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"name": "Eikon CM150 - Professional Condenser Microphone",
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"name": "Martin 000C Jr E StreetMaster Acoustic-Electric Guitar",
"description": "000 JUNIOR BODY SIZE: The 000 Junior body size offers the balanced tone and comfortable feel of a full-size Auditorium model in a more compact, travel-friendly design. Its even response across all six strings delivers smooth highs and controlled bass, making it versatile for any playing style. With a cutaway for easy access to higher frets and a balanced projection that ensures clarity in every note, the 000 Junior is the perfect companion for home, stage, or the road.\nSATIN SAPELE BACK & SIDES: Crafted with solid sapele back and sides, this guitar delivers a warm, balanced tone with a strong midrange and bright, airy trebles. Sourced from Africa, sapele is similar to mahogany in both tone and feel but often features striking light and dark grain banding. Finished with a beautifully distressed satin finish, it offers a rich, dynamic response and a vintage-inspired look that’s perfect for any playing style.\nSATIN SAPELE TOP: A solid sapele top delivers a warm, complex tone with rich harmonics and a focused midrange. Paired with scalloped spruce X-bracing, it enhances resonance and dynamic response, making it ideal for both fingerstyle and flatpicking. The top also features a distressed satin finish, adding a vintage-inspired look to its natural grain pattern. Its balanced tone and strong projection make it a versatile choice for players seeking warmth, clarity, and a dynamic voice.\nPERFORMING ARTIST NECK: The Performing Artist neck profile offers a modern, slimmer shape for fast playing and smooth chord changes. It features a 1 3/4“ nut width and a full 24.9” scale length, providing a familiar feel with enhanced comfort and precision. The high-performance taper ensures a fast, comfortable grip, while the hand-applied finish gives it a smooth, natural feel. Designed for speed and playability, this neck is ideal for a variety of playing styles.\nJUNIOR SERIES: The Martin Junior Series is your full-scale companion—anytime, anywhere. These guitars and basses combine a compact body with a full 24.9\" scale length for a comfortable feel and rich tone. Crafted with all-solid tonewoods like sapele and spruce, they deliver the warmth and depth of a Martin in a more portable size. With ergonomic upgrades, satin chrome tuners on select models, and built-in Martin E1 electronics, the Junior Series is always ready to make music with you.",
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"name": "Martin 000 Jr E Sapele Acoustic-Electric Guitar",
"description": "The Martin 000 Jr E Sapele acoustic-electric guitar combines compact design with full-bodied tone, making it ideal for players seeking portability without sacrificing sound quality. Built with an all-solid sapele top, back and sides, this 000 Jr E features scalloped spruce X-bracing for enhanced resonance and projection. The sapele body delivers rich midrange warmth, punchy lows and crisp trebles, while Martin's X-bracing adds both strength and flexibility, ensuring a dynamic, balanced tonal response. The silky satin finish highlights the natural beauty of the wood, creating a visually appealing instrument that's as refined as its sound. Designed for both casual strumming and live performance, the 000 Jr E Sapele acoustic-electric guitar delivers the rich tonal complexity and powerful projection expected from a Martin.\nFeatures\nAll-solid sapele top, back and sides for balanced and full-bodied tone\nScalloped spruce X-bracing enhances projection and tonal clarity\nPerforming Artist neck with beveled edges for effortless playability\nFaux abalone inlays add vintage-inspired style and elegance\nMartin E1 electronics for plug-and-play performance on stage\nNickel open-gear tuners ensure precise and stable tuning\nSoftshell case included for protection during travel\nSatin finish provides durability and a timeless aesthetic\nShort scale length offers comfort and playability for all levels\nSloped modern belly bridge maximizes sustain and tonal richness\nSpecs\nBody\nBody style: 000 Junior 14 fret\nTop wood: Sapele\nBack and sides wood: Sapele\nBracing pattern: Scalloped X-brace\nFinish: Satin\nNeck\nNeck shape: Performing Artist\nNeck wood: Select hardwood\nScale length: 24.9“\nFingerboard wood: Select hardwood\nFingerboard width at nut: 1-3/4”\nFingerboard width at 12th fret: 2-1/8“\nNumber of frets: 20\nHardware\nBridge material: Select hardwood\nBridge string spacing: 2-5/32”\nTuning machines: Nickel open-gear\nNut material: White Corian\nSaddle material: White TUSQ\nElectronics\nPickup system: Martin E1\nControls: Volume, tone and phase\nBuilt-in tuner: Yes\nOther\nCase: Softshell\nOrientation: Right handed\nNumber of strings: 6\nWarranty\n1 year warranty on Martin Backpackers, Little Martins and ukuleles. Limited lifetime on other Martin guitars.",
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"name": "Ibanez Q Series QX54QM BSM Electric Guitar",
"description": "Ibanez Q Series QX54QM BSM Electric Guitar\nSPECS\nneck type\tParallel Wizard3pc Roasted Maple/Bubinga neck\ntop/back/body\tQuilted Maple topNyatoh body\nfretboard\tRoasted Birdseye Maple fretboardMother of Pearl Step off-set dot inlay\nfret\tJumbo Stainless Steel frets\nnumber of frets\t24\nbridge\tIbanez Mono-Tune bridge\nstring space\t10.8mm\nneck pickup\tR1 (S) neck pickupPassive/Ceramic\nmiddle pickup\tR1 (S) middle pickupPassive/Ceramic\nbridge pickup\tQ58 (H) bridge pickupPassive/Ceramic\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nhardware color\tCosmo black\nNECK DIMENSIONS\nScale :\t648mm/25.5'\na : Width\t42mm at NUT\nb : Width\t57mm at 24F\nc : Thickness\t19mm at 1F\nd : Thickness\t19mm at 12F\nRadius :\t508mmR\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nQX54QM's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nQX54QM's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nRecommended Case\tMR350C\nGig bag included\ndyna-MIX9 switching system w/Alter Switch\nIbanez Custom String Lock\nLuminescent side dot inlay\nFeatures\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nThe Parallel Wizard neck is 19mm thick all the way through the entire length. It provides an amazing fretting-hand experience for the players who prefer their instrument held in a higher playing position. The 3pc Roasted Maple/Bubinga construction also offers excellent stability and long-term durability.\n\nQuilted Maple top / Nyatoh body\nQuilted Maple top / Nyatoh body\nThe Quilted Maple top sonically enriches the response for picking. Nyatoh used as body wood provides a rich mid-low end.\n\nR1 / Q58 S-S-H pickups\nR1 / Q58 S-S-H pickups\nThe R1 / Q58 pickup combo is designed specifically for use in headless guitars. They provide a clearly defined sound, facilitating excellent tonal balance through all frequencies. The lows are powerful without being muddy, and the highs are bright and clear, but never harsh. As a result, every single note within the chord structure is well defined, and clearly audible. These pickups, with their tonal balance, and extremely low noise performance, work extremely well with both digital and analog effects.\n\nCustom string lock\nCustom string lock\nThis custom string lock is one-piece unit that features very simple construction. This means the hardware requires less maintenance, is highly durable, and allows for very easy string changes. Additionally, no proprietary string is required, so you can continue to use your favorite gauge and brand.\n\nMono-Tune bridges\nMono-Tune bridges\nThe Mono-Tune bridges offer a wide intonation range so that you can easily set the instrument up for tuning down a whole step or even further. The string height is also easily adjustable, and each saddle generally has less material, which leads to more natural and organic tone.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSlanted frets\nSlanted frets\nAll of the frets are equally slanted at an 8-degree angle. Many contemporary players tend to favor a much higher playing positon to execute more effectively, highly technical and intricate techniques like tapping, finger style, and even occasional bass-inspired slap riff. This higher position results in the four fretting fingers naturally tilting slightly inwards. This 8-degree inward tilt of the frets perfectly accommodates this and offers a more natural feeling and comfortably playing guitar.\n\nRoasted Birdseye Maple fretboard\nRoasted Birdseye Maple fretboard\nThe beautiful Birdseye Maple fretboard imbues this model with an exotic appearance . The fretboard is heat-treated for a balanced attack and rich sustain.\n\nJumbo Stainless Steel frets\nJumbo Stainless Steel frets\nStainless steel frets boast excellent corrosion resistance. The wide and tall fret-type offers a quick response and effortless articulation when playing chords and clear tone when playing single notes.\n\nErgonomic body design\nErgonomic body design\nThe body features a number of strategically placed curves on both the top and back of the instrument. This complex, yet sophisticated design provides maximum playing comfort.\n\nCompact and light-weight, yet resonant body\nCompact and light-weight, yet resonant body\nWhile it is really compact and light-weight, its non-chambered, solid body provides great sound with rich woody tones.\n\nLuminescent side dot inlays",
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"name": "Tc electronic nova system eu, exceptional compact floor-based processor for guitar effects with 6 fx blocks, analog drive and flexible operation (963200051)",
"description": "Exceptional Compact Floor-Based Processor for Guitar Effects with 6 FX Blocks, Analog Drive and Flexible Operation\nComplete Compact Creativity\nWith six amazing sounding effect blocks ported straight from our flagship G-System and an added all analog but programmable overdrive and distortion, NOVA SYSTEM is the all-in-one wonder that’s hands down the best compact unit on the market today. There, we said it.\n\n • Six effect blocks ported 1:1 from G-System\n • Nova Drive Technology - all-analog drive with preset control\n • Super simple - features pedal- or preset functionality\n\nFirm Foundation, Next Generation\nFirm Foundation, Next Generation\nNOVA SYSTEM takes the industry standard G-System EQ, noise gate, modulation, pitch, delay and reverb blocks and adds a totally organic and musical drive section to deliver a compact package of pure tone.\n\nFar Beyond Driven\nFar Beyond Driven\nNova Drive technology is a great sounding, totally musical analog overdrive and distortion section - with the added benefits of digital control giving you ultra-precise tone shaping tools, preset storage/recall and sweet undiluted tone.",
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"name": "Cort Roselyn LE Nat Limited Edition Orchestra Model Solid Adirondack Spruce Top Semi Acoustic Guitar",
"description": "Cort Roselyn LE Nat Limited Edition Orchestra Model Solid Adirondack Spruce Top Semi Acoustic Guitar\n\nRoselyn LE\n\nInspired by arts and crafts of the 19th century Art Nouveau era, the Roselyn LE is a true masterpiece that incorporates both classic and modern aesthetics and guitar building techniques. It all started with a carefully crafted wooden inlay in the center of the guitar with a portrait of a young woman holding a rose, and the name Roselyn was born. Unique features such as an off-set sound hole on top and sound port on side, bevel cut on body arm rest, and elegant looking vine/flower mother-of-pearl inlay that branches out from the center inlay all contribute to the beauty and uniqueness of the Roselyn LE.\n\nFeatures\n\nSolid Adirondack Spruce Top\nFor the Limited Edition models, only the highest grade woods (Master Grade) were used and Adirondack Spruce fits the bill with its strength and extreme dynamics and sensitivity. Even at full volume, you will still be able to hear smoothness in the tone without losing any definition.\n\nSolid Rosewood Back & Sides\nRich and deep, warm yet punchy with an ideal sprinkling of sweet presence, rosewood imparts a big low-end with plenty of power and volume for use in any musical style.\n\nSpecial Designed Rosette & Side Sound Port\nThe “Roselyn” inlay in the center is crafted in meticulous detail, and with the addition of vine and flowers m.o.p. inlay branching out into the dark ebony, the guitar almost looks like an artwork from 19th century. Instead of a conventional sound hole in the center of the body, an off-set sound hole is cut out in a seed shape to go along with the body outline. There is a second sound hole, a Sound Port, on the lower part of the side of the body which affects the Helmholtz properties of the body and enhances the dynamics and the treble of the acoustic tone. It also allows the player to better monitor the natural sound of the guitar during performance.\n\nOM Cutaway Body\nThe OM’s compact size is ideal for players with a small body frame or seeking playing comfort. The bright and stronger high-midrange emphasis is more suited for fingerpicking than strumming which often requires more low-end. The Florentine cutaway on this model allows easy access to the high frets.\n\n5pcs Mahogany & Walnut Neck\nThe 5-piece neck not only provides strength and stability but a strong and focused sound in conjunction with the body’s acoustic resonance.\n\nGotoh® 510Z Gold\nFeaturing an extremely precise 21:1 tuning ratio, these tuners feel solid and ultra-smooth at the same time. The elegant and streamlined knobs also reduce fatigue during the tuning process. You will feel the quality of these tuners the moment you start tuning the guitar.\n\nL.R. Baggs® Anthem\nThe L.R. Baggs® Anthem pickup/preamp system delivers the pure acoustic vibrations of the instrument to the amplifier and PA without any coloration. Unneeded feedback can also be easily and effectively controlled through minimalistic controls that do not interfere with the look of the instrument.\n\nEbony Fingerboard\nThere are many types of woods that are used for fingerboard but no other compares to the jet-black beauty and slick smoothness of Ebony.\n\nEbony Bridge Pins\nThe high density of Ebony wood keeps the fundamental acoustic sound focused and tight with greater sonic projection than plastic, enhancing the transfer of the string vibrations throughout the soundboard top, body and the neck.\n\n \nSpecifications\nCONSTRUCTION DoubleLock Neck Joint\nCUTAWAY Florentine\nBODY OM(Orchestra Model)\nNUT WIDTH 1 11/16\"(43㎜)\nTOP Solid Adirondack Spruce\nBACK & SIDES Solid Rosewood\nNECK 5pcs Mahogany & Walnut\n(Walnut Reinforced Neck)\nFRETBOARD Ebony\nFRETS 20\nSCALE 25.3\"(643㎜)\nTUNERS Gotoh® 510Z Gold\nBRIDGE Ebony\nELECTRONICS L.R. Baggs® Anthem\nSTRINGS D'Addario® EXP16\nBRACING Hand Scalloped X-Bracing\nSPECIAL Special Designed Rosette & Side Sound Port\nADDITIONAL Tusq Nut & Saddle",
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"description": "The Trailblazer acoustic guitar starter pack(CAP810) offers a great all-in-one solution to get started playing at a very affordable price. It includes Cort’s best-selling, full-sized AD810 dreadnought acoustic guitar, a gig bag, comfortable shoulder strap, picks, and an electronic guitar tuner to get you playing right away. Whether you're looking for a great gift for your budding musician or an affordable way to get started yourself, the Cort Trailblazer Pack is the right choice.\n\nCAP810 Trailblazer Pack\n\nOpen Pore\n\nFeatures\nSpecifications\nImages\nVideo\nFeatures\n\nAD810\n\nIncluded in the package is Cort’s best-selling AD810 model. AD810 is from our Standard Series that offers solid performance for beginners and hobbyists alike with robust build and sound quality that is suitable for many playing situations. AD810 features Spruce top and Mahogany back and sides for traditional balanced sound, while the full-sized dreadnought body offers full body output and plenty of projection.\n\n\nSpruce Top\n\nSpruce provides an ideal balance between strength and flexibility, hence its overwhelming popularity as the wood of choice for tops of acoustic guitars. Spruce’s versatile sonic character makes it ideal for a variety of musical genres and playing styles.\n\nMahogany Back & Sides\n\nBright yet natural with a strong and warm midrange, the beloved mahogany wood has been a standard for back and sides on premium acoustics for many decades.\n\n\nOpen Pore Finish\n\nNot only does the open pore finish enhance the resonance of the woods but it also reduces the weight of the guitar for improved playability.\n\nCoated Strings\n\nHigh-quality coating on the strings resist humidity, dirt and sweat for long string life and improved playability. Specially outfitted on this model.\n\n\nDovetail Neck Joint\n\nStrongly joined with meticulous workmanship by experienced craftsmen, the dovetail joint transfers the body’s vibration and resonance to the neck with no loss of energy and with plenty of detail.\n\nCort E310C Tuner\n\nThis clip-on electronic tuner provides quick and accurate tuning with easy-to-read backlit display, and its compact size and light weight makes it more adequate for clipping on to a headstock.\n\n\nPicks\n\nCort medium thickness picks are included.\n\nStraps\n\nComfortable shoulder strap is included.\n\n\nGig-Bag\n\nGreat for carrying your guitar around, the gig bag also helps prevent unwanted dust from contaminating your guitar while it is stored.\n\nFeatures\nSpecifications\nImages\nVideo\nSpecifications\n\nCONSTRUCTION\tDovetail Neck Joint\nBODY\tDreadnought\nNUT WIDTH\t43㎜ (1 11/16\")\nTOP\tSpruce\nBACK & SIDES\tAfrican Mahogany(Okoume)\nNECK\tMahogany(Palaquium)\nFRETBOARD\tMerbau\nFRETS\t20\nSCALE\t643㎜ (25.3\")\nINLAY\tDot\nTUNERS\tDie-Cast\nBRIDGE\tMerbau\nSTRINGS\tCoated Strings\nBRACING\tAdvanced X-Bracing\nSPECIAL\t* Tuner, Picks, Straps, Gig-Bag Included",
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"description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i(Enhanced Definition Synthesis - integrated)\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators\n\nProgram\n\nTimbres\n\nUp to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset\n\nMaster Keyboard functionality\n\nThese allow you to control external MIDI devices\n\nCombination\n\nDrumkits\n\nStereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).\n\nUser Combinations\n\n896 Combinations (384 Preload)\n\nUser Programs\n\n1280 Programs (768 Preload)\n\nUser Drum Kits\n\n58 Drum Kits (42 Preload)\n\nPreset Programs\n\n265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)\n\n* Total number of preload programs and preset programs:1,075 (810 preload programs, 265 preset programs\n\nThe Number of Combinations/Programs/Drum Kits\n\nFavorites\nNumber of memories\n\n128 (16 favorites × 8 banks)\n\nEffects\nInsert effects\n\n5 Insert Effects In-line processing; stereo in - stereo out.\n\nMaster effects\n\n2 Master Effects Two effects sends; stereo in - stereo out.\n\nEffects types\n\nTotal of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)\n\nModulation\n\nDynamic Modulation\n\nEffects Control Bus\n\nStereo side-chaining for limiter, gates, vocoders, etc.\n\nPolyphonic arpeggiators\nProgram mode\n\nOne arpeggiator\n\nCombination mode\n\nTwo arpeggiators\n\nSequencer modes\n\nTwo arpeggiators\n\nPreset arpeggio patterns\n\nUP, DOWN, ALT1, ALT2, RANDOM\n\nUser arpeggio patterns\n\nNumber of arpeggio patterns: 1280 (1024 preload)\nNumber of tones: 12 tones,\nNumber of steps: up to 64 steps\n\nStep sequencer\nProgram mode\nCombination mode\nSequencer mode\n\nOne unit\nNumber of tones: 12 tones + 1 accent tone\nNumber of steps: up to 64 steps\n* Can be created for each program, combination, and song.\n\nDrum Track\nPreset Patterns\n\n772 patterns (Held in common with sequencer patterns.)\n\nOther\n\nTrigger Mode / Sync / Zone settings can be specified\n\nSequencer\nTracks\n\n16MIDI Tracks\n\nNumber of Songs\n\nUp to 128 songs\n\nResolution\n\n1/480\n\nTempo\n\n40.00–300.00 (1/100 BPM resolution)\n\nMaximum Memory\n\nUp to 210,000 MIDI events\n\nCounter\n\nMeasure/Beat/Tick\n\nTemplate Song\n\n16 preset/16 user template songs\n\nPreset Patterns\n\n772 patterns (shared with Drum Track patterns)\n\nFormat\n\nKORG (KROSS) format, SMF format 0 and 1\n\nPad sampler\nSpecifications\n\n16 pads × 8 banks\nAutomatically saved on the SD card, and automatically loaded\nUp to four pads can play simultaneously\n\nRecording format\n\nPCM audio format 48 kHz/16-bit\n\nRecording time\n\nUp to approximately 14 seconds of stereo sample for each pad\n\nImport\n\nWAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nEdit\n\nWaveform display editing functionality, start address and looping settings etc., normalize and other editing operations\n\nAudio Recorder\nRecording Format\n\nPCM audio format 48kHz/16bit\n\nImport\n\nWAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nExport\n\nWAVE format (file name extension: .wav) 48kHz/16bit, stereo\n\nRecording Time\n\nMaximum continuous recording time: 3 hours\nDepends on the SD card used; approximately 90 minutes per 1 GB\n\nNumber of Songs\n\nUp to 200 songs\n\nNumber of overdub recordings\n\nDepends on the remaining capacity of the SD card\n\nCounter\n\nHour/Min/Sec\n\nPad audio play\n\n\n16 pads × 8 banks\nDirectly play back data from SD card\nMultiple pads cannot be played simultaneously\n\nMedia\nFile, Utility, Information, additional PCM data management functionality\n\nControllers\nGeneral Control\n\nPitch bend wheel, Modulation wheel, SW1, SW2\n\nRealtime Control\n\nSELECT button, SWITCH button, KNOB1 knob, KNOB2 knob\n\nStep Sequencer/Favorite/Pad Sampler/Pad Audio Play\n\n\nPads 1–16\nSTEP SEQ ACTIVE button, Run button\nFAVORITES ACTIVE button\nSAMPLER ACTIVE button, HOLD button\nAUDIO PLAY ACTIVE button\nBANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)\n\nDrum Track\n\nDRUM TRACK button\n\nArpeggiator\n\nARP button\n\nAudio Recorder\n\nAUDIO REC button\n\nUser Interface\nDisplay\n\n240 × 64 pixel LCD backlight\nAdjustable contrast (hold the EXIT button and turn the VALUE dial)\n\nCategory\n\nCATEGORY dial, VALUE dial\n\nMODE\n\nCOMBI button, PROG button, SEQ (GLOBAL/MEDIA) button\n\nValue Controllers\n\nCursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons\n\nSequencer\n\nREC button, START/STOP button\n\nQuick Layer Split\n\nLAYER/SPLIT button\n\nOther\n\nVOLUME knob\n\nControl Input\nDAMPER (Supports piano-style half-damper pedals as well as standard foot switches)\nASSIGNABLE SWITCH\nASSIGNABLE PEDAL\n\nAudio Outputs (Analog)\nAUDIO OUTPUT L/MONO, R\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nOutput Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)\nMaximum Level: +10.0 dBu\nLoad Impedance: 10k ohm or greater\nControllable by the VOLUME knob\n\nHEADPHONE OUTPUT\n\nConnectors: 3.5mm (1/8\") stereo mini phone jack\nOutput Impedance: 33 ohnm\nMaximum Level: 40 + 40 mW\nControllable by the VOLUME knob\n\nAudio Inputs (Analog)\nLINE IN\n\nConnectors: 3.5 mm (1/8\") stereo mini phone jack\nInput Impedance: 1.1k ohm\nMaximum Input Level: -42 to 0 dBu\n\nMIC IN\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nInput Impedance: 33 ohm\nMaximum Input Level: -48 to -6dBu\nPhantom power or plug-in power is not supported.\n\nOthers\nMIDI\n\nIN, OUT\n\nUSB\n\nUSB connector TYPE B x 1, USB-MIDI interface, USB audio interface\n\nSD Card Slot\n\nOne card slat\n\n* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). 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