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{ "products": [ { "_id": "68bc323ddc6ff268b2215197", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio 1176 LN", "description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.", "price": 344205.0, "discountamount": 8606.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 628, "imageuri": "https://productimages.withfloats.com/actual/68bc32447835a9672ae7dffc.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68bc32447835a9672ae7dffc.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-09-06T13:08:13.946Z", "updatedon": "2025-09-06T13:08:13.946Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-1176-ln/628", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "Universal Audio Classic Limiting Amplifier", "tags": [ "Universal Audio Classic Limiting Amplifier", "Universal Audio 1176 LN" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6863fd03c641e9186d1b6d8e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX5-D3 ( Singles )", "description": "Monitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nMore Than Just an Enclosure\nWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\n\nKey Features - \n\n1. Bi-amplified design with 100 watts (60 LF, 40 HF) for powerful, accurate sound\n2. 5” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1” natural silk dome tweeter delivers superb transient details\n4. New computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Ultra-wide range 52-35kHz frequency response covers full musical spectrum\n10. Front panel LED shines brightly when speaker is positioned at ideal monitor angle\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 5 inch (127mm) Kevlar curved cone with high temperature voice coil and damped rubber surround. Magnetically shielded\nHigh Freq. Driver - 1 inch (25mm) magnetically shielded natural silk dome\nFrequency Response - 52 Hz – 35 kHz\nCrossover Frequency - 2.5kHz\nLow Freq. Amplifier Power - 60W\nHigh Freq. Amplifier Power - 40W\nMaximum Peak - SPL\t110 dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -10dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : - 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 100W\nFuse - 220–240V~ T1AL 250V / 100–120V~ T1.6AL 250V\nCabinet -Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t6.9” x 7.8” x 10” / 176 x 197 x 254 mm\nWeight - 12.3 lbs, 5.6kg", "price": 16950.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "10 176", "height 69", "14 balancedunbalanced inputs", "sound coming", "youre located", "seamless setup", "played back", "exact length", "meticulously engineered", "dynamic accuracy", "audible resonances", "low mass", "performance driving", "driver excellence", "uncompromisingly accurate", "custom waveguide", "maudios bx5d3", "perfect combination", "monitors drivers", "finetune lowend response", "maximum bass extension", "confidence bx5d3 monitors", "computeroptimized tweeter waveguide", "perfect listening spot", "reliably accurate dispersion", "hightemp voice coil", "optimum listening position", "remains consistently wide", "audiblyintrusive air turbulence", "plague conventional tweeters" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 542, "imageuri": "https://productimages.withfloats.com/actual/6863fd09ef298ca8de63e45c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6863fd09ef298ca8de63e45c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:21:39.682Z", "updatedon": "2025-07-01T15:21:39.682Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx5-d3-singles-/542", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "65bf0fb43d4ba611b80085d8", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-990 Keyboard Amplifier", "description": "KC-990 Stereo Mixing Keyboard Amplifier\tKC-990WHERE TO BUY\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nThe flagship KC-990 is a performance powerhouse filled with high-end features. Offering four onboard DSP effects, four stereo input channels, a stereo aux input, and support for an XLR vocal mic, it’s a great all-in-one solution for players with large keyboard setups and small groups performing with electronic instruments and backing tracks. The KC-990 delivers big, full sound for both stage monitoring and PA use, thanks to its stereo speaker configuration and 320 watts of total power. And with Stereo Link capability, you can seamlessly add a second KC-990 when you need more inputs and broader sound coverage.\n\nHome\nKC-990Features\tSpecs\tSupport\t\nWHERE TO BUY\nTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nFlagship stereo keyboard amplifier with 320 watts of power\nOnboard mixer with four stereo input channels, stereo auxiliary input, and master EQ\nTwo newly developed custom 12-inch woofers and two custom horn tweeters\nBuilt-in effects: reverb, chorus, tremolo, and rotary\nControl rotary speed and effects on/off with optional external footswitches\nFlexible I/O with XLR mic input, stereo XLR and ¼-inch line outputs, headphones output, and more\nStereo Link function for chaining two KC-990s\nMetal jacks for increased durability\nCasters and side-mounted handles for enhanced mobility\nFull-Range Stereo Sound for High-Impact Performances\nThe KC-990 offers full-range stereo sound reproduction with 320 watts of power (160 watts x 2), two newly designed 12-inch speakers, and two custom horn tweeters. This allows the KC-990 to accurately reproduce the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard Mixing for Big Rigs and Full Groups\nRoland’s most powerful KC amp is a complete stereo sound system in a single package, making it ideal for backline amplification, stage monitoring, and even main PA use. With four stereo line input channels available, you can connect keyboards, percussion pads, drum machines, and more. There’s also a dedicated auxiliary input to plug in a smartphone or music player for backing tracks. Channel 1 includes an XLR input too, allowing you to connect a vocal mic for even more versatility. The Aux In channel supports 1/8-inch, RCA, and ¼-inch connections, and features a handy monitor function for working with guide tracks on stage.\n\nBuilt-In Stereo Effects\nThe KC-990 comes equipped with four different effects for sweetening your live sound. The chorus effect is derived from Roland’s world-famous JC-series amps, providing unmatched depth and dimension through the KC-990’s stereo speakers. The amp also includes tremolo and rotary effects that work great with organs and electric pianos, plus a lush stereo reverb for vocals and instruments. By connecting optional footswitches, you can turn the effects on/off and control rotary speed hands-free while performing.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its rear-panel connectivity, the KC-990 integrates easily into any playing environment. Stereo line outputs are provided on both XLR and ¼-inch jacks, offering simultaneous connections for interfacing with PA systems, stage monitors, and recording devices. The XLR outputs also have a switchable ground lift, which eliminates hum that can sometimes occur when connecting to a main PA. There’s a headphones jack too, perfect for silent practice sessions and discrete monitoring of guide tracks and instruments on stage.\n\nExpand Your Setup with Stereo Link\nIf you ever need to expand your inputs or sound coverage, the KC-990’s Stereo Link function makes it simple. First off, the number of available inputs doubles when you connect to the two stereo link jacks on a second KC-990. In addition, the left and right signals of connected instruments are split across the two amps, providing super-wide stereo dispersion for even more impressive sound.\n\n", "price": 153657.0, "discountamount": 28000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "hum", "RCA", "left", "TIME", "needs", "WORTH", "mixer", "today", "vocals", "organs", "number", "The Aux", "quality", "Casters", "tremolo", "KC amps", "addition", "two amps", "Big Rigs", "enhanced", "dimension", "master EQ", "stage rig", "XLR input", "320 watts", "keyboards", "160 watts", "Performing", "smartphone", "PA systems", "live sound", "The KC-990", "two KC-990s", "Metal jacks", "Full Groups", "main PA use", "versatility", "total power", "two decades", "small groups", "¼-inch jacks", "music player", "one solution", "rotary speed", "guide tracks", "synthesizers", "Flexible I/O", "KC benchmark", "power Onboard", "XLR vocal mic", "drum machines", "XLR mic input", "chorus effect", "second KC-990", "right signals", "Stereo Effects", "single package", "stage monitors", "backing tracks", "rotary effects", "rhythm machines", "percussion pads", "unmatched depth", "electric pianos", "powerful KC amp", "big, full sound", "mixing features", "flagship KC-990", "The XLR outputs", "stereo speakers", "impressive sound", "available inputs", "stereo aux input", "12-inch speakers", "keyboard players", "stage monitoring", "new enhancements", "complete control", "headphones output", "working musicians", "latest generation", "recording devices", "high-end features", "lush stereo reverb", "¼-inch connections", "lasting durability", "discrete monitoring", "Stereo line outputs", "¼-inch line outputs", "playing environment", "wide frequency range", "88-note stage pianos", "side-mounted handles", "Stereo Link function", "two stereo link jacks", "large keyboard setups", "connected instruments", "optional footswitches", "versatile connectivity", "switchable ground lift", "four different effects", "handy monitor function", "stereo auxiliary input", "broader sound coverage", "Stereo Link capability", "backline amplification", "performance powerhouse", "custom 12-inch woofers", "rear-panel connectivity", "four onboard DSP effects", "silent practice sessions", "Tweet Facebook Pinterest", "two custom horn tweeters", "simultaneous connections", "High-Impact Performances", "dedicated auxiliary input", "four stereo input channels", "world-famous JC-series amps", "complete stereo sound system", "stereo speaker configuration", "super-wide stereo dispersion", "powerful high-fidelity sound", "KC-990Features Specs Support", "other electronic instruments", "KC Series Keyboard Amplifiers", "optional external footswitches", "four stereo line input channels", "Roland KC-990 Keyboard Amplifier", "mobility Full-Range Stereo Sound", "Flagship stereo keyboard amplifier", "full-range stereo sound reproduction", "KC-990 Stereo Mixing Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 493, "imageuri": "https://productimages.withfloats.com/actual/65bf0fb67d7faddcb3c791fb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf0fb67d7faddcb3c791fb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T04:16:52.905Z", "updatedon": "2024-02-04T04:16:52.905Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-990-keyboard-amplifier/493", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland Keyboard Amplifier", "Roland KC-990 Keyboard Amplifier", "ROLAND KC990 PRICE IN INDIA", "Roland Price India", "Authorised Dealer Roland", "Roland Authorised Dealer", "roland kc990", "kc990", "Roland Synthesizer Authorised Dealer", "roland india", "roland shop", "roland stoer india", "Roland store in india delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6138bcf3541b350001167d12", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "FENDER SQUIER AFFINITY STRATOCASTER HSS LRL ELECTRIC GUITAR", "description": "The best value in electric guitar design, the Affinity Series Stratocaster HSS delivers solid sound and style with single-coil and humbucking pickups, a two-color headstock logo, single-ply \"platinum sparkle\" pickguard and eye-catching finishes. Classic features, giant sound and modern playability make this Stratocaster a great introduction to our famous sound and feel.\n\nFEATURES\nMaple neck with \"C\"-shaped profile and “large” headstock\n21-fret rosewood fingerboard\nDual single-coil Stratocaster neck and middle pickups, humbucking bridge pickup\nFive-way pickup switching\nVintage-style synchronized tremolo bridge\nCHROME HARDWARE\n\n\nThe stylish chrome hardware on this model resists tarnishing.\n\nHUMBUCKING BRIDGE PICKUP\nHUMBUCKING BRIDGE PICKUP\n\nFor fat, warm tone with balanced sound, this instrument features a humbucking pickup in the bridge position.\n\nTWO-COLOR HEADSTOCK LOGO\nTWO-COLOR HEADSTOCK LOGO\n\nThe elegant gold and black two-color headstock logo lends a touch of class to this instrument.\n\nBODY\nBody Material: Alder\nBody Shape: Stratocaster®\nBody Finish: Polyurethane\nNECK\nNeck Material: Maple\nNeck Finish: Polyurethane\nNeck Shape: \"C\" Shape\nScale Length: 25.5\" (648 mm)\nFingerboard Material: Indian Laurel\nFingerboard Radius: 9.5\" (241 mm)\nNumber of Frets: 21\nFret Size: Medium Jumbo\nNut Material: Synthetic Bone\nNut Width: 1.61\" (40.9 mm)\nPosition Inlays: Pearloid Dots\nTruss Rod: Standard\nELECTRONICS\nBridge Pickup: Standard Humbucking\nMiddle Pickup: Standard Single-Coil Strat®\nNeck Pickup: Standard Single-Coil Strat®\nControls: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)\nSwitching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup\nConfiguration: HSS\nHARDWARE\nBridge: 6-Saddle Vintage-Style Synchronized Tremolo\nHardware Finish: Chrome\nTuning Machines: Standard Die-Cast\nPickguard: 3-Ply Black\nControl Knobs: White Plastic\nSwitch Tip: White\nNeck Plate: 4-Bolt Standard", "price": 24629.0, "discountamount": 2800.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 442, "imageuri": "https://productimages.withfloats.com/actual/6138bcf7ee98f100014e392c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6138bcf7ee98f100014e392c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-09-08T13:38:59.988Z", "updatedon": "2023-06-13T17:54:25.974Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fender-squier-affinity-stratocaster-hss-lrl-electric-guitar/442", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "FENDER ", "category": "Electric Guitar", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "5ff2ad013d8eab000125a42c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND RP102 DIGITAL PIANO", "description": "Authentic Piano Performance with Modern Connectivity\nWhen choosing a piano, it’s essential to find an instrument that suits your lifestyle, budget, and space. The Roland RP102 delivers on all fronts, combining authentic piano performance and onboard practice features in a compact and affordable design. It’s filled with technologies derived from our award-winning premium pianos—including a luxurious and supremely playable weighted-action keyboard—providing inspiring sound and touch that will continually support your music as your skills evolve. And with its streamlined cabinet and three integrated pedals, the RP102 offers a traditional upright look that fits nicely anywhere space is at a premium.\n\nFEATURES\nQuality piano performance and onboard practice features in an affordable, space-saving instrument\nIdeal as a first piano for the home, and also a great fit for lesson studios, practice rooms, and other music education settings\nSuperNATURAL Piano technology delivers the authentic tone and response of an acoustic grand piano\nPHA-4 Standard keyboard with refined sensing technology for highly expressive playability\nThree pedal controls with metal construction for real acoustic piano feel\nOver 200 onboard songs include traditional music, famous classical pieces, and essential practice etudes\nModern digital design eliminates the need for regular tuning and other costly maintenance\nHandsome black cabinet offers a traditional look in a compact footprint", "price": 97739.0, "discountamount": 19789.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 317, "imageuri": "https://productimages.withfloats.com/actual/5ff2ad0112b44a00015da588.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ff2ad0112b44a00015da588.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-04T05:52:01.085Z", "updatedon": "2023-01-24T04:03:40.873Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-rp102-digital-piano/317", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "Digital Piano", "tags": [ "ROLAND RP102 DIGITAL PIANO", "rp201 roland digital piano", "Roland RP102 88-Keys Digital Piano", "Roland RP102 88-key Weighted Keyboard Digital Pian", "Buy Roland RP102 Digital Piano in India - Galaxy D", "RP102 Digital Piano", "Roland RP102 88-key Weighted Keyboard Digital Pian", "roland digital piano", "88-Keys Digital Piano", "Roland RP102" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5fe616f0a8e3b200011b0970", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA PSR-I500 PORTABLE INDIAN KEYBOARD", "description": "FEATURES\nThe ideal keyboard for Indian music lovers, for both performance and learning.\n801 instruments, including 40 Indian instruments.\n282 types of auto accompaniment Styles, including 50 Indian Styles.\nRiyaz (Tabla/Mridangam & Tanpura) function with 30 Taals\nQuick Sampling function (Normal/One shot/Loop)\nPowerful amplifiers with bass reflex speakers\nProfessional-quality DSP Effects\nPitch bend wheel\nLesson function\nKeyboard Stand Not Included (Sold Separately)\nIndian instruments\nAuthentic sounding Indian instruments are essential for anyone who wants to play traditional Indian songs or modern Indian movie songs. The PSR-I500 has the Voices of 40 of Indian instruments on board, including newly sampled Voices based on requests from famous Indian music producers. Of course, not limited only to Indian instruments, the PSR-I500 also features a variety of instruments from Pianos to Synthesizers, making it possible to play songs from a variety of genres, from orchestra classics to electronic dance music.\n\n\n\nQuick Sampling\nIn addition to the extensive collection of preset instruments, you can also add your own sampled contents like short vocal phrases, SFX, or looping Chorus with the PSR-I500. The PSR-I500 can even vary the pitch of the sound that you have sampled to match the key you play.\n\n\n\nIndian Styles\nIf you're struggling with finding other band members or simply just want to perform alone, the PSR-I500’s auto accompaniment function “Styles” is invaluable. As you play chords, automatically created basslines, rhythm tracks or other kinds of accompaniment follow along. The PSR-I500 has a variety of accompaniment Styles including 50 different types of Indian Styles from around the country.\n\n\n\nRiyaz\nThe PSR-I500 has a built-in Tabla/Mridangam & Tanpura function called “Riyaz”. You can practice to traditional Indian rhythms for hours, or use it for backing rhythm. What's more the PSR-I500 now features 30 different patterns of Taals.\n\n\n\nSong lessons\nYou can quickly learn how to play your favorite songs step by step with the PSR-I500. Not only the vast library of onboard songs, but all songs you have imported will be supported by the PSR-I500 lesson function. You can also buy songs from the impressive collection at Yamaha MusicSoft or even download practice music or lesson songs your teacher has made for you.\n\nKeyboard\n\nNumber of Keys: 61\nType: Organ Style\nTouch Response: Yes (Soft, Medium, Hard, Fixed)\nOther Controllers\n\nPitch Bend: Yes\nControl Knobs: Yes (x2)\nDisplay\n\nType: Custom LCD\nSize: 92 mm x 42 mm\nBacklight: Yes\nLanguage: English\nVoices\n\nTone Generation: AWM Stereo Sampling\nNumber of Polyphony (Max.): 48\nNumber of Voices: 801 (257 Panel Voices + 32 Drum/SFX Kits + 50 Arpeggio Voices + 462 XGlite Voices)\nFeatured Voices: Indian Voice x 40, Sweet! Voice x 8, Cool! Voice x 3\nCompatibility GM: Yes\n\nXGlite: Yes\n\nEffects\n\nDSP: 10\nReverb: 12\nChorus: 5\nMaster EQ: 6\nHarmony: 26\nFunctions\n\nDual/Layers: Yes\nSplit: Yes\nArpeggio: 160\nMelody Suppressor: Yes\nAccompaniment Styles\n\nNumber of Preset Styles: 282 (Incl. Indian 50 styles)\nFingering: Multi\nStyle Control: ACMP ON/OFF, SYNC START, SYNC STOP, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, TRACK ON/OFF\nOne Touch Setting (OTS): Yes\n\nExternal Styles: 10\n\nCompatibility: Style File Format (SFF)\n\nNumber of Preset Songs: 60\n\nRecording\n\nNumber of Songs: 10\nNumber of Tracks: 6 (5 Melody + 1 Style/Pattern)\nData Capacity: Approx. 19,000 notes (when only “melody” tracks are recorded)\nCompatible Data Format\n\nPlayback: SMF (Formats 0 & 1)\nRecording: Original File Format (SMF 0 conversion function)\nUSB Audio Recorder\n\nRecording Time (max.): 80 minutes (approx. 0.9 GB) per Song\nFormat Playback: WAV(44.1 kHz, 16 bit, stereo)\nFormat Recording: WAV(44.1 kHz, 16 bit, stereo)\nQuick Sampling\n\nSampleing Type: Normal, Oneshot, Loop\nSamples (Preset/Usesr): 5\nSampling Time: Approx. 9.6 sec.\nSampling Sources: AUX IN\nSampling Format: Original File Format (16 bit, stereo)\nSampling Rate: 44.1 kHz\nFunctions\n\nUSB audio interface: 44.1 kHz, 16 bit, stereo\nRegistration Number of Buttons: 4 ( x 8 banks )\nLesson/Guide Yamaha Education Suite (Y.E.S.): Yamaha Education Suite (Y.E.S.6)/ Listening, Timing, Waiting\nOverall Controls\n\nMetronome: Yes\nTempo Range: 11 - 280\nTranspose: -12 to 0, 0 to +12\nTuning: 427.0 – 440.0 – 453.0 Hz (approx. 0.2Hz increments)\nRiyaz (Tabla/Tanpura Pattern)\n\nPreset: 30\nSections: 5\nStorage and Connectivity\n\nStorage Internal Memory: Approx. 1.73 MB\nStorage External Drives: USB flash drive\nConnectivity\n\nDC IN: 12v\nHeadphones: Headphones/Output\nSustain Pedal: Yes\nAUX IN: Yes (Stereo Mini)\nUSB TO DEVICE: Yes\nUSB TO HOST: Yes\nAmplifiers and Speakers\n\nAmplifiers: 6 W + 6 W\nSpeakers: 12 cm x 2\nPower Supply\n\nPower Supply: PA-150 or an equivalent recommended by Yamaha, Six “AA” size alkaline (LR6), manganese (R6) or Ni-MH rechargeable (HR6) batteries\nPower Consumption: 8 W (When using PA-150 AC adaptor)", "price": 25990.0, "discountamount": 3590.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 295, "imageuri": "https://productimages.withfloats.com/actual/5fe616f0c22a6d0001371e3d.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5fe616f0c22a6d0001371e3d.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2020-12-25T16:44:32.354Z", "updatedon": "2025-08-04T14:13:57.235Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-psr-i500-portable-indian-keyboard/295", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA", "category": "PORTABLE KEYBOARDS", "tags": [ "YAMAHA PSR-I500 PORTABLE INDIAN KEYBOARD", "yamaha psr-i500 portable keyboard", "yamaha psr i500", "yamaha psr i500 keyboard", "yamaha psr i500 price", "yamaha psr i500 price in India", "yamaha psr series keyboard", "yamaha musical dealer", "yamaha musical instruments", "yamaha musical instruments showroom in delhi", "yamaha musical instruments showroom in hyderabad", "yamaha musical instruments showroom in mumbai", "Yamaha Music Station at Mumbai", "Yamaha Music India", "Yamaha Piano Keyboard at Best Price in Mumbai", "Yamaha Musical Instrument Dealers in Mumbai", "yamaha musical instruments supplier in delhi", "yamaha musical instruments supplier in india", "musical instruments supplier in india", "musical instruments supplier in delhi", "Music Instruments in Delhi", "Musical Instrument Manufacturers Delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b6b3acc8c85e405589590cf", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Fender Santa Ana Overdrive Effects Pedal", "description": "We helped generate the classic guitar tones that inspired players to create new music, and now with the Santa Ana Overdrive, we’ve brought our expertise to stompboxes. Armed with FET technology, this pedal lets you dial in sounds varying from “just a little hairy” all the way to thick, fully saturated overdrive. The flexible tone controls unlock a wide range of sonic flavors. This pedal cleans up with the guitar’s volume control, just like our famous amplifiers.\n\nFEATURES\nFET technology for tube-like performance\n‘A’ and ‘B’ overdrive voicings\nLED backlit knobs\nFender Amp Jewel LED\nMagnetically latched hinged 9V battery door\nLightweight durable anodized aluminum construction\nThe Santa Ana Overdrive requires a 9V DC (center negative polarity) power supply with at least 150mA of available current.\n \nSANTA ANA OVERDRIVE\nDEMO\nHIGHLIGHTS\nFET TECHNOLOGY\nFET TECHNOLOGY\nThe Santa Ana Overdrive utilizes modern FET technology to give you the magic of vintage tube overdrive, without any of the associated noise or maintenance hassles.\n\nREACTIVE INPUT \nREACTIVE INPUT\nPick softer or roll back the guitar's volume control to \"clean\" up your tone, just like a tube amp. Alternatively, slamming the guitar adds some \"hair\" to your sound.\n\nOVERDRIVE VOICINGS\nOVERDRIVE VOICINGS\nAdd some variety to your sound or recreate classic tones precisely with flexible tone controls and your choice of two overdrive voicings.\n\nLED-ILLUMINATED KNOBS\nLED-ILLUMINATED KNOBS\nLED-illuminated knobs show your control settings at a glance-even on dark stages.\n\nMAGNETIC BATTERY DOOR\nMAGNETIC BATTERY DOOR\nThe exclusive, \"patent applied for\", magnetically latched 9V battery door makes it quick and easy to swap batteries.\n\nSTAGE-READY CONSTRUCTION\nSTAGE-READY CONSTRUCTION\nEvery Fender effects pedal is crafted from lightweight, durable anodized aluminum-they'll easily withstand the rigors of touring.", "price": 15748.0, "discountamount": 1000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "power supply", "two overdrive", "classic tones", "sonic flavors", "volume control", "classic guitar tones", "Fender effects pedal", "vintage tube overdrive", "latched 9V battery door", "center negative polarity", "durable anodized aluminum", "Fender Santa Ana Overdrive", "flexible tone controls unlock", "Santa Ana Overdrive utilizes modern FET technology" ], "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 221, "imageuri": "https://productimages.withfloats.com/actual/5b69bf8a7aa11505091074fe.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5b69bf8a7aa11505091074fe.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-08-07T15:49:30.749Z", "updatedon": "2020-12-17T06:19:18.445Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fender-santa-ana-overdrive-effects-pedal/221", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Fender", "category": "GUITAR Effects Pedal", "tags": [ "Fender Santa Ana Overdrive Effects Pedal", "Model #: 0234533000", "SANTA ANA OVERDRIVE" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b6b3acb8c85e40558958ed4", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Rotosound TB10 Tru Bronze Acoustic Guitar Strings (10-50)", "description": "The 80/20 alloy still proving a popular serious alternative to the 92/8 category.\n\nThe brass windings guarantee high energy transfer offering a tighter more controlled tone.\n\nJohns thoughts on his strings of choice…\n\nIn my search for the clearest set of bronze strings, I tried some old Rotosounds in black and red packets that I had somehow managed to hang on to for years. They sounded really good, bright and well balanced but with a rich tone.\n\nThe company were amused to hear that anybody should still have strings going so far back but assured me that, several packet designs later, their new strings were still the same quality. Rotosound bass strings have a high profile world-wide which may have overshadowed their guitar strings.\n\nJames How, who founded the company in the fifties, engineered a new type of string-winding machine that was a step ahead of the industry and all the strings are produced to the same degree of precision.\n\nIn addition to the phospher-bronze round wounds, Rotosound also make guitar strings in the piano string design.\n\nThat is with the wrap wire stopping short of the ball end so that a section of the core wire is exposed and only the core wire comes into contact with the saddle. These strings are called ‘Country Gold’.\n\nIt is actually an old idea and I have a feeling that the very first steel strings used on the guitar in the 1800′s were like that.\n\nThe gauges for both types of string are 060 to 018 covered, and 026 to 008 plain.\n\nPlease note: w denotes wound string", "price": 365.0, "discountamount": 30.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "core wire", "new strings", "red packets", "high profile", "piano string", "bronze strings", "old Rotosounds", "first steel strings", "Rotosound bass strings", "several packet designs", "popular serious alternative", "Rotosound TB10 Tru Bronze Acoustic Guitar Strings", "brass windings guarantee high energy transfer offering" ], "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 189, "imageuri": "https://productimages.withfloats.com/actual/5ae34b569c08ba09085fbbfb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ae34b569c08ba09085fbbfb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-04-27T16:09:59.521Z", "updatedon": "2020-12-18T03:26:22.147Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/rotosound-tb10-tru-bronze-acoustic-guitar-strings-10-50-/189", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Rotosound", "category": "Strings", "tags": [ "Rotosound", "Rotosound TB10 Tru Bronze Acoustic Guitar Strings ", "Guitar Strings" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }