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{ "products": [ { "_id": "68bc323ddc6ff268b2215197", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio 1176 LN", "description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.", "price": 344205.0, "discountamount": 8606.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 628, "imageuri": "https://productimages.withfloats.com/actual/68bc32447835a9672ae7dffc.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68bc32447835a9672ae7dffc.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-09-06T13:08:13.946Z", "updatedon": "2025-09-06T13:08:13.946Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-1176-ln/628", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "Universal Audio Classic Limiting Amplifier", "tags": [ "Universal Audio Classic Limiting Amplifier", "Universal Audio 1176 LN" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65d05dee5f72731e00bc3ea4", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Mark bass little mark vintage 1000 MBH110093Z", "description": "Little Mark Vintage 1000\nProduct code: MBH110093Z\nFollowing the astounding success of the 500W version, this 1000W high-power head is created for those who need the highly appreciated features and lot of tone options of the LITTLE MARK VINTAGE but also like to have a massive supply of power, no matter how big is the stage and the volume you play!\n\nThis one is part of the Gold Series, a state of the art lineup offering superior quality, recognizable by its catching new look marking a new era at Markbass, starting from gold plated circuits, to the highly selected components, to some of the most requested features!\n\n> key points\n\n> Tube Preamp\nThe Little Mark Vintage 1000 features a Tube Preamp, to get rich and warm tone full of harmonics.\n\n> 1000W MPT (Mark Proprietary Technology) Power Amp \nThis ultrahigh-power head gets amplified by a powerful 1000W MPT power amp, delivering a large supply of power and serious headroom with amazing definition and dynamics.\nAbout all the bass amps on the market use the same power amp from different manufacturers, which are not specificically designed for bass. At Markbass, Marco De Virgiliis invested a lot on R&D to create a proprietary power amp technology, specifically designed to respect and glorify the tone of your instrument.\n\n> Limiter Control\nThis control offers a modern reaction when you set it all the way up, or put it down to zero to create that old generation behavior with its typical distortion you get when the Limiter effect is really low, and of course you can also get everything in between.\n\n> New EQ setting / ​​​​​3-WAY Switch\nThe 4 Bands EQ of the Little Mark Vintage 1000 have a new setting on frequencies center, all tuned to offer a pretty balanced tone that easily cuts in the mix, plus a 3-WAY switch with three useful EQ preset options to get very quickly a real FLAT setting, a CUT one with scooped Mids and enhanced Low and High and an OLD one with scooped High to get an old vintage style tone.\n\n> Real DI box\nThe BALANCED DI OUT with transformer is optimized to give pure, full, rich, linear sound on all frequencies. Although Little Mark amp heads already feature high-quality DI circuitry, the transformer upgrades the DI performance offering a real DI box inside the head, handling extreme transients without introducing any distortion or coloration.\n\n> Gold Line Top Features\nAs it happens in the Gold Line series, the Little Mark Vintage 1000 features gold plated circuits and top quality selected components, providing the purest and cleanest sound you can imagine.\n\n> Mute and ON/OFF EQ\nFootswitchable MUTE is one of the most requested features in order to tune or switch an instrument in a silent way. The optional Dual Footswitch also allows to turn ON/OFF the EQ section.\n\n> Size/Weight\nThe Little Mark Vintage 1000 features the same compact SIZE and light WEIGHT of all the Little Mark family heads.\n\n \n\n \n\nMinimum ohm load for all Markbass heads is 4 ohms.\nMarkbass amps/combos are manufactured to be sold and used in the country of purchase, and they are factory preset to that country’s voltage. Due to homologation issues, the voltage may not be changed.", "price": 104480.0, "discountamount": 13580.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "R&D", "lot", "CUT", "mix", "Mids", "part", "stage", "order", "state", "4 ohms", "purest", "volume", "market", "OLD one", "voltage", "new era", "country", "purchase", "dynamics", "Mark bass", "bass amps", "harmonics", "warm tone", "coloration", "EQ section", "instrument", "everything", "key points", "art lineup", "silent way", "Tube Preamp", "Real DI box", "new setting", "transformer", "Size/Weight", "Gold Series", "Product code", "light WEIGHT", "large supply", "500W version", "The BALANCED", "tone options", "balanced tone", "Markbass heads", "same power amp", "Limiter effect", "massive supply", "cleanest sound", "The 4 Bands EQ", "New EQ setting", "DI performance", "modern reaction", "Limiter Control", "serious headroom", "superior quality", "Minimum ohm load", "Gold Line series", "same compact SIZE", "​​​​​3-WAY Switch", "catching new look", "real FLAT setting", "frequencies center", "Marco De Virgiliis", "typical distortion", "extreme transients", "astounding success", "amazing definition", "homologation issues", "Footswitchable MUTE", "ultrahigh-power head", "gold plated circuits", "Little Mark amp heads", "1000W high-power head", "Gold Line Top Features", "old vintage style tone", "different manufacturers", "old generation behavior", "The Little Mark Vintage", "optional Dual Footswitch", "Little Mark family heads", "high-quality DI circuitry", "Mark Proprietary Technology", "powerful 1000W MPT power amp", "MBH110093Z Little Mark Vintage", "three useful EQ preset options", "pure, full, rich, linear sound", "top quality selected components", "proprietary power amp technology" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 499, "imageuri": "https://productimages.withfloats.com/actual/65d05df27e38dded8f74a74c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65d05df27e38dded8f74a74c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-17T07:19:10.443Z", "updatedon": "2024-09-08T15:41:09.467Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/mark-bass-little-mark-vintage-1000-mbh110093z/499", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "MARK BASS", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Little Mark Vintage 1000", "MARK BASS LITTLE MARK VINTAG 1000", "Mark Bass Amps", "MARKBASS PRICE IN INDIA", "MRAK BASS", "MARK BASS INDIA", "LITTLE MARK VINTAGE 1000 PRICE IN INDIA", "Markbass Little Mark Vintage D2", "Mark Bass Cabinet", "Markbass Little Mark 250 combo review", "Markbass for sale", "Markbass Little Mark IV 300", "Mark Bass manuals", "Markbass Little Marcus 58R", "Markbass 12 cabinet" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65ced849dc5f451bb4be07be", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Markbass Little AG 1000 Andrew Gouche 1,000W Bass Amplifier Head", "description": "LITTLE AG 1000\n\nlittle_ag_1000_rear_web.png__1980x1980_q85_subsampling-2\nlittle_ag_1000_side_dx_web.png__1980x1980_q85_subsampling-2\nlittle_ag_1000_side_sx_web.png__1980x1980_q85_subsampling-2\nPrevious\nNext\nLITTLE AG 1000\nProduct code: MBH110112Z\nFor 2021 we are excited to announce the godfather of gospel bass players, the legendary Andrew Gouché has joined the Markbass family! A Grammy Award winning producer with over 30 years of experience as the bassist for many R&B and Gospel legends as Prince and the New Power Generation, Gladys Knight, Andraé Crouch, The Winans and musical director for Chaka Khan, he got regular call for recording sessions across all genres including Michael Jackson, Quincy Jones, Julio Iglesias, Madonna, Snoop Dogg, Warren G, Earth, Wind & Fire, Aretha Franklin, Y’anna, Hidden Beach Unwrapped Series, Jimmy Reid, LA Jazz Syndicate, Smokey Robinson, Patti LaBelle, Judith Hill, Kirk Franklin, Donna Summer ... with his distintive bass sound Andrew has made an indelible mark on the history of Gospel and R&B music, inspiring today’s generation of bassists.\n\nHaving played our amplifiers at several events, Andrew fell in love with Markbass’ tone and character. So in partnership with Andrew, we’ve been working together over the past year to make an amplifier head that has his own unique sound - instinctively. We’re proud to introduce the amazing Little AG 1000, designed with Andrew - built by Markbass.\n\nKEY POINTS\n\n> Andrew Gouché signature sound\nWe created this amplifier to suit Andrew’s individual requirements for both sound, and playing style. Thanks to his exceptional music production experience and finely tuned musical ear, the development process was rapid and precise. With Andrew’s deep knowledge of what makes a great bass sound, we customised frequency choices based on his direction and he stamped it with his seal of approval – “Finally I have MY sound!”.\n\n> 1000W high-power / ultimate dynamics\nThis ultra high-power head is underpinned by our powerful 1000W MPT power amp delivering extraordinary power and headroom, with accurate dynamics and amazing definition.\n\n> Limiter Control\nThis dedicated limiter control enables a modern amp response when fully dialled in. In contrast when set to zero it creates that old generation behavior along with the typical distortion you can get when the limiter effect is really low. Of course you can also select everything in between to create your own individual amplifier characteristic response.\n\n> FSW MUTE / EQ ON/OFF\nFeatured on the front panel of the Little AG 1000 amplifier is a convenient mute switch. In addition with an optional dual footswitch (FSW) you can remotely trigger the mute function, and also turn the EQ section on/off.\n\n> MPT - MARK PROPRIETARY TECHNOLOGY\nMany other bass amps on the market use power amps that are not specifically designed for bass. At Markbass, Marco De Virgiliis invested heavily in R&D to develop proprietary power amp technology in house. Our MPT power amp was built from the ground up to respect and elevate the inherent tone of your instrument.\n\nTECHNICAL FEATURES\nINPUTS\nINPUT: impedance 500 Kohm, max. voltage 9 Vpp\n\nEFFECT RETURN: impedance 33 Kohm, max. voltage 10 Vpp\n\nCONTROLS\nGAIN: -46 dB to +23 dB range\n\nMASTER VOLUME \n\nLINE OUT LEVEL \n\nLIMITER\n\nMUTE SWITCH\n\nGROUND LIFT (switch on rear panel)\n\nPRE/POST EQ (switch on rear panel)\n\nEQUALIZATION\nULTRALOW: level ±16 dB (freq. 65 Hz)\n\nLOW: level ±16 dB (freq. 100 Hz)\n\nMID: level ±16 dB (freq. 500 Hz)\n\nHIGH MID: level ±16 dB (freq. 1.4 KHz)\n\nHIGH: level ±16 dB (freq. 6 KHz)\n\nOUTPUTS\nLINE OUT: balanced XLR, max. voltage 20 Vpp\n\nEFFECT SEND: unbalanced, max. voltage 20 Vpp (pre-EQ)\n\nTUNER OUT: unbalanced, max. voltage 2 Vpp\n\nSPEAKER OUT: speakon\n\nOTHERS\nBI-BAND LIMITER\n\nFootswitch (optional) for MUTE and EQ ON/OFF\n\nWEIGHT: 7.05 lbs/ 3.2 kg\n\nWIDTH: 10.87 in. / 27.6 cm\n\nDEPTH: 9.84 in. / 25 cm\n\nHEIGHT: 3.27 in. / 8.3 cm\n\nOUTPUT POWER: 1000W RMS @ 4 ohms / 600W RMS @ 8 ohms\n\nPOWER REQUIREMENT:100/120V; 230V; 240V – 50/60Hz (Voltage is factory preset according to region of sale)\n\n", "price": 99040.0, "discountamount": 15846.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "R&D", "KHz", "OFF", "sale", "LINE", "GAIN", "seal", "Fire", "Wind", "love", "240V", "230V", "120V", "25 cm", "freq.", "TUNER", "DEPTH", "house", "65 Hz", "WIDTH", "today", "Earth", "LEVEL", "market", "genres", "INPUTS", "Prince", "region", "Y’anna", "4 ohms", "3.2 kg", "100 Hz", "WEIGHT", "500 Hz", "HEIGHT", "OTHERS", "8.3 cm", "history", "27.6 cm", "Madonna", "50/60Hz", "SPEAKER", "speakon", "factory", "bassist", "OUTPUTS", "respect", "approval", "headroom", "ULTRALOW", "contrast", "Warren G", "many R&B", "600W RMS", "HIGH MID", "MY sound", "30 years", "7.05 lbs", "addition", "FSW MUTE", "R&B music", "godfather", "past year", "direction", "1000W RMS", "power amps", "unbalanced", "rear panel", "EQ section", "instrument", "The Winans", "Chaka Khan", "MBH110112Z", "Snoop Dogg", "Jimmy Reid", "amplifiers", "KEY POINTS", "everything", "front panel", "Judith Hill", "subsampling", "musical ear", "partnership", "GROUND LIFT", "EFFECT SEND", "PRE/POST EQ", "Vpp CONTROLS", "OUTPUT POWER", "+23 dB range", "unique sound", "balanced XLR", "Product code", "regular call", "Quincy Jones", "Donna Summer", "max. voltage", "EQUALIZATION", "EFFECT RETURN", "Andraé Crouch", "playing style", "Patti LaBelle", "mute function", "inherent tone", "Kirk Franklin", "MASTER VOLUME", "Gladys Knight", "limiter effect", "several events", "Julio Iglesias", "deep knowledge", "Gospel legends", "indelible mark", "Markbass’ tone", "Michael Jackson", "Aretha Franklin", "Smokey Robinson", "BI-BAND LIMITER", "Markbass family", "great bass sound", "musical director", "1000W high-power", "frequency choices", "ultimate dynamics", "accurate dynamics", "amazing Little AG", "LA Jazz Syndicate", "Marco De Virgiliis", "Markbass Little AG", "amazing definition", "TECHNICAL FEATURES", "typical distortion", "recording sessions", "impedance 500 Kohm", "modern amp response", "gospel bass players", "extraordinary power", "development process", "New Power Generation", "Many other bass amps", "distintive bass sound", "ultra high-power head", "convenient mute switch", "old generation behavior", "legendary Andrew Gouché", "individual requirements", "optional dual footswitch", "Little AG 1000 amplifier", "8 ohms POWER REQUIREMENT", "dedicated limiter control", "MARK PROPRIETARY TECHNOLOGY", "powerful 1000W MPT power amp", "Andrew Gouché signature sound", "Hidden Beach Unwrapped Series", "A Grammy Award winning producer", "proprietary power amp technology", "exceptional music production experience", "Andrew Gouche 1,000W Bass Amplifier Head", "individual amplifier characteristic response" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 495, "imageuri": "https://productimages.withfloats.com/actual/65ced84b375aebb9e061c457.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65ced84b375aebb9e061c457.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-16T03:36:41.481Z", "updatedon": "2024-09-08T15:46:52.768Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/markbass-little-ag-1000-andrew-gouche-1-000w-bass-amplifier-head/495", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "MARKBASS", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Markbass Little AG 1000 Andrew Gouche 1,000W Bass ", "markbass little ag 1000", "AG1000", "MARKBASSAMPLIFIER", "Mark Bass Amps", "Little AG 1000 Bass Amp Head", "MBH110112Z", "MarkBass Little AG 1000 Bass Head", "MarkBass Little AG 1000 Bass Head MBH110112Z", "Bass Guitar Amplifier Head", "MARKBASS PRICE IN INDIA", "MARKBASS LITTLE AG1000 PRICE IN INDIA", "markbass dealers", "MARKBASS INDIA", "Markbass little ag 1000 review", "Markbass little ag 1000 specs", "Markbass little ag 1000 manual", "Markbass little ag 1000 manual pdf", "Markbass Vintage 1000", "Markbass Little Mark", "Markbass 58R review", "Markbass Little Mark IV 300" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bcedac7d5b260c20c24c7c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "description": "The 50-watt KC-80 is a miniature powerhouse with three line input channels, a dedicated aux input, and support for an XLR vocal mic. Compared to the previous-generation KC-60, the power section has been completely redesigned for higher output, better stability, and enhanced bass reproduction. In addition, the 10-inch woofer has been upgraded for improved sound quality. If desired, the low-end performance can be extended by driving a powered subwoofer from the KC-80’s Sub Out jack.\n\n\n\nFEATURES\nCompact and affordable keyboard amplifier with 50 watts of power\nRedesigned power amp and power supply sections provide increased stability and improved bass reproduction\nCustom two-way speaker system with newly developed 10-inch woofer and tweeter\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nXLR mic input, 1/4-inch line output, headphones output, and sub output\nMetal jacks for increased durability\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-80 offers full-range audio reproduction in an easy-to-carry portable amp. The cabinet features Roland’s patented twin bass-reflex design, providing extended low-frequency response without distortion. Paired with the newly redesigned power section and updated 10-inch woofer, the KC-80 delivers even better bass performance for amplifying 88-note stage pianos, organs, and synthesizers, plus rhythm machines and other electronic instruments.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its easy-access connectivity, the KC-80 integrates into any playing environment. A 1/4-inch line output enables you to interface with PA systems, stage monitors, and recording devices. There’s also a Sub Out jack for connecting to a powered subwoofer, with level conveniently tied to the amp’s master volume for one-touch control. Plugging into the Phones jack mutes the onboard speakers and Sub Out, perfect for private practice sessions and checking sounds on stage with headphones.\n\nOnboard 3+1 Mixing\nThe KC-80’s three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments. In addition, there’s an auxiliary channel with 1/8-inch and RCA inputs for connecting smartphones, music players, or other devices. Channel 1 also includes an XLR input, allowing you to plug in a vocal mic for even more versatility.", "price": 56645.0, "discountamount": 9145.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "level", "carry", "sounds", "organs", "support", "cabinet", "Compact", "tweeter", "50 watts", "addition", "1/8-inch", "FEATURES", "RCA jacks", "XLR input", "stability", "The KC-80", "dedicated", "Keyboards", "distortion", "3+1 Mixing", "PA systems", "sub output", "Performing", "RCA inputs", "Metal jacks", "smartphones", "versatility", "Sub Out jack", "synthesizers", "portable amp", "drum machines", "music players", "master volume", "50-watt KC-80", "power section", "other devices", "sound quality", "higher output", "XLR vocal mic", "10-inch woofer", "stage monitors", "auxiliary input", "rhythm machines", "bass performance", "onboard speakers", "auxiliary channel", "one-touch control", "recording devices", "powered subwoofer", "headphones output", "bass reproduction", "low-end performance", "playing environment", "miniature powerhouse", "Redesigned power amp", "88-note stage pianos", "power supply sections", "Versatile Connectivity", "A 1/4-inch line output", "master EQ XLR mic input", "twin bass-reflex design", "easy-access connectivity", "previous-generation KC-60", "private practice sessions", "three line input channels", "durability Full-Range Sound", "other electronic instruments", "affordable keyboard amplifier", "three 1/4-inch input channels", "Custom two-way speaker system", "full-range audio reproduction", "Electronic Musical Instruments", "various electronic instruments", "extended low-frequency response", "three 1/4-inch line input channels", "Roland KC-80 3-Ch Mixing Keyboard Amplifier" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 490, "imageuri": "https://productimages.withfloats.com/actual/65bcedae8f3782b8fa081035.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bcedae8f3782b8fa081035.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-02T13:27:08.726Z", "updatedon": "2024-09-08T15:50:43.253Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-80-3-ch-mixing-keyboard-amplifier/490", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "Roland kc 80 3 ch mixing keyboard amplifier price", "Roland kc 80 3 ch mixing keyboard amplifier specs", "Roland kc 80 3 ch mixing keyboard amplifier review", "roland kc-80 review", "Roland KC-80 price", "roland kc-80 manual", "Roland KC-80 Weight", "Roland KC-80 used" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. 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Sitting on the desks of a huge global community of musicians, producers and home-recordists, the iconic 2i2 has already helped make more records than any other interface in history. And with the 3rd Generation, you’re going to sound better than ever.\n\n✔ Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals\n\n✔ Two high headroom instrument inputs, for plugging your guitar or bass straight in\n\n✔ High-performance converters, allowing you to record, mix and play back audio in studio quality, anywhere\n\n✔ Quick Start tool, making it easier than ever to get up and running\n\n\nYour music, write away\n\nScarlett’s best-selling interface – millions of musicians use 2i2 to write and record every day. Featuring natural sounding 3rd Gen mic preamps, and Air, emulating our original ISA preamps, 2i2 is getting musicians the most from their mics everywhere, all the time. It’s like writing in a studio.\n\n\nThe best sounding, easily\n\nGetting studio quality recordings at home has never been easier. Quick Start gets you set up, recording and playing back within minutes. Our mic preamps, high-headroom instrument inputs and now-iconic Gain Halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.\n\n\n\nYour recording is 30 years in the making\n\nWe’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.\n\n\n\nOUR TECHNOLOGY IS SOUND\n\nIncredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your two-year warranty to get it sorted. 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Featuring the smallest USB audio interface we make, mic, headphones and all the cables you need to get started, Scarlett Solo Studio is ready to record every song you’ll ever write.\n\n✔ Our simplest Scarlett USB interface, featuring the best performing Scarlett mic preamp the range has ever heard – now with Air \n\n✔ CM25 MkIII condenser microphone, for making detailed studio-quality recordings\n\n✔ HP60 MkIII professional closed-back headphones, for clear and comfortable audio playback, mixing and monitoring \n\n✔ XLR and USB cables in the box, no power supply needed. Unpack, plug in, record\n\n\n\nYOUR SIGNATURE SOUND, ONE SIMPLE SETUP\n\nScarlett Solo Studio helps thousands of musicians and songwriters share their music with the world every day. Featuring a natural sounding 3rd Gen mic preamp, and Air, emulating our original ISA preamps. With your songs and Scarlett Solo Studio Pack, you have everything you need to record in studio quality.\n\n\nTHE BEST SOUNDING, EASILY\n\nQuick Start gets you set up and recording within minutes. Your CM25 MkIII mic captures every detail. Your HP60 MkIII headphones mean clear and comfortable mixing and monitoring. A 3rd Gen mic preamp, high-headroom instrument input and now-iconic Gain Halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.\n\n\n\nYOUR RECORDING IS 30 YEARS IN THE MAKING\n\nWe’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.\n\n\n\nOUR TECHNOLOGY IS SOUND\n\nIncredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your two-year warranty to get it sorted. Sound.\n\n\n\nALL THE TOOLS YOU NEED TO START RECORDING RIGHT, NOW\n\nAlong with CM25 MkIII microphone and HP60 MkIII headphones, your Solo interface comes with a whole range of recording software, sounds and plug-ins to choose from:\n\nAvid® Pro Tools® | First Focusrite Creative Pack:\n\nhundreds of virtual instrument sounds, 500MB of loops, and great-sounding effects.\n\nAbleton® Live Lite™:\n\nindustry-leading music-making software\n\nThree Month Splice Sounds Subscription:\n\nGet access to millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily\n\nXLN Audio Addictive Keys:\n\nchoose one of four inspiring virtual keyboard instruments\n\nSoftube Time and Tone Bundle: three of Softube's world class reverb, delay and distortion plug-ins, and an an easy-to-use mastering tool\n\nFocusrite Red Plug-in Suite:\n\naccurately models our classic Red 2 equaliser and Red 3 compressor\n\nFocusrite Plug-in Collective:\n\nreceive free versions of the most innovative software, as well as benefiting from discounts\n\n", "price": 26050.0, "discountamount": 4000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "box", "THE", "XLR", "song", "tech", "life", "clear", "YEARS", "range", "delay", "500MB", "loops", "Unpack", "vocals", "guitar", "EASILY", "access", "minutes", "clarity", "presets", "decades", "science", "problem", "hundreds", "millions", "Air mode", "same time", "discounts", "thousands", "musicians", "monitoring", "Collective", "Everything", "experience", "USB cables", "mic preamps", "Quick Start", "Tone Bundle", "simplest way", "power supply", "new releases", "Softube Time", "free versions", "BEST SOUNDING", "Focusrite Plug", "studio quality", "Solo interface", "mastering tool", "RECORDING RIGHT", "SIGNATURE SOUND", "ONE SIMPLE SETUP", "Red 3 compressor", "Avid® Pro Tools®", "iconic Gain Halos", "two-year warranty", "comfortable mixing", "recording software", "Focusrite hardware", "world class reverb", "distortion plug-ins", "innovative software", "global support team", "Ableton® Live Lite™", "A 3rd Gen mic preamp", "original ISA preamps", "incredible recordings", "CM25 MkIII microphone", "HP60 MkIII headphones", "unique high-end detail", "great-sounding effects", "performing Scarlett mic", "classic Red 2 equaliser", "24-bit/192kHz converters", "XLN Audio Addictive Keys", "virtual instrument sounds", "Scarlett Solo Studio Pack", "comfortable audio playback", "Focusrite Red Plug-in Suite", "smallest USB audio interface", "First Focusrite Creative Pack", "high-headroom instrument input", "Focusrite Scarlett Solo Studio", "CM25 MkIII condenser microphone", "simplest Scarlett USB interface", "detailed studio-quality recordings", "natural sounding 3rd Gen mic preamp", "high-quality, royalty-free one-shots", "Three Month Splice Sounds Subscription", "industry-leading music-making software", "four inspiring virtual keyboard instruments", "HP60 MkIII professional closed-back headphones" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 460, "imageuri": "https://productimages.withfloats.com/actual/61a8f151efc34900014e4f92.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8f151efc34900014e4f92.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:16:11.358Z", "updatedon": "2022-10-08T16:58:46.61Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/focusrite-scarlett-solo-studio-3rd-gen-/460", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Focusrite ", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Focusrite Scarlett Solo Studio (3rd Gen)", "AUDIO INTERFACES / SOUND CARDS", "Scarlett Solo Studio (3rd Gen)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8eff00e540b000134f3e3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Focusrite Scarlett 2i2 Studio (3rd Gen)", "description": "Scarlett has gone platinum. Sitting on the desks of a huge global community of musicians, producers and home-recordists, the iconic 2i2 has already helped make more records than any other interface in history. And with the 3rd Generation, you’re going to sound better than ever.\n\n✔ Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals\n\n✔ Two high headroom instrument inputs, for plugging your guitar or bass straight in\n\n✔ High-performance converters, allowing you to record, mix and play back audio in studio quality, anywhere \n\n✔ Quick Start tool, making it easier than ever to get up and running\n\n\n\nTHE COMPLETE HOME RECORDING STUDIO\n\nScarlett’s best-selling interface, millions of musicians use 2i2 to write and record every day. Featuring natural sounding 3rd Generation mic preamps, and Air, emulating our original ISA preamps, 2i2 is getting musicians the most from their mics everywhere, all the time. It’s like writing in a studio.\n\n\n\nTHE BEST SOUNDING, EASILY\n\nQuick Start gets you set up and recording within minutes. Your CM25 MkIII mic captures every detail. Your HP60 MkIII headphones mean clear and comfortable mixing and monitoring. 3rd Gen mic preamps, high-headroom instrument input and now-iconic gain halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.\n\n\n\nYOUR RECORDING IS 30 YEARS IN THE MAKING\n\nWe’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.\n\n\n\nALL THE TOOLS YOU NEED TO START RECORDING RIGHT, NOW\n\nAlong with CM25 MkIII microphone and HP60 MkIII headphones, your 2i2 interface comes with a whole range of recording software, sounds and plug-ins to choose from:\n\nAvid® Pro Tools® | First Focusrite Creative Pack:\n\nhundreds of virtual instrument sounds, 500MB of loops, and great-sounding effects\n\nAbleton® Live Lite™:\n\nindustry-leading music-making software\n\nThree Month Splice Sounds Subscription:\n\nGet access to millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily\n\nXLN Audio Addictive Keys:\n\nchoose one of four inspiring virtual keyboard instruments\n\nSoftube Time and Tone Bundle:\n\nthree of Softube's world class reverb, delay and distortion plug-ins, and an an easy-to-use mastering tool\n\nFocusrite Red Plug-in Suite:\n\naccurately models our classic Red 2 equaliser and Red 3 compressor\n\nFocusrite Plug-in Collective:\n\n\nreceive free versions of the most innovative software, as well as benefiting from discounts", "price": 31840.0, "discountamount": 5000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "tech", "bass", "mics", "life", "delay", "range", "loops", "500MB", "clear", "desks", "YEARS", "vocals", "EASILY", "access", "history", "science", "clarity", "decades", "minutes", "guitars", "presets", "records", "Air mode", "millions", "hundreds", "platinum", "musicians", "discounts", "producers", "monitoring", "recordings", "iconic 2i2", "experience", "Collective", "Tone Bundle", "new releases", "Softube Time", "free versions", "2i2 interface", "BEST SOUNDING", "CM25 MkIII mic", "Focusrite Plug", "studio quality", "mastering tool", "RECORDING RIGHT", "home-recordists", "other interface", "3rd Gen mic pre", "Avid® Pro Tools®", "Red 3 compressor", "Quick Start tool", "selling interface", "iconic gain halos", "recording software", "world class reverb", "comfortable mixing", "Ableton® Live Lite™", "distortion plug-ins", "innovative software", "original ISA preamps", "huge global community", "HP60 MkIII headphones", "unique high-end detail", "great-sounding effects", "classic Red 2 equaliser", "performing Scarlett mic", "XLN Audio Addictive Keys", "24-bit/192kHz converters", "virtual instrument sounds", "Focusrite Red Plug-in Suite", "High-performance converters", "Focusrite Scarlett 2i2 Studio", "First Focusrite Creative Pack", "high-headroom instrument input", "THE COMPLETE HOME RECORDING STUDIO", "Two high headroom instrument inputs", "high-quality, royalty-free one-shots", "industry-leading music-making software", "Three Month Splice Sounds Subscription", "four inspiring virtual keyboard instruments", "natural sounding 3rd Generation mic preamps" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 459, "imageuri": "https://productimages.withfloats.com/actual/61a8eff1a794a3000189dfa1.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8eff1a794a3000189dfa1.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:10:24.918Z", "updatedon": "2022-10-08T17:01:06.418Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/focusrite-scarlett-2i2-studio-3rd-gen-/459", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Focusrite Scarlett ", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Scarlett 2i2 Studio (3rd Gen)", "AUDIO INTERFACE", "AUDIO INTERFACES / SOUND CARDS", "Focusrite Scarlett 2i2 Studio (3rd Gen)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "612921084fd5270001c171c3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA MGP24X MIXING CONSOLE", "description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")", "price": 129500.0, "discountamount": 35900.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 395, "imageuri": "https://productimages.withfloats.com/actual/61292109d6c8110001f7e6cb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61292109d6c8110001f7e6cb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-27T17:29:44.986Z", "updatedon": "2025-08-04T13:44:28.206Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-mgp24x-mixing-console/395", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA ", "category": "Audio Mixers", "tags": [ "YAMAHA MGP24X MIXING CONSOLE", "MGP24X mixer", "yamaha mgp24x", "yamaha mixing", "MIXING CONSOLE", "Audio Mixers", "Yamaha MGP24X price in India", "Yamaha MGP24X manual PDF", "Yamaha mgp24x mixing review", "Yamaha MGP16X", "Yamaha MGP24X details", "Yamaha mixer 24 channel olx", "Yamaha mgp24x price in India Amazon", "Yamaha mgp24x mixing price", "Yamaha Mgp24x 24-channel Premium Mixing Console", "MGP Series Mixing Console - Yamaha Asia" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }