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{ "products": [ { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. 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Hone your craft.\nBuilding upon M-Audio’s world-class reference monitor technology, the HDH50 high-definition headphones bridge the gap between studio monitor engineering and private audio. Incorporating premium audio components into a rugged, durable design, HDH50 delivers critical sound reproduction and audio isolation for use in professional recording and monitoring environments. The over-the-ear design helps reduce fatigue during extended studio sessions, and the plush padding ensures that the HDH50 stays secured. For music production and listening, the HDH50 headphones deliver purpose-built, high-fidelity sound.\n\nSuperior Frequency Response\nExpertly tuned and optimized for impressive audio clarity, the HDH50 headphones feature powerful, 50mm neodymium drivers for full-range frequency response. These extra-large drivers offer authentic bass response and allow producers to make accurate mix adjustments to the low end in private listening environments. Built with a rugged aluminum and steel construction, HDH50 gives producers and listeners high-definition sound in a headphone that's built to last.\n\nFatigue-Free Listening\nHDH50 was developed for musicians and engineers who desire fatigue-free listening and maximum comfort during long recording, mixing, and listening sessions. Its closed-back construction is ideal for those long hours spent in the studio and helps reduce signal bleed to neighboring microphones for cleaner tracking. Overstuffed padding on the ear cups and headband provide unparalleled comfort during demanding recording sessions, and the ear cups completely surround the ears for excellent audio isolation.\n\nFull-Range Frequency Response\nWith an expansive 12Hz-24kHz frequency range, there’s more than enough frequency range for creating, mixing, or monitoring any project. HDH50 is capable of producing the entire human frequency range, from low bass frequencies to crystal-clear highs, for reliable sound reproduction. Additionally, HDH50 creates an accurate stage-wide stereo image for precise mixing and instrument placement. With HDH50, you get the technology of a close-range monitoring system with the benefits, convenience, and comfort of headphones.\n\nFeatures - \n\n1. Premium build quality and tuning with 12Hz-24kHz frequency response\n2. Powerful 50mm drivers with neodymium magnets offer an immersive audio experience\n3. Built to last with rugged aluminum and steel construction\n4. Plush leather cushioning with a comfortable over-the-ear design\n5. Audio cable with 1/4” adapter included\n6. Communication cable with built-in microphone included\n\nSpecifications - \n\nFrequency Response: 12Hz-24kHz\nMax SPL: 114dB @ 1kHz\nImpedance: 16 Ohms\nCable: 6.8 ft. 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Along with the striking design comes exceptional 21st century audio quality and functionality. Best-in-class digital converters capture the detailed nuance of every recording. The large volume knob provides accurate control of the output level, and direct monitoring provides zero-latency tracking. The 2 XLR/TRS combo inputs are conveniently mounted on the front of the SRI-2, so you can easily plug in your instrument or mic. The truly unique innovation of the SRI-2, however, is the speaker switching capability, which allows you to A-B your mix on two sets of speakers (with one of them hopefully being from Fluid Audio).\n\nBig Volume Knob\n\nEasy to reach on the top surface, the knob is solid aluminum with rubber grip for good weight and feel\n\nInputs\n\nTwo combo XLR/TRS inputs are front mounted for easy access. 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Sitting on the desks of a huge global community of musicians, producers and home-recordists, the iconic 2i2 has already helped make more records than any other interface in history. And with the 3rd Generation, you’re going to sound better than ever.\n\n✔ Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals\n\n✔ Two high headroom instrument inputs, for plugging your guitar or bass straight in\n\n✔ High-performance converters, allowing you to record, mix and play back audio in studio quality, anywhere \n\n✔ Quick Start tool, making it easier than ever to get up and running\n\n\n\nTHE COMPLETE HOME RECORDING STUDIO\n\nScarlett’s best-selling interface, millions of musicians use 2i2 to write and record every day. Featuring natural sounding 3rd Generation mic preamps, and Air, emulating our original ISA preamps, 2i2 is getting musicians the most from their mics everywhere, all the time. It’s like writing in a studio.\n\n\n\nTHE BEST SOUNDING, EASILY\n\nQuick Start gets you set up and recording within minutes. Your CM25 MkIII mic captures every detail. Your HP60 MkIII headphones mean clear and comfortable mixing and monitoring. 3rd Gen mic preamps, high-headroom instrument input and now-iconic gain halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.\n\n\n\nYOUR RECORDING IS 30 YEARS IN THE MAKING\n\nWe’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. 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Uber Mic does it all – start recording, streaming & broadcasting now!\n\nJack of All Trades\nCrystal-clear recording demands the right tools for the job. M-Audio’s Uber Mic features a large-diaphragm 3-capsule condenser microphone, perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more. With a choice of four polar patterns including cardioid, omnidirectional, figure-8 and single point stereo, Uber Mic is primed for virtually any recording scenario:\n\n• Cardioid – a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise\n• Omnidirectional – equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources\n• Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously\n• Stereo – picks up from the left and right side of the microphone, producing a true stereo image\n\nFeatures - \n\n1. Easy, intuitive operation for any application\n2. Wide-range 30–20,000Hz frequency response delivers detailed, natural sound\n3. 3-capsule condenser microphone element, including single-point stereo\n4. 4 selectable polar patterns to customize your ideal recording\n5. Polar patterns: cardioid, figure-8, omnidirectional, and stereo\n6. 1/8” headphone jack and internal headphone amplifier\n7. USB/direct mixing control with mic volume control enables zero-latency recording and monitoring\n8. Microphone mute control ensures privacy\n9. LCD display shows polar pattern and currently selected control level\n10. Studio-quality recording and playback for accurate reproduction\n11. Convenient desktop mounting with threaded insert for optional stand-mounting\n12. 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Looking to get a better listening experience for your favorite music, podcasts, live streams, video games, video calls and conferences? The M-Audio BX4 monitors are the perfect choice! Compact, attractive and easy-to-setup, M-Audio’s BX4 desktop speakers have been meticulously created for you to experience your media like never before!\n\nPerfect Connections\n\nThe rear panel connections offer 1/4” and RCA inputs making them compatible with all your gear. There is even an 1/8“ aux input and headphone connection cleverly placed on the front of the speaker for your tablet, computer, or mobile device. These connections allow you to work privately at any hour and are ideal for reproducing any type of media.\n\nThe Right Amount of Power and Design\nDesigned for live streaming, gaming, creating content, producing music, watching movies or listening to your favorite music, M-Audio’s BX4 monitors provide 120 Watts of crystal-clear sound inside an attractive, style-driven design that provides the ultimate solution for pro-grade sound. The two-way design features an Acoustically-inert MDF cabinet with bass reflex that provides smooth low end and punch through the Black Kevlar® low frequency drivers. Plus enhanced rear ports add extended low-frequency response which makes any video-game, movie or song you play sound full and rich! The computer-optimized natural silk dome tweeters make sure you hear all the high-end frequencies and provide precise stereo imaging.\n\nControl Your Sound\nFeatures that are usually only found on high-end, expensive studio monitors are included on the rear panel of the M-Audio BX4. High-EQ and Low-EQ controls dial in the perfect sound for your environment and let you customize the sound of the BX4. The Left/Right Active Speaker Position Switch lets you choose which speaker is the Left or Right side. This is very useful if you are left-handed and want the speaker with the front panel volume control on your left side. It’s your choice!\n\nWe've Included Software to Match Your Style!\nThe BX4 comes complete with a software package. With a powerful DAW to suit your production needs, BX4 includes MPC Beats.\n\nKey Features - \n\n1. 4.5” Black Kevlar® low frequency drivers; 1” natural silk dome tweeters\n2. New computer-optimized tweeter waveguide for precise imaging\n3. High-EQ and Low-EQ controls for dialing in the perfect sound\n4. Enhanced rear ports for extended low-frequency response\n5. Left/right Active Speaker Position Switch for configuring which side has volume control\n6. 1/4”, 1/8”, and RCA inputs for connecting to virtually any audio source\n7. Front 1/8” AUX input for quick connection of smartphones or other audio sources\n8. Acoustically-inert MDF cabinet with bass reflex design for deep, rich sound\n9. Includes 1/8” speaker interconnect cable, 1/8” to 1/8” cable, 1/8” to RCA cable and Foam Feet\n\nTechnical Specifications - \n\nFrequency Response - 69 Hz – 22 kHz\nOutput Power - 120 W (total peak), 2 x 25 W (RMS)\nLF Driver - \t4.5” / 114.3 mm\nHF Driver - 1” / 25.4 mm; silk dome\nAudio Inputs - (1) RCA stereo input pair / (2) 1/4” (6.35 mm) TRS inputs / (1) 1/8\" (3.5 mm) stereo auxiliary input\nHeadphone Output - 1/8” (3.5 mm) stereo output\nInterconnection Cable - 1/8” (3.5 mm) TS\nPower - 100–240 VAC, 50/60 Hz, 85 W\nDimensions\t6.1” x 6.9” x 8.9”\n(width x depth x height, per speaker) 156 x 175 x 225 mm\nWeight\t9.83 lbs.\n(per speaker)\n4.46 kg\n\nWhat’s In The Box- \n\nBX4 Speakers (Stereo Pair)\nFoam Feet\n2-Prong IEC Power Cable\n1/8” TS Speaker Interconnect Cable\nProduct Registration and Support\n1/8” to 1/8” TRS Aux Cable\n1/8” TRS to RCA Cable\nUser Guide\nSafety & Warranty Manual", "price": 19000.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "support 18", "speaker 156", "89 width", "dimensions 61", "18 cable 18", "left side", "listening experience", "perfect connections", "rca cable", "total peak 2", "powerful daw", "software package", "rear panel", "highend frequencies", "videogame movie", "ultimate solution", "work privately", "mobile device", "18 aux input", "meticulously created", "perfect sound", "prograde sound", "sound quality", "quick connection", "tablet computer", "sound features", "design designed", "rca inputs", "loweq controls", "bass reflex", "bass reflex design", "rca inputs making", "loweq controls dial", "maudio bx4 higheq", "maudio bx4 monitors", "play sound full", "crystalclear sound inside", "twoway design features", "headphone connection cleverly", "builtin computer speakers", "attractive styledriven design", "computeroptimized tweeter waveguide", "smooth low end", "acousticallyinert mdf cabinet" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 540, "imageuri": "https://productimages.withfloats.com/actual/686241f53b533428bab5ae52.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/686241f53b533428bab5ae52.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-30T07:50:44.129Z", "updatedon": "2025-06-30T07:50:44.129Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx4-pair-4-5-black-kevlar-120-watt-multimedia-reference-monitors-music-production-live-streaming-podcasting-pair-/540", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-AUDIO", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "686240471007da114bbed97d", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX3 ( 3.5” Black Kevlar® 120-Watt Multimedia Reference Monitors | Music Production | Live Streaming | Podcasting (pair) )", "description": "Are you unhappy with the sound quality of your built-in computer speakers? Looking to get a better listening experience for your favorite music, podcasts, live streams, video games, video calls and conferences? The M-Audio BX3 monitors are the perfect choice! Compact, attractive and easy-to-setup, M-Audio’s BX3 desktop speakers have been meticulously created for you to experience your media like never before!\n\nThe Right Amount of Power and Design\n\nDesigned for live streaming, gaming, creating content, producing music, watching movies or listening to your favorite music, M-Audio’s BX3 monitors provide 120 Watts of crystal-clear sound inside an attractive, style-driven design that provides the ultimate solution for pro-grade sound. The two-way design features an Acoustically-inert MDF cabinet with bass reflex that provides smooth low end and punch through the Black Kevlar® low frequency drivers. Plus enhanced rear ports add extended low-frequency response which makes any video-game, movie or song you play sound full and rich! The computer-optimized natural silk dome tweeters make sure you hear all the high-end frequencies and provide precise stereo imaging.\n\nPerfect Connections\n\nThe rear panel connections offer 1/4”, 1/8”, and RCA inputs making them compatible with all your gear. There is even an 1/8-inch aux input and headphone connection cleverly placed on the front of the speaker for your tablet, computer, or mobile device. These connections allow you to work privately at any hour and are ideal for reproducing any type of media.\n\nControl Your Sound\n\nFeatures that are usually only found on high-end, expensive studio monitors are included on the rear panel of the M-Audio BX3. High-EQ and Low-EQ controls dial in the perfect sound for your environment and let you customize the sound of the BX3. The Left/Right Active Speaker Position Switch lets you choose which speaker is the Left or Right side. This is very useful if you are left-handed and want the speaker with the front panel volume control on your left side. It’s your choice!\n\nKey Features - \n\n1. 3.5” Black Kevlar® low frequency drivers; 1” natural silk dome tweeters\n2. New computer-optimized tweeter waveguide for precise imaging\n3. High-EQ and Low-EQ controls for dialing in the perfect sound\n4. Enhanced rear ports for extended low-frequency response\n5. Left/Right Active Speaker Position Switch for configuring which side has volume control\n6. 1/4”, 1/8”, and RCA inputs for connecting to virtually any audio source\n7. Front 1/8” AUX input for quick connection of smartphones or other audio sources\n8. Acoustically-inert MDF cabinet with bass reflex design for deep, rich sound\n9. Includes 1/8” speaker interconnect cable, 1/8” to 1/8” cable, 1/8” to RCA cable and Foam Feet\n\nTechnical Specifications - \n\nFrequency Response - 80 Hz – 22 kHz\nOutput Power - 120 W (total peak), 2 x 25 W (RMS)\nLF Driver - \t3.5” / 88.9 mm\nHF Driver - 1” / 25.4 mm; silk dome\nAudio Inputs - (1) RCA stereo input pair / (2) 1/4“ (6.35 mm) TRS inputs / (1) 1/8” (3.5 mm) stereo auxiliary input\nHeadphone Output - 1/8” (3.5 mm) stereo output\nInterconnection Cable - 1/8” (3.5 mm) TS\nPower - 100–240 VAC, 50/60 Hz, 85 W\nDimensions\t5.5” x 5.7” x 8.2”\n(width x depth x height, per speaker) 140 x 145 x 208 mm\nWeight\t7.39 lbs.\n(per speaker)\n3.35 kg", "price": 15300.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "82 width", "dimensions 55", "speaker 140", "18 cable 18", "left side", "listening experience", "speaker 335 kg", "media control", "rca cable", "total peak 2", "rear panel", "work privately", "mobile device", "highend frequencies", "videogame movie", "ultimate solution", "meticulously created", "perfect sound", "prograde sound", "sound quality", "quick connection", "tablet computer", "sound features", "design designed", "rca inputs", "loweq controls", "bass reflex", "bass reflex design", "rca inputs making", "loweq controls dial", "play sound full", "crystalclear sound inside", "twoway design features", "maudio bx3 higheq", "maudio bx3 monitors", "headphone connection cleverly", "builtin computer speakers", "attractive styledriven design", "computeroptimized tweeter waveguide", "18inch aux input", "smooth low end", "acousticallyinert mdf cabinet" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 539, "imageuri": "https://productimages.withfloats.com/actual/686240508117a1053bd81e12.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/686240508117a1053bd81e12.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-30T07:44:07.093Z", "updatedon": "2025-06-30T07:44:07.093Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx3-3-5-black-kevlar-120-watt-multimedia-reference-monitors-music-production-live-streaming-podcasting-pair-/539", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685f802a0671dacf1cff5891", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|4 Vocal Studio Pro", "description": "Enter the world of studio-based recording with the AIR 192|4 Vocal Studio Pro—the ultimate all-in-one solution for computer recording projects. Combining the critically acclaimed AIR 192|4 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium AIR Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the AIR 192|4 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario.\n\nThe AIR 192|4 Vocal Studio Pro comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|4 Vocal Studio Pro includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, 80 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. (1) XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate 6. sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. NOVA Black condenser microphone\n10. HDH40 monitoring headphones\n11. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nNOVA Black Microphone\nMicrophone Carrying Pouch\nXLR Microphone Cable\nMicrophone Shock Mount\nMicrophone Windscreen\nHDH40 Headphones\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \nAll specifications are measured at 20 kHz bandwidth. 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