Home> Products> discrete monitoring

{ "products": [ { "_id": "685f7982c31b920a98cdd15b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|8 ( 2-In/4-Out 24/192 Audio MIDI Interface )", "description": "With the AIR 192|8, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|8’s flexible inputs enable you to record up to 2 channels at once with its 2 dedicated XLR+¼” balanced combo inputs with switchable -10dB mic pad, and 2 all-new ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. The (2) ¼” and (4) RCA outputs with USB/Direct control, and Direct Mono/Stereo switch provide multiple output options for connecting to outboard gear, DJ mixers, or studio monitors. The headphone output with independent level, USB/Direct, and switchable 1/2 or 3/4 audio stream controls are perfect for discretely listening to a cue mix, sub mix, or main mix. MIDI In and Out connections are included for connecting synths, sequencers and external MIDI gear.\n\nThe AIR 192|8 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|8 includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you’ll have a virtual drummer, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. Flexible inputs: (2) XLR+¼” TRS combo with -10dB mic pad or ¼” instrument inputs\n6. Use any combination of TRS combo or ¼” instrument input on the two channels:(2) TRS, (2) instrument or (1) of each\n7. MIDI input/output for connecting virtually any external MIDI gear\n8. Stereo ¼” and RCA outs with direct mono/stereo switch\n9. (2) RCA assignable auxiliary outputs; ¼” headphone output with independent source and level controls\n10. Rugged metal chassis; large central control for easy volume adjustment\n11. USB/Direct knob for balancing between the input signal and the computer signal\n12. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|8\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\n(2) 1/8“ (3.5 mm) to MIDI Adapters\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \n\nMinimum System Requirements\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\nMic Inputs 1-2 (balanced XLR)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1 dB)\nDynamic Range - \t104dB (A-weighted)\nSignal-to-Noise Ratio - 104dB (+1.0dBu, A-weighted)\nTHD+N - 0.001% (1kHz, +0.8dBu, -1dBFS)\nPreamp EIN- -126dBu (150Ω, unweighted)\nMax Input Level - +1.8dBu\nGain Range - 60dB\n\nLine Input 1-2 (balanced 1/4” TRS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nSignal-to-Noise Ratio - 101dB (1kHz, +4dBu, A-weighted)\nTHD+N - 0.002% (1kHz, +19.7dBu, -1dBFS)\nMax Input Level - +20.7dBu\nDynamic Range - 106dB (A-weighted)\n\nInst Input 1-2 (unbalanced 1/4“ TS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nDynamic Range - \t106dB (A-weighted)\nSignal-to-Noise Ratio - 98dB (+4dBu, A-weighted)\nTHD+N - 0.001% (1kHz, +5.8dBu, -1dBFS)\nMax Input Level - +6.8dBu\nInput Impedance - ~1MΩ\nGain Range - 24dB\n\nMain TRS Outputs, 1/L & 2/R (balanced 1/4” TRS)\n\nFrequency Response - 20Hz – 20kHz (+/-0.1dB)\nDynamic Range - 109dB (A-weighted)\nTHD+N - 0.003% (1kHz, -1dBFS)\nMax Output Level - +13dBu\n\nMain & Aux RCA Outputs 1 - 4 (Unbalanced RCA)\n\nFrequency Response - 20Hz - 20kHz (+/-0.1dB)\nDynamic Range - 109dB (A-weighted)\nTHD+N - 0.003% (1kHz, -1dBFS)\nMax Output - +7dBu\n\nHeadphone Outputs (Stereo 1/4\" TRS)\n\nDynamic Range - \t101dB\nTHD+N - 0.008% (1kHz, -1dBFS, 36mW)\nMax Power - \t36mW (32-ohm load)\nMin Impedance - 32-ohm", "price": 23250.0, "discountamount": 4882.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "2 ¼", "switchable 12", "2 channels", "air 1928", "buffer settings", "input signal", "rca outs", "connecting virtually", "¼ instrument input", "trs combo", "fastest connection", "professional recording", "piano plugins", "loop package", "powerful daw", "software package", "cue mix", "discretely listening", "headphone output", "studio monitors", "4 rca outputs", "accurate representation", "impedance stage", "independent source", "delay weve", "usbdirect control", "7 midi inputoutput", "main mix midi", "guitar tone reverb", "connecting synths sequencers", "independent level usbdirect", "easytouse audio interface", "mpc beats weve", "external midi gear", "computer hardware whats", "10db mic pad", "ultrapristine ad converters", "classleading roundtrip latency", "add worldclasssounding instruments", "bass plugged directly", "specially designed gain" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 520, "imageuri": "https://productimages.withfloats.com/actual/685f7985d929e29452610925.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f7985d929e29452610925.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:11:30.349Z", "updatedon": "2025-06-30T05:09:01.686Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-8-2-in-4-out-24-192-audio-midi-interface-/520", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M- Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "65bf0fb43d4ba611b80085d8", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-990 Keyboard Amplifier", "description": "KC-990 Stereo Mixing Keyboard Amplifier\tKC-990WHERE TO BUY\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nThe flagship KC-990 is a performance powerhouse filled with high-end features. Offering four onboard DSP effects, four stereo input channels, a stereo aux input, and support for an XLR vocal mic, it’s a great all-in-one solution for players with large keyboard setups and small groups performing with electronic instruments and backing tracks. The KC-990 delivers big, full sound for both stage monitoring and PA use, thanks to its stereo speaker configuration and 320 watts of total power. And with Stereo Link capability, you can seamlessly add a second KC-990 when you need more inputs and broader sound coverage.\n\nHome\nKC-990Features\tSpecs\tSupport\t\nWHERE TO BUY\nTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nFlagship stereo keyboard amplifier with 320 watts of power\nOnboard mixer with four stereo input channels, stereo auxiliary input, and master EQ\nTwo newly developed custom 12-inch woofers and two custom horn tweeters\nBuilt-in effects: reverb, chorus, tremolo, and rotary\nControl rotary speed and effects on/off with optional external footswitches\nFlexible I/O with XLR mic input, stereo XLR and ¼-inch line outputs, headphones output, and more\nStereo Link function for chaining two KC-990s\nMetal jacks for increased durability\nCasters and side-mounted handles for enhanced mobility\nFull-Range Stereo Sound for High-Impact Performances\nThe KC-990 offers full-range stereo sound reproduction with 320 watts of power (160 watts x 2), two newly designed 12-inch speakers, and two custom horn tweeters. This allows the KC-990 to accurately reproduce the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard Mixing for Big Rigs and Full Groups\nRoland’s most powerful KC amp is a complete stereo sound system in a single package, making it ideal for backline amplification, stage monitoring, and even main PA use. With four stereo line input channels available, you can connect keyboards, percussion pads, drum machines, and more. There’s also a dedicated auxiliary input to plug in a smartphone or music player for backing tracks. Channel 1 includes an XLR input too, allowing you to connect a vocal mic for even more versatility. The Aux In channel supports 1/8-inch, RCA, and ¼-inch connections, and features a handy monitor function for working with guide tracks on stage.\n\nBuilt-In Stereo Effects\nThe KC-990 comes equipped with four different effects for sweetening your live sound. The chorus effect is derived from Roland’s world-famous JC-series amps, providing unmatched depth and dimension through the KC-990’s stereo speakers. The amp also includes tremolo and rotary effects that work great with organs and electric pianos, plus a lush stereo reverb for vocals and instruments. By connecting optional footswitches, you can turn the effects on/off and control rotary speed hands-free while performing.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its rear-panel connectivity, the KC-990 integrates easily into any playing environment. Stereo line outputs are provided on both XLR and ¼-inch jacks, offering simultaneous connections for interfacing with PA systems, stage monitors, and recording devices. The XLR outputs also have a switchable ground lift, which eliminates hum that can sometimes occur when connecting to a main PA. There’s a headphones jack too, perfect for silent practice sessions and discrete monitoring of guide tracks and instruments on stage.\n\nExpand Your Setup with Stereo Link\nIf you ever need to expand your inputs or sound coverage, the KC-990’s Stereo Link function makes it simple. First off, the number of available inputs doubles when you connect to the two stereo link jacks on a second KC-990. In addition, the left and right signals of connected instruments are split across the two amps, providing super-wide stereo dispersion for even more impressive sound.\n\n", "price": 153657.0, "discountamount": 28000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "hum", "RCA", "left", "TIME", "needs", "WORTH", "mixer", "today", "vocals", "organs", "number", "The Aux", "quality", "Casters", "tremolo", "KC amps", "addition", "two amps", "Big Rigs", "enhanced", "dimension", "master EQ", "stage rig", "XLR input", "320 watts", "keyboards", "160 watts", "Performing", "smartphone", "PA systems", "live sound", "The KC-990", "two KC-990s", "Metal jacks", "Full Groups", "main PA use", "versatility", "total power", "two decades", "small groups", "¼-inch jacks", "music player", "one solution", "rotary speed", "guide tracks", "synthesizers", "Flexible I/O", "KC benchmark", "power Onboard", "XLR vocal mic", "drum machines", "XLR mic input", "chorus effect", "second KC-990", "right signals", "Stereo Effects", "single package", "stage monitors", "backing tracks", "rotary effects", "rhythm machines", "percussion pads", "unmatched depth", "electric pianos", "powerful KC amp", "big, full sound", "mixing features", "flagship KC-990", "The XLR outputs", "stereo speakers", "impressive sound", "available inputs", "stereo aux input", "12-inch speakers", "keyboard players", "stage monitoring", "new enhancements", "complete control", "headphones output", "working musicians", "latest generation", "recording devices", "high-end features", "lush stereo reverb", "¼-inch connections", "lasting durability", "discrete monitoring", "Stereo line outputs", "¼-inch line outputs", "playing environment", "wide frequency range", "88-note stage pianos", "side-mounted handles", "Stereo Link function", "two stereo link jacks", "large keyboard setups", "connected instruments", "optional footswitches", "versatile connectivity", "switchable ground lift", "four different effects", "handy monitor function", "stereo auxiliary input", "broader sound coverage", "Stereo Link capability", "backline amplification", "performance powerhouse", "custom 12-inch woofers", "rear-panel connectivity", "four onboard DSP effects", "silent practice sessions", "Tweet Facebook Pinterest", "two custom horn tweeters", "simultaneous connections", "High-Impact Performances", "dedicated auxiliary input", "four stereo input channels", "world-famous JC-series amps", "complete stereo sound system", "stereo speaker configuration", "super-wide stereo dispersion", "powerful high-fidelity sound", "KC-990Features Specs Support", "other electronic instruments", "KC Series Keyboard Amplifiers", "optional external footswitches", "four stereo line input channels", "Roland KC-990 Keyboard Amplifier", "mobility Full-Range Stereo Sound", "Flagship stereo keyboard amplifier", "full-range stereo sound reproduction", "KC-990 Stereo Mixing Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 493, "imageuri": "https://productimages.withfloats.com/actual/65bf0fb67d7faddcb3c791fb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf0fb67d7faddcb3c791fb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T04:16:52.905Z", "updatedon": "2024-02-04T04:16:52.905Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-990-keyboard-amplifier/493", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland Keyboard Amplifier", "Roland KC-990 Keyboard Amplifier", "ROLAND KC990 PRICE IN INDIA", "Roland Price India", "Authorised Dealer Roland", "Roland Authorised Dealer", "roland kc990", "kc990", "Roland Synthesizer Authorised Dealer", "roland india", "roland shop", "roland stoer india", "Roland store in india delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6129021b2634530001f37e06", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ALTO ZMX122FX 8 CHANNEL COMPACT MIXER", "description": "It features four microphone inputs with balanced TRS jacks (two with Phantom Power), a three-band EQ and two AUX sends on each of the four mono channels and the two stereo channels, and even two-track inputs for integrating audio playback devices. The ZMX122FX is a perfect, take-anywhere professional mixer.\n\nRegardless of what you're mixing, give your mix a professional edge with 256 onboard 24-bit DSP effects designed in partnership with Alesis, a coveted creator of sound-shaping digital effects that has been setting standards for DSP technology for nearly three decades. Choose from room and space delays, small and large hall acoustics, plate and spring reverbs, flangers, chorus effects and more. The ZMX122FX offers 16 variations of 16 professional Alesis effects from which to build, tweak, and dial in your sound. There's even a footswitch input so you can bypass all effects hands-free (footswitch not included).\n\nThe ZMX122FX is the swiss army knife that your creative life needs. Not only can you can plug dynamic, condenser, and wireless microphones into the first four channels, but you also get two stereo channel inputs for keyboards, drum machines, and other instruments. Plus, you can easily plug in your MP3 player, CD player, or audio from a DVD player into the CD/TAPE inputs. You also have two AUX sends that you can use to send streams of audio from your mixer to a digital effects unit, stage monitor, or any number of sources. Choose the ZMX122FX as the audio central command for your live performances, home studio, or video suite.\n\nFEATURES\n16 total inputs including XLR jacks w/ phantom power on ch. 1-4\nOn-board Alesis digital effects with 256 variations\nExpanded channel count perfect for small groups or sub-mixes\n4 mic input channels with gold-plated XLR and balanced line inputs\nTwo stereo input channels with balanced TRS jacks\nHigh headroom circuitry offering extra dynamic range\nUltra-low-noise discrete mic preamps\n3-band EQ on each channel\nFootswitch input for effects on/off (sold separately)\n2 aux sends per channel for external effects and monitoring\n2-bus design with Main and Control Room 1/4” stereo outputs\nAux inputs/outputs for external audio source integration\nSwitchable phantom power", "price": 15350.0, "discountamount": 3500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 388, "imageuri": "https://productimages.withfloats.com/actual/6129021c9a3bea0001dd3cda.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6129021c9a3bea0001dd3cda.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-27T15:17:47.732Z", "updatedon": "2021-08-27T15:17:47.732Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/alto-zmx122fx-8-channel-compact-mixer/388", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "ALTO ", "category": "Audio Mixers", "tags": [ "ALTO ZMX122FX 8 CHANNEL COMPACT MIXER", "Alto ZMX122FX buy online lowest price Musicals" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "686404d8c4418d1ebb0d0841", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "UBER MIC", "description": "Recording Simplified!\nUber Mic is the perfect set-up for all your recording needs—whether it’s recording acoustic instruments & vocals, capturing pristine audio for podcasts & broadcasting, or simply bringing your gaming experience to the next level. Uber Mic does it all – start recording, streaming & broadcasting now!\n\nJack of All Trades\nCrystal-clear recording demands the right tools for the job. M-Audio’s Uber Mic features a large-diaphragm 3-capsule condenser microphone, perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more. With a choice of four polar patterns including cardioid, omnidirectional, figure-8 and single point stereo, Uber Mic is primed for virtually any recording scenario:\n\n• Cardioid – a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise\n• Omnidirectional – equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources\n• Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously\n• Stereo – picks up from the left and right side of the microphone, producing a true stereo image\n\nFeatures - \n\n1. Easy, intuitive operation for any application\n2. Wide-range 30–20,000Hz frequency response delivers detailed, natural sound\n3. 3-capsule condenser microphone element, including single-point stereo\n4. 4 selectable polar patterns to customize your ideal recording\n5. Polar patterns: cardioid, figure-8, omnidirectional, and stereo\n6. 1/8” headphone jack and internal headphone amplifier\n7. USB/direct mixing control with mic volume control enables zero-latency recording and monitoring\n8. Microphone mute control ensures privacy\n9. LCD display shows polar pattern and currently selected control level\n10. Studio-quality recording and playback for accurate reproduction\n11. Convenient desktop mounting with threaded insert for optional stand-mounting\n12. Integrated stand fits easily into any setup\n13. iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)\n\nSpecifications - \n\nMicrophone:\nType: 3-capsule condenser USB microphone\nCapsule Size: 16mm\nPolar Patterns: Figure 8, cardioid, omni, and stereo\nFrequency Response: 30 Hz - 20 KHz\nSensitivity: -45 dB (0 dB = 1V/Pa @ 1 kHz)\nSNR: 110 dB\nMaximum SPL: 120 dB (THD <1%, 1 kHz)\n\nHeadphone Output: \n\nImpedance: 10 Ω\nOutput Power: 30 mW (@48Ω)\nTHD: 0/03%\nFrequency Response: 20 Hz - 20 KHz\nSNR: 110 dB\n\nGeneral: \n\nConnectors:\n(1) 1/8” (3.5 mm) TRS/stereo headphone output\n(1) mini-USB port\n(1) 5/8”-27 mounting point\n\nPower:\nvia mini-USB\n\nDimensions:\n4.5” x 10.75” / 11.4 x 27.3 cm (diameter x height; with integrated stand)\n\nWeight:\n4.0 lb. / 1.8 kg (microphone & integrated stand) 1.5 lb.\n0.7 kg (microphone only)\n2.1 lb. / 1.0 kg (integrated stand only)", "price": 13000.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "1075 114", "273 cm diameter", "miniusb dimensions 45", "threaded insert", "microphone producing", "microphone ideal", "sound sources", "angles captures", "polar patterns", "podcasting applications", "gaming experience", "simply bringing", "podcasts broadcasting", "directions perfect", "perfect setup", "recording needswhether", "capturing highquality audio", "directional pattern perfect", "recording scenario cardioid", "cardioid omnidirectional figure8", "vocalists instruments percussion", "level uber mic" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 546, "imageuri": "https://productimages.withfloats.com/actual/686404ddad09de209c08e13d.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/686404ddad09de209c08e13d.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:55:04.424Z", "updatedon": "2025-07-01T15:55:04.424Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/uber-mic/546", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "Microphone ", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "686403448c31e67c359cc25c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "HDH -50 High Definition Headphones", "description": "Hear the music. Hone your craft.\nBuilding upon M-Audio’s world-class reference monitor technology, the HDH50 high-definition headphones bridge the gap between studio monitor engineering and private audio. Incorporating premium audio components into a rugged, durable design, HDH50 delivers critical sound reproduction and audio isolation for use in professional recording and monitoring environments. The over-the-ear design helps reduce fatigue during extended studio sessions, and the plush padding ensures that the HDH50 stays secured. For music production and listening, the HDH50 headphones deliver purpose-built, high-fidelity sound.\n\nSuperior Frequency Response\nExpertly tuned and optimized for impressive audio clarity, the HDH50 headphones feature powerful, 50mm neodymium drivers for full-range frequency response. These extra-large drivers offer authentic bass response and allow producers to make accurate mix adjustments to the low end in private listening environments. Built with a rugged aluminum and steel construction, HDH50 gives producers and listeners high-definition sound in a headphone that's built to last.\n\nFatigue-Free Listening\nHDH50 was developed for musicians and engineers who desire fatigue-free listening and maximum comfort during long recording, mixing, and listening sessions. Its closed-back construction is ideal for those long hours spent in the studio and helps reduce signal bleed to neighboring microphones for cleaner tracking. Overstuffed padding on the ear cups and headband provide unparalleled comfort during demanding recording sessions, and the ear cups completely surround the ears for excellent audio isolation.\n\nFull-Range Frequency Response\nWith an expansive 12Hz-24kHz frequency range, there’s more than enough frequency range for creating, mixing, or monitoring any project. HDH50 is capable of producing the entire human frequency range, from low bass frequencies to crystal-clear highs, for reliable sound reproduction. Additionally, HDH50 creates an accurate stage-wide stereo image for precise mixing and instrument placement. With HDH50, you get the technology of a close-range monitoring system with the benefits, convenience, and comfort of headphones.\n\nFeatures - \n\n1. Premium build quality and tuning with 12Hz-24kHz frequency response\n2. Powerful 50mm drivers with neodymium magnets offer an immersive audio experience\n3. Built to last with rugged aluminum and steel construction\n4. Plush leather cushioning with a comfortable over-the-ear design\n5. Audio cable with 1/4” adapter included\n6. Communication cable with built-in microphone included\n\nSpecifications - \n\nFrequency Response: 12Hz-24kHz\nMax SPL: 114dB @ 1kHz\nImpedance: 16 Ohms\nCable: 6.8 ft. (2.1m) with 1/8\" connector", "price": 19600.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "18 connector", "maximum comfort", "benefits convenience", "instrument placement", "crystalclear highs", "ear cups", "neighboring microphones", "rugged aluminum", "music production", "monitoring environments", "craft building", "music hone", "precise mixing", "creating mixing", "project hdh50", "frequency range", "closedback construction", "low end", "audio isolation", "professional recording", "listening sessions", "fatiguefree listening hdh50", "steel construction hdh50", "closerange monitoring system", "long recording mixing", "extended studio sessions", "desire fatiguefree listening", "demanding recording sessions", "studio monitor engineering", "hdh50 stays secured", "low bass frequencies", "fullrange frequency response", "impressive audio clarity", "neodymium magnets offer", "long hours spent", "listeners highdefinition sound", "plush padding ensures" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 545, "imageuri": "https://productimages.withfloats.com/actual/68640348104aaba114c9c962.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68640348104aaba114c9c962.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:48:20.166Z", "updatedon": "2025-07-01T15:48:20.166Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/hdh-50-high-definition-headphones/545", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "HEADPHONE", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685f802a0671dacf1cff5891", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|4 Vocal Studio Pro", "description": "Enter the world of studio-based recording with the AIR 192|4 Vocal Studio Pro—the ultimate all-in-one solution for computer recording projects. Combining the critically acclaimed AIR 192|4 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium AIR Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the AIR 192|4 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario.\n\nThe AIR 192|4 Vocal Studio Pro comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|4 Vocal Studio Pro includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, 80 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. (1) XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate 6. sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. NOVA Black condenser microphone\n10. HDH40 monitoring headphones\n11. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nNOVA Black Microphone\nMicrophone Carrying Pouch\nXLR Microphone Cable\nMicrophone Shock Mount\nMicrophone Windscreen\nHDH40 Headphones\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \nAll specifications are measured at 20 kHz bandwidth. Specifications are subject to change without notice.\n\nMinimum System Requirements\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\nNOVA Black Microphone\n\nType - ack Electret condenser microphone\nElement - 18 mm pure aluminum diaphragm capsule\nPolar Pattern -\tCardioid\nFrequency Response - 20 Hz – 20 kHz\nSensitivity - -38 dB (0 dB = 1 V/Pa @ 1 kHz)\nRated Impedance - \t200Ω\nMaximum SPL - 136 dB\nPhantom Power Required - +48 V\nS/N Ratio - 77 dB\nCurrent Consumption - 3 mA\n\nHDH40 Headphones - \n\nAcoustic Design - \tDynamic, Closed\nDriver- 40 mm, neodymium\nFrequency Response - 15 Hz – 22 kHz\nSensitivity - 95 dB ±3 dB\nRated Impedance\t - 32Ω\nEarpad - Leatherette\nCable Length - 9.8 ft. / 3 m\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - \t104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range - 55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - 100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - +7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - 0.005%\nOutput Impedance - 10 Ω\n\nGeneral - \n\nPower - \tUSB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\n\n\n", "price": 26150.0, "discountamount": 5491.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "1524 cm", "276 2042 cm", "height 80", "buffer settings", "accurate 6 sound", "fastest connection", "professional recording", "piano plugins", "loop package", "powerful daw", "recording scenario", "multimedia projects", "adding voiceovers", "studiobased recording", "delay weve", "software package", "highperformance hardware", "acoustic instruments", "input signal", "warranty manual specifications", "computer hardware whats", "add worldclasssounding instruments", "mpc beats weve", "easytouse software results", "dedicated signal circuit", "ultrapristine ad converters", "guitar tone reverb", "prograde audio capture" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 523, "imageuri": "https://productimages.withfloats.com/actual/685f802de15019c44b0809f0.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f802de15019c44b0809f0.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:39:54.672Z", "updatedon": "2025-06-30T05:06:40.041Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-4-vocal-studio-pro/523", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685f7d33a61dcaeb7bb5ae3a", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR|Hub ( USB Monitoring Interface with Built-In 3-Port Hub )", "description": "Looking for the ideal high-quality audio interface monitoring hub? Here it is: AIR|Hub is a USB hub with two balanced ¼-inch TRS audio outputs, controlled by a large, solid-feeling metal rotary level knob. There are three USB inputs and a ¼-inch headphone jack with level control for private listening. The AIR| Hub is the ideal way to unite your VI control and audio output in one sleek, all-metal, space-saving solution.\n\nThe AIR |Hub comes complete with a software package that has everything to get you started. This amazing audio and MIDI recording software will inspire you to create, record and share your ideas across the world at any time.\n\nWe’ve also added an entire Effects Plugin, Virtual Instrument and Loop package so you can add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/96kHz resolution for professional monitoring\n2. Stereo ¼” outs; ¼” headphone out with independent level control\n3. 3 USB ports for connecting any USB gear\n4. Perfect for studio or stage\n5. Rugged metal chassis; large central control for easy volume adjustment\n6. Includes both standard USB and USB-C connection cables\n\nWhat’s In The Box - \n\nAIR Hub\nPower Supply\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nSoftware Download Card\nUser Guide\n\nSpecifications\n\nMinimum System Requirements\n\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\n", "price": 9899.0, "discountamount": 2078.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "usbc port", "standard usb", "loop package", "time weve", "create record", "amazing audio", "audio output", "vi control", "private listening", "level control", "usb inputs", "air hub", "usb hub", "software package", "builtin 3port hub", "midi recording software", "add worldclasssounding instruments", "¼inch headphone jack" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 522, "imageuri": "https://productimages.withfloats.com/actual/685f7d36c15964be9647fe2c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f7d36c15964be9647fe2c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:27:15.224Z", "updatedon": "2025-06-30T05:10:22.399Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-hub-usb-monitoring-interface-with-built-in-3-port-hub-/522", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685f7c112379df52a2c5b677", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|14 ( 8-In/4-Out 24/192 USB Audio Interface )", "description": "The M-Audio AIR 192|14 is an 8-in 4-out feature-packed USB audio/MIDI interface that provides all of the connections and software you need to easily create professional 24-bit/192kHz studio-quality recordings. The AIR 192|14 features (4) XLR+¼” TRS combo inputs, (2) ¼” line inputs and (2) ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of your guitar or bass when plugged directly into the interface. There is also MIDI input and output connections so you can connect any external midi gear that you may have such as external sequencers, drum machines and controllers.\n\nThe AIR 192|14 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|14 includes Ableton Live Lite and MPC Beats. This amazing audio and MIDI recording software will inspire you to create, record and share your ideas across the world at any time.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, 80 effect plugins and AIR’s Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you’ll have a virtual drummer, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. (4) XLR+¼“ TRS combo inputs, (2) ¼” instrument inputs and (2) ¼” line inputs\n6. MIDI input/output for connecting virtually any external MIDI gear\n7. Stereo ¼” with direct mono/stereo switch; (2) ¼” assignable auxiliary outs\n8. (2) ¼” headphone outputs with independent source and level controls\n9. Rugged metal chassis; large central control for easy volume adjustment\n10.USB/Direct knob for balancing between the input signal and the computer signal\n11. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|14\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\n(2) 1/8” (3.5 mm) to MIDI Adapters\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \n\nMinimum System Requirements - \nStandard USB 2.0 or USB-C Port\nWindows: 7 (32 or 64 bit)\nOSX: 10.8\n\nMic Inputs 1-4 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -137 dBu (40 Ω source, A-weighted) -129 dBu (150 Ω source, unweighted)\nMax Input Level - +14 dBu\nGain Range - 62 dB\n\nLine Inputs 1-4 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nMax Input Level - +30 dBu\nGain Range - 61 dB\n\nInst Inputs 5-6 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nDynamic Range - \t110 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nMax Input Level - +16 dBu\nInput Impedance - ~1 MΩ\nGain Range - 59 dB\n\nFixed Line Inputs 7–8 (balanced 1/4“ TRS)\n\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nMax Input Level - +17 dBu\n\nLine Outputs 1–2 (balanced 1/4” TRS)\n\nDynamic Range - \t112 dB (A-weighted)\nTHD+N - 0.002% (1 kHz, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Output Level - +17 dBu\n\nFixed Line Outputs 3–4 (balanced 1/4“ TRS)\n\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.002% (1 kHz, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Output Level - +17 dBu\n\nHeadphone Outputs (stereo 1/4”)\n\nDynamic Range - 111 dB (A-weighted, 32 Ω load)\nTHD+N - 0.002% (1 kHz, -1 dBFS, 10 mW/channel into 32 Ω load)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Power Delivered - 160mW (<1% THD, 32 Ω load)\nMaximum Output Level - \t+15 dBu (unloaded)\nImpedance Range - \t32 Ω – 600 Ω\n\nGeneral\n\nOther Connectors - \t(1) 1/8” (3.5 mm) MIDI input\n(1) 1/8” (3.5 mm) MIDI output\n(1) USB Type-C port\n(1) Power adapter input\nPower Adapter - \t12 VAC, 2 A, center-positive (included)\nDimensions (width x depth x height) - 10.2“ x 7.3” x 3.6\" (25.9 x 18.6 x 9.1 cm)\nWeight - 3.9 lbs. 1.8 kg\n", "price": 42250.0, "discountamount": 8872.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "36 259", "height 102", "air 19214", "output connections", "maudio air 19214", "buffer settings", "input signal", "independent source", "connecting virtually", "fastest connection", "piano plugins", "delay weve", "loop package", "time weve", "create record", "amazing audio", "mpc beats", "powerful daw", "software package", "plugged directly", "accurate representation", "impedance stage", "professional recording", "midi input", "midi recording software", "guitar tone reverb", "external midi gear", "computer hardware whats", "ultrapristine ad converters", "classleading roundtrip latency", "add worldclasssounding instruments", "specially designed gain" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 521, "imageuri": "https://productimages.withfloats.com/actual/685f7c1463681791219a1c05.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f7c1463681791219a1c05.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:22:25.476Z", "updatedon": "2025-06-30T05:07:24.425Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-14-8-in-4-out-24-192-usb-audio-interface-/521", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }