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{ "products": [ { "_id": "6864e245ad2f195062cda7b6", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Frontman 20G", "description": "The Frontman 20G brings together familiar Fender cosmetics and “best-in-class” sound quality at a great price point that fits every player's budget.\n\nThe 20G features a simple intuitive design that anyone, from beginners to pros, will immediately understand. It includes a clean channel with a volume and three EQ knobs for sonic flexibility, plus a separate switchable Drive channel with its own volume. It also comes with 1/8“ auxiliary in to play along with your favorite tunes and a headphone jack for silent practice. The Frontman also puts out 20 watts into an 8” Special Design Speaker that delivers great tones when practicing or playing with friends.\n\nFeatures - \n\n20 watts \n8' Fender Special Design speaker\nGain, volume, treble and bass controls\nOverdrive switch\n1/8' auxiliary input and headphone output jacks\nClosed-back construction", "price": 0.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "20 watts", "18 auxiliary", "silent practice", "headphone jack", "favorite tunes", "sonic flexibility", "eq knobs", "clean channel", "immediately understand", "20g features", "players budget", "delivers great tones", "simple intuitive design", "great price point", "bestinclass sound quality", "familiar fender cosmetics" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 557, "imageuri": "https://productimages.withfloats.com/actual/6864e24f094220ab8066c03e.jpeg", "tileimageuri": "https://productimages.withfloats.com/tile/6864e24f094220ab8066c03e.jpeg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-02T07:39:49.211Z", "updatedon": "2025-07-02T07:40:57.626Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/frontman-20g/557", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Fender ", "category": " Guitar Amplifier", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "646236f5a936140001993289", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND RP107 DIGITAL PIANO ", "description": "When you’re on a budget and looking for your family’s first piano, authentic tone and playability should be your top priority. The affordable RP107 delivers on both counts, thanks to the acclaimed sound engine and keyboard action found in higher-end Roland pianos. It looks attractive too, with a smart design that combines traditional styling with a compact footprint that fits in any space. And with onboard Bluetooth®, you can enhance musical enjoyment and accelerate learning with mobile devices and the companion Roland Piano App.\n\nFEATURES\n\nAffordable home piano with class-leading sound and playability\nCompact and attractive design with traditional upright styling\nDeep expression from Roland’s acclaimed SuperNATURAL Piano technology\nAuthentic acoustic grand piano touch and response with the 88-note PHA-4 Standard keyboard\nSimple and direct user interface for easy operation\nOnboard stereo speaker system with rich, full sound\n256 notes of polyphony supports playing complex pieces with no compromise\nConnect a smartphone or tablet via Bluetooth to play along with favorite songs and work with MIDI music apps\nControl RP107 features, explore lessons, and more with the companion Roland Piano App\nSustain, soft, and sostenuto pedals to support advanced techniques\nDual headphones jacks and Twin Piano mode for playing along with a friend or teacher\nIntegrated lid slides out to protect the keyboard when not in use\nUSB ports for connecting with computers and flash storage devices\n\n\n \n\nGet started the right way.\n\nTo learn piano correctly, students need a solid foundation to develop proper techniques and avoid building bad habits that are hard to shake. Backed by decades of Roland development, the RP107 offers sound and expression that you won’t find in other pianos at this price. Filled with features derived from our premium home pianos, this quality instrument brings you uncompromising performance that will fuel years of musical growth.\n\n \n\n\n\n \n\nClass-leading sound and expression.\n\nHighly acclaimed by educators and professionals musicians, our SuperNATURAL Piano engine combines sophisticated sampling and modeling technologies that fully reproduce the complex nuances of an acoustic grand piano. The tone changes naturally in response to playing touch and dynamics, encouraging students to interact with the sound and improve their skills every day.\n\n \n\n\n\n \n\nReal acoustic feel.\n\nThe RP107’s keyboard and pedals complete the authentic acoustic grand experience, deeply connecting the player with the sound engine’s expressive power. The 88-note PHA-4 Standard keyboard provides true weighted response, complete with the subtle click of the escapement action and special Ivory Feel material on the white keys. Sustain, soft, and sostenuto pedals are integrated into the design, ready to support a variety of advanced pedal techniques.\n\n \n\n\n\n \n\nCompact and attractive.\n\nWith its traditional styling, the RP107 presents a timeless look that flows with any decor. The slim cabinet takes up far less space than an acoustic upright piano, and two people can move the instrument from room to room when needed. An elegant lid slides out to protect the keyboard when not in use, and the built-in rest provides a convenient home for sheet music and mobile devices. And with the smartly organized controls, players can quickly access essential piano functions without distraction.", "price": 114000.0, "discountamount": 27000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "rest", "room", "decor", "price", "years", "counts", "tablet", "player", "skills", "family", "Simple", "friend", "budget", "decades", "lessons", "variety", "teacher", "controls", "students", "dynamics", "learning", "The RP107", "polyphony", "acclaimed", "computers", "educators", "musicians", "USB ports", "256 notes", "less space", "two people", "white keys", "Bluetooth®", "compromise", "smartphone", "bad habits", "playability", "elegant lid", "distraction", "first piano", "sheet music", "slim cabinet", "other pianos", "top priority", "subtle click", "sound engine", "smart design", "Sustain, soft", "professionals", "timeless look", "musical growth", "mobile devices", "Integrated lid", "favorite songs", "complex pieces", "easy operation", "authentic tone", "keyboard action", "Deep expression", "complex nuances", "convenient home", "Twin Piano mode", "rich, full sound", "affordable RP107", "sostenuto pedals", "solid foundation", "expressive power", "musical enjoyment", "compact footprint", "attractive design", "escapement action", "proper techniques", "quality instrument", "Real acoustic feel", "Roland development", "class-leading sound", "advanced techniques", "premium home pianos", "traditional styling", "modeling technologies", "Affordable home piano", "flash storage devices", "Dual headphones jacks", "direct user interface", "true weighted response", "sophisticated sampling", "acoustic upright piano", "higher-end Roland pianos", "essential piano functions", "advanced pedal techniques", "SuperNATURAL Piano engine", "companion Roland Piano App", "acoustic grand piano touch", "uncompromising performance", "ROLAND RP107 DIGITAL PIANO", "traditional upright styling", "special Ivory Feel material", "Onboard stereo speaker system", "SuperNATURAL Piano technology", "88-note PHA-4 Standard keyboard", "authentic acoustic grand experience", "MIDI music apps Control RP107 features" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 476, "imageuri": "https://productimages.withfloats.com/actual/646236f7e2c57700019f5ace.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/646236f7e2c57700019f5ace.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2023-05-15T13:43:17.372Z", "updatedon": "2023-05-15T13:43:17.372Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-rp107-digital-piano-/476", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND ", "category": "piano", "tags": [ "Roland RP107 BK 88-Keys Digital Piano", "rolandrp107", "roland piano shop", "digital piano in Delhi", "roland rp107 price in india", "RP107 | Digital Piano", "roland digital piano price in india", "Roland piano india", "roland india", "Pianos", "piano store", "piano shop", "piano shop distribution india", "Best piano brands in india", "best piano store", "Suppliers of Piano in india", "Suppliers of Piano in Delhi", "Best Piano Store Delhi: reviews", "roland dealer in india", "Distributors", "Roland Showroom", "priyanka musical house an authorized roland dealer" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. 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Our HPM1000-BK headphones provide incredible high-resolution performance – at a price well within the reach of every budget!\n\n \nLet Them Blow your Mind\nHPM1000-BK headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. 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The Recital Pro features 12 premium built-in realistic voices:\n• Acoustic Piano\n• Acoustic Piano (Bright)\n• Electric Piano\n• Vibraphone\n• Organ\n• Church Organ\n• Harpsichord\n• Clavi\n• Synth\n• Strings\n• Acoustic Bass\n• Fingered Bass\n\nYou can easily customize the voices by combining any two at once in Layer Mode for a full, rich tone by using the intuitive onboard controls and display screen. Voices can also be assigned to only the left or right hands in Split Mode. You can even add adjustable Modulation, Reverb and Chorus to further tailor your sound. With powerful 20-watt built-in speakers and a 128-note maximum note polyphony, Recital Pro delivers ultra-realistic sound with an authentic playing experience.\n\n\nPOWERFUL EDUCATIONAL FEATURES\nThe Alesis Recital Pro has an incredibly useful feature called \"Lesson Mode.\" This feature divides the 88 keys into two zones with the same pitch and voice. This enables both the student and teacher to easily watch each other and play together without having to take turns or reach over one another. Recital Pro also features an easy “Record Mode” that enables you to record your playing and then critically listen back to your performance.\n\n\nALL THE RIGHT CONNECTIONS\nThe Recital Pro features a ¼” (6.35mm) headphone output which mutes the internal speakers for convenient, quiet private practice. In addition to a ¼” (6.35mm) sustain pedal input (pedal not included), Recital Pro also features stereo ¼” (6.35mm) outputs to connect to a recorder, mixer, amplifier or other sound system. Recital also features a USB-MIDI output for connecting to a computer and using educational software or virtual instrument plugins. 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New, exclusive lessons are added every month so you can keep expanding your repertoire with new music as well as up your piano game with new music theory tips and tricks.\nAlesis Recital Pro | 88-Key Digital Piano \nAlesis Recital Pro | MUSICIANSSHIP.COM\nAlesis Digital Piano PRIYANKA MUSICAL HOUSE\nAlesis Recital Pro | 88-Key Digital Piano price india \n \n", "price": 32000.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "Acoustic Piano", "Alesis Recital Pro", "Recital Pro delivers", "online piano courses", "new music theory tips", "adjustable Modulation", "included power supply", "maximum note polyphony", "quiet private practice", "Digital Piano price india", "adjustable touch response", "virtual instrument plugins", "intuitive onboard controls", "Digital Piano PRIYANKA MUSICAL" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 83, "imageuri": "https://productimages.withfloats.com/actual/5a9e3a9eb8a1d509a0b5d569.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5a9e3a9eb8a1d509a0b5d569.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-03-06T06:52:14.767Z", "updatedon": "2018-08-08T18:47:35.296Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/alesis-recital-pro-/83", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": null, "category": null, "tags": null, "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "UniquePaymentUrl", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68bc2f31516b6e59ba196329", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio LA-610MK2", "description": "LA-610 mkII classic tube recording channel\n\nA classic tube mic preamp & LA-2A-style compressor in a single unit.\n\nThe LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.\nThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\n\nKey Features\nAll-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\nAuthentic Teletronix LA-2A-style T4 opto-compressor section\nMkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\nMic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\nHigh and Low frequency shelving EQ\nComplete vintage channel strip at groundbreaking price within project studio reach\nUA build quality and heritage, audiophile components, hand-assembled in the USA\nBacked by 1-Year limited warranty\n\nNow you can\nRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\nCompress signals with authentic Teletronix T4 opto-compression tube circuitry\nShape your tones further with High and Low frequency shelving tube EQ\nRecord your tracks through vintage UA, “handmade in the USA,”“ circuits\n\nThe Legendary 610 Preamp\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60's. 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