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"name": "CORT X100 Electric Guitar",
"description": "Features\n\nMeranti Body\n\nThe Meranti body has similar tonal characteristics to Mahogany with a strong mid-midrange that will cut through the mix with authority for rhythm while providing sweet highs for singing leads.\n\n\nPowersound Pickups\n\nThe Powersound pickups provide classic humbucker punch and tone with a quality/value quotient that cannot be beat.\n\n6-Screw Vintage Tremolo\n\nThe vintage style 6-screw tremolo bridge transfers more of the strings’ vibrational energy into the body of the guitar for greater acoustic resonance while providing excellent tuning stability.\n\n\nErgonomic Body Contour\n\nBoth comfort and appearance was enhanced with an elegantly contoured arm cut on the top. This modification to the body has been carefully laid out on the bodies of the X guitars for maximum comfort without removing unnecessary amounts of wood. The lines of the X body are graceful for aesthetic beauty as well as for ergonomic considerations.\n\nHard Maple Neck\n\nThe hard maple neck provides strength and stability while delivering a defined and punchy sound that mates well with virtually any type of body and fingerboard woods.\n\n\nJatoba Fingerboard\n\nJatoba is a very dense and stiff wood that makes it ideal for the fingerboard usage. Jatoba produces strong fundamentals and volume projection with an emphasis on the high-mids.\n\n'Next Gen' Cort Logo\n\nThe modern and sleek design of the ‘Next Gen’ Cort logo was developed and applied to perfectly complement the aggressive styling of the X and KX Series.\n\n",
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"name": "FENDER REDONDO PLAYER ELECTRO-ACOUSTIC GUITAR",
"description": "Bold and brash, the chest-thumping sound of this big-bodied acoustic was designed to inspire from the moment you pick it up. The exclusive slope-shouldered Redondo body shape has a rich, commanding voice that fills any room. The gloss metallic top, back and sides, as well as a matching painted 6-in-line headstock and crème binding, give it a shot of electrifying attitude. Dynamic, unique and unconventional—like today’s guitarists—the Redondo Player refuses to be bound by the past.\n\nThe same no-compromise attitude that gives the Redondo Player its uniquely killer vibe extends to every aspect of its construction. It features optimized bracing for reduced mass and superior resonance, a Graph Tech® NuBone® nut and saddle for greater sustain and a Fishman® preamp system that makes it easy to plug in without sacrificing the guitar's natural sound. Its lightweight mahogany neck features a comfortable, easy-to-play, slim-taper \"C\"-shaped profile suitable for any playing style and its walnut fingerboard and bridge further augment its vibrant tone. With superb playability, distinctive looks and unmistakably Fender vibe, the Redondo Player is an inspiring instrument that was made for self-expression.\n\nFEATURES\nFender-exclusive Redondo body shape\nPainted solid spruce top; painted mahogany back and sides\nFishman pickup/preamp system\nMatching painted 6-in-line headstock\nMahogany neck with slim-taper \"C\"-shaped profile; walnut fingerboard and bridge\nColor Finish: Jetty Black (JTB)\nFree Guitar Bag and 4-Picks \nUNIQUE FENDER BODY SHAPE\n \n\nThis guitar's unique body shape is a Fender exclusive, giving it a vintage-inspired look with a modern twist.\n\nSOLID SPRUCE TOP\nSpruce is the standard modern tone wood for fashioning the tops of acoustic guitars and other acoustic instruments—few woods can beat its strength, brightness and dynamic range, and it responds well to any acoustic playing style.\n\nFISHMAN PREAMP AND TUNER\n\n\nA Fishman pickup/preamp system adds peerless amplified performance with a variety of onboard controls to your acoustic instrument without compromising its pure, rich and resonant tone. The onboard tuner is conveniently placed right where you can see it.\n\n6-IN-LINE MATCHING PAINTED HEADSTOCK\n\n\nThe matching painted 6-in-line headstock on this guitar is immediately recognizable and exudes classic Fender vibe. It also provides considerable strength and resistance to “whiplash” that can severely damage most traditional acoustics.\n\nSLIM-TAPER \"C\"-SHAPED MAHOGANY NECK\n\n\nThe supremely comfortable slim-taper \"C\"-shaped mahogany neck has outstanding fret-hand feel that's suitable for any playing style and enhances the overall volume and liveliness of the guitar.\n\nWALNUT FINGERBOARD AND BRIDGE\n\n\nWith a pleasingly dark look, smooth feel and vibrant tone, walnut is an excellent tone wood for crafting quality acoustic instrument bridges and fingerboards.\n\nBODY\nBody Back: Mahogany\n\nBody Sides: Mahogany\n\nBody Top: Solid Sitka Spruce\n\nBody Finish: Gloss Poly\n\nBody Shape: Redondo\n\nBody Binding: Aged White\n\nBracing: Scalloped X\n\nRosette: 2-ring B/W/B\n\nNECK\nNeck Material: Mahogany\n\nNeck Finish: Satin\n\nNeck Shape: Slim \"C\"\n\nScale Length: 25.6\" (650 mm)\n\nFingerboard Material: Walnut\n\nFingerboard Radius: 15.75\" (400 mm)\n\nNumber of Frets: 20\n\nNut Material: Graph Tech® NuBone\n\nNut Width: 1.69\" (43 mm)\n\nPosition Inlays: Dot\n\nELECTRONICS\nControls: Volume, Bass, Treble\n\nHARDWARE\nBridge: Modern Viking\n\nBridge Pins: Aged with Black Dots\n\nHardware Finish: Chrome\n\nTuning Machines: Sealed Nickel\n\nPickguard: 3-Ply Gold",
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"name": "Universal Audio LA-610MK2",
"description": "LA-610 mkII classic tube recording channel\n\nA classic tube mic preamp & LA-2A-style compressor in a single unit.\n\nThe LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.\nThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\n\nKey Features\nAll-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\nAuthentic Teletronix LA-2A-style T4 opto-compressor section\nMkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\nMic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\nHigh and Low frequency shelving EQ\nComplete vintage channel strip at groundbreaking price within project studio reach\nUA build quality and heritage, audiophile components, hand-assembled in the USA\nBacked by 1-Year limited warranty\n\nNow you can\nRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\nCompress signals with authentic Teletronix T4 opto-compression tube circuitry\nShape your tones further with High and Low frequency shelving tube EQ\nRecord your tracks through vintage UA, “handmade in the USA,”“ circuits\n\nThe Legendary 610 Preamp\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 MkII will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.\n\nToneful Tube Compression\nThe LA-610 Mk II’s T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or ”\"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 MkII’s legendary preamp and compression circuits.\n",
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"name": "Martin 000 Jr E Sapele Acoustic-Electric Guitar",
"description": "The Martin 000 Jr E Sapele acoustic-electric guitar combines compact design with full-bodied tone, making it ideal for players seeking portability without sacrificing sound quality. Built with an all-solid sapele top, back and sides, this 000 Jr E features scalloped spruce X-bracing for enhanced resonance and projection. The sapele body delivers rich midrange warmth, punchy lows and crisp trebles, while Martin's X-bracing adds both strength and flexibility, ensuring a dynamic, balanced tonal response. The silky satin finish highlights the natural beauty of the wood, creating a visually appealing instrument that's as refined as its sound. Designed for both casual strumming and live performance, the 000 Jr E Sapele acoustic-electric guitar delivers the rich tonal complexity and powerful projection expected from a Martin.\nFeatures\nAll-solid sapele top, back and sides for balanced and full-bodied tone\nScalloped spruce X-bracing enhances projection and tonal clarity\nPerforming Artist neck with beveled edges for effortless playability\nFaux abalone inlays add vintage-inspired style and elegance\nMartin E1 electronics for plug-and-play performance on stage\nNickel open-gear tuners ensure precise and stable tuning\nSoftshell case included for protection during travel\nSatin finish provides durability and a timeless aesthetic\nShort scale length offers comfort and playability for all levels\nSloped modern belly bridge maximizes sustain and tonal richness\nSpecs\nBody\nBody style: 000 Junior 14 fret\nTop wood: Sapele\nBack and sides wood: Sapele\nBracing pattern: Scalloped X-brace\nFinish: Satin\nNeck\nNeck shape: Performing Artist\nNeck wood: Select hardwood\nScale length: 24.9“\nFingerboard wood: Select hardwood\nFingerboard width at nut: 1-3/4”\nFingerboard width at 12th fret: 2-1/8“\nNumber of frets: 20\nHardware\nBridge material: Select hardwood\nBridge string spacing: 2-5/32”\nTuning machines: Nickel open-gear\nNut material: White Corian\nSaddle material: White TUSQ\nElectronics\nPickup system: Martin E1\nControls: Volume, tone and phase\nBuilt-in tuner: Yes\nOther\nCase: Softshell\nOrientation: Right handed\nNumber of strings: 6\nWarranty\n1 year warranty on Martin Backpackers, Little Martins and ukuleles. Limited lifetime on other Martin guitars.",
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"name": "FENDER T-BUCKET 400CE ACOUSTIC-ELECTRIC GUITAR",
"description": "The fabulous-looking T-Bucket 400CE acoustic-electric guitar stands out from the pack with elegant aesthetics and rocking Fender tone. This stage-ready instrument makes a strong sonic and visual statement with its slick contemporary style and robust onboard active electronics. An exciting alternative to traditional acoustic guitars, this guitar is for the player who wants something different than the norm.\n\nFEATURES\nCutaway dreadnought acoustic-electric guitar\nFishman® Isys™ III pickup system with active preamp, tuner, volume and tone controls\nPremium-grade figured maple top with quartersawn scalloped ”X”-bracing; premium–grade lacewood back\nBound maple neck with “C”-shaped profile; 20-fret rosewood fingerboard\nGraphTech® NuBone™ nut and compensated saddle\nFree Guitar Bag and 4-Picks\nFISHMAN® PREAMP WITH BUILT-IN TUNER\nFISHMAN® PREAMP WITH BUILT-IN TUNER\n\nA Fishman® pickup/preamp system gives your acoustic instrument peerless amplified performance, with a variety of onboard controls and no compromise whatsoever on pure, rich and resonant acoustic tone. The built-in tuner is conveniently placed right where you can see it, helping to keep your intonation right on the money.\n\nSCALLOPED BRACING\nSCALLOPED BRACING\n\nScalloped bracing is thinner than more conventional bracing. That means that the bracing pattern inside the guitar uses less wood, which means that soundboard mass is reduced. This lets the top resonate more freely, resulting in better tone with more nuance and greater projection.\n\nGRAPHTECH NUT AND BRIDGE SADDLE\nGRAPHTECH NUT AND BRIDGE SADDLE\n\nGraphTech string nuts and bridge saddles enhance the sustain, clarity and tonal consistency of an acoustic instrument. Neither too soft nor too brittle, they eliminate troublesome string binding, and they deliver performance, workability and appearance that easily outdo other plastics and come remarkably close to real bone.\n\nBODY\nBody Back: Laminated Lacewood\nBody Sides: Laminated Lacewood\nBody Top: Laminated Flame Maple\nBody Finish: Gloss\nBody Shape: Dreadnought Cutaway\nBody Binding: Tortoiseshell\nBracing: Scalloped X\nRosette: Rosewood with Aged White Outline\nNECK\nNeck Material: 3-Piece Laminated Maple\nNeck Binding: Tortoiseshell\nNeck Finish: Gloss\nNeck Shape: \"C\" Shape\nScale Length: 25.3\" (643 mm)\nFingerboard Material: Rosewood\nFingerboard Radius: 11.81\" (300 mm)\nNumber of Frets: 20\nFret Size: Vintage Style\nNut Material: Graph Tech® NuBone\nNut Width: 1.69\" (43 mm)\nPosition Inlays: Inlays at 3rd, 5th, 7th, and 9th frets. Special \"F\" inlay at 12th fret. White side dots\nTruss Rod: Dual-Action\nELECTRONICS\nSpecial Electronics: Fishman® Isys III System with Active Onboard Preamp and Tuner\n\nHARDWARE\nBridge: Rosewood-Based Vintage-Style Fender® \"Viking\" Bridge with Compensated Graph Tech® Nubone™ Saddle\nBridge Pins: Black with White Dots\nHardware Finish: Chrome\nTuning Machines: Chrome Die-Cast\nPickguard: None",
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"name": "Cort MR710F Electro Acoustic Guitar",
"description": "The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR710F is a solid sitka spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Fishman Presys electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications.\n\nMR710F NAT\n\nNatural Glossy\n\nFeatures\nSpecifications\nImages\nVideo\nFeatures\n\nSolid Sitka Spruce Top\n\nSpruce provides an ideal balance between strength and flexibility, hence its overwhelming popularity as the wood of choice for tops of acoustic guitars. Spruce’s versatile sonic character makes it ideal for a variety of musical genres and playing styles.\n\n\nMahogany Back & Sides\n\nBright yet natural with a strong and warm midrange, the beloved mahogany wood has been a standard for back and sides on premium acoustics for many decades.\n\nMultiple Abalone Rosette\n\nThe multiple abalone center rosette combined with ABS rosette harmonizes to exude a visual aesthetic that is both classic and sophisticated.\n\n\nGenuine Bone Nut & Saddle\n\nCrafted out of water buffalo bone for the most natural and transparent transfer of string vibrational energy into the body and neck.\n\nFishman® Presys EQ\n\n3-Band EQ, LED Tuner, and Phase control offers sonic flexibility as well as convenience for a variety of playing situations where amplification is needed.\n\n\nScooped Bridge\n\nThe exclusive scooped surface bridge from Cort enhances sustain with greater string angle from the saddle to the body while reducing tension on the strings across the neck were less finger fatigue and improved playability.\n\nSonically Enhanced UV Finish\n\nThe high-tech finish is strong and resistant to scratches while being lightweight to improve the natural acoustic resonance of the body for a full-bodied and rich tone.\n\n\nFeatures\nSpecifications\nImages\nVideo\nSpecifications\n\nCONSTRUCTION\tDovetail Neck Joint\nCUTAWAY\tVenetian Cutaway\nBODY\tDreadnought Cutaway Body\nNUT WIDTH\t43mm (1 11/16\")\nTOP\tSolid Sitka Spruce Top\nBACK & SIDES\tAfrican Mahogany(Okoume)\nNECK\tMahogany(Palaquium)\nFRETBOARD\tOvangkol\nFRETS\t20 Frets\nSCALE\t643mm (25.3\")\nINLAY\tDot Inlay\nROSETTE\tMultiple Abalone Rosette\nBRIDGE\tOvangkol\nPICKUPS\tFishman Sonicore Pickup\nELECTRONICS\tFishman Presys Preamp\nSTRINGS\tD'Addario EXP16 Strings\nBRACING\tAdvanced Scalloped X-Bracing\nSPECIAL\tGenuine Bone Nut & Saddle\nSonically Enhanced UV Finish\nADDITIONAL\tLeft handed, 12 strings available",
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"name": "Cort Earth Series Semi Acoustic Guitar EarthGrand CF OP",
"description": "Spruce provides an ideal balance between strength and flexibility, hence its overwhelming popularity as the wood of choice for tops of acoustic guitars. Spruce’s versatile sonic character makes it ideal for a variety of musical genres and playing styles.\n\nThe solid spruce top on the Earth-Grand means that this great sounding acoustic will sound even better with each passing year.\n\nFEATURES\nBody: Dreadnought, Solid Spruce Top with Mahogany Back and Sides\nNeck: Mahogany\nBridge: Rosewood\nConstruction: Dovetail Neck Joint\nFretboard: Rosewood\nScale: 25.3\" (643mm)\nTuners: Die cast Nickel with Black Knobs\nInlay: White Dot\nStrings: D'Addario USA EXP16 Light\nBracing: Advanced Scalloped X-Bracing",
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"name": "Cort CAP810 OP Acoustic Guitar Pack",
"description": "The Trailblazer acoustic guitar starter pack(CAP810) offers a great all-in-one solution to get started playing at a very affordable price. It includes Cort’s best-selling, full-sized AD810 dreadnought acoustic guitar, a gig bag, comfortable shoulder strap, picks, and an electronic guitar tuner to get you playing right away. Whether you're looking for a great gift for your budding musician or an affordable way to get started yourself, the Cort Trailblazer Pack is the right choice.\n\nCAP810 Trailblazer Pack\n\nOpen Pore\n\nFeatures\nSpecifications\nImages\nVideo\nFeatures\n\nAD810\n\nIncluded in the package is Cort’s best-selling AD810 model. AD810 is from our Standard Series that offers solid performance for beginners and hobbyists alike with robust build and sound quality that is suitable for many playing situations. AD810 features Spruce top and Mahogany back and sides for traditional balanced sound, while the full-sized dreadnought body offers full body output and plenty of projection.\n\n\nSpruce Top\n\nSpruce provides an ideal balance between strength and flexibility, hence its overwhelming popularity as the wood of choice for tops of acoustic guitars. Spruce’s versatile sonic character makes it ideal for a variety of musical genres and playing styles.\n\nMahogany Back & Sides\n\nBright yet natural with a strong and warm midrange, the beloved mahogany wood has been a standard for back and sides on premium acoustics for many decades.\n\n\nOpen Pore Finish\n\nNot only does the open pore finish enhance the resonance of the woods but it also reduces the weight of the guitar for improved playability.\n\nCoated Strings\n\nHigh-quality coating on the strings resist humidity, dirt and sweat for long string life and improved playability. Specially outfitted on this model.\n\n\nDovetail Neck Joint\n\nStrongly joined with meticulous workmanship by experienced craftsmen, the dovetail joint transfers the body’s vibration and resonance to the neck with no loss of energy and with plenty of detail.\n\nCort E310C Tuner\n\nThis clip-on electronic tuner provides quick and accurate tuning with easy-to-read backlit display, and its compact size and light weight makes it more adequate for clipping on to a headstock.\n\n\nPicks\n\nCort medium thickness picks are included.\n\nStraps\n\nComfortable shoulder strap is included.\n\n\nGig-Bag\n\nGreat for carrying your guitar around, the gig bag also helps prevent unwanted dust from contaminating your guitar while it is stored.\n\nFeatures\nSpecifications\nImages\nVideo\nSpecifications\n\nCONSTRUCTION\tDovetail Neck Joint\nBODY\tDreadnought\nNUT WIDTH\t43㎜ (1 11/16\")\nTOP\tSpruce\nBACK & SIDES\tAfrican Mahogany(Okoume)\nNECK\tMahogany(Palaquium)\nFRETBOARD\tMerbau\nFRETS\t20\nSCALE\t643㎜ (25.3\")\nINLAY\tDot\nTUNERS\tDie-Cast\nBRIDGE\tMerbau\nSTRINGS\tCoated Strings\nBRACING\tAdvanced X-Bracing\nSPECIAL\t* Tuner, Picks, Straps, Gig-Bag Included",
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"description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i(Enhanced Definition Synthesis - integrated)\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators\n\nProgram\n\nTimbres\n\nUp to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset\n\nMaster Keyboard functionality\n\nThese allow you to control external MIDI devices\n\nCombination\n\nDrumkits\n\nStereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).\n\nUser Combinations\n\n896 Combinations (384 Preload)\n\nUser Programs\n\n1280 Programs (768 Preload)\n\nUser Drum Kits\n\n58 Drum Kits (42 Preload)\n\nPreset Programs\n\n265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)\n\n* Total number of preload programs and preset programs:1,075 (810 preload programs, 265 preset programs\n\nThe Number of Combinations/Programs/Drum Kits\n\nFavorites\nNumber of memories\n\n128 (16 favorites × 8 banks)\n\nEffects\nInsert effects\n\n5 Insert Effects In-line processing; stereo in - stereo out.\n\nMaster effects\n\n2 Master Effects Two effects sends; stereo in - stereo out.\n\nEffects types\n\nTotal of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)\n\nModulation\n\nDynamic Modulation\n\nEffects Control Bus\n\nStereo side-chaining for limiter, gates, vocoders, etc.\n\nPolyphonic arpeggiators\nProgram mode\n\nOne arpeggiator\n\nCombination mode\n\nTwo arpeggiators\n\nSequencer modes\n\nTwo arpeggiators\n\nPreset arpeggio patterns\n\nUP, DOWN, ALT1, ALT2, RANDOM\n\nUser arpeggio patterns\n\nNumber of arpeggio patterns: 1280 (1024 preload)\nNumber of tones: 12 tones,\nNumber of steps: up to 64 steps\n\nStep sequencer\nProgram mode\nCombination mode\nSequencer mode\n\nOne unit\nNumber of tones: 12 tones + 1 accent tone\nNumber of steps: up to 64 steps\n* Can be created for each program, combination, and song.\n\nDrum Track\nPreset Patterns\n\n772 patterns (Held in common with sequencer patterns.)\n\nOther\n\nTrigger Mode / Sync / Zone settings can be specified\n\nSequencer\nTracks\n\n16MIDI Tracks\n\nNumber of Songs\n\nUp to 128 songs\n\nResolution\n\n1/480\n\nTempo\n\n40.00–300.00 (1/100 BPM resolution)\n\nMaximum Memory\n\nUp to 210,000 MIDI events\n\nCounter\n\nMeasure/Beat/Tick\n\nTemplate Song\n\n16 preset/16 user template songs\n\nPreset Patterns\n\n772 patterns (shared with Drum Track patterns)\n\nFormat\n\nKORG (KROSS) format, SMF format 0 and 1\n\nPad sampler\nSpecifications\n\n16 pads × 8 banks\nAutomatically saved on the SD card, and automatically loaded\nUp to four pads can play simultaneously\n\nRecording format\n\nPCM audio format 48 kHz/16-bit\n\nRecording time\n\nUp to approximately 14 seconds of stereo sample for each pad\n\nImport\n\nWAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nEdit\n\nWaveform display editing functionality, start address and looping settings etc., normalize and other editing operations\n\nAudio Recorder\nRecording Format\n\nPCM audio format 48kHz/16bit\n\nImport\n\nWAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nExport\n\nWAVE format (file name extension: .wav) 48kHz/16bit, stereo\n\nRecording Time\n\nMaximum continuous recording time: 3 hours\nDepends on the SD card used; approximately 90 minutes per 1 GB\n\nNumber of Songs\n\nUp to 200 songs\n\nNumber of overdub recordings\n\nDepends on the remaining capacity of the SD card\n\nCounter\n\nHour/Min/Sec\n\nPad audio play\n\n\n16 pads × 8 banks\nDirectly play back data from SD card\nMultiple pads cannot be played simultaneously\n\nMedia\nFile, Utility, Information, additional PCM data management functionality\n\nControllers\nGeneral Control\n\nPitch bend wheel, Modulation wheel, SW1, SW2\n\nRealtime Control\n\nSELECT button, SWITCH button, KNOB1 knob, KNOB2 knob\n\nStep Sequencer/Favorite/Pad Sampler/Pad Audio Play\n\n\nPads 1–16\nSTEP SEQ ACTIVE button, Run button\nFAVORITES ACTIVE button\nSAMPLER ACTIVE button, HOLD button\nAUDIO PLAY ACTIVE button\nBANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)\n\nDrum Track\n\nDRUM TRACK button\n\nArpeggiator\n\nARP button\n\nAudio Recorder\n\nAUDIO REC button\n\nUser Interface\nDisplay\n\n240 × 64 pixel LCD backlight\nAdjustable contrast (hold the EXIT button and turn the VALUE dial)\n\nCategory\n\nCATEGORY dial, VALUE dial\n\nMODE\n\nCOMBI button, PROG button, SEQ (GLOBAL/MEDIA) button\n\nValue Controllers\n\nCursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons\n\nSequencer\n\nREC button, START/STOP button\n\nQuick Layer Split\n\nLAYER/SPLIT button\n\nOther\n\nVOLUME knob\n\nControl Input\nDAMPER (Supports piano-style half-damper pedals as well as standard foot switches)\nASSIGNABLE SWITCH\nASSIGNABLE PEDAL\n\nAudio Outputs (Analog)\nAUDIO OUTPUT L/MONO, R\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nOutput Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)\nMaximum Level: +10.0 dBu\nLoad Impedance: 10k ohm or greater\nControllable by the VOLUME knob\n\nHEADPHONE OUTPUT\n\nConnectors: 3.5mm (1/8\") stereo mini phone jack\nOutput Impedance: 33 ohnm\nMaximum Level: 40 + 40 mW\nControllable by the VOLUME knob\n\nAudio Inputs (Analog)\nLINE IN\n\nConnectors: 3.5 mm (1/8\") stereo mini phone jack\nInput Impedance: 1.1k ohm\nMaximum Input Level: -42 to 0 dBu\n\nMIC IN\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nInput Impedance: 33 ohm\nMaximum Input Level: -48 to -6dBu\nPhantom power or plug-in power is not supported.\n\nOthers\nMIDI\n\nIN, OUT\n\nUSB\n\nUSB connector TYPE B x 1, USB-MIDI interface, USB audio interface\n\nSD Card Slot\n\nOne card slat\n\n* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.\n\nMain Specifications\nPower\n\nAC adaptor power supply DC 9V\nAA alkaline batteries x 6, or nickel-metal hydride batteries x 6\n\nBattery Life\n\nAA alkaline batteries x 6: Approximately 6 hours\nAA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours\n\n* Varies depending on the batteries used and the conditions of use.\n\nPower Consumption\n\n5 W\n\nDimensions (W x D x H)\n\nKROSS2-61: 935 mm × 269 mm x 88 mm / 36.81\" × 10.59\" × 3.46\"\nKROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01\" × 15.08\" × 5.35\"\n\nWeight\n\nKROSS2-6: 3.8 kg / 8.38 lbs (excluding batteries)\nKROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)\n\nIncluded Items\n\nAC adapter, Quick Start Guide\n\nAccessories (sold separately)\nKeyboard stand\n\nKROSS2-61: Standard-S-BK61\nKROSS2-88: Standard-L-SV88\n\nSoft case\n\nKROSS2-61: SC-KROSS 2 61\nKROSS2-88: SC-KROSS 2 88\n\nExpression/Volume Pedal\n\nXVP-20\nXVP-10\n\nFoot Controller\n\nEXP-2\n\nDamper Pedal\n\nDS-1H\n\nPedal Switch\n\nPS-1\nPS-3",
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