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{ "products": [ { "_id": "68a4b5e3bf323e16334fe673", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "NUX B-6 2.4GHz Wireless Saxophone Microphone System", "description": "Small Gadget, Big Steps\nThe NUX B-6 wireless system allows the Saxophone players to move freely on stage without being tethered to a microphone stand. With an operation range of 20 meters, the NUX B-6 wireless system for Saxophone can significantly improve your performance convenience.\n\nHigh-Resolution Audio\nThere are no compromises when it comes to audio quality. NUX B-6 delivers professional, high-resolution 24-bit/44.1kHz audio, and the frequency response range is 20Hz – 20kHz.\n\n\nUnique Patent-Pending Gooseneck Microphone\nTo avoid unwanted resonance and key clack sound, our engineers developed a unique Patent-pending Shock- absorbing structure to team up with the custom tuned electret condenser microphone to provide best-in-class audio.\n\nFlexible Clamp\nThe transmitter of NUX B-6 comes with a flexible yet sturdy rubber-wrapped clamp mechanism. It can be attached to the bell of different types of Saxophones firmly.\n\n\n3 Dedicated Modes\nThe NUX B-6 wireless system for Saxophones has three dedicated modes. Each mode comes with an optimal EQ curve for the Soprano Saxophone, the Alto Saxophone and the Tenor Saxophone. To switch among different modes, simply press the POWER/SCENE button on the transmitter.\n\n\nA Storage Case That Charges\nInherited from the NUX B-5RC, the NUX B-6 wireless system for Saxophone also comes with a storage case that can charge both the transmitter and receiver simultaneously, provides up to 15 hours of extra battery life.\n\n\n\n\nHumanized Operation Design\n\nThe soft rubber clip that can be operated with one hand brings convenience to theplayer when holding the instrument.\n\nWhat's In The Box?\n\n• Storge Case*1 • Gooseneck • Microphone *1 • Transmitter*1 • Receiver*1 • Dual Pin USB Type-C Charging Cable\n\nFeatured Video\n\n", "price": 18172.0, "discountamount": 3872.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 615, "imageuri": "https://productimages.withfloats.com/actual/68a4b5e7580ecae475c8dea1.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a4b5e7580ecae475c8dea1.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-19T17:35:31.225Z", "updatedon": "2025-08-19T17:35:31.225Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/nux-b-6-2-4ghz-wireless-saxophone-microphone-system/615", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "NUX", "category": "Wireless Saxophone Microphone System", "tags": [ "NUX B-6 2.4GHz Wireless Saxophone Microphone System", "NUX B-6", "NUX B-6 Wireless Saxophone Microphone System", "Wireless Saxophone Microphone System" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5ff17d3425324d0001b2b20f", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Casio WK-7600 Work Station Keyboard (76 Keys) ", "description": "Features\nEffector and everything else you need to create exactly the sound you want\n\nDigital reproduction of rich sound\n\nDrawbar Organ Function\n\nThe keyboard comes with 50 specially selected built-in drawbar organ tones. Nine sliders can be used to change harmonic overtone level settings and add percussion and click sounds for real-time sound creation as you play. A rotary speaker simulated using a built-in DSP provides the distinctive acoustic effect of drawbar organ speakers. Parameters can be edited to create original \"\"user drawbar organ tones,\"\" 50 of which can be stored in memory for later recall.\n\nCreate distinctly original sounds\n\nTone Editor\n\nThe attack time, release time, cutoff,vibrato, reverb/chorus, DSP and other parameters of a built-in tone can be adjusted and edited. You can save the result as your own unique\"\"user tone\"\" that will be available for instant recall whenever you need it during live performances. A Tone Editor button provides instant access to the editing mode.\n\nVersatile effector, an essential sound creation tool\n\nMultiple Digital Effects\n\nBuilt-in effects include reverb (10 types),chorus (5 types), and DSP (100 preset DSPs).By adjusting the parameters of the DSP effect types, you can create original effects and store up to 100 original types in memory for later recall.\n\nDSP and chorus cannot be used simultaneously.\n\nEqualizer\n\nIncorporates five selectable frequency characteristics,including “Bright” for a lively sound emphasizing the treble range and “Powerful” with a stress on volume.\n\nA great tool for live stage performances\n\nRegistration\n\nA simple operation saves the current setup, including tone, rhythm, and other settings for instant recall when you need them. * You even can save tones to which effector effects are being applied. Recalling a registration instantly changes the digital keyboard's setup, making this a great tool for live stage performances.\n\n* 6 sets x 16 banks tor 96 setups.\n\nA wide selection of phrases that can be used in songs\n\nArpeggiator\n\nWith the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from 150 different arpeggiato types, including playing arpeggios from a fingered chord, guitar phrases, and more.\n\nSequencer and mixer functions for total musical creation support\n\nMulti-track Recorder Capabilities\n\nSong Sequencer\n\n17-track Song Sequencer (16 tracks + 1 system track) acts as a multi-track recorder, so you can use it for real-time recording of your keyboard play. 17 tracks mean that you can perform multi-track recording to layer bass,guitar, piano, and other instruments onto a drum part and build to a final song. Both real-time and step recording are supported.Completed recordings can be converted to SMF (Standard MIDI File) format and stored to an SD memory card.\n\nCompleted recordings can be converted to SMF (Standard MIDI File) format and stored to an SD memory card.\n\nWhen even more sound creation attention to detail is required\n\n32-channel Mixer\n\nNine sliders, one for each channel, can be used for individual simultaneous adjustment of volume, pan, reverb send, and other parameters. Sound input from an external source via the MIC IN terminal and INST IN terminal can also be adjusted as desired.\n\nCreate rich, realistic rhythm sections of your very own\n\nPattern Sequencer\n\nUp to eight tracks (drum, percussion, bass, chord 1 through chord 5) can be edited to create original accompaniment patterns (INTRO, NORMAL, NORMAL FILL-IN, VARIATION, VARIATION FILL-IN). In addition to recording over each individual accompaniment part of an existing rhythm, and event editing function gives you total control over each aspect of recorded data, an Easy Edit function lets you combine accompaniment from multiple built-in rhythms to create original rhythms, and mixer capabilities give you control over the tones, volume levels, reverb, and other parameters of each part.\n\nA full selection of editing tools include event insert, event delete, event copy, quantize, and more. Memory is provided for storage of up to 100 different user rhythms, which can be recalled with the touch of a key.\n\nGreat for creating original demo recordings\n\nAudio Recording / MIC IN & INST IN\n\nNormal keyboard play, Auto Accompaniment,Song Sequencer play, INST IN terminal input,MIC IN terminal input and other audio can be recorded to an SD memory card as digital audio data. While playing back a song you created with the Song Sequencer, you can play along with on a guitar or other instrument, or input vocal with a microphone.\n\nSaved audio files can also be transferred to a computer connected via USB for long-term storage. Special Data Manager 6.1 application software, downloadable from the URL shown below, can be used to convert data to WAV format, which can be played back on a computer.\n\nAll of this greatly simplifies the task of creating original demo recordings.\n\n* To perform the operations described in this section, you will need to obtain a commercially available SD memory card or SDHC memory card with a capacity between 2GB and 32GB.\nData Manager 6.1 download site:\n\nThe expandability to configure an ideal musical environment\n\nSD Memory Card Slot\n\nSong sequencer, pattern sequencer, tone editor, and other data can be saved to an SD or SDHC memory card. An Audio Record function can be used to record digital audio data. SMF (Standard MIDI File) data stored on an SD or SDHC memory card can be played back on the digital keyboard.\n\nInput/Output Terminals\n\nDifferent input/output terminals are provided to meet a variety of different needs: line out terminals (L/MONO, R) for connection of the mixer of a stage PA system or other devices, an INST IN terminal and a MIC IN terminal for connection of a musical instrument or microphone, an audio in terminal (AUDIO IN) for audio device input that can be output through the speakers, and more.\n\nUSB Port\n\nThe USB port provides easy computer and MIDI send/receive connection. It also enables quick and simple transfer of song sequencer, pattern sequencer, tone editor and other data, as well as audio data recorded to an SD memory card from an audio device between the digital keyboard and a computer. Download of a special Data Manager 6.1 application is required in order to transfer data to a computer. *\n\nTrue musical instrument quality, simple operation\n\nAHL Sound Source\n\nThe sound source is pre-programmed with digital samples of acoustic musical instruments recorded using the most advanced digital technology. Thanks to CASIO original sound technology, the AHL sound source is capable of reproducing all of the natural smoothness of the original waveform.\n\n820 Built-in Tones and 100 User Tones\n\nThe AHL sound source delivers a lineup of 820 different built-in tones. You also can store up to 100 of your own original tones for instant recall whenever you need them.\n\n260 Preset Rhythms and Auto Accompaniment\n\nA total of 260 preset rhythms cover a wide range of musical genres, from rock and pops, to jazz, Latin, piano pieces, and more. Simply select the built-in rhythm you want and Auto Accompaniment provides you with backup that is the next best thing to having a professional band at your disposal.\n\nSliders and Large Dial\n\nNine sliders are provided for drawbar organ settings and mixer operations. A large operation dial really comes in handy during music creation using sequencer functions and mixer functions.\n\nDisplay\n\nThe display shows the currently selected tone name and rhythm name, along with a wealth of other information. On the sequencer screen, for example, you can check the current status and volume level of each of the 16 tracks, and other setting information at a glance.\n\nPiano-Style Keyboard and Touch Response\n\nThe keyboard is designed and engineered to provide a realistic piano experience. Just like a grand piano keyboard, Touch Response causes sound that is output to change in accordance with the amount of pressure applied to the keys.\n\nHigh-output 2-Way Bass Reflex Speakers\n\nA 7W+7W high-output bass reflex 2-way 4-speaker system delivers rich sound from low range to high. The speakers can be used as high-quality monitoring speakers during performances and music creation sessions.\n\nPitch Bend Wheel and Modulation Button\n\nThe pitch bender wheel makes it easy to add realistic sounding guitar choking, sax bending, and other effects to keyboard play. This in combination with the modulation button for applying vibrato and other effects puts a wide range of playing versatility at your fingertips.\n\nMusic Presets\n\nMusic presets provide one-touch access to Auto Accompaniment, tone, reverb, and other settings that are configured in accordance with representative chord progressions. A total of 305 presets let you easily configure the keyboard for a wide variety of different musical styles. In addition to built-in presets, you can create your own original presets (user presets) and store them in memory for later recall.", "price": 34995.0, "discountamount": 5000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 311, "imageuri": "https://productimages.withfloats.com/actual/5ff17d34653bb00001d6589c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ff17d34653bb00001d6589c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-03T08:15:48.131Z", "updatedon": "2022-02-03T05:53:19.24Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/casio-wk-7600-work-station-keyboard-76-keys-/311", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Casio", "category": "Portable Keyboards", "tags": [ "", "Casio wk-7600", "WK-7600", "Casio WK7600 76-Key Workstation Keyboard", "Casio WK-7600 KH30 Digital Portable Keyboard Price", "WK-7600 Workstation-Keyboards", "Buy Casio WK-7600 76 Key Arranger Keyboard Online", "Casio WK-7600 76-key Portable Arranger" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68a4b1f2d82346a59e2fa7c1", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "NUX B-8 Professional Guitar Wireless System", "description": "NUX B-8 is a redefined wireless system with automatic setup, 2.4 GHz interference-free broadcasting frequency, and 24-bit 48 kHz high-quality audio transmitting. The signal transmitting latency is as low as 2.5ms at the best performance. The operation range is up to 50 meters (160-feet). ", "price": 28941.0, "discountamount": 5000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 613, "imageuri": "https://productimages.withfloats.com/actual/68a4b1fc9d6cb47c0d1e24cc.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a4b1fc9d6cb47c0d1e24cc.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-19T17:18:42.209Z", "updatedon": "2025-08-19T17:18:42.209Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/nux-b-8-professional-guitar-wireless-system/613", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "NUX ", "category": " Guitar Wireless System", "tags": [ "B-8 2.4GHz Professional Wireless System", "Nux wireless system b 8 price in india", "NUX B-8 Professional Guitar Wireless System", "nux Guitar Wireless System" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "686403448c31e67c359cc25c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "HDH -50 High Definition Headphones", "description": "Hear the music. Hone your craft.\nBuilding upon M-Audio’s world-class reference monitor technology, the HDH50 high-definition headphones bridge the gap between studio monitor engineering and private audio. Incorporating premium audio components into a rugged, durable design, HDH50 delivers critical sound reproduction and audio isolation for use in professional recording and monitoring environments. The over-the-ear design helps reduce fatigue during extended studio sessions, and the plush padding ensures that the HDH50 stays secured. For music production and listening, the HDH50 headphones deliver purpose-built, high-fidelity sound.\n\nSuperior Frequency Response\nExpertly tuned and optimized for impressive audio clarity, the HDH50 headphones feature powerful, 50mm neodymium drivers for full-range frequency response. These extra-large drivers offer authentic bass response and allow producers to make accurate mix adjustments to the low end in private listening environments. Built with a rugged aluminum and steel construction, HDH50 gives producers and listeners high-definition sound in a headphone that's built to last.\n\nFatigue-Free Listening\nHDH50 was developed for musicians and engineers who desire fatigue-free listening and maximum comfort during long recording, mixing, and listening sessions. Its closed-back construction is ideal for those long hours spent in the studio and helps reduce signal bleed to neighboring microphones for cleaner tracking. Overstuffed padding on the ear cups and headband provide unparalleled comfort during demanding recording sessions, and the ear cups completely surround the ears for excellent audio isolation.\n\nFull-Range Frequency Response\nWith an expansive 12Hz-24kHz frequency range, there’s more than enough frequency range for creating, mixing, or monitoring any project. HDH50 is capable of producing the entire human frequency range, from low bass frequencies to crystal-clear highs, for reliable sound reproduction. Additionally, HDH50 creates an accurate stage-wide stereo image for precise mixing and instrument placement. With HDH50, you get the technology of a close-range monitoring system with the benefits, convenience, and comfort of headphones.\n\nFeatures - \n\n1. Premium build quality and tuning with 12Hz-24kHz frequency response\n2. Powerful 50mm drivers with neodymium magnets offer an immersive audio experience\n3. Built to last with rugged aluminum and steel construction\n4. Plush leather cushioning with a comfortable over-the-ear design\n5. Audio cable with 1/4” adapter included\n6. Communication cable with built-in microphone included\n\nSpecifications - \n\nFrequency Response: 12Hz-24kHz\nMax SPL: 114dB @ 1kHz\nImpedance: 16 Ohms\nCable: 6.8 ft. (2.1m) with 1/8\" connector", "price": 19600.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "18 connector", "maximum comfort", "benefits convenience", "instrument placement", "crystalclear highs", "ear cups", "neighboring microphones", "rugged aluminum", "music production", "monitoring environments", "craft building", "music hone", "precise mixing", "creating mixing", "project hdh50", "frequency range", "closedback construction", "low end", "audio isolation", "professional recording", "listening sessions", "fatiguefree listening hdh50", "steel construction hdh50", "closerange monitoring system", "long recording mixing", "extended studio sessions", "desire fatiguefree listening", "demanding recording sessions", "studio monitor engineering", "hdh50 stays secured", "low bass frequencies", "fullrange frequency response", "impressive audio clarity", "neodymium magnets offer", "long hours spent", "listeners highdefinition sound", "plush padding ensures" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 545, "imageuri": "https://productimages.withfloats.com/actual/68640348104aaba114c9c962.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68640348104aaba114c9c962.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:48:20.166Z", "updatedon": "2025-07-01T15:48:20.166Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/hdh-50-high-definition-headphones/545", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "HEADPHONE", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. 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Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8fc83d0d3a10001426c91", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio Apollo Twin X Duo [Heritage Edition]", "description": "Apollo Twin X Heritage Edition has all the benefits of the acclaimed Apollo Twin X, including elite-class A/D and D/A conversion, DUO Core realtime UAD plug-in processing, Unison-enabled mic preamps, and full LUNA Recording System integration. And it goes a step further, with a software suite of 5 award-winning UAD plug-in titles, featuring Collections from Teletronix,® Pultec,® and UA.\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo Twin X Heritage Edition gives you 5 premium plug-in titles worth over $1,300 — including the full suite of UA's Teletronix and 1176 compressors, all Pultec EQs, UA 610 Unison mic preamps, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to Apollo Twin X's included \"Realtime Analog Classics\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nTwo Unison Preamps — The Sound of Neve, Helios, API, Avalon & More\nApollo Twin X Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nUnison technology is also found on Apollo Twin X's front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more.\n\nElite-Class A/D and D/A Conversion\nWith thousands of hit songs and hundreds of Grammy-winning albums under their belt, Apollo Twin interfaces are used to create exceptional-sounding records every day. To improve upon the previous generation, UA engineers redesigned the Apollo Twin X's audio conversion to deliver a striking 127 dB dynamic range and -117 dB THD+N, giving it a spacious, organic sound that easily rivals dedicated high-end converters costing much more.\n\nLUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow\nAll Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nAdditional Connections & Built-in Talkback Mic\nWith its two Unison-equipped preamps, two line outs, and optical ADAT/SPDIF input — plus dedicated monitor remote controls and built-in Talkback mic — the 10 x 6 Apollo Twin X Heritage Edition gives you the I/O you need for professional tracks and mixes.\n\nProfessional Performance and Scalability\nUsers of Apollo Twin X Heritage Edition can combine up to four Thunderbolt Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo X rackmount unit, you can use Apollo Twin X as a desktop monitor control with additional I/O and DSP power.\n \nKey Features\n● A special edition of UA's acclaimed Apollo Twin X interface — with a premium suite of 5 award-winning plug-in titles from Teletronix,® Pultec,® and UA — a $1,300 value\n● Elite-class A/D and D/A conversion derived from the Apollo X rackmount interfaces\n● 2 Unison mic preamps offer stunning models of classic tube and transformer-based mic preamps and guitar amps\n● UAD DUO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Runs UAD Powered Plug-Ins via VST, AU, and AAX 64 formats in all major DAWs\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Front-panel Unison-enabled Hi-Z instrument input and headphone out\n● Built-in Talkback mic for communication with studio talent and recording slate cues\n● Dedicated monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls\n● Up to 8 channels of additional digital input via optical ADAT/SPDIF input\n● Also includes “Realtime Analog Classics” UAD plug-in bundle featuring UA 610-B Tube Preamp Legacy Pultec EQ, LA-2A and 1176 compressors, Marshall Plexi Classic, Ampeg SVT-VR Classic, and more\n● Uncompromising analog design, superior components, and premium build quality\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n \n*Apollo Twin X Heritage Edition includes 5 premium UAD plug-in titles, plus the “Realtime Analog Classics” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.\n \nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nUA 610 Tube Preamp & EQ Collection\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Bundle:\nUA 610-B Tube Preamp & EQ\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nMarshall® Plexi Classic Guitar Amp\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nRaw Distortion\nAmpeg® SVT-VR Classic Bass Amp\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler", "price": 119570.0, "discountamount": 20000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "2 Unison mic preamps", "Apollo Twin interfaces", "Apollo Twin X interface", "Apollo X rackmount unit", "UA 610 Unison mic preamps", "Apollo X series interfaces", "Tube Preamp Legacy Pultec EQ", "Iconic UAD Analog Collections", "Precision Mix Rack Collection", "premium Heritage Edition titles", "Universal Audio Apollo Twin X Duo", "10 x 6 Apollo Twin X Heritage Edition", "full LUNA Recording System integration" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 466, "imageuri": "https://productimages.withfloats.com/actual/61a8fc84f472c30001964439.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fc84f472c30001964439.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:04:03.036Z", "updatedon": "2021-12-02T17:04:03.036Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-apollo-twin-x-duo-heritage-edition-/466", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio ", "category": "", "tags": [ "Apollo Twin X Duo [Heritage Edition]", "Universal Audio Apollo Twin X Duo" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "612921084fd5270001c171c3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA MGP24X MIXING CONSOLE", "description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")", "price": 129500.0, "discountamount": 35900.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 395, "imageuri": "https://productimages.withfloats.com/actual/61292109d6c8110001f7e6cb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61292109d6c8110001f7e6cb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-27T17:29:44.986Z", "updatedon": "2025-08-04T13:44:28.206Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-mgp24x-mixing-console/395", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA ", "category": "Audio Mixers", "tags": [ "YAMAHA MGP24X MIXING CONSOLE", "MGP24X mixer", "yamaha mgp24x", "yamaha mixing", "MIXING CONSOLE", "Audio Mixers", "Yamaha MGP24X price in India", "Yamaha MGP24X manual PDF", "Yamaha mgp24x mixing review", "Yamaha MGP16X", "Yamaha MGP24X details", "Yamaha mixer 24 channel olx", "Yamaha mgp24x price in India Amazon", "Yamaha mgp24x mixing price", "Yamaha Mgp24x 24-channel Premium Mixing Console", "MGP Series Mixing Console - Yamaha Asia" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6027a6b739931a000174e660", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Behringer U-PHORIA UM2 2 x 2 Audio interfacce", "description": "Audiophile 2x2 USB Audio Interface with XENYX Mic Preamplifier\nProduct Features\nShow less\n2x2 USB audio interface for recording microphones and instruments\n\nAudiophile 48 kHz resolution for professional audio quality\n\nCompatible with popular recording software including Avid Pro Tools*, Ableton Live*, Steinberg Cubase*, etc.\n\nStreams 2 inputs / 2 outputs with ultra-low latency to your computer, supporting Mac OS X* and Windows XP* or higher\n\nState-of-the-art, +48 V-powered XENYX Mic Preamp comparable to stand-alone boutique preamps\n\nPowerful Phones output with Level control and Direct Monitor select\n\nStatus, Signal and Clip indications for perfect overview\n\nUSB port for connection and power\n\nFree audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com\n\n3-Year Warranty Program*\n\nDesigned and engineered in Germany\n\nU-PHORIA UM2\nU-PHORIA UM2\nWhen it’s time to make recording history, you need the best audio interface you can get – and you need one you can count on. That’s why we’re kicking it up a notch with the amazing UM2, an ultra-compact 2 x 2, 48 kHz USB interface with a studio-grade XENYX Mic Preamp, combination XLR/TRS input for your vocal and direct instrument input (no DI required) and an additional ¼ \" Instrument Input. The rich feature-set, which also boasts a powerful Phones Output for the Direct Monitoring of your session, plus 2 Outputs and USB-supplied power – makes the UM2 the best, and most-portable recording interface in its class!\n\n48 kHz Precision\n48 kHz Precision\nYou take your tracks seriously, and the UM2 respects them too, providing 48 kHz resolution, for the amazingly-detailed and pristine recording quality your music deserves.\n\nStudio in a Little Black Box\nStudio in a Little Black Box\nWhen those creative juices start flowing, you need a fast and easy way to get those musical ideas into your Mac or Windows computer – that’s where the UM2 comes in. Just plug in a microphone, instrument or line level sources to the combination XLR/TRS input and additional ¼ \" input for the ultimate in studio flexibility. The easy-to-use UM2 is ready whenever you are, ensuring an ultra-clean pathway to your computer’s hard drive for stunningly-professional results – the perfect solution for the solo musician wanting to capture that next big hit!", "price": 8327.0, "discountamount": 2900.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 342, "imageuri": "https://productimages.withfloats.com/actual/61fb588f9e76a000011fffaa.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61fb588f9e76a000011fffaa.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-02-13T10:15:19.385Z", "updatedon": "2022-02-03T04:22:36.016Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/behringer-u-phoria-um2-2-x-2-audio-interfacce/342", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Behringer", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Behringer U-PHORIA UM2 USB Audio Interface", "UM2", "Behringer UM2", "Behringer UM2 Audio Interface", "Behringer Audio Interface", "Behringer Uphoria Audio", "Behringer Audio Interface,", "Audio Interface price" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6027a320e294340001b4d8de", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Behringer U-PHORIA UMC22 Audiophile 2x2 USB Audio Interface with MIDAS Mic Preamplifier", "description": "Audiophile 2x2 USB Audio Interface with Midas Mic Preamplifier\nProduct Features\nShow less\n2x2 USB audio interface for recording microphones and instruments\n\nAudiophile 48 kHz resolution for professional audio quality\n\nCompatible with popular recording software including Avid Pro Tools*, Ableton Live*, Steinberg Cubase*, etc.\n\nStreams 2 inputs / 2 outputs with ultra-low latency to your computer, supporting Mac OS X* and Windows XP* or higher\n\nState-of-the-art, Midas designed Mic Preamplifier with +48 V phantom power\n\nPowerful Phones output with Level control and Direct Monitor select\n\nStatus, Signal and Clip indications for perfect overview\n\nUSB port for connection and power\n\nFree audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com\n\n\"Built-like-a-tank\", impact-resistant metal chassis\n\n3-Year Warranty Program*\n\nDesigned and engineered in Germany\n\nU-PHORIA UMC22\nU-PHORIA UMC22\nWhen it’s time to make recording history, you need the best audio interface you can get – and you need one you can count on. That’s why we’re kicking it up a notch with the amazing UMC22, an ultra-compact 2 x 2, 48 kHz USB audio interface with a professional-grade MIDAS-designed Mic Preamp, combination XLR/ TRS input for your vocal and direct instrument input (no DI required) and an additional ¼ \" Instrument Input. The rich feature-set, which also boasts a powerful Phones Output for the Direct Monitoring of your session, plus 2 Outputs and USB-supplied power – makes the UMC22 the best, and most-portable recording interface in its class", "price": 10032.0, "discountamount": 3632.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 341, "imageuri": "https://productimages.withfloats.com/actual/61fb5a2fff255b0001a2b468.png", "tileimageuri": "https://productimages.withfloats.com/tile/61fb5a2fff255b0001a2b468.png", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-02-13T10:00:00.319Z", "updatedon": "2022-02-03T04:29:29.173Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/behringer-u-phoria-umc22-audiophile-2x2-usb-audio-interface-with-midas-mic-preamplifier/341", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Behringer", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Behringer U-Control UMC22 USB Audio Interface", "Behringer", "Audio Interface", "UCA22", "SOUND CARDS", "Behringer U-PHORIA UMC22 Audio interface", "Behringer", "Audio Interface", "Audio Interface with Midas Mic", "Behringer UMC22 2-Channel", "UMC22 - Behringer" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }