functions: Overdubbing, punch-in recording\nPedals\t\nSustain, sostenuto, soft, rhythm/song, expression\nControllers\t\nPitch bend wheel, SUSTAIN button, PORTAMENTO button, MODULATION/ ASSIGNABLE button\nOther Functions\t\nTranspose: ±1 octaves (-12 to 0 to +12 semitones)\nOctave Shift: Upper 1/Upper 2/Lower 1/Lower 2, ±3 octaves\nTuning: A4 = 415.5 to 465.9 Hz (Initial Default: 440.0 Hz)\nPart coarse tune: For each keyboard part, ±2 octaves (-24 to 0 to +24 semitones)\nPart fine tune: For each keyboard part, ±99 cents\nScales: 17 preset scales, scale fine tuning\nAuto Harmonize: 12 types\nArpeggiator: 150 types\nMIDI\t\n16ch multi-timbre received, GM Level 1 standard\nInputs/Outputs\t\nUSB Flash Drive Port: Type A\nUSB Port: Type B\nPedal 1 Jack: Standard jack\nPedal 2, Expression Jack: Standard jack\nHeadphones Jack: Stereo standard jack\nAudio Input Jack: Stereo mini jack/Input impedance 9 kΩ, Input sensitivity 200 mV\nLine Out Jack: Standard jacks x 2/Output impedance 2.3 kΩ, Output voltage 1.9 V (RMS) MAX\nMicrophone Input Jack: Standard jack (Connect a dynamic microphone.)/ Input impedance 3 kΩ, Input sensitivity 10 mV\nPower Jack\t\nDC 24V\nPower Supply\t\nAC adaptor only\nAC Adaptor: AD-E24250LW\nAuto Power Off: Approximately 30 minutes after last operation; Can be disabled.\nSpeakers\t\n10cm x 2 (Output: 15W + 15W)\nPower Consumption\t\n15 W\nDimensions\t\nW 94.8 x D 38.4 x H 11.6 cm\nWeight\t\nApproximately 7.0 kg\nIncluded Accessories\t\nMusic stand, AC adaptor",
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"name": "Universal Audio Bock 187 Large-diaphragm Condenser Microphone",
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"description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.",
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"description": "LA-610 mkII classic tube recording channel\n\nA classic tube mic preamp & LA-2A-style compressor in a single unit.\n\nThe LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.\nThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\n\nKey Features\nAll-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\nAuthentic Teletronix LA-2A-style T4 opto-compressor section\nMkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\nMic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\nHigh and Low frequency shelving EQ\nComplete vintage channel strip at groundbreaking price within project studio reach\nUA build quality and heritage, audiophile components, hand-assembled in the USA\nBacked by 1-Year limited warranty\n\nNow you can\nRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\nCompress signals with authentic Teletronix T4 opto-compression tube circuitry\nShape your tones further with High and Low frequency shelving tube EQ\nRecord your tracks through vintage UA, “handmade in the USA,”“ circuits\n\nThe Legendary 610 Preamp\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 MkII will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.\n\nToneful Tube Compression\nThe LA-610 Mk II’s T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or ”\"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 MkII’s legendary preamp and compression circuits.\n",
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