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{ "products": [ { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61378827541b3500011672eb", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "FENDER REDONDO PLAYER ELECTRO-ACOUSTIC GUITAR", "description": "Bold and brash, the chest-thumping sound of this big-bodied acoustic was designed to inspire from the moment you pick it up. The exclusive slope-shouldered Redondo body shape has a rich, commanding voice that fills any room. The gloss metallic top, back and sides, as well as a matching painted 6-in-line headstock and crème binding, give it a shot of electrifying attitude. Dynamic, unique and unconventional—like today’s guitarists—the Redondo Player refuses to be bound by the past.\n\nThe same no-compromise attitude that gives the Redondo Player its uniquely killer vibe extends to every aspect of its construction. It features optimized bracing for reduced mass and superior resonance, a Graph Tech® NuBone® nut and saddle for greater sustain and a Fishman® preamp system that makes it easy to plug in without sacrificing the guitar's natural sound. Its lightweight mahogany neck features a comfortable, easy-to-play, slim-taper \"C\"-shaped profile suitable for any playing style and its walnut fingerboard and bridge further augment its vibrant tone. With superb playability, distinctive looks and unmistakably Fender vibe, the Redondo Player is an inspiring instrument that was made for self-expression.\n\nFEATURES\nFender-exclusive Redondo body shape\nPainted solid spruce top; painted mahogany back and sides\nFishman pickup/preamp system\nMatching painted 6-in-line headstock\nMahogany neck with slim-taper \"C\"-shaped profile; walnut fingerboard and bridge\nColor Finish: Jetty Black (JTB)\nFree Guitar Bag and 4-Picks \nUNIQUE FENDER BODY SHAPE\n \n\nThis guitar's unique body shape is a Fender exclusive, giving it a vintage-inspired look with a modern twist.\n\nSOLID SPRUCE TOP\nSpruce is the standard modern tone wood for fashioning the tops of acoustic guitars and other acoustic instruments—few woods can beat its strength, brightness and dynamic range, and it responds well to any acoustic playing style.\n\nFISHMAN PREAMP AND TUNER\n\n\nA Fishman pickup/preamp system adds peerless amplified performance with a variety of onboard controls to your acoustic instrument without compromising its pure, rich and resonant tone. The onboard tuner is conveniently placed right where you can see it.\n\n6-IN-LINE MATCHING PAINTED HEADSTOCK\n\n\nThe matching painted 6-in-line headstock on this guitar is immediately recognizable and exudes classic Fender vibe. It also provides considerable strength and resistance to “whiplash” that can severely damage most traditional acoustics.\n\nSLIM-TAPER \"C\"-SHAPED MAHOGANY NECK\n\n\nThe supremely comfortable slim-taper \"C\"-shaped mahogany neck has outstanding fret-hand feel that's suitable for any playing style and enhances the overall volume and liveliness of the guitar.\n\nWALNUT FINGERBOARD AND BRIDGE\n\n\nWith a pleasingly dark look, smooth feel and vibrant tone, walnut is an excellent tone wood for crafting quality acoustic instrument bridges and fingerboards.\n\nBODY\nBody Back: Mahogany\n\nBody Sides: Mahogany\n\nBody Top: Solid Sitka Spruce\n\nBody Finish: Gloss Poly\n\nBody Shape: Redondo\n\nBody Binding: Aged White\n\nBracing: Scalloped X\n\nRosette: 2-ring B/W/B\n\nNECK\nNeck Material: Mahogany\n\nNeck Finish: Satin\n\nNeck Shape: Slim \"C\"\n\nScale Length: 25.6\" (650 mm)\n\nFingerboard Material: Walnut\n\nFingerboard Radius: 15.75\" (400 mm)\n\nNumber of Frets: 20\n\nNut Material: Graph Tech® NuBone\n\nNut Width: 1.69\" (43 mm)\n\nPosition Inlays: Dot\n\nELECTRONICS\nControls: Volume, Bass, Treble\n\nHARDWARE\nBridge: Modern Viking\n\nBridge Pins: Aged with Black Dots\n\nHardware Finish: Chrome\n\nTuning Machines: Sealed Nickel\n\nPickguard: 3-Ply Gold", "price": 33376.0, "discountamount": 5000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 437, "imageuri": "https://productimages.withfloats.com/actual/61378828cca0c1000128f3ee.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61378828cca0c1000128f3ee.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-09-07T15:41:27.61Z", "updatedon": "2021-09-07T15:41:27.61Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fender-redondo-player-electro-acoustic-guitar/437", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "FENDER ", "category": "ELECTRO ACOUSTIC GUITARS", "tags": [ "FENDER REDONDO PLAYER ELECTRO-ACOUSTIC GUITAR" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68a191898456f6cd1a657619", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Martin 000 Jr E Sapele Acoustic-Electric Guitar", "description": "The Martin 000 Jr E Sapele acoustic-electric guitar combines compact design with full-bodied tone, making it ideal for players seeking portability without sacrificing sound quality. Built with an all-solid sapele top, back and sides, this 000 Jr E features scalloped spruce X-bracing for enhanced resonance and projection. The sapele body delivers rich midrange warmth, punchy lows and crisp trebles, while Martin's X-bracing adds both strength and flexibility, ensuring a dynamic, balanced tonal response. The silky satin finish highlights the natural beauty of the wood, creating a visually appealing instrument that's as refined as its sound. Designed for both casual strumming and live performance, the 000 Jr E Sapele acoustic-electric guitar delivers the rich tonal complexity and powerful projection expected from a Martin.\nFeatures\nAll-solid sapele top, back and sides for balanced and full-bodied tone\nScalloped spruce X-bracing enhances projection and tonal clarity\nPerforming Artist neck with beveled edges for effortless playability\nFaux abalone inlays add vintage-inspired style and elegance\nMartin E1 electronics for plug-and-play performance on stage\nNickel open-gear tuners ensure precise and stable tuning\nSoftshell case included for protection during travel\nSatin finish provides durability and a timeless aesthetic\nShort scale length offers comfort and playability for all levels\nSloped modern belly bridge maximizes sustain and tonal richness\nSpecs\nBody\nBody style: 000 Junior 14 fret\nTop wood: Sapele\nBack and sides wood: Sapele\nBracing pattern: Scalloped X-brace\nFinish: Satin\nNeck\nNeck shape: Performing Artist\nNeck wood: Select hardwood\nScale length: 24.9“\nFingerboard wood: Select hardwood\nFingerboard width at nut: 1-3/4”\nFingerboard width at 12th fret: 2-1/8“\nNumber of frets: 20\nHardware\nBridge material: Select hardwood\nBridge string spacing: 2-5/32”\nTuning machines: Nickel open-gear\nNut material: White Corian\nSaddle material: White TUSQ\nElectronics\nPickup system: Martin E1\nControls: Volume, tone and phase\nBuilt-in tuner: Yes\nOther\nCase: Softshell\nOrientation: Right handed\nNumber of strings: 6\nWarranty\n1 year warranty on Martin Backpackers, Little Martins and ukuleles. Limited lifetime on other Martin guitars.", "price": 82968.0, "discountamount": 12443.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 610, "imageuri": "https://productimages.withfloats.com/actual/68a19194467c87315b96b072.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a19194467c87315b96b072.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-17T08:23:37.315Z", "updatedon": "2025-08-17T08:23:37.315Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/martin-000-jr-e-sapele-acoustic-electric-guitar/610", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Martin ", "category": " Acoustic Electric Guitar", "tags": [ "Martin 000 Jr E Sapele Acoustic-Electric Guitar", "Martin 000 Jr E Sapele", "Martin Acoustic-Electric Guitar", "000jr e sapele" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "686406a527573cbb7a351805", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "SP-2 PIANO SUSTAIN PEDAL", "description": "The M-Audio SP-2 Sustain Pedal is the perfect product for keyboard players who want the most realistic pedal action. The SP-2 model is used in the same manner as the sustain pedal on an acoustic piano. This classic-style pedal works with any M-Audio keyboard. Designed to work and feel just like an acoustic piano's sustain pedal, it has a specially designed rubber bottom that grips the floor and stays put while you play. The SP-2 is a high-quality switchable damper pedal.\n\nFeatures - \n\n1. Classic design\n2. Compatible with all electronic keyboards\n3. 6' Cable with 1/4\" jack\n4. Heavy-duty mechanism with rubber coated shell and chrome foot pedal\n\nSpecifications - \nSP-2 is is a universal sustain pedal with polarity switch for compatibility with all electronic keyboards\n", "price": 2400.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "sp2 model", "electronic keyboards", "polarity switch", "stays put", "acoustic piano", "perfect product", "keyboard players", "sustain pedal", "universal sustain pedal", "maudio keyboard designed", "classicstyle pedal works", "realistic pedal action", "rubber coated shell" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 548, "imageuri": "https://productimages.withfloats.com/actual/686406a9b4569e08d7830a30.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/686406a9b4569e08d7830a30.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T16:02:45.922Z", "updatedon": "2025-07-01T16:02:45.922Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/sp-2-piano-sustain-pedal/548", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "Accessories", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6864058f8f1119e73c154be9", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "SP-1 Sustain Pedal", "description": "The M-Audio SP-1 is a simple, compact and sturdy sustain pedal for today's electronic keyboard. The SP-1 is perfect for any application that requires a non-latching momentary switch. It is compatible with all electronic keyboards.\n\nFeatures - \n\n1. Sustain footpedal or FS controller\n2. For synthesizers, tone modules, and drum machines\n3. Compatible with all electronic keyboards\n4. 5-foot cable with 1/4-inch phone plug\n\nSpecifications - \nSP-1 is a universal sustain pedal with polarity switch for compatibility with all electronic keyboards\n", "price": 2150.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "fs controller 2", "simple compact", "electronic keyboards", "polarity switch", "nonlatching momentary switch", "todays electronic keyboard", "universal sustain pedal", "synthesizers tone modules", "sturdy sustain pedal" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 547, "imageuri": "https://productimages.withfloats.com/actual/68640595dc2a5c2dccea1e53.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68640595dc2a5c2dccea1e53.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:58:07.23Z", "updatedon": "2025-07-01T15:58:07.23Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/sp-1-sustain-pedal/547", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "Accessories", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68617749d03c4bf2e85d074b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Hammer 88", "description": "Introducing Hammer 88, a premium, no-compromise keyboard controller, ideal for professional, semi-pro players or students seeking the realistic grand piano feel to use with virtual instruments or sound modules. At the heart of Hammer 88 are 88 velocity-sensitive, fully-weighted hammer-action keys that are guaranteed to faithfully capture every subtle nuance of your performance, while providing the unmatched response of a traditional grand piano—classic feel fused with the unrivalled sonic capabilities of virtual instruments. It’s the perfect combination for performers and producers to experience their plugin collection like never before.\n\nExpressive \n\nPut expression center-stage with Hammer 88, thanks to a core range of controls, thoughtfully positioned to complement and enhance your performance. With a unity-locking pitch wheel and a separate modulation wheel, add portamento and glissando effects, or map the Mod-Wheel to any assignable parameter in your virtual instrument collection to reshape and evolve your sound on the fly. With the dedicated Master Volume Fader, you can instantly control the intensity of your performance or MIDI map this to any compatible parameter in your DAW or virtual instrument collection for expanded, hands-on control. Use the assignable Up and Down buttons to select different programs, effects, MMC messages, jump between octaves and more. Add some pedal-based performance articulation using the three dedicated inputs for Sustain, Expression and Soft. With Hammer 88’s performance-centric feature-set, expressing yourself has never been so easy!\n\nOutboard Control\n\nDon’t limit yourself to your computer-based virtual instruments! Take control of your studio equipment with Hammer 88. With its conveniently-located 5-pin MIDI Output, you can send all MIDI information to any compatible peripheral device, including hardware synthesisers, sound modules and drum machines. With Hammer 88, it’s easy get the most out of your external sound generators. This is a controller designed from the ground up to place you firmly in the driver’s seat.\n\nSeamless Integration \n\nAn instrument shouldn’t limit your creativity, it should enhance it! Hammer 88 is USB-powered, class-compliant and supports USB-MIDI connectivity for rapid, hassle-free setup that lets you focus on what’s important—your performance. Plus for iOS enthusiasts, Hammer 88 supports seamless connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.\n\nTouch Loops \n\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n\nKey Features - \n\n1. 88 fully-weighted, hammer-action keys\n2. USB-MIDI connection for playing virtual instruments, controlling recording software and more\n3. 5-Pin MIDI output to trigger external MIDI devices\n4. Pitch bend, modulation, volume and ± controls for expressive performances\n5. Multiple keyboard zones for layering, splits and 4-note chords with a single key press\n6. Inputs for Sustain, Expression and Soft pedals\n7. USB-powered, no power supply required\n8. No drivers required, supports plug-and-play connectivity to your Mac or PC\n9. iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)\n10. Multiple keyboard zones for layering, splits and 4-note chords with a single key press\n11. Clean, professional editing with included Hammer 88 Controller Editor\n12. Power adapter (optional) for stand-alone use\n13. Includes Music Rest\n\nTechnical Specs \n\nKeys: 88, velocity-sensitive, weighted keys\nOctaves: 10\nConnections: USB port, sustain pedal, soft pedal, expression pedal, MIDI Out\nDimensions: 11.9” x 5.0 x 55.9”\nWeight: 38.5 lbs\n\nRequirements\nPC: Windows 7 or later\nMac: OS X 10.8 or later\nAvailable USB Port", "price": 64450.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "dimensions 119", "hammer 88", "mac os", "controller designed", "midi map", "assignable parameter", "usb port", "4note chords", "layering splits", "music production", "vintage drum", "samples ranging", "mix 2 gigs", "audio apps", "usbpowered classcompliant", "drum machines", "midi information", "studio equipment", "sustain expression", "dedicated inputs", "instantly control", "glissando effects", "core range", "perfect combination", "unmatched response", "subtle nuance", "faithfully capture", "sound modules", "students seeking", "compatible parameter", "plugin collection", "virtual instruments", "whats importantyour performance", "pedalbased performance articulation", "computerbased virtual instruments", "external sound generators", "expanded handson control", "controls thoughtfully positioned", "virtual instrument collection", "compatible peripheral device", "maudio account ready", "rapid hasslefree setup", "supports usbmidi connectivity", "instrument shouldnt limit", "unitylocking pitch wheel", "unrivalled sonic capabilities", "professional semipro players" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 535, "imageuri": "https://productimages.withfloats.com/actual/6861774b0c7d44ce437a3056.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6861774b0c7d44ce437a3056.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T17:26:33.275Z", "updatedon": "2025-06-30T04:57:47.864Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/hammer-88/535", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68617628fb50ae5600c9f2ab", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Oxygen Pro 61 ( Powerful, 61-key USB powered MIDI controller with Smart Controls and Auto-mapping )", "description": "The Oxygen Pro 61 is a powerful, 61-key USB powered MIDI controller that allows you to create the music you want to make even easier! The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music—not programming your software. It doesn’t matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow.\n\nSeamless DAW & Performance Control with Auto-Mapping\n\nIt’s simple to use the Oxygen Pro 61 controller with any DAW with the Oxygen Pro 61’s automatically mapped controls such as Transport, Faders, Channel controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select your DAW in the Oxygen Pro 61 and select the correct configuration in your DAW, and the Oxygen Pro 61’s controls will be completely integrated into your DAW! It also instantly maps to all the virtual instruments included with the Oxygen Pro 61 (Velvet, Mini Grand, Hybrid 3, TubeSynth, Electric, Bassline). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro 61 and used in real-time as you create and mix your music.\n\nSmart Controls\nWith Smart Chord and Smart Scale technology, creating music and transferring what’s in your imagination to what you hear coming out of your computer has never been easier!\n\nWith Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. The rest of the chord’s properties (Major, Minor, and Voicing – 1,3,5; 1,3,7; 1,3,5,7, etc.) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you to determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all of the parameters can be edited right on the Oxygen Pro 61!\n\nThe Oxygen Pro 61 also features intelligent Smart Scale technology. With Smart Scale, you can set the key bed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any “wrong” notes. You can choose from 16 different scale variations when assigning a scale to the keyboard. Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating.\n\nProfessional Producer Features\n\nBuilt into the Oxygen Pro 61 are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional.\n\nNote Repeat allows you to hold down any of the custom-made M-Audio performance pads and you’ll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button.\n\nThe built-in Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator’s timing and rhythm is based on the keyboard’s time division setting and either the keyboard’s or your DAW’s tempo setting. Each note in the arpeggio will be the length you’ve selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.\n\nNext-Gen Playability\n\nWith great feel in a lightweight chassis, the Oxygen Pro 61 controller provides a new level of creative inspiration. The M-Audio PrecisionTouch key bed combines professional semi-weighted action with advanced high-speed key bed scanning technology for an ultra-expressive playing experience. This custom key bed also features Channel Aftertouch, giving users added expression and control. Channel Aftertouch enables you to affect the sound of a virtual instrument plugin by continuously scanning how much pressure you apply to any key after initially pressing it. This makes creating the mood, dynamics and emotion you want to deliver in your music natural and fast.\n\nKey Features - \n\n1. Best-in-class, velocity-sensitive, semi-weighted keys with aftertouch and assignable zones\n2. (16) RGB, backlit, assignable, velocity-sensitive pads with Note Repeat for beat production, clip launching, and more\n3. (8) assignable knobs & buttons for controlling virtual instruments, mix plugins, DAW controls, and more\n4. (9) assignable faders for controlling virtual instruments, plugins, DAW faders, and more\n5. Preset and DAW buttons for auto-mapped DAW controls & plugin parameters\n6. Smart Chord mode enables playing of enharmonic or custom chord voicings\n7. Smart Scale mode eliminates wrong notes making it easy to craft a perfect song\n8. Arpeggiator with Type, Octave, Gate and Swing controls\n9. Ergonomically designed pitch and modulation wheels & 1/4” sustain pedal input\n10. USB-MIDI connection and 5-pin MIDI Output for controlling external MIDI gear\n11. Intuitive layout featuring an OLED screen for quick control edits\n12. 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The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music—not programming your software. It doesn’t matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow.\n\nSeamless DAW & Performance Control with Auto-Mapping\n\nIt’s simple to use the Oxygen Pro 49 controller with any DAW with the Oxygen Pro 49’s automatically mapped controls such as Transport, Faders, Channel controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select your DAW in the Oxygen Pro 49 and select the correct configuration in your DAW, and the Oxygen Pro 49’s controls will be completely integrated into your DAW! It also instantly maps to all the virtual instruments included with the Oxygen Pro 49 (Velvet, Mini Grand, Hybrid 3, TubeSynth, Electric, Bassline). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro 49 and used in real-time as you create and mix your music.\n\nSmart Controls\n\nWith Smart Chord and Smart Scale technology, creating music and transferring what’s in your imagination to what you hear coming out of your computer has never been easier!\n\nWith Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. The rest of the chord’s properties (Major, Minor, and Voicing – 1,3,5; 1,3,7; 1,3,5,7, etc.) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you to determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all of the parameters can be edited right on the Oxygen Pro 49!\n\nThe Oxygen Pro 49 also features intelligent Smart Scale technology. With Smart Scale, you can set the key bed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any “wrong” notes. You can choose from 16 different scale variations when assigning a scale to the keyboard. Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating.\n\nProfessional Producer Features\n\nBuilt into the Oxygen Pro 49 are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional.\n\nNote Repeat allows you to hold down any of the custom-made M-Audio performance pads and you’ll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button.\n\nThe built-in Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator’s timing and rhythm is based on the keyboard’s time division setting and either the keyboard’s or your DAW’s tempo setting. Each note in the arpeggio will be the length you’ve selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.\n\nNext-Gen Playability\n\nWith great feel in a lightweight chassis, the Oxygen Pro 49 controller provides a new level of creative inspiration. The M-Audio PrecisionTouch key bed combines professional semi-weighted action with advanced high-speed key bed scanning technology for an ultra-expressive playing experience. This custom key bed also features Channel Aftertouch, giving users added expression and control. Channel Aftertouch enables you to affect the sound of a virtual instrument plugin by continuously scanning how much pressure you apply to any key after initially pressing it. This makes creating the mood, dynamics and emotion you want to deliver in your music natural and fast.\n\nKey Features - \n\n1. Best-in-class, velocity-sensitive, semi-weighted keys with aftertouch and assignable zones\n2. (16) RGB, backlit, assignable, velocity-sensitive pads with Note Repeat for beat production, clip launching, and more\n3. (8) assignable knobs for controlling virtual instruments, mix plugins, DAW controls and more\n4. Preset and DAW buttons for auto-mapped DAW controls & plugin parameters\n5. 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The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music—not programming your software. It doesn’t matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow.\n\nSeamless DAW & Performance Control with Auto-Mapping\n\nIt’s simple to use the Oxygen Pro 25 controller with any DAW with the Oxygen Pro 25’s automatically mapped controls such as Transport, Faders, Channel controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select your DAW in the Oxygen Pro 25’s and select the correct configuration in your DAW, and the Oxygen Pro 25’s controls will be completely integrated into your DAW! It also instantly maps to all the virtual instruments included with the Oxygen Pro 25’s (Velvet, Mini Grand, Hybrid 3, TubeSynth, Electric, Bassline). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro 25’s and used in real-time as you create and mix your music.\n\nSmart Controls\n\nWith Smart Chord and Smart Scale technology, creating music and transferring what’s in your imagination to what you hear coming out of your computer has never been easier!\n\nWith Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. 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Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating.\n\nProfessional Producer Features\n\nBuilt into the Oxygen Pro 25 are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional.\n\nNote Repeat allows you to hold down any of the custom-made M-Audio performance pads and you’ll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button.\n\nThe built-in Arpeggiator Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator’s timing and rhythm is based on the keyboard’s time division setting and either the keyboard’s or your DAW’s tempo setting. Each note in the arpeggio will be the length you’ve selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.\n\nNext-Gen Playability\n\nWith great feel in a lightweight chassis, the Oxygen Pro 25 controller provides a new level of creative inspiration. The M-Audio PrecisionTouch key bed combines professional semi-weighted action with advanced high-speed key bed scanning technology for an ultra-expressive playing experience. This custom key bed also features Channel Aftertouch, giving users added expression and control. Channel Aftertouch enables you to affect the sound of a virtual instrument plugin by continuously scanning how much pressure you apply to any key after initially pressing it. This makes creating the mood, dynamics and emotion you want to deliver in your music natural and fast.\n\nKey Features - \n\n1. Best-in-class, velocity-sensitive, semi-weighted keys with aftertouch and assignable zones\n2. (16) RGB, backlit, assignable, velocity-sensitive pads with Note Repeat for beat production, clip launching, and more\n3. (8) assignable knobs & buttons for controlling virtual instruments, mix plugins, DAW controls, and more\n4. (9) assignable faders for controlling virtual instruments, plugins, DAW faders, and more\n5. 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