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"description": "Monitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nMore Than Just an Enclosure\nWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\n\nKey Features - \n\n1. Bi-amplified design with 100 watts (60 LF, 40 HF) for powerful, accurate sound\n2. 5” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1” natural silk dome tweeter delivers superb transient details\n4. New computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Ultra-wide range 52-35kHz frequency response covers full musical spectrum\n10. Front panel LED shines brightly when speaker is positioned at ideal monitor angle\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 5 inch (127mm) Kevlar curved cone with high temperature voice coil and damped rubber surround. Magnetically shielded\nHigh Freq. Driver - 1 inch (25mm) magnetically shielded natural silk dome\nFrequency Response - 52 Hz – 35 kHz\nCrossover Frequency - 2.5kHz\nLow Freq. Amplifier Power - 60W\nHigh Freq. Amplifier Power - 40W\nMaximum Peak - SPL\t110 dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -10dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : - 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 100W\nFuse - 220–240V~ T1AL 250V / 100–120V~ T1.6AL 250V\nCabinet -Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t6.9” x 7.8” x 10” / 176 x 197 x 254 mm\nWeight - 12.3 lbs, 5.6kg",
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"description": "Hear the music. Hone your craft.\nBuilding upon M-Audio’s world-class reference monitor technology, the HDH50 high-definition headphones bridge the gap between studio monitor engineering and private audio. Incorporating premium audio components into a rugged, durable design, HDH50 delivers critical sound reproduction and audio isolation for use in professional recording and monitoring environments. The over-the-ear design helps reduce fatigue during extended studio sessions, and the plush padding ensures that the HDH50 stays secured. For music production and listening, the HDH50 headphones deliver purpose-built, high-fidelity sound.\n\nSuperior Frequency Response\nExpertly tuned and optimized for impressive audio clarity, the HDH50 headphones feature powerful, 50mm neodymium drivers for full-range frequency response. These extra-large drivers offer authentic bass response and allow producers to make accurate mix adjustments to the low end in private listening environments. Built with a rugged aluminum and steel construction, HDH50 gives producers and listeners high-definition sound in a headphone that's built to last.\n\nFatigue-Free Listening\nHDH50 was developed for musicians and engineers who desire fatigue-free listening and maximum comfort during long recording, mixing, and listening sessions. Its closed-back construction is ideal for those long hours spent in the studio and helps reduce signal bleed to neighboring microphones for cleaner tracking. Overstuffed padding on the ear cups and headband provide unparalleled comfort during demanding recording sessions, and the ear cups completely surround the ears for excellent audio isolation.\n\nFull-Range Frequency Response\nWith an expansive 12Hz-24kHz frequency range, there’s more than enough frequency range for creating, mixing, or monitoring any project. HDH50 is capable of producing the entire human frequency range, from low bass frequencies to crystal-clear highs, for reliable sound reproduction. Additionally, HDH50 creates an accurate stage-wide stereo image for precise mixing and instrument placement. With HDH50, you get the technology of a close-range monitoring system with the benefits, convenience, and comfort of headphones.\n\nFeatures - \n\n1. Premium build quality and tuning with 12Hz-24kHz frequency response\n2. Powerful 50mm drivers with neodymium magnets offer an immersive audio experience\n3. Built to last with rugged aluminum and steel construction\n4. Plush leather cushioning with a comfortable over-the-ear design\n5. Audio cable with 1/4” adapter included\n6. Communication cable with built-in microphone included\n\nSpecifications - \n\nFrequency Response: 12Hz-24kHz\nMax SPL: 114dB @ 1kHz\nImpedance: 16 Ohms\nCable: 6.8 ft. (2.1m) with 1/8\" connector",
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"name": "BX8-D3 ( Singles ) ",
"description": "Introducing M-Audio’s BX8-D3 monitors—the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio’s BX monitors guarantee absolute surgical precision and repeatable engineering excellence.\n\nListen with confidence: with M-Audio’s BX8-D3 studio reference monitors, you’ll hear everything in lifelike detail, so your mixes and recordings will sound their best!\n\nMonitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3’s 8-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX8- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nKey Features - \n\n1. Bi-amplified design with 150 watts (80 LF, 70 HF) for powerful, accurate sound\n2. 8” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1.25” natural silk dome tweeter delivers superb transient details\n4. Computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Wide range 37-22kHz frequency response covers full musical spectrum\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 8 inch (203 mm) Kevlar curved cone with high temperature voice coil and damped rubber surround, magnetically shielded\nHigh Freq. Driver- 1.25 inch (32mm) magnetically shielded natural silk dome\nFrequency Response- \t37Hz – 22kHz\nCrossover Frequency - 2.0kHz\nLow Freq. Amplifier Power - 80W\nHigh Freq. Amplifier Power - 70W\nMaximum Peak SPL - 114dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -12dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 150W\nFuse - 220–240V~ T1AL, 250V / 100–120V~ T2AL, 250V\nCabinet - Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t9.8” x 11.9” x 15.1” / 250 x 302 x 384 mm\nWeight - 23.1 lb / 10.5 kg",
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"name": "Slate Digital VRS8 (Free ML-1)",
"description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. 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We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. 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No other MIDI controller in this price range has so much functionality while remaining easy to use.\n\nStreamlined Session Control\nFeaturing eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this.\n\nProfessional Quality\nM-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls.\n\nA New Approach to Making Music\nWith Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform.\n\nPro Tools Compatible\nThe Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility.\n\nUltra-Compact Design\nThe Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag.\n\nSound Your Best\nIncluded with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MIDI technology provides both a Chord Player and a Phrase Player that can introduce new musical parts to enhance your production—even a drum pattern. Email your ideas to the rest of the band. Share your musical ideas and songs with other musicians through SoundCloud—all without ever leaving Ignite. Plus, you can export WAV and MIDI files, and then import them into any DAW recording software—including Pro Tools.\n\nFeatures - \n\n1. 25 velocity-sensitive keys\n2. 8 MIDI-assignable knobs\n3. 1 MIDI-assignable slider\n4. 6 dedicated transport controls\n5. Dedicated track up/down buttons\n6. DirectLink mode automatically maps controls to common DAW parameters\n7. Factory presets map controllers to popular virtual instrument software\n8. Unique Select buttons for on-the-fly step through of presets, program changes and MIDI channels\n9. 4 velocity curves and 3 fixed velocity settings\n10. Sustain pedal input\n11. Class-compliant with Windows XP, Windows Vista and Mac OS X\n12. USB bus powered\n13. Includes Ableton Live Lite\n14. Includes Ignite music creation software\n\nSpecifications - \n\nMIDI Data from variable controllers:\nMIDI Control Number\nRPN/NRPN\nProgram, Bank LSB, Bank MSB\nPitch Bend\nGM/GM2/XG SysEx Messages\n\nMIDI Data from buttons/switches:\nNote On\nNote On/Off toggle\nMIDI CC On/Off toggle\nProgram, Bank LSB, Bank MSB presets\nMIDI Machine Control functions\nGM/GM2/XG SysEx messages\nWeight:3.8lbs. (1.7kg)\nSize: 16.2“ L x 9.4” W 3.7\" H\n\nRequirements - \n\nCompatibility\nMME\nMac OS X Core MIDI\n\nMinimum System Requirements (PC)\n\nWindows XP (SP3)*\n1GHz Intel or AMD**\n512MB RAM\n\nWindows Vista 32 , 64bit (SP1) / Win7 32, 64bit; Windows 10\n1.6GHz Intel or AMD**\n1GB RAM\n128MB video card\n\n* Home and Professional Edition only. Windows Media Center Edition is not supported.\n** CPU may be higher for laptops.\nM-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above.\nMinimum System Requirements (Mac)\nMac OS X 10.4.11 or 10.5.6\nMacintosh G4 1GHz**\n512MB RAM\nG4 accelerator cards not supported",
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"name": "AIR 192|4 Vocal Studio Pro",
"description": "Enter the world of studio-based recording with the AIR 192|4 Vocal Studio Pro—the ultimate all-in-one solution for computer recording projects. Combining the critically acclaimed AIR 192|4 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium AIR Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the AIR 192|4 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario.\n\nThe AIR 192|4 Vocal Studio Pro comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|4 Vocal Studio Pro includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, 80 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. (1) XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate 6. sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. NOVA Black condenser microphone\n10. HDH40 monitoring headphones\n11. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nNOVA Black Microphone\nMicrophone Carrying Pouch\nXLR Microphone Cable\nMicrophone Shock Mount\nMicrophone Windscreen\nHDH40 Headphones\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \nAll specifications are measured at 20 kHz bandwidth. Specifications are subject to change without notice.\n\nMinimum System Requirements\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\nNOVA Black Microphone\n\nType - ack Electret condenser microphone\nElement - 18 mm pure aluminum diaphragm capsule\nPolar Pattern -\tCardioid\nFrequency Response - 20 Hz – 20 kHz\nSensitivity - -38 dB (0 dB = 1 V/Pa @ 1 kHz)\nRated Impedance - \t200Ω\nMaximum SPL - 136 dB\nPhantom Power Required - +48 V\nS/N Ratio - 77 dB\nCurrent Consumption - 3 mA\n\nHDH40 Headphones - \n\nAcoustic Design - \tDynamic, Closed\nDriver- 40 mm, neodymium\nFrequency Response - 15 Hz – 22 kHz\nSensitivity - 95 dB ±3 dB\nRated Impedance\t - 32Ω\nEarpad - Leatherette\nCable Length - 9.8 ft. / 3 m\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - \t104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range - 55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - 100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - +7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - 0.005%\nOutput Impedance - 10 Ω\n\nGeneral - \n\nPower - \tUSB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\n\n\n",
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"description": "The M-Audio M-Track Duo HD Producer Pack is the perfect introduction to the world of studio-quality audio for first-time producers, content creators, songwriters, and every kind of artist in between. This powerful and cost-effective bundle combines the M-Track Duo HD audio interface with M-Audio HDH41 over-ear studio monitoring headphones and a professional-grade M-Audio M100 condenser microphone.\n\nThe M-Track Duo HD Producer Pack includes everything you need to take that song idea, podcast concept, or audiobook from dream into reality.\n\nThe M-Track Duo HD audio interface features a set of pared-down controls with just the right amount of added flourish: two combo XLR/TRS inputs, two ¼ TRS outputs, a headphone jack, ultra-transparent Crystal™ preamps, pro-quality converters, switchable +48V phantom power, USB-C connector, and access to included software to help enrich your sonic journey.\n\nExperience precise, studio-quality monitoring with the included M-Audio HDH41 headphones and clean audio via the included M100 condenser mic.\n\nComplete Feature List\n\n1. 2-in/2-out USB-C audio interface for Mac, PC, iOS, and Android\n2. Pro-grade 24-bit/192kHz audio resolution\n3. 2 combo inputs for mic, instrument, or line-level source\n4. Crystal preamps deliver 55 dB of clear, detailed gain\n5. Pro A/D converters faithfully capture your performances\n6. Switchable +48V phantom power feeds studio condenser microphones\n7. Direct/USB monitor switch tailors your monitoring output\n8. Headphone output with independent level control\n9. Includes HDH41 headphones with ¼” adapter\n10.Includes M100 studio condenser microphone with mic stand mount, zipper bag, and XLR to XLR cable\n11. Includes 1m/3.3ft USB-C to USB-C cable\n12. Includes Producer Essentials software bundle (a $1,200+ value) with professional audio production tools and sound libraries from industry-leading brands. All software listed below includes lifetime access unless otherwise noted.\n\n\nDAWs - \n\nAbleton Live Lite\nMPC Beats\nReason+ (6-month subscription)\n\nEffects - \n\nVocals: Antares AutoTune Unlimited (2-month access)\nGuitar: HeadRush ReValver\nDrums: BFD Player + Dark Mahogany\nMixing: AIR Creative FX Collection Essentials\nProduction: AIR Jura Chorus\nProduction: AIR Multiband Filterbank\n\nInstruments - \n\nAIR Essential Keyboards\nAIR Xpand!2\nAIR Bassline\nAIR OPx-4\nAIR Tubesynth\n\nSamples\n\nSplice (2-month access)\n\nMic Input (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - 128 dBu (max. gain, 40 source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB / Direct Stereo: 6 dB to +60 dB\n\nLine Input (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - \t0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\n\nInstrument Input (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD -\t0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\nDirect Stereo - -4 dB to +50 dB\n\nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - \t0.002% (0 dBu out, A-weighted)\nMax Output Level -\t+4 dBu\n\nHeadphone Output (1/4” [6.35 mm] TRS)\n\nPower - \t60 mW/Ch, 32Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nPower\n\nUSB bus-powered\n\nDimensions (WDH)\n\n7.5 x 4.4 x 2.1 in / 191 x 111 x 55 mm\n\nWeight\n\n3.0 lbs / 1.34 kg",
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