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"name": "Aphex Channel Master Preamplifier and Input Processor ",
"description": "Patented RPA tube preamp\nEasyRider® Class A automatic compressor\nPatented logic-assisted gate\nUniversal de-esser\nPatented Aphex Aural Exciter® and Big Bottom® processors\nS/PDIF and AES/EBU digital outputs\nComplete High Performance Channel Strip\nWith more and more studios foregoing consoles in favor of recording and mixing \"in the box\", a clean and versatile front end input stage is indispensible. There are dozens and dozens of channel strips and similar devices to choose from, but none that come close to the Channel in terms of sound, features or performance.\n\nOur legendary Model 230 has been re-imagined as the Channel, adding a host of new features to address a greater number of workflows while retaining the sound, functionality and versatility that made the 230 one of the most in-demand processors ever for professional audio, live sound, broadcast and post production.\n\nChannel incorporates seven powerful devices within a compact, single rack space design, including five of Aphex''s exclusive patented technologies. The result is the highest possible audio quality, processing power and flexibility.\n\nThe elegant front panel not only looks great, but is laid out in an intuitive, easy-to-use workflow with easy to understand labeling. Building on the foundation of the Model 230, the Channel features an instrument input, dedicated output and gain reduction metering, front panel sample rate and clock source selection; and a reference quality internal clock.\n\nApplications\nBroadcast - Channel is a tube microphone preamp and signal processor that is an indispensable broadcast station tool. You''ll find them in the production room and installed as permanent on-air processing for pumping up voices.\n\nRecording Studios - Channel is a powerful and easy-to-use channel strip for commercial and project studios, featuring our reflected-plate amplifier tube microphone preamp design plus compression, gating, de-esser, parametric EQ, Aural Exciter and Big Bottom bass enhancement.\n\nLive Sound - When space is at a premium in a touring rig, and night after night reliability is essential, the rugged Channel provides all the top quality processing needed for any instrument without taking up precious rack space.\n\n\nConnector\tXLR-3F\nType\tTransformerless, NPN active balanced, tube second stage\nInput Z\t2k ? nominal\nMaximum Input Level (MIL)\t+25dBu\nCMRR\t70 dB @ 60 Hz\nNominal Preamp Gain\t20 to 65 dB\nPhantom Power\t+48VDC\nPad\t20dB\nEIN\t-127dBu (input shorted)\nTube Type\t12AT7/ECC81 Dual Triode\nOutput\nConnector\tXLR-3M and 1/4\" TRS phone jacks\nType\tXLR is Impedance Balanced (may be used unbalanced)\nTRS is unbalanced\nOut Z Balanced\tXLR 66 ?\nOut Z Unbalanced\tXLR 33 ?\nTRS 600 ?\nNominal Level\tXLR +4dBu\nTRS -10dBV\nMaximum Output Level\t+25dBu Unloaded\nTRS +11dBV\nCompressor\nAttack / Release\tProgram dependent, user variable release baseline\nRatio\t4:1\nThreshold\tFixed\nKnee\tMedium hard\nGate\nAttack\t0.1 millisecond\nHold / Release\t300 milliseconds / 400 milliseconds\nThreshold\t-50 to +20dB (variable)\nDepth\t1 to 58dB (variable)\nDe-Esser\nAttack\t0.1 millisecond\nRelease\t100 milliseconds\nThreshold\tVariable -20 to +20dB\nRatio\t5:1\nActive Band\t4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover\nInsert\nConnector Type - Send\t1/4\" TRS phone jack (balanced)\nConnector Type - Return\t1/4\" TRS phone jack (balanced)\nNominal Operating Level\t0 dBu\nPoint of Insertion\tBetween dynamics processing and equalizers\nBig Bottom\nFrequency\t50 Hz to 280 Hz\nTune\tOff to +12dB\nParametric EQ\nFrequency Tune\t240 Hz to 8 kHz\nPeak / Dip\t±12dB\nQ Range\t0.5 to 5\nAural Exciter\nFrequency Tune\t500 Hz to 5kHz\nMix\tOff to +12dB\nAnalog Audio\nTHD\t<.01% @ +4dBu Out\nIMD\t01% @ +4dBu Out\nFreq Response (Flat)\t18 Hz to 24kHz ±1dB\nDigital Audio\nInternal Sample Rates\t44.1KHz, 48KHz, 88.2KHz, 96KHz\nExternal Sample Rates\tAutomatically syncs to any Word Clock between 32KHz and 96KHz\nResolution\t24 bits\nWord Clock Input\tBNC jack, High Z, Captures\nWord Clock Output\tBNC jack, 75 ?, 5Vp-p\nDynamic Range\tDigital dynamic range greater than analog front end\nNoise Dither\tDithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither.\nLevel Equivalency\t-20dBFS Digital = +4dBu Analog\nPower Requirements\t90-250 VAC 50-60 Hz 12W\nDimensions\t19\"W x 1.75\"H x 8.25\" D 1 Rack U (482.6mm x 44.5mm x 209.6mm)\nDepth Behind Front Panel\t7.5\" (190.5mm)\nNet Weight\t6 lbs(2.73 kg)\nShipping Weight\t9 lbs (4.1 kg)",
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"name": "YAMAHA MGP24X MIXING CONSOLE",
"description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")",
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"name": "Casio WK-7600 Work Station Keyboard (76 Keys) ",
"description": "Features\nEffector and everything else you need to create exactly the sound you want\n\nDigital reproduction of rich sound\n\nDrawbar Organ Function\n\nThe keyboard comes with 50 specially selected built-in drawbar organ tones. Nine sliders can be used to change harmonic overtone level settings and add percussion and click sounds for real-time sound creation as you play. A rotary speaker simulated using a built-in DSP provides the distinctive acoustic effect of drawbar organ speakers. Parameters can be edited to create original \"\"user drawbar organ tones,\"\" 50 of which can be stored in memory for later recall.\n\nCreate distinctly original sounds\n\nTone Editor\n\nThe attack time, release time, cutoff,vibrato, reverb/chorus, DSP and other parameters of a built-in tone can be adjusted and edited. You can save the result as your own unique\"\"user tone\"\" that will be available for instant recall whenever you need it during live performances. A Tone Editor button provides instant access to the editing mode.\n\nVersatile effector, an essential sound creation tool\n\nMultiple Digital Effects\n\nBuilt-in effects include reverb (10 types),chorus (5 types), and DSP (100 preset DSPs).By adjusting the parameters of the DSP effect types, you can create original effects and store up to 100 original types in memory for later recall.\n\nDSP and chorus cannot be used simultaneously.\n\nEqualizer\n\nIncorporates five selectable frequency characteristics,including “Bright” for a lively sound emphasizing the treble range and “Powerful” with a stress on volume.\n\nA great tool for live stage performances\n\nRegistration\n\nA simple operation saves the current setup, including tone, rhythm, and other settings for instant recall when you need them. * You even can save tones to which effector effects are being applied. Recalling a registration instantly changes the digital keyboard's setup, making this a great tool for live stage performances.\n\n* 6 sets x 16 banks tor 96 setups.\n\nA wide selection of phrases that can be used in songs\n\nArpeggiator\n\nWith the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from 150 different arpeggiato types, including playing arpeggios from a fingered chord, guitar phrases, and more.\n\nSequencer and mixer functions for total musical creation support\n\nMulti-track Recorder Capabilities\n\nSong Sequencer\n\n17-track Song Sequencer (16 tracks + 1 system track) acts as a multi-track recorder, so you can use it for real-time recording of your keyboard play. 17 tracks mean that you can perform multi-track recording to layer bass,guitar, piano, and other instruments onto a drum part and build to a final song. Both real-time and step recording are supported.Completed recordings can be converted to SMF (Standard MIDI File) format and stored to an SD memory card.\n\nCompleted recordings can be converted to SMF (Standard MIDI File) format and stored to an SD memory card.\n\nWhen even more sound creation attention to detail is required\n\n32-channel Mixer\n\nNine sliders, one for each channel, can be used for individual simultaneous adjustment of volume, pan, reverb send, and other parameters. Sound input from an external source via the MIC IN terminal and INST IN terminal can also be adjusted as desired.\n\nCreate rich, realistic rhythm sections of your very own\n\nPattern Sequencer\n\nUp to eight tracks (drum, percussion, bass, chord 1 through chord 5) can be edited to create original accompaniment patterns (INTRO, NORMAL, NORMAL FILL-IN, VARIATION, VARIATION FILL-IN). In addition to recording over each individual accompaniment part of an existing rhythm, and event editing function gives you total control over each aspect of recorded data, an Easy Edit function lets you combine accompaniment from multiple built-in rhythms to create original rhythms, and mixer capabilities give you control over the tones, volume levels, reverb, and other parameters of each part.\n\nA full selection of editing tools include event insert, event delete, event copy, quantize, and more. Memory is provided for storage of up to 100 different user rhythms, which can be recalled with the touch of a key.\n\nGreat for creating original demo recordings\n\nAudio Recording / MIC IN & INST IN\n\nNormal keyboard play, Auto Accompaniment,Song Sequencer play, INST IN terminal input,MIC IN terminal input and other audio can be recorded to an SD memory card as digital audio data. While playing back a song you created with the Song Sequencer, you can play along with on a guitar or other instrument, or input vocal with a microphone.\n\nSaved audio files can also be transferred to a computer connected via USB for long-term storage. Special Data Manager 6.1 application software, downloadable from the URL shown below, can be used to convert data to WAV format, which can be played back on a computer.\n\nAll of this greatly simplifies the task of creating original demo recordings.\n\n* To perform the operations described in this section, you will need to obtain a commercially available SD memory card or SDHC memory card with a capacity between 2GB and 32GB.\nData Manager 6.1 download site:\n\nThe expandability to configure an ideal musical environment\n\nSD Memory Card Slot\n\nSong sequencer, pattern sequencer, tone editor, and other data can be saved to an SD or SDHC memory card. An Audio Record function can be used to record digital audio data. SMF (Standard MIDI File) data stored on an SD or SDHC memory card can be played back on the digital keyboard.\n\nInput/Output Terminals\n\nDifferent input/output terminals are provided to meet a variety of different needs: line out terminals (L/MONO, R) for connection of the mixer of a stage PA system or other devices, an INST IN terminal and a MIC IN terminal for connection of a musical instrument or microphone, an audio in terminal (AUDIO IN) for audio device input that can be output through the speakers, and more.\n\nUSB Port\n\nThe USB port provides easy computer and MIDI send/receive connection. It also enables quick and simple transfer of song sequencer, pattern sequencer, tone editor and other data, as well as audio data recorded to an SD memory card from an audio device between the digital keyboard and a computer. Download of a special Data Manager 6.1 application is required in order to transfer data to a computer. *\n\nTrue musical instrument quality, simple operation\n\nAHL Sound Source\n\nThe sound source is pre-programmed with digital samples of acoustic musical instruments recorded using the most advanced digital technology. Thanks to CASIO original sound technology, the AHL sound source is capable of reproducing all of the natural smoothness of the original waveform.\n\n820 Built-in Tones and 100 User Tones\n\nThe AHL sound source delivers a lineup of 820 different built-in tones. You also can store up to 100 of your own original tones for instant recall whenever you need them.\n\n260 Preset Rhythms and Auto Accompaniment\n\nA total of 260 preset rhythms cover a wide range of musical genres, from rock and pops, to jazz, Latin, piano pieces, and more. Simply select the built-in rhythm you want and Auto Accompaniment provides you with backup that is the next best thing to having a professional band at your disposal.\n\nSliders and Large Dial\n\nNine sliders are provided for drawbar organ settings and mixer operations. A large operation dial really comes in handy during music creation using sequencer functions and mixer functions.\n\nDisplay\n\nThe display shows the currently selected tone name and rhythm name, along with a wealth of other information. On the sequencer screen, for example, you can check the current status and volume level of each of the 16 tracks, and other setting information at a glance.\n\nPiano-Style Keyboard and Touch Response\n\nThe keyboard is designed and engineered to provide a realistic piano experience. Just like a grand piano keyboard, Touch Response causes sound that is output to change in accordance with the amount of pressure applied to the keys.\n\nHigh-output 2-Way Bass Reflex Speakers\n\nA 7W+7W high-output bass reflex 2-way 4-speaker system delivers rich sound from low range to high. The speakers can be used as high-quality monitoring speakers during performances and music creation sessions.\n\nPitch Bend Wheel and Modulation Button\n\nThe pitch bender wheel makes it easy to add realistic sounding guitar choking, sax bending, and other effects to keyboard play. This in combination with the modulation button for applying vibrato and other effects puts a wide range of playing versatility at your fingertips.\n\nMusic Presets\n\nMusic presets provide one-touch access to Auto Accompaniment, tone, reverb, and other settings that are configured in accordance with representative chord progressions. A total of 305 presets let you easily configure the keyboard for a wide variety of different musical styles. In addition to built-in presets, you can create your own original presets (user presets) and store them in memory for later recall.",
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"description": "Recording Simplified!\nUber Mic is the perfect set-up for all your recording needs—whether it’s recording acoustic instruments & vocals, capturing pristine audio for podcasts & broadcasting, or simply bringing your gaming experience to the next level. Uber Mic does it all – start recording, streaming & broadcasting now!\n\nJack of All Trades\nCrystal-clear recording demands the right tools for the job. M-Audio’s Uber Mic features a large-diaphragm 3-capsule condenser microphone, perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more. With a choice of four polar patterns including cardioid, omnidirectional, figure-8 and single point stereo, Uber Mic is primed for virtually any recording scenario:\n\n• Cardioid – a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise\n• Omnidirectional – equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources\n• Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously\n• Stereo – picks up from the left and right side of the microphone, producing a true stereo image\n\nFeatures - \n\n1. Easy, intuitive operation for any application\n2. Wide-range 30–20,000Hz frequency response delivers detailed, natural sound\n3. 3-capsule condenser microphone element, including single-point stereo\n4. 4 selectable polar patterns to customize your ideal recording\n5. Polar patterns: cardioid, figure-8, omnidirectional, and stereo\n6. 1/8” headphone jack and internal headphone amplifier\n7. USB/direct mixing control with mic volume control enables zero-latency recording and monitoring\n8. Microphone mute control ensures privacy\n9. LCD display shows polar pattern and currently selected control level\n10. Studio-quality recording and playback for accurate reproduction\n11. Convenient desktop mounting with threaded insert for optional stand-mounting\n12. Integrated stand fits easily into any setup\n13. iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)\n\nSpecifications - \n\nMicrophone:\nType: 3-capsule condenser USB microphone\nCapsule Size: 16mm\nPolar Patterns: Figure 8, cardioid, omni, and stereo\nFrequency Response: 30 Hz - 20 KHz\nSensitivity: -45 dB (0 dB = 1V/Pa @ 1 kHz)\nSNR: 110 dB\nMaximum SPL: 120 dB (THD <1%, 1 kHz)\n\nHeadphone Output: \n\nImpedance: 10 Ω\nOutput Power: 30 mW (@48Ω)\nTHD: 0/03%\nFrequency Response: 20 Hz - 20 KHz\nSNR: 110 dB\n\nGeneral: \n\nConnectors:\n(1) 1/8” (3.5 mm) TRS/stereo headphone output\n(1) mini-USB port\n(1) 5/8”-27 mounting point\n\nPower:\nvia mini-USB\n\nDimensions:\n4.5” x 10.75” / 11.4 x 27.3 cm (diameter x height; with integrated stand)\n\nWeight:\n4.0 lb. / 1.8 kg (microphone & integrated stand) 1.5 lb.\n0.7 kg (microphone only)\n2.1 lb. / 1.0 kg (integrated stand only)",
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