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"description": "Monitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nMore Than Just an Enclosure\nWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\n\nKey Features - \n\n1. Bi-amplified design with 100 watts (60 LF, 40 HF) for powerful, accurate sound\n2. 5” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1” natural silk dome tweeter delivers superb transient details\n4. New computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Ultra-wide range 52-35kHz frequency response covers full musical spectrum\n10. Front panel LED shines brightly when speaker is positioned at ideal monitor angle\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 5 inch (127mm) Kevlar curved cone with high temperature voice coil and damped rubber surround. Magnetically shielded\nHigh Freq. Driver - 1 inch (25mm) magnetically shielded natural silk dome\nFrequency Response - 52 Hz – 35 kHz\nCrossover Frequency - 2.5kHz\nLow Freq. Amplifier Power - 60W\nHigh Freq. Amplifier Power - 40W\nMaximum Peak - SPL\t110 dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -10dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : - 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 100W\nFuse - 220–240V~ T1AL 250V / 100–120V~ T1.6AL 250V\nCabinet -Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t6.9” x 7.8” x 10” / 176 x 197 x 254 mm\nWeight - 12.3 lbs, 5.6kg",
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"description": "Introducing M-Audio’s BX8-D3 monitors—the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio’s BX monitors guarantee absolute surgical precision and repeatable engineering excellence.\n\nListen with confidence: with M-Audio’s BX8-D3 studio reference monitors, you’ll hear everything in lifelike detail, so your mixes and recordings will sound their best!\n\nMonitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3’s 8-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX8- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nKey Features - \n\n1. Bi-amplified design with 150 watts (80 LF, 70 HF) for powerful, accurate sound\n2. 8” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1.25” natural silk dome tweeter delivers superb transient details\n4. Computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Wide range 37-22kHz frequency response covers full musical spectrum\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 8 inch (203 mm) Kevlar curved cone with high temperature voice coil and damped rubber surround, magnetically shielded\nHigh Freq. Driver- 1.25 inch (32mm) magnetically shielded natural silk dome\nFrequency Response- \t37Hz – 22kHz\nCrossover Frequency - 2.0kHz\nLow Freq. Amplifier Power - 80W\nHigh Freq. Amplifier Power - 70W\nMaximum Peak SPL - 114dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -12dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 150W\nFuse - 220–240V~ T1AL, 250V / 100–120V~ T2AL, 250V\nCabinet - Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t9.8” x 11.9” x 15.1” / 250 x 302 x 384 mm\nWeight - 23.1 lb / 10.5 kg",
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"name": "Slate Digital VRS8 (Free ML-1)",
"description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. 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Taking you a step further, Apollo x8 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 Unison mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to the Apollo x8's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. 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In addition, Apollo x8 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x8 Heritage Edition offers 18 x 24 simultaneous inputs/outputs (8 x 14 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). 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And it goes a step further, with a software suite of 10 award-winning UAD plug-in titles, featuring Collections from Helios,® Fairchild,® Teletronix,® Pultec,® and UA.\n\n● Produce with a special edition of UA's elite-class Apollo x16 interface, including a premium suite of award-winning UAD plug-ins worth over $2,400\n\n● Record with elite-class A/D and D/A conversion nearing the widest dynamic range and lowest signal to noise available — at any price\n\n● Track and mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more award-winning UAD Powered Plug-Ins in real time\n\n● Easily connect to consoles and studio gear with switchable +24 / +20 dBu headroom settings\n\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac/Thunderbolt)\n\n● Run UAD Powered Plug-Ins via VST, AU, and AAX 64 in all major DAWs\n\n\n● Work in surround formats up to 7.1, complete with speaker calibration and fold-down\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo x16 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to the Apollo x16's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. 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This allows users of any Thunderbolt-equipped Apollo desktop or rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices.\n\nApollo x16 Heritage Edition Key Features:\n● A special edition of UA's acclaimed Apollo x16 interface — with a premium suite of 10 award-winning plug-in titles from Helios,® Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value\n● 18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion\n● Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size\n● LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Surround monitor controller up to 7.1 format\n● UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs\n● Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 Macs via optional adapter \n● Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines\n● Uncompromising UA analog design, superior components, and premium build quality\n● Also includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp, Legacy Pultec EQ, additional LA-2A and 1176 compressors, Marshall Plexi Classic, Ampeg SVT-VR Classic, and more\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nFairchild Tube Limiter Collection\nTeletronix LA‑3A Audio Leveler\nUA 610 Tube Preamp & EQ Collection\nHelios Type 69 Preamp & EQ Collection\nV76 Preamplifier\nOxide Tape Recorder\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Plus Bundle:\nUA 610-B Tube Preamp & EQ\nMarshall Plexi Classic Guitar Amp\nAmpeg SVT-VR Classic Bass Amp\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nFairchild 670 Compressor (Legacy)\nPrecision Enhancer Hz\nRaw Distortion\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler\n",
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In addition, Apollo x6 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x6 Heritage Edition offers 16 x 22 simultaneous inputs/outputs (6 x 12 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). 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Other UAD plug-ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.",
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"description": "Universal Audio created Volt 1 for singers, songwriters, guitarists, livestreamers, and podcasters. This portable 1-in/2-out USB recording interface for Mac, PC, iPad, and iPhone gives you superior sound quality, a Vintage Mic Preamp mode derived from UA’s 610 tube preamp, plus a suite of industry-leading music software — so your next recording will sound classic.\n\nKey Benefits\n● Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone\n● Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode\n● Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more\n● Build your desktop production studio around a stylish interface, built to withstand years of home and mobile recording\n\nRecord Yourself with Best-in-Class Audio Quality\nFrom the team that brought you the game-changing Apollo interface, Volt 1 delivers superior studio sound quality, with more character and tone than any USB interface in its class.\n\nCapture a Classic Vocal with Vintage Mic Preamp Mode\nFew sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 1 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. \n\nStay Inspired with a Curated Suite of Audio Software\nSome audio interfaces give you a smattering of random audio apps. Not Volt. Instead, UA put together a bundle of serious music production tools, virtual instruments, and plug-ins including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more.\n\nIncluded Software\nAbleton Ableton Live Lite\nSoftube Marshall Plexi Classic Amp\nSoftube Time & Tone Bundle\nCelemony Melodyne Essential\nRelab LX480 Essentials\nPlugin Alliance Ampeg SVT-VR Classic\nBrainworx bx_tuner\nBrainworx bx_masterdesk Classic\nUJAM Virtual Drummer DEEP\nVirtual Bassist DANDY\nSpitfire LABS\n\nEasy In, Easy Out\nVolt 1 gives you simple 1-in/2-out audio connections. Just plug a mic or instrument into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you'll be creating like a pro, fast.\n\niPad & iPhone Ready\nTraveling light? Plug Volt 1 into your iPad or iPhone, and you can easily create beats and samples, record your band’s rehearsals, and edit songs anywhere.*\n \nCapture Inspiration for Years to Come\nFeaturing rugged all-metal construction and sleek, vintage-inspired industrial design, Volt 1 elevates your production space with impeccable style, built to last decades.\n\n*Requires external Volt power supply and an Apple Lightning to USB Camera Adapter (except iPad Pro with USB-C).\n\nKey Features\n● Desktop 1-in/2-out USB audio interface with class-leading 24-bit/192 kHz audio conversion for Mac, PC, iPad, and iPhone\n● Vintage Mic Preamp mode lets you record voice or guitar with the rich, full sound of a classic UA tube preamp\n● Essential suite of audio and music software including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more\n● Studio-quality headphone amplifier for loud, clear monitoring\n● USB bus powered to reduce cable clutter\n● 48V phantom power for condenser microphones\n● Direct Monitoring for latency-free recording\n● Stylish, rugged construction built to withstand years of use\n● 1-in/1-out MIDI connections\n● USB-C to USB-A cable included",
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