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{ "products": [ { "_id": "68641c5ed03c4bf2e85d0a1f", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Ten-Piece Electronic Drum Kit with Touch Screen Drum Module", "description": "Drums - \nStrata Prime comprises six drums with all-mesh heads. Starting with a dual-zone 14” snare drum, with independent sounds triggered on the head, rim click, and rim shot, followed by 8” / 10” / 12” / 14” toms and of course a 20”kick drum which provides a comfortable playing surface while being suitable for all varieties of single and double kick drum pedals.\nPLEASE NOTE: Kick pedal sold separately. The tension can be adjusted on all six mesh heads so you can set the exact level of rebound and expressiveness to your preference - and unnatural ‘hotspots’ on the heads are eliminated by Alesis’ unique patented anti-hotspot sensor design*.\n\nCymbals - \n\nThe Strata Prime’s ARC cymbals are supremely sensitive with a beautifully lathed surface. All three cymbals, the 18” ride, and two 16” crashes, are triple-zone; with different sounds triggered on the bell, bow, and edge of each cymbal.\nThey are all 360-degree responsive, so not only can you play anywhere throughout the cymbal, but they mount on standard acoustic arm mounts, allowing them to respond and swing naturally, without restrictions. The crash and ride cymbals and hi-hats have dual-edge sensors* and profiles that allow incredible expressiveness without having to adjust your technique.\n\nPrecision Hi-hat - \n\nThe 14” hi-hat is the world’s first Active Magnetic, stand mounted controller. PLEASE NOTE: Hi-hat stand sold separately. Like the cymbals, it’s a triple-zoned 360-degree playing surface which is extremely sensitive.\nMagnetic position sensing ensures that pedal movements are translated with extraordinarily high resolution; meaning the contactless controller is unmatched in its accuracy.\nThe unit can be used with a wide variety of hi-hat stands and playing techniques. Its active technology is powered directly from the Prime Drum Module; no extra power adapter required.\n\n1. Overview - \n\nTen- Piece all-Mesh kit including kick, snare, 4 toms, hi hat, ride and 2 crash cymbals PLEASE N0TE - Hi hat stand and kick pedal sold separately. \n360-degree ARC cymbols and active Magnetic hi-hat technology. \nState of the art touch screen module running the BFD sound engine with 75 kits.\n\n2. Drums - \n\n- Dual-zone mesh snare.\n- 8'/10'/12'14' Dual-zone mesh toms.\n- 20' kick drum with mesh head.\n- Four post stell rack with locking clamps. \n\n3. Cymbals - \n\n- 360-degree tripal-zone cymbals and hi-hat.\n- 14' active hi-hat cymbal with megnetic stand-mounted controller.\n- Two 16' crash cymbals and one 18' ride. \n\n4. Kick - Strata Kick 20 (20x14in acoustic shell, mesh head) PLEASE NOTE: Kick pedal sold separately.\n\n5. Snare - Strata Drum 14 (14in mesh head with patented anti-hotspot trigger system).\n\n6. toms\nTom 1: Strata Drum 8in (8in mesh head with patented anti-hotspot trigger system)\nTom 2: Strata Drum 10in (10in mesh head with patented anti-hotspot trigger system)\nTom 3: Strata Drum 12in (12in mesh head with patented anti-hotspot trigger system)\nTom 4: Strata Drum 14in (14in mesh head with patented anti-hotspot trigger system)\n\n7. Hi hat - ARC Hi-hat 14 Active (14in 360-degree triple-zone cymbal with stand mounted Active Magnetic controller) PLEASE NOTE: Hi hat stand sold separately.\n\n8. Ride - ARC Cymbal 18 (18in 360-degree triple-zone cymbal)\n\n9. Cymbals - \nCymbal 1: ARC Cymbal 16 (16in 360-degree triple-zone cymbal)\nCymbal 2: ARC Cymbal 16 (16in 360-degree triple-zone cymbal)\n\n10. Included drum module - \n\nPrime Drum Module w/ 10.1' touchscreen, multi-core processor, powered by BFD3 sound engine.\nNumber of Drum Kits: 75\nNumber of Instruments: 40+ GB of all new, multi-layered factory content, 440+ Kit Pieces, 1092 Articulations across 4 diverse sound libraries from Alesis and BFD\nModule Trigger Inputs: 13 x 1/4' TRS (drum triggers), 1 x 1/4' TRS (Active hi-hat control)\nModule Analog Inputs: 2x 1/4' TRS\nModule Analog Outputs: 2x XLR (main), 4x 1/4' TRS (assignable outs)\nHeadphones: 1 x 1/4' & 1x 1/8'\nModule MIDI I/O: USB MIDI, 5-pin In/ Out, Bluetooth MIDI USB: 1 x Type B (host) & 1x Type A (storage, external MIDI controllers)\nStorage: 128GB internal drive, SD/SDHC Card Slot, USB drive\n\n11. Software - Free BFD Player + Expansion Packs\n\n12. included hardware - 4-post Steel Rack, 3x Cymbal Boom Arms, Snare Stand. ", "price": 385574.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "16 crashes", "18 ride", "14 hihat", "ride cymbals", "incredible expressiveness", "powered directly", "active technology", "hihat stands", "wide variety", "contactless controller", "pedal movements", "dualedge sensors", "swing naturally", "360degree responsive", "bell bow", "supremely sensitive", "unnatural hotspots", "exact level", "mesh heads", "playing techniques", "20kick drum", "rim shot", "sounds triggered", "technique precision hihat", "independent sounds triggered", "allmesh heads starting", "prime drum module", "comfortable playing surface", "head rim click", "beautifully lathed surface" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 551, "imageuri": "https://productimages.withfloats.com/actual/68641c61897b811d6f516a23.jpeg", "tileimageuri": "https://productimages.withfloats.com/tile/68641c61897b811d6f516a23.jpeg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T17:35:26.59Z", "updatedon": "2025-07-01T17:53:07.048Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ten-piece-electronic-drum-kit-with-touch-screen-drum-module/551", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Alesis Drums", "category": "Alesis Strata Prime Kit", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "680db921a6537063180ba02a", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Ibanez Q Series QX54QM BSM Electric Guitar", "description": "Ibanez Q Series QX54QM BSM Electric Guitar\nSPECS\nneck type\tParallel Wizard3pc Roasted Maple/Bubinga neck\ntop/back/body\tQuilted Maple topNyatoh body\nfretboard\tRoasted Birdseye Maple fretboardMother of Pearl Step off-set dot inlay\nfret\tJumbo Stainless Steel frets\nnumber of frets\t24\nbridge\tIbanez Mono-Tune bridge\nstring space\t10.8mm\nneck pickup\tR1 (S) neck pickupPassive/Ceramic\nmiddle pickup\tR1 (S) middle pickupPassive/Ceramic\nbridge pickup\tQ58 (H) bridge pickupPassive/Ceramic\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nhardware color\tCosmo black\nNECK DIMENSIONS\nScale :\t648mm/25.5'\na : Width\t42mm at NUT\nb : Width\t57mm at 24F\nc : Thickness\t19mm at 1F\nd : Thickness\t19mm at 12F\nRadius :\t508mmR\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nQX54QM's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nQX54QM's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nRecommended Case\tMR350C\nGig bag included\ndyna-MIX9 switching system w/Alter Switch\nIbanez Custom String Lock\nLuminescent side dot inlay\nFeatures\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nThe Parallel Wizard neck is 19mm thick all the way through the entire length. It provides an amazing fretting-hand experience for the players who prefer their instrument held in a higher playing position. The 3pc Roasted Maple/Bubinga construction also offers excellent stability and long-term durability.\n\nQuilted Maple top / Nyatoh body\nQuilted Maple top / Nyatoh body\nThe Quilted Maple top sonically enriches the response for picking. Nyatoh used as body wood provides a rich mid-low end.\n\nR1 / Q58 S-S-H pickups\nR1 / Q58 S-S-H pickups\nThe R1 / Q58 pickup combo is designed specifically for use in headless guitars. They provide a clearly defined sound, facilitating excellent tonal balance through all frequencies. The lows are powerful without being muddy, and the highs are bright and clear, but never harsh. As a result, every single note within the chord structure is well defined, and clearly audible. These pickups, with their tonal balance, and extremely low noise performance, work extremely well with both digital and analog effects.\n\nCustom string lock\nCustom string lock\nThis custom string lock is one-piece unit that features very simple construction. This means the hardware requires less maintenance, is highly durable, and allows for very easy string changes. Additionally, no proprietary string is required, so you can continue to use your favorite gauge and brand.\n\nMono-Tune bridges\nMono-Tune bridges\nThe Mono-Tune bridges offer a wide intonation range so that you can easily set the instrument up for tuning down a whole step or even further. The string height is also easily adjustable, and each saddle generally has less material, which leads to more natural and organic tone.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSlanted frets\nSlanted frets\nAll of the frets are equally slanted at an 8-degree angle. Many contemporary players tend to favor a much higher playing positon to execute more effectively, highly technical and intricate techniques like tapping, finger style, and even occasional bass-inspired slap riff. This higher position results in the four fretting fingers naturally tilting slightly inwards. This 8-degree inward tilt of the frets perfectly accommodates this and offers a more natural feeling and comfortably playing guitar.\n\nRoasted Birdseye Maple fretboard\nRoasted Birdseye Maple fretboard\nThe beautiful Birdseye Maple fretboard imbues this model with an exotic appearance . The fretboard is heat-treated for a balanced attack and rich sustain.\n\nJumbo Stainless Steel frets\nJumbo Stainless Steel frets\nStainless steel frets boast excellent corrosion resistance. The wide and tall fret-type offers a quick response and effortless articulation when playing chords and clear tone when playing single notes.\n\nErgonomic body design\nErgonomic body design\nThe body features a number of strategically placed curves on both the top and back of the instrument. This complex, yet sophisticated design provides maximum playing comfort.\n\nCompact and light-weight, yet resonant body\nCompact and light-weight, yet resonant body\nWhile it is really compact and light-weight, its non-chambered, solid body provides great sound with rich woody tones.\n\nLuminescent side dot inlays", "price": 101544.0, "discountamount": 11000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "instrument held", "clear tone", "quick response", "natural feeling", "8degree angle", "mini switch", "alter switch", "body features", "great sound", "sophisticated design", "effortless articulation", "balanced attack", "exotic appearance", "intricate techniques", "equally slanted", "humbucking sound", "sound variations", "saddle generally", "easily adjustable", "easily set", "favorite gauge", "hardware requires", "simple construction", "onepiece unit", "tonal balance", "chord structure", "headless guitars", "designed specifically", "picking nyatoh", "entire length", "19mm thick", "thickness 19mm", "width 57mm", "width 42mm", "dynamix 9 offers", "string height", "proprietary string", "easy string", "body wood", "highly durable", "single note", "playing chords", "resonant body", "resonant body compact", "frets perfectly accommodates", "contemporary players tend", "wide intonation range", "tall frettype offers", "custom string lock", "offers excellent stability", "nonchambered solid body", "effectively highly technical", "single coil modes", "higher playing positon", "higher playing position", "higher position results", "tapping finger style", "monotune bridges offer", "amazing frettinghand experience", "parallel wizard neck" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 510, "imageuri": "https://productimages.withfloats.com/actual/680db922a742d9b0452b0975.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/680db922a742d9b0452b0975.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-04-27T04:57:05.291Z", "updatedon": "2025-04-27T04:57:05.291Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ibanez-q-series-qx54qm-bsm-electric-guitar/510", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Ibanez ", "category": "Electric guitar", "tags": [ "Ibanez Q Series QX54QM BSM Electric Guitar", "Ibanez Q Series QX54QM PRICE", "Ibanez QX54QM BSM Electric Guitar price", "Ibanez Q Series QX54QM BSM Electric Guitar price", "Ibanez Electric Guitar price in India", "Ibanez Q Series Electric Guitar price", "Ibanez Electric Guitar shop in delhi", "Ibanez Electric Guitar" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65d05dee5f72731e00bc3ea4", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Mark bass little mark vintage 1000 MBH110093Z", "description": "Little Mark Vintage 1000\nProduct code: MBH110093Z\nFollowing the astounding success of the 500W version, this 1000W high-power head is created for those who need the highly appreciated features and lot of tone options of the LITTLE MARK VINTAGE but also like to have a massive supply of power, no matter how big is the stage and the volume you play!\n\nThis one is part of the Gold Series, a state of the art lineup offering superior quality, recognizable by its catching new look marking a new era at Markbass, starting from gold plated circuits, to the highly selected components, to some of the most requested features!\n\n> key points\n\n> Tube Preamp\nThe Little Mark Vintage 1000 features a Tube Preamp, to get rich and warm tone full of harmonics.\n\n> 1000W MPT (Mark Proprietary Technology) Power Amp \nThis ultrahigh-power head gets amplified by a powerful 1000W MPT power amp, delivering a large supply of power and serious headroom with amazing definition and dynamics.\nAbout all the bass amps on the market use the same power amp from different manufacturers, which are not specificically designed for bass. At Markbass, Marco De Virgiliis invested a lot on R&D to create a proprietary power amp technology, specifically designed to respect and glorify the tone of your instrument.\n\n> Limiter Control\nThis control offers a modern reaction when you set it all the way up, or put it down to zero to create that old generation behavior with its typical distortion you get when the Limiter effect is really low, and of course you can also get everything in between.\n\n> New EQ setting / ​​​​​3-WAY Switch\nThe 4 Bands EQ of the Little Mark Vintage 1000 have a new setting on frequencies center, all tuned to offer a pretty balanced tone that easily cuts in the mix, plus a 3-WAY switch with three useful EQ preset options to get very quickly a real FLAT setting, a CUT one with scooped Mids and enhanced Low and High and an OLD one with scooped High to get an old vintage style tone.\n\n> Real DI box\nThe BALANCED DI OUT with transformer is optimized to give pure, full, rich, linear sound on all frequencies. Although Little Mark amp heads already feature high-quality DI circuitry, the transformer upgrades the DI performance offering a real DI box inside the head, handling extreme transients without introducing any distortion or coloration.\n\n> Gold Line Top Features\nAs it happens in the Gold Line series, the Little Mark Vintage 1000 features gold plated circuits and top quality selected components, providing the purest and cleanest sound you can imagine.\n\n> Mute and ON/OFF EQ\nFootswitchable MUTE is one of the most requested features in order to tune or switch an instrument in a silent way. The optional Dual Footswitch also allows to turn ON/OFF the EQ section.\n\n> Size/Weight\nThe Little Mark Vintage 1000 features the same compact SIZE and light WEIGHT of all the Little Mark family heads.\n\n \n\n \n\nMinimum ohm load for all Markbass heads is 4 ohms.\nMarkbass amps/combos are manufactured to be sold and used in the country of purchase, and they are factory preset to that country’s voltage. Due to homologation issues, the voltage may not be changed.", "price": 104480.0, "discountamount": 13580.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "R&D", "lot", "CUT", "mix", "Mids", "part", "stage", "order", "state", "4 ohms", "purest", "volume", "market", "OLD one", "voltage", "new era", "country", "purchase", "dynamics", "Mark bass", "bass amps", "harmonics", "warm tone", "coloration", "EQ section", "instrument", "everything", "key points", "art lineup", "silent way", "Tube Preamp", "Real DI box", "new setting", "transformer", "Size/Weight", "Gold Series", "Product code", "light WEIGHT", "large supply", "500W version", "The BALANCED", "tone options", "balanced tone", "Markbass heads", "same power amp", "Limiter effect", "massive supply", "cleanest sound", "The 4 Bands EQ", "New EQ setting", "DI performance", "modern reaction", "Limiter Control", "serious headroom", "superior quality", "Minimum ohm load", "Gold Line series", "same compact SIZE", "​​​​​3-WAY Switch", "catching new look", "real FLAT setting", "frequencies center", "Marco De Virgiliis", "typical distortion", "extreme transients", "astounding success", "amazing definition", "homologation issues", "Footswitchable MUTE", "ultrahigh-power head", "gold plated circuits", "Little Mark amp heads", "1000W high-power head", "Gold Line Top Features", "old vintage style tone", "different manufacturers", "old generation behavior", "The Little Mark Vintage", "optional Dual Footswitch", "Little Mark family heads", "high-quality DI circuitry", "Mark Proprietary Technology", "powerful 1000W MPT power amp", "MBH110093Z Little Mark Vintage", "three useful EQ preset options", "pure, full, rich, linear sound", "top quality selected components", "proprietary power amp technology" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 499, "imageuri": "https://productimages.withfloats.com/actual/65d05df27e38dded8f74a74c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65d05df27e38dded8f74a74c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-17T07:19:10.443Z", "updatedon": "2024-09-08T15:41:09.467Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/mark-bass-little-mark-vintage-1000-mbh110093z/499", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "MARK BASS", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Little Mark Vintage 1000", "MARK BASS LITTLE MARK VINTAG 1000", "Mark Bass Amps", "MARKBASS PRICE IN INDIA", "MRAK BASS", "MARK BASS INDIA", "LITTLE MARK VINTAGE 1000 PRICE IN INDIA", "Markbass Little Mark Vintage D2", "Mark Bass Cabinet", "Markbass Little Mark 250 combo review", "Markbass for sale", "Markbass Little Mark IV 300", "Mark Bass manuals", "Markbass Little Marcus 58R", "Markbass 12 cabinet" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "612b71344fd5270001c17d90", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "HOHNER Harmonica Marine Band Crossover C M2009016X", "description": "HOHNER Harmonica Marine Band Crossover C M2009016X\n\nTHE FUTURE OF HARMONICAS\nA hundred years down the road, the blues is still one of the most influential musical genres around. Its impact can be heard in the pop hymns, rock songs, and even hip hop tracks from all over the world. So we decided to design a new high-end harmonica for the blues and all the styles which grew out of it, using sustainable raw materials, with a powerful original sound that would meet the needs of this new generation of professional musicians. The result: The Crossover. The patented laminated bamboo comb is completely water resistant and extremely airtight, the tone is bright and crisp and the modern compromise tuning is ideal for single note playing, whether acoustic or amplified, while still retaining a full chord sound. Whether you’re into blues, rock, jazz, or soul, the Crossover provides you with the power, sound, and feel you need to bring your dreams to life. Cross over into a new world of harmonica!\n\nFEATURES\nm2009016x-1.jpg\nCOMPLETELY ASSEMBLED WITH SCREWS\nCompletely assembled with screws for easy maintenance\n\nm2009016x-2.jpg\nREINFORCED COVERS WITH SIDE VENTS AND OPEN BACK\nCovers with side vents, opened up at back for greater volume and stability\n\nm2009016x-3.jpg\nTRIPLE LAQUERED BAMBOO COMB\nPatented bamboo comb sealed with 2 layers of clear lacquer plus UltraGlide coating on mouthpiece to completely eliminate swelling\n\nm2009016x-4.jpg\nENHANCED PLAYING COMFORT\nReed plate edges and channel openings rounded off for greater playing comfort\n\nm2009016x-5.jpg\n\nMODERN COMPROMISE TUNING\nPerfect for single note playing as well as full chord sound in all contemporary styles\nm2009016x-6.jpg\nZIPPER CASE\nSturdy zipper case allows moisture to evaporate while keeping dust out dust out\n \nTECHNICAL DETAILS\nReed plates (material, thickness): brass, 0.9 mm\nReed plates (surface): brass\nReeds (number, material): 20, brass\nComb (material, color): bamboo, blonde\nComb (finish): triple lacquered\nMouthpiece (surface): bamboo\nCover plates: stainless steel\nKeys: C\nType: diatonic\nTuning: Richter\nNumber of holes: 10\nTonal range *: 3 octaves\nLength: 10 cm / 3.9”", "price": 0.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 411, "imageuri": "https://productimages.withfloats.com/actual/612b713b4ade6c0001b6cacb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/612b713b4ade6c0001b6cacb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-29T11:36:20.204Z", "updatedon": "2021-08-29T11:36:20.204Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/hohner-harmonica-marine-band-crossover-c-m2009016x/411", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "HOHNER", "category": "Harmonica", "tags": [ "HOHNER Harmonica Marine Band Crossover C M2009016X" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "608ae87d9487ee000195490a", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Tama Superstar Classic CL72RSP Lacquer Finish 7 Pcs Drum Kit", "description": "the Superstar name has stood for groundbreaking design, superior build quality, sterling tone, and clear projection. Superstar Classic once again upholds tradition by raising the bar for discerning drummers—and remarkably—does it at an extremely competitive price. Drawing on Superstar of the past, its classic TAMA T-shape badge and streamlined low-mass single lugs point to the simpler state of art of the 70's, while the ingenious Star-Mount system and new thinner gauge 100% maple shells eclipse anything in its class. Visually ravishing, the Gloss Lacebark Pine exterior ply possesses a complex wood grain pattern to give this kit an extraordinary visual appearance.\nCL72S (Exotic Finish and Lacquer Finish)\nCK72S (Unicolor Wrap Finish)\n\nDescription\tQ'ty\n22\"x18\" Bass Drum\t1\n8\"x7\" Tom Tom\t1\n10\"x8\" Tom Tom\t1\n12\"x9\" Tom Tom\t1\n14\"x12\" Floor Tom\t1\n16\"x14\" Floor Tom\t1\n14\"x6.5\" Snare Drum\t1\nDouble Tom Holder\t1\nSingle Tom Attachment\t1", "price": 135520.0, "discountamount": 10000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 380, "imageuri": "https://productimages.withfloats.com/actual/608ae8ac33f8c800011d7026.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/608ae8ac33f8c800011d7026.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-04-29T17:10:21.08Z", "updatedon": "2021-04-29T17:11:07.122Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM//tama-superstar-classic-cl72rsp-lacquer-finish-7-pcs-drum-kit/380", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Tama", "category": "Drum set", "tags": [ "Tama Superstar Classic CL72RSP Lacquer Finish", "CL72RSP- GJP", "CL72RSP- GGP", "CL72RSP-GHP", "", "Superstar Classic Drum Kit ( 7 Piece Drum Kit )", "" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "608a93b4606ea60001ca3a59", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "TAMA IMPERIALSTAR IE52KH6W 5-PIECE ACOUSTIC DRUM KIT", "description": "Imperialstar complete drum kits provide everything a drummer needs at an affordable price. The Imperialstar line offers various choices of kit configurations and finishes, availability of add-on drums, precisely-processed drum shells and reliable, durable hardware. Imperialstar may appeal to drummers due to the price, but more experienced intermediate players enjoy playing great-sounding Imperialstar kits in every music genre from jazz and R&B to rock.\n\nCONFIGURATIONS\nBass Drum: 16\"x22\" bass drum\nToms: 7\"x10\" & 8\"x12\" tom \nFloor Tom: 15\"x16\" floor tom\nSnare Drum: 5\"x14\" snare drum\n\n\nHARDWARE\nMTH50 Double Tom Holder\nHi-hat Stand,\nSingle Bass Drum Pedal\nSnare Stand \nBoom Cymbal Stand\nStraight Cymbal Stand\nDrum Throne & Drumstick\nCymbals are not included (Sold Separately)\nColor Finish\nCandy Apple Mist - CPM\nShells:100% poplar 8mm 6ply\n\n\nPoplar wood has been used in making drum shell for over 50 years. It offers a full, warm tone combined with medium attack.\n\nSpur Brackets\n\n\nImperialstar spur brackets provide maximum durability and stability.\n\nTAMA Precision Bearing Edges\n\n\nA drum's bearing edge is one of the most important components in drum sound.\nOur advanced edge-cutting process provides extremely precise bearing edges - which allow TAMA shells to ring openly and fully, and provide a wide range of tune ability, sensitivity and response", "price": 72000.0, "discountamount": 8900.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 378, "imageuri": "https://productimages.withfloats.com/actual/608a93b94add8b0001d8d40e.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/608a93b94add8b0001d8d40e.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-04-29T11:08:36.902Z", "updatedon": "2024-09-07T05:38:29.968Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/tama-imperialstar-ie52kh6w-5-piece-acoustic-drum-kit/378", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Tama", "category": "drum set", "tags": [ "IE52KH6W - BOW", "IE52KH6W - HLB", "IE52KH6W - HBK", "IE52KH6W - CPM", "IE52KH6W - BWW", "IE52KH6W - VWS", "IE52KH6W-NZW", "", "TAMA IMPERIALSTAR IE52KH6W 5-PIECE ACOUSTIC DRUM K", "Tama imperialstar ie52kh6w 5 piece acoustic drum k", "TAMA Imperialstar price in india", "Tama Imperialstar 5-piece", "Tama Imperialstar 18'' bass drum", "tama imperialstar 6-piece", "TAMA Imperialstar Black", "Tama Rhythm Mate", "Tama Imperialstar Snare" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "60852c423f20370001fe6b4c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Cort Roselyn LE Nat Limited Edition Orchestra Model Solid Adirondack Spruce Top Semi Acoustic Guitar", "description": "Cort Roselyn LE Nat Limited Edition Orchestra Model Solid Adirondack Spruce Top Semi Acoustic Guitar\n\nRoselyn LE\n\nInspired by arts and crafts of the 19th century Art Nouveau era, the Roselyn LE is a true masterpiece that incorporates both classic and modern aesthetics and guitar building techniques. It all started with a carefully crafted wooden inlay in the center of the guitar with a portrait of a young woman holding a rose, and the name Roselyn was born. Unique features such as an off-set sound hole on top and sound port on side, bevel cut on body arm rest, and elegant looking vine/flower mother-of-pearl inlay that branches out from the center inlay all contribute to the beauty and uniqueness of the Roselyn LE.\n\nFeatures\n\nSolid Adirondack Spruce Top\nFor the Limited Edition models, only the highest grade woods (Master Grade) were used and Adirondack Spruce fits the bill with its strength and extreme dynamics and sensitivity. Even at full volume, you will still be able to hear smoothness in the tone without losing any definition.\n\nSolid Rosewood Back & Sides\nRich and deep, warm yet punchy with an ideal sprinkling of sweet presence, rosewood imparts a big low-end with plenty of power and volume for use in any musical style.\n\nSpecial Designed Rosette & Side Sound Port\nThe “Roselyn” inlay in the center is crafted in meticulous detail, and with the addition of vine and flowers m.o.p. inlay branching out into the dark ebony, the guitar almost looks like an artwork from 19th century. Instead of a conventional sound hole in the center of the body, an off-set sound hole is cut out in a seed shape to go along with the body outline. There is a second sound hole, a Sound Port, on the lower part of the side of the body which affects the Helmholtz properties of the body and enhances the dynamics and the treble of the acoustic tone. It also allows the player to better monitor the natural sound of the guitar during performance.\n\nOM Cutaway Body\nThe OM’s compact size is ideal for players with a small body frame or seeking playing comfort. The bright and stronger high-midrange emphasis is more suited for fingerpicking than strumming which often requires more low-end. The Florentine cutaway on this model allows easy access to the high frets.\n\n5pcs Mahogany & Walnut Neck\nThe 5-piece neck not only provides strength and stability but a strong and focused sound in conjunction with the body’s acoustic resonance.\n\nGotoh® 510Z Gold\nFeaturing an extremely precise 21:1 tuning ratio, these tuners feel solid and ultra-smooth at the same time. The elegant and streamlined knobs also reduce fatigue during the tuning process. You will feel the quality of these tuners the moment you start tuning the guitar.\n\nL.R. Baggs® Anthem\nThe L.R. Baggs® Anthem pickup/preamp system delivers the pure acoustic vibrations of the instrument to the amplifier and PA without any coloration. Unneeded feedback can also be easily and effectively controlled through minimalistic controls that do not interfere with the look of the instrument.\n\nEbony Fingerboard\nThere are many types of woods that are used for fingerboard but no other compares to the jet-black beauty and slick smoothness of Ebony.\n\nEbony Bridge Pins\nThe high density of Ebony wood keeps the fundamental acoustic sound focused and tight with greater sonic projection than plastic, enhancing the transfer of the string vibrations throughout the soundboard top, body and the neck.\n\n \nSpecifications\nCONSTRUCTION DoubleLock Neck Joint\nCUTAWAY Florentine\nBODY OM(Orchestra Model)\nNUT WIDTH 1 11/16\"(43㎜)\nTOP Solid Adirondack Spruce\nBACK & SIDES Solid Rosewood\nNECK 5pcs Mahogany & Walnut\n(Walnut Reinforced Neck)\nFRETBOARD Ebony\nFRETS 20\nSCALE 25.3\"(643㎜)\nTUNERS Gotoh® 510Z Gold\nBRIDGE Ebony\nELECTRONICS L.R. Baggs® Anthem\nSTRINGS D'Addario® EXP16\nBRACING Hand Scalloped X-Bracing\nSPECIAL Special Designed Rosette & Side Sound Port\nADDITIONAL Tusq Nut & Saddle", "price": 146460.0, "discountamount": 8312.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 371, "imageuri": "https://productimages.withfloats.com/actual/60852e307c3a2e0001480330.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/60852e307c3a2e0001480330.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-04-25T08:45:54.329Z", "updatedon": "2022-02-02T16:42:01.242Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/cort-roselyn-le-nat-limited-edition-orchestra-model-solid-adirondack-spruce-top-semi-acoustic-guitar/371", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Cort", "category": "ELECTRO ACOUSTIC GUITARS", "tags": [ "Cort Roselyn LE Nat Limited Edition Orchestra Mode", "Roselyn LE", "Electro Acoustic Guitar", "Cort Roselyn LE Nat Limited Edition" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5ba6821bc44c0d00013080fa", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Marshall JH-1 Jackhammer Guitar Pedal", "description": "JH-1 JACKHAMMER\nFor over 50 years, Marshall has been at the forefront of genre defining overdrive and distortion tone. The Jackhammer captures all that classic Marshall drive and takes it a step further. With extreme distortion capabilities alongside accurate EQ parameters, this pedal means serious business. \nKEY FEATURES\nSwitchable overdrive and distortion modes.\nFully adjustable - volume, gain, bass, treble, contour level and contour frequency controls.\n9v input with passive bypass.\nRobust, solid housing built for years of playing.\nTECHNICAL SPECIFICATION\nGENERAL\nPower -9v\nInputs-Input jack: guitar input\nOutputs - Output jack: signal out/bypass\nControls - O/D and dist mode switch, volume/gain control, bass/treble control, contour level/contour frequency\nDIMENSIONS\nWidth - 120 mm / 4.7\"\nHeight - 65 mm / 2.6\"\nDepth -55 mm / 2.2\"\nWeight -0.51 kg / 1 lbs", "price": 7199.0, "discountamount": 1000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": true, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 251, "imageuri": "https://productimages.withfloats.com/actual/5ba6821c0e79ac000180c521.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ba6821c0e79ac000180c521.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-09-22T17:55:39.652Z", "updatedon": "2020-12-17T05:09:40.822Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/marshall-jh-1-jackhammer-guitar-pedal/251", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Marshall", "category": "Guitar Multi Effects Processor", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }