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{ "products": [ { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. 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The PSR-I500 has the Voices of 40 of Indian instruments on board, including newly sampled Voices based on requests from famous Indian music producers. Of course, not limited only to Indian instruments, the PSR-I500 also features a variety of instruments from Pianos to Synthesizers, making it possible to play songs from a variety of genres, from orchestra classics to electronic dance music.\n\n\n\nQuick Sampling\nIn addition to the extensive collection of preset instruments, you can also add your own sampled contents like short vocal phrases, SFX, or looping Chorus with the PSR-I500. The PSR-I500 can even vary the pitch of the sound that you have sampled to match the key you play.\n\n\n\nIndian Styles\nIf you're struggling with finding other band members or simply just want to perform alone, the PSR-I500’s auto accompaniment function “Styles” is invaluable. As you play chords, automatically created basslines, rhythm tracks or other kinds of accompaniment follow along. The PSR-I500 has a variety of accompaniment Styles including 50 different types of Indian Styles from around the country.\n\n\n\nRiyaz\nThe PSR-I500 has a built-in Tabla/Mridangam & Tanpura function called “Riyaz”. You can practice to traditional Indian rhythms for hours, or use it for backing rhythm. What's more the PSR-I500 now features 30 different patterns of Taals.\n\n\n\nSong lessons\nYou can quickly learn how to play your favorite songs step by step with the PSR-I500. Not only the vast library of onboard songs, but all songs you have imported will be supported by the PSR-I500 lesson function. You can also buy songs from the impressive collection at Yamaha MusicSoft or even download practice music or lesson songs your teacher has made for you.\n\nKeyboard\n\nNumber of Keys: 61\nType: Organ Style\nTouch Response: Yes (Soft, Medium, Hard, Fixed)\nOther Controllers\n\nPitch Bend: Yes\nControl Knobs: Yes (x2)\nDisplay\n\nType: Custom LCD\nSize: 92 mm x 42 mm\nBacklight: Yes\nLanguage: English\nVoices\n\nTone Generation: AWM Stereo Sampling\nNumber of Polyphony (Max.): 48\nNumber of Voices: 801 (257 Panel Voices + 32 Drum/SFX Kits + 50 Arpeggio Voices + 462 XGlite Voices)\nFeatured Voices: Indian Voice x 40, Sweet! Voice x 8, Cool! Voice x 3\nCompatibility GM: Yes\n\nXGlite: Yes\n\nEffects\n\nDSP: 10\nReverb: 12\nChorus: 5\nMaster EQ: 6\nHarmony: 26\nFunctions\n\nDual/Layers: Yes\nSplit: Yes\nArpeggio: 160\nMelody Suppressor: Yes\nAccompaniment Styles\n\nNumber of Preset Styles: 282 (Incl. Indian 50 styles)\nFingering: Multi\nStyle Control: ACMP ON/OFF, SYNC START, SYNC STOP, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, TRACK ON/OFF\nOne Touch Setting (OTS): Yes\n\nExternal Styles: 10\n\nCompatibility: Style File Format (SFF)\n\nNumber of Preset Songs: 60\n\nRecording\n\nNumber of Songs: 10\nNumber of Tracks: 6 (5 Melody + 1 Style/Pattern)\nData Capacity: Approx. 19,000 notes (when only “melody” tracks are recorded)\nCompatible Data Format\n\nPlayback: SMF (Formats 0 & 1)\nRecording: Original File Format (SMF 0 conversion function)\nUSB Audio Recorder\n\nRecording Time (max.): 80 minutes (approx. 0.9 GB) per Song\nFormat Playback: WAV(44.1 kHz, 16 bit, stereo)\nFormat Recording: WAV(44.1 kHz, 16 bit, stereo)\nQuick Sampling\n\nSampleing Type: Normal, Oneshot, Loop\nSamples (Preset/Usesr): 5\nSampling Time: Approx. 9.6 sec.\nSampling Sources: AUX IN\nSampling Format: Original File Format (16 bit, stereo)\nSampling Rate: 44.1 kHz\nFunctions\n\nUSB audio interface: 44.1 kHz, 16 bit, stereo\nRegistration Number of Buttons: 4 ( x 8 banks )\nLesson/Guide Yamaha Education Suite (Y.E.S.): Yamaha Education Suite (Y.E.S.6)/ Listening, Timing, Waiting\nOverall Controls\n\nMetronome: Yes\nTempo Range: 11 - 280\nTranspose: -12 to 0, 0 to +12\nTuning: 427.0 – 440.0 – 453.0 Hz (approx. 0.2Hz increments)\nRiyaz (Tabla/Tanpura Pattern)\n\nPreset: 30\nSections: 5\nStorage and Connectivity\n\nStorage Internal Memory: Approx. 1.73 MB\nStorage External Drives: USB flash drive\nConnectivity\n\nDC IN: 12v\nHeadphones: Headphones/Output\nSustain Pedal: Yes\nAUX IN: Yes (Stereo Mini)\nUSB TO DEVICE: Yes\nUSB TO HOST: Yes\nAmplifiers and Speakers\n\nAmplifiers: 6 W + 6 W\nSpeakers: 12 cm x 2\nPower Supply\n\nPower Supply: PA-150 or an equivalent recommended by Yamaha, Six “AA” size alkaline (LR6), manganese (R6) or Ni-MH rechargeable (HR6) batteries\nPower Consumption: 8 W (When using PA-150 AC adaptor)", "price": 25990.0, "discountamount": 3590.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 295, "imageuri": "https://productimages.withfloats.com/actual/5fe616f0c22a6d0001371e3d.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5fe616f0c22a6d0001371e3d.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2020-12-25T16:44:32.354Z", "updatedon": "2025-08-04T14:13:57.235Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-psr-i500-portable-indian-keyboard/295", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA", "category": "PORTABLE KEYBOARDS", "tags": [ "YAMAHA PSR-I500 PORTABLE INDIAN KEYBOARD", "yamaha psr-i500 portable keyboard", "yamaha psr i500", "yamaha psr i500 keyboard", "yamaha psr i500 price", "yamaha psr i500 price in India", "yamaha psr series keyboard", "yamaha musical dealer", "yamaha musical instruments", "yamaha musical instruments showroom in delhi", "yamaha musical instruments showroom in hyderabad", "yamaha musical instruments showroom in mumbai", "Yamaha Music Station at Mumbai", "Yamaha Music India", "Yamaha Piano Keyboard at Best Price in Mumbai", "Yamaha Musical Instrument Dealers in Mumbai", "yamaha musical instruments supplier in delhi", "yamaha musical instruments supplier in india", "musical instruments supplier in india", "musical instruments supplier in delhi", "Music Instruments in Delhi", "Musical Instrument Manufacturers Delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5fe611179e2e300001251cdf", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Yamaha PSRSX900 Arranger Workstation keyboard", "description": "The PSR-SX900 is the flagship in the PSR-SX Series. Surpassed only by the Genos, this power-house songwriting and performance keyboard features never before seen speaker technology, pro-level connectivity, and a completely redesigned user interface.\n\nFEATURES\n1337 Voices, including 252 Super Articulation Voices, 24 Organ Flutes! Voices. 56 Drum/SFX kits\n525 Styles, including 463 Pro Styles, 46 Session Styles, 10 DJ Styles and 6 Freeplay Styles\nPre-installed Expansion content\nReal Distortion and Real Reverb, with an intuitive effects interface\n1GB on-board memory for expansion data\n4GB internal memory\nMIDI song file capacity : 3MB per file\nJoystick, FSB keyboard, Sub output, and Expansive Soundfield Speakers for powerful live performance\nIntuitive and fast control with 7\" color touch screen and Assignable function\nChord Looper function\nMic/Guitar input for use when singing or collaborating with other performers\nPlaylist and Registration for quick and easy set up\nVocal Harmony and Synth Vocoder functions\nAudio Recording (WAV/MP3)\nVoice and Style expandability with the Yamaha Expansion Manager\n2 USB TO DEVICE terminals\nExternal display capability\nBluetooth Audio *may not have this functionality depending on the country\n", "price": 128990.0, "discountamount": 17400.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 293, "imageuri": "https://productimages.withfloats.com/actual/5fe61117f914c4000115797a.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5fe61117f914c4000115797a.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2020-12-25T16:19:35.526Z", "updatedon": "2023-10-23T12:19:44.129Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-psrsx900-arranger-workstation-keyboard/293", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Yamaha", "category": "Arranger Keyboard ", "tags": [ "Yamaha Music India", "PSR-SX900", "Yamaha PSR SX900 Priyanka musiccal house", "Buy Yamaha", "Electronic Keyboard PSR SX900 Online i", "Arranger Keyboard from Yamaha", "Yamaha PSRSX900 Arranger Workstation keyboard", "Yamaha", "Arranger Workstation", "yamaha musical dealer", "Yamaha PSR-SX900 price", "Yamaha PSR-SX900 Price in India", "Yamaha PSR-SX900 Keyboard", "Yamaha PSR SX900", "AUTHORIZED DEALER OF YAMAHA PRODUCTS" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b70353b8a2fcc0512ef6d80", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "casio ct-x9000in portable keyboard", "description": "Specification\nKeyboard\t\n61 standard size keys\nTouch Response: Sensitivity 3 types, Off\nMaximum Polyphony\t\n64 notes (32 for certain tones)\nTones\t\nPreset Tones: 800\nUser Tones: 100\nOther: Layer, split (configurable split point, lower point, chord point settings)\nSystem Effects\t\nReverb: 32 types, Off\nChorus: 16 types, Tones\nDelay: 20 types, Tones\nDSP: 100 types (Can be applied to user tones using DSP editing.), DSP tones\nMaster Effects\t\nEqualizer (10 presets)\n4-band User Equalizer\nExternal Input Effects\t\nCenter cancel (vocal cut) for input from the Audio In jack\nMetronome\t\nBeat: 0 (accented tone off), 1 to 16\nTempo: Tempo value: 20 to 255\nDemo Songs\t\n3\nSong Bank\t\nBuilt-in Songs: 30\nUser-recorded Songs: 10\nUSB Memory Songs: Playback of standard MIDI files (SMF format 0/1), CASIO MIDI files (CMF format) on a USB flash drive is supported.\nUSB Audio Playback\t\nPlayback of audio files on a USB flash drive is supported.\nSupported File Formats: WAV format, 44.1 kHz 16 bit\nOther Functions: Center Cancel (Vocal Cut)\nAuto Accompaniment\t\nBuilt-in Rhythms: 250\nUser Rhythms: 100\nOne Touch Presets 235\nMusic Presets\t\n310 (With chord progressions)\nPhrase Pads\t\nNumber of Pads: 4\nUser Phrases: 100 (4 phrases x 25 pads)\nEditing Mode: Copy, delete, phrase editing\nMixer function\t\nAffected Parts: Sound source parts, microphone input part\nParameters: Part on/off, volume, pan, reverb send, chorus send, delay send\nRegistration\t\nMaximum 128 setups (8 setups x 16 banks), registration sequence\nTone Editing\t\nPreset tone editing, DSP editing\nMemory for storage of edited tones (up to 100)\nRhythm Editing\t\nNew rhythm creation, rhythm editing\nMemory for storage of created/edited rhythms (up to 100)\nMIDI Recorder\t\nReal-time recording, playback\nKeyboard Performance Recording: 10 songs, 17 tracks (1 system track, 16 solo tracks)\nMemory Capacity: Approximately 40,000 notes (per song)\nEditing Mode: Song editing, track editing, event editing, step input\nOther Functions: Overdubbing, punch-in recording\nPedals\t\nSustain, sostenuto, soft, rhythm/song, expression\nControllers\t\nPitch bend wheel, SUSTAIN button, PORTAMENTO button, MODULATION/ ASSIGNABLE button\nOther Functions\t\nTranspose: ±1 octaves (-12 to 0 to +12 semitones)\nOctave Shift: Upper 1/Upper 2/Lower 1/Lower 2, ±3 octaves\nTuning: A4 = 415.5 to 465.9 Hz (Initial Default: 440.0 Hz)\nPart coarse tune: For each keyboard part, ±2 octaves (-24 to 0 to +24 semitones)\nPart fine tune: For each keyboard part, ±99 cents\nScales: 17 preset scales, scale fine tuning\nAuto Harmonize: 12 types\nArpeggiator: 150 types\nMIDI\t\n16ch multi-timbre received, GM Level 1 standard\nInputs/Outputs\t\nUSB Flash Drive Port: Type A\nUSB Port: Type B\nPedal 1 Jack: Standard jack\nPedal 2, Expression Jack: Standard jack\nHeadphones Jack: Stereo standard jack\nAudio Input Jack: Stereo mini jack/Input impedance 9 kΩ, Input sensitivity 200 mV\nLine Out Jack: Standard jacks x 2/Output impedance 2.3 kΩ, Output voltage 1.9 V (RMS) MAX\nMicrophone Input Jack: Standard jack (Connect a dynamic microphone.)/ Input impedance 3 kΩ, Input sensitivity 10 mV\nPower Jack\t\nDC 24V\nPower Supply\t\nAC adaptor only\nAC Adaptor: AD-E24250LW\nAuto Power Off: Approximately 30 minutes after last operation; Can be disabled.\nSpeakers\t\n10cm x 2 (Output: 15W + 15W)\nPower Consumption\t\n15 W\nDimensions\t\nW 94.8 x D 38.4 x H 11.6 cm\nWeight\t\nApproximately 7.0 kg\nIncluded Accessories\t\nMusic stand, AC adaptor", "price": 26995.0, "discountamount": 3695.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": true, "shipmentduration": 7, "_keywords": [ "1 Jack", "Input Jack", "Standard jack", "1 system track", "Expression Jack", "Input impedance 3", "Sensitivity 3 types", "8 setups x 16 banks", "standard MIDI files", "4 phrases x 25 pads", "Input sensitivity 10", "chord point settings", "Input sensitivity 200", "Performance Recording", "configurable split point" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 222, "imageuri": "https://productimages.withfloats.com/actual/5f587c204f9f150001f24b87.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5f587c204f9f150001f24b87.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-08-12T13:25:15.551Z", "updatedon": "2022-02-03T07:34:29.13Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/casio-ct-x9000in-portable-keyboard/222", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "casio", "category": "Portable Keyboards", "tags": [ "Casio CT-X9000IN Digital Musical Keyboard", "casio ct-x9000in price in india,", "CT-X9000IN | Indian keyboards | Electronic Musical", "Casio CTX-9000IN Portable Keyboard for Best Price", "casio keyboard dealer", "casio keyboard dealers in delhi", "CASIO Electronic Musical Instruments Store Locator", "casio keyboard dealers in new delhi", "Buy Musical Instruments Online, Buy Guitars Delhi ", "Casio Keyboards" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b6b3ac58c85e405589582ef", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Yamaha PSR E453 ", "description": "61-key touch response keyboard with powerful on-board speakers and easy-to-use professional features like assignable Live Control knobs, DJ pattern mode, and USB to Device connectivity.\n\n758 high quality voices including Sweet! and Cool! voices, with 48-note polyphony\n6W + 6W amplifiers with 12 cm Bass Reflexed speakers\nAssignable real-time control knobs, DSP Effects, and Pitch Bend\nConnectivity with audio and MIDI capabilities\nUSB TO DEVICE terminal\nPattern function to create your own grooves - 25 patterns\nArpeggio function\nWorldwide sounds support your music\nYamaha Education Suite (Y.E.S.)\nMusic Database\nProduct Registration\n", "price": 18990.0, "discountamount": 2190.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "USB", "Cool", "Sweet", "grooves", " Y E S ", "keyboard", "Pitch Bend", "amplifiers", "DSP Effects", "high quality", "Music Database", "Yamaha PSR E453", "DJ pattern mode", "DEVICE terminal", "cm Bass Reflexed", "Pattern function", "MIDI capabilities", "Arpeggio function", "48 note polyphony", "Live Control knobs", "Device connectivity", "Product Registration", " 61 key touch response", "Yamaha Education Suite", "real time control knobs", "powerful on board speakers", "easy to use professional features" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 5, "imageuri": "https://productimages.withfloats.com/actual/58f334c78bd3d509c0fce49b.jpg", "tileimageuri": 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from India\n382 auto-accompaniment Styles, including 60 Indian Styles\n40 Riyaz (Tabla/Mridangam & Tanpura) patterns\n65 Songs, including 25 traditional Indian Raga and Geetam\nTouch Response keyboard\nMic Input and individual L/R output\nPitch bend wheel\nL2-C keyboard stand sold separately", "price": 27990.0, "discountamount": 3000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 632, "imageuri": "https://productimages.withfloats.com/actual/6975f177087e7159ddeb30ed.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6975f177087e7159ddeb30ed.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2026-01-25T10:33:22.768Z", "updatedon": "2026-01-25T10:34:24.161Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-psr-l510/632", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": 1, "maxprepaidonlineorders": 1, "uniquepaymenturl": null, "brandname": "Yamaha ", "category": "potable keyboard ", "tags": [ "Yamaha PSR-I510 Portable Keyboard", "Yamaha PSR-I510 Portable Keyboard Price in India ", "Yamaha PSR i510 price ", "Yamaha PSR l510 price in delhi ", "Yamaha PSR I510 Price in noida ", "Yamaha portable keyboard 61KEY ", "PSRi510 price ", "Yamaha PSR l510 nearby ", "Yamaha digital keyboard nearby shop " ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68a5fce89456e157a3a6b003", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND XPS-10X Expandable Synthesizer", "description": "XPS Quality in a Streamlined Performance Keyboard\nThe XPS-10X brings you the essential features of the flagship XPS-60 in a streamlined, performance-ready keyboard. It offers a massive selection of sounds to cover nearly any style—including a wide range of regional folk instruments—plus support for adding more with World Expansion titles on Roland Cloud. The keyboard also provides powerful tools to enhance performances and creative sessions, such as an Audio Player with independent pitch and speed control, per-tone scale tuning, a class-compliant USB-C audio/MIDI interface, and more.\n\nStandard Features\nXPS-10X\nView the Gallery\nXPS-10X\nAcclaimed Roland Sounds\nThe XPS-10X features over 1600 diverse sounds from the core XPS-60 library, including pianos, organs, guitars, basses, orchestral instruments, synths, drums, and more. In addition, there are many folk instrument selections to perform with authentic local sounds from regions around the world.\n\nXPS-10X\nAdd Global Instruments with the World Expansion Series\nThe XPS-10X also supports region-specific sound collections from the World Expansion series on Roland Cloud. Each title includes new waveforms and tone data, allowing you to discover rare instrument sounds from India, Mexico, South America, Southeast Asia, and more. World Expansions can be purchased and installed via Roland Cloud Manager on a computer or the XPS Tone Loader app for mobile devices.\n\n Explore the World Expansion Series\nXPS-10X\nPortable Inspiration\nLike all instruments in the XPS series, the XPS-10X delivers excellent playability in a robust and rugged design. The expressive 61-note keyboard offers outstanding feel, and you can power the instrument with a rechargeable mobile battery for the ultimate grab-and-go convenience.\n\nXPS-10X\nFree-Flowing Sound Creation\nWith its ergonomic panel layout, performing and composing with the XPS-10X is a joy. Call up tones with intuitive category buttons and set up favorites for quick access. Split and layer tones, change the octave range and transposition, and apply arpeggio and chord memory functions with quick button presses. When you’re done, save the complete setup within a Scene memory for one-touch recall on stage.\n\nXPS-10X\nPerform with Backing Music\nThe XPS-10X’s Audio Player function makes elevating your performances with backing music easy. Connect a USB flash drive with your WAV/AIFF audio files, assign them to the eight phrase pads, and launch them as you play. Pitch and playback speed are independently adjustable for each file, allowing you to match a vocalist's singing range or change the tempo to suit the mood.\n\nXPS-10X\nMulti-Function Phrase Pads\nAlong with song playback, the XPS-10X phrase pads can trigger onboard drum sounds or imported samples in real time. You can also use them as part select and part mute buttons while working with the step sequencer.\n\nXPS-10X\nAccessible Scale Settings\nJust like the XPS-60, the XPS-10X allows you to set the optimal scales for each tone individually so they’re ready to play when needed. When Transpose Sync is enabled, your custom scale settings will automatically follow the current keyboard transpose button setting.\n\nXPS-10X\nStep Sequencer\nThe eight-track step sequencer is ideal for sketching song ideas and creating interactive backing with the XPS-10X’s onboard sounds. The arpeggio function and built-in rhythms automatically synchronize with the sequencer, ready to bring fresh energy to your keyboard performances.\n\nXPS-10X\nConnect with Computers and Mobile Devices\nThe XPS-10X’s class-compliant USB-C audio/MIDI interface lets you perform and record with music apps or stream gig audio via your phone. And with integrated computer DAW control, you can operate functions in your favorite software platform from the XPS-10X panel. The XPS Tone Loader app also communicates via USB-C, allowing you to purchase and install World Expansion titles using your smartphone or tablet.\n\n Learn More About the XPS Tone Loader", "price": 73500.0, "discountamount": 8600.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 622, "imageuri": "https://productimages.withfloats.com/actual/68a5fceefe1cedd0c02960b2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a5fceefe1cedd0c02960b2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-20T16:50:48.136Z", "updatedon": "2025-09-07T08:17:02.958Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-xps-10x-expandable-synthesizer/622", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland ", "category": "SYNTHESIZER ", "tags": [ "ROLAND XPS-10X Expandable Synthesizer", "ROLAND XPS-10X Expandable Synthesizer PRICE" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6864126fc641e9186d1b6d9e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Tone Master® FR-12 ", "description": "The Tone Master FR-12 is a full range, flat response powered speaker designed for use with today's digital guitar amp modelers and profilers. Tone Master FR-12 delivers clear and accurate sound reproduction and perfectly replicates every detail of the amp and effect models. They're the ultimate companion to Tone Master Pro and the ideal solution for players who use modelers at home or on stage.\n\nThe Tone Master FR-12 features an integrated 1,000-watt power amp that delivers the volume and headroom needed for even the most demanding live performance. The 3-band active EQ and high frequency cut control allow players to fine tune their stage tone without altering the line output signal. Plus, the design of the FR series was inspired by classic Fender amplifiers for an authentic backline look and feel.\n\nFeatures - \n\n1. 1,000 Watt Class-D Power Amp\n2. 12“ Special Design Speaker\n3. 1” Wide Dispersion High Frequency Driver\n4. 3-Band Active EQ with High Frequency Cut Control\n5. Integrated Tilt Back Legs\n6. Lightweight Plywood Enclosure\n7. 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