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"description": "Featuring a robust aluminum chassis, the SRI-2 interface is a sturdy piece of gear reminiscent of the “old school” studios. Along with the striking design comes exceptional 21st century audio quality and functionality. Best-in-class digital converters capture the detailed nuance of every recording. The large volume knob provides accurate control of the output level, and direct monitoring provides zero-latency tracking. The 2 XLR/TRS combo inputs are conveniently mounted on the front of the SRI-2, so you can easily plug in your instrument or mic. The truly unique innovation of the SRI-2, however, is the speaker switching capability, which allows you to A-B your mix on two sets of speakers (with one of them hopefully being from Fluid Audio).\n\nBig Volume Knob\n\nEasy to reach on the top surface, the knob is solid aluminum with rubber grip for good weight and feel\n\nInputs\n\nTwo combo XLR/TRS inputs are front mounted for easy access. High quality pre-amps insure crystal clear signal path.\n\nLow noise mic pre-amps support 48V phantom power.\n\nControls\n\nInputs, buttons and knobs are placed conveniently on the top surface of the SRI-2. No need to to look down to see what is engaged..\n\nAll is clearly in view while recording. LED indicators on all buttons and knobs able you to monitor yours settings even in dimly lit studios.\n\nAmple Power from Headphone output\n\nOne of the most powerful headphone outputs in a USB powered device. Create tracks and overdubs with plenty of clarity and power.\n\nWorks with headphones up to 250 ohm.\n\nPeak Meter\n\nClear LED indicators help to clearly see you signal levels to avoid clipping\n\nRecord Anywhere\n\nCompact, robust and USB powered. Take it with you anywhere. Use it on the go on your laptop or iPad with the included Cubasis LE Software (with Apple iPad Camera Connection Kit, not included) Includes Cubase LE for windows and OSX\n\nWDM / ASIO / Core Audio\n\nNo drivers needed for Windows or OSX. Fluid Audio Windows driver is supplied for an even more flexible setup.\n\nFor DAW usage, drivers is needed.\n\nLatency\n\nDirect-monitoring knob provides zero-latency tracking",
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"description": "Apollo Twin X Heritage Edition has all the benefits of the acclaimed Apollo Twin X, including elite-class A/D and D/A conversion, DUO Core realtime UAD plug-in processing, Unison-enabled mic preamps, and full LUNA Recording System integration. And it goes a step further, with a software suite of 5 award-winning UAD plug-in titles, featuring Collections from Teletronix,® Pultec,® and UA.\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo Twin X Heritage Edition gives you 5 premium plug-in titles worth over $1,300 — including the full suite of UA's Teletronix and 1176 compressors, all Pultec EQs, UA 610 Unison mic preamps, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to Apollo Twin X's included \"Realtime Analog Classics\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nTwo Unison Preamps — The Sound of Neve, Helios, API, Avalon & More\nApollo Twin X Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nUnison technology is also found on Apollo Twin X's front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more.\n\nElite-Class A/D and D/A Conversion\nWith thousands of hit songs and hundreds of Grammy-winning albums under their belt, Apollo Twin interfaces are used to create exceptional-sounding records every day. 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"description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. 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"description": "With the AIR 192|6, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|6 enables you to record up to 2 channels at once with its 2 dedicated XLR+¼” balanced combo inputs, and 2 all-new ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. 5-pin MIDI In and Out connections are included for connecting synths, sequencers and other external MIDI gear.\n\nThe AIR 192|6 comes complete with a software package that has everything to get you started. With a powerful DAW to suit your production needs, AIR 192|6 includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. Flexible inputs: (2) XLR+¼” TRS combo or ¼” instrument inputs\n6. Use any combination of TRS combo or ¼” instrument input on the two channels:(2) TRS, (2) instrument or (1) of each\n5-pin MIDI input/output for connecting virtually any external MIDI gear\n7. Stereo ¼” outs; ¼” headphone out with independent level control\n8. Rugged metal chassis; large central control for easy volume adjustment\n9. USB/Direct knob for balancing between the input signal and the computer signal\n10. *Round trip latency is dependent on buffer settings, and computer hardware.\n\nWhat’s In The Box - \n\nAIR 192|6\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \n\nMinimum System Requirements\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\nMic Inputs 1-2 (balanced XLR)\n\nFrequency Response -\t20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - 104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.002%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range - 55 dB\n\nLine Input 1-2 (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.002%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 1-2 (unbalanced 1/4' [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - \t100 dB (A-weighted)\nSignal-to-Noise Ratio - 98 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.005%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range -\t24 dB\n\nMain Outputs, L and R (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range / Signal-to-Noise Ratio - 106 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - \t+13 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output - (1/4” [6.35 mm] TRS)\nTHD+N - \t0.005%\nOutput Impedance - 10 Ω\n\nGeneral\n\nPower - \tUSB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.1 lbs. 0.95 kg\n",
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