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"description": "Tash Sultana’s explosive loop-based performances, gorgeous layered guitar parts and jubilant leads rocketed the Melbourne artist from street busking to sold out shows – with a Fender in hand from the beginning.\n\nFinished in vibrant Transparent Cherry and furnished with all-gold hardware, the Tash Sultana Stratocaster® has good looks to match its upscale appointments – the clarity and sparkle of Yosemite single-coil Strat pickups combine with the powerful Double Tap™ humbucking bridge pickup to deliver a wide range of tonal options at your fingertips. The Modern “C”-shape maple neck with 9.5” radius and 22 medium jumbo frets provides comfortable modern playability, while the vintage-style synchronized tremolo offers classic Strat vibrato action.\n\nOther features include a matching painted headstock and custom “skull” neck plate. Includes Gig Bag.\n\n\n\n\n\nFEATURES\n\nAlder body with Transparent Cherry finish, matching painted headstock\nModern “C”-shaped maple neck with 9.5” Radius and 22 medium jumbo frets\nPush-pull tone pot activates Double Tap™ function\nTwo Yosemite single-coil Stratocaster pickups; Double Tap™ humbucking bridge pickup\nVintage-style six-point synchronized tremolo\nTRANSPARENT CHERRY FINISH\n\n\n\nVivid see-through finish over a solid alder body\n\nMAPLE NECK WITH 9.5” RADIUS FINGERBOARD\n\n\n\nTraditional Fender tone with superb playability\n\nYOSEMITE PICKUPS\n\n\n\nAlnico 4 equipped single-coil pickups for expressive and dynamic sounds\n\nDOUBLE TAP HUMBUCKING PICKUP\n\n\n\nFender’s patented design combines full-bodied humbucking with crystal-clear single-coil sounds conveniently accessible via push-pull tone pot.\n\nPREMIUM FINISHING TOUCHES\n\n\n\nAll-gold hardware and a 4-ply aged white pearl pickguard play beautifully off of the deep red Transparent Cherry finish\n\nENGRAVED NECKPLATE\n\n\n\nIncludes a custom engraved Tash Sultana neck plate.\n\nBODY\n\nBody Material: Alder\nBody Finish: Gloss Polyester\nBody Shape: Stratocaster®\nNECK\n\nNeck Material: Maple\nNeck Finish: Satin Urethane Finish on Back, Gloss Urethane Finish on Front\nNeck Shape: Modern \"C\"\nScale Length: 25.5\" (648 mm)\nFingerboard Material: Maple\nFingerboard Radius: 9.5\" (241 mm)\nNumber of Frets: 22\nFret Size: Medium Jumbo\nNut Material: Bone\nNut Width: 1.650\" (42 mm)\nPosition Inlays: Black Dot\nELECTRONICS\n\nBridge Pickup: Custom Double Tap™ Humbucking\nMiddle Pickup: Yosemite® Single-Coil Stratocaster®\nNeck Pickup: Yosemite® Single-Coil Stratocaster®\nControls: Master Volume, Tone 1. (Neck/Middle Pickups), Tone 2. (Bridge Pickup)\nSwitching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup\nConfiguration: HSS\nAuxillary Switching: Push/Pull Pot For Coil Split on Humbucking Pickup\nHARDWARE\n\nBridge: 6-Saddle Vintage-Style Synchronized Tremolo\nHardware Finish: Gold\nTuning Machines: Fender® Standard Cast/Sealed Staggered\nPickguard: 3-Ply Aged White Pearl\nControl Knobs: Aged White Plastic",
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"description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.",
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"name": "Universal Audio LA-610MK2",
"description": "LA-610 mkII classic tube recording channel\n\nA classic tube mic preamp & LA-2A-style compressor in a single unit.\n\nThe LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.\nThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\n\nKey Features\nAll-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\nAuthentic Teletronix LA-2A-style T4 opto-compressor section\nMkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\nMic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\nHigh and Low frequency shelving EQ\nComplete vintage channel strip at groundbreaking price within project studio reach\nUA build quality and heritage, audiophile components, hand-assembled in the USA\nBacked by 1-Year limited warranty\n\nNow you can\nRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\nCompress signals with authentic Teletronix T4 opto-compression tube circuitry\nShape your tones further with High and Low frequency shelving tube EQ\nRecord your tracks through vintage UA, “handmade in the USA,”“ circuits\n\nThe Legendary 610 Preamp\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 MkII will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.\n\nToneful Tube Compression\nThe LA-610 Mk II’s T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or ”\"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 MkII’s legendary preamp and compression circuits.\n",
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