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{ "products": [ { "_id": "6864009eca2e6c61c5b79752", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX3 BT Bluetooth® Monitors", "description": "M-Audio BX3 BT Bluetooth®-enabled multimedia reference monitors deliver professional sound in an attractive compact design. Engineered for a pristine listening experience with the flexibility to stream music and audio from any Bluetooth® device, BX3 BT monitors have the latest Bluetooth® technology combined with rich studio-quality sound.\n\nAmazing Sound, Compact Form\nDesigned to deliver a great listening experience, M-Audio's BX3 BT monitors provide 120 Watts of amazing sound inside a bold, style-driven compact design that provides the ultimate solution for pro-grade sound. The two-way design features an Acoustically-inert MDF cabinet with bass reflex that provides robust lows through the Black Kevlar® drivers. Plus, enhanced rear ports and computer-optimized natural silk dome tweeters deliver the full spectrum of frequencies needed for any song, movie, or video game to sound big and lifelike!\n\nConnect Your Devices\nThe BX3 BT's front and rear panel offer all the connections you would need to connect any playback device. The rear panel features 1/4“, 1/8”, and RCA inputs, while the front panel features 1/8-inch aux input a headphone connection that turns the speakers off for private listening. Very helpful for those late nights in the home office or mixing sessions where you don't want to disturb anyone.\n\nActive Speaker Controls & EQ\nM-Audio BX3 BT features controls on the rear panel that let you customize the EQ and active speaker placement. High-EQ and Low-EQ controls enable anyone to add some extra rumble or clarity to their music. The Left/Right Active Speaker Position switch lets you choose which speaker is the Left or Right side. This is very useful if you are left-handed and want the speaker with the front panel volume control on your left side.\n\nKey Features - \n\n1. Bluetooth® Connectivity – Easily pair with any Bluetooth-enabled device for wireless streaming\n2. Black Kevlar® low frequency drivers; 1“ natural silk dome tweeters\n3. New computer-optimized tweeter waveguide for precise imaging\n4. High-EQ and Low-EQ controls for dialing in the perfect sound\n5. Enhanced rear ports for extended low-frequency response\n6. Left/right Active Speaker Position switch for configuring which side has volume control\n7. Bluetooth, 1/4”, 1/8“, and RCA inputs for connecting to virtually any audio source\n8. Front 1/8” AUX input for quick connection of smartphones or other audio sources\n9. Acoustically-inert MDF cabinet with bass reflex design for deep, rich sound\n10. Includes 1/8“ speaker interconnect cable, 1/8” to 1/8“ cable and 1/8” to RCA cable\n\nTechnical Specifications - \n\nFrequency Response - 80 Hz – 22 kHz\nOutput Power - 120 W (total peak), 2 x 25 W (RMS)\nLF Drivern- 3.5“ / 88.9 mm\nHF Driver - - 1” / 25.4 mm; silk dome\nAudio Inputs - (1) RCA stereo input pair / (2) 1/4“ (6.35 mm) TRS inputs / (1) 1/8” (3.5 mm) stereo auxiliary input\nHeadphone Output - 1/8“ (3.5 mm) stereo output\nInterconnection Cable - \t1/8” (3.5 mm) TRS Bluetooth Range 100' (30.5 m)\nPower\t - 100–240 VAC, 50/60 Hz, 85 W\nDimensions - 5.5“ x 5.7” x 8.2\"\n(width x depth x height, per speaker)\n140 x 145 x 208 mm\nWeight\t7.39 lbs.\n(per speaker)\n3.35 kg", "price": 17200.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "82 width", "dimensions 55", "18 cable", "speaker 140", "speaker 335 kg", "lifelike connect", "stream music", "total peak 2", "quick connection", "bluetoothenabled device", "extra rumble", "mixing sessions", "home office", "late nights", "headphone connection", "rca inputs", "playback device", "video game", "song movie", "frequencies needed", "full spectrum", "robust lows", "ultimate solution", "sound big", "prograde sound", "private listening", "loweq controls", "bass reflex", "rear panel", "bass reflex design", "loweq controls enable", "rear panel offer", "amazing sound inside", "pristine listening experience", "enhanced rear ports", "computeroptimized tweeter waveguide", "bx3 bts front", "black kevlar drivers", "acousticallyinert mdf cabinet", "twoway design features" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 544, "imageuri": "https://productimages.withfloats.com/actual/686400a8b9165a004e21f91a.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/686400a8b9165a004e21f91a.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:37:02.019Z", "updatedon": "2025-07-01T15:37:02.019Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx3-bt-bluetooth-monitors/544", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6863ff13fa62312b851d2568", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX4 BT Bluetooth® Monitors", "description": "The M-Audio BX4BT Multimedia Reference Monitors offer the flexibility to playback audio from any Bluetooth® streaming device with excellent studio quality sound. This opens the possibilities of playing audio from any Bluetooth® device including a turntable, phone, or even a computer to stream a reference mix from your computer. Get a better listening experience with our compact, powerful, Bluetooth® enabled M-Audio BX4BT multimedia reference monitors.\n\nProfessional Performance and Design\nM-Audio's BX4BT monitors produce 120 Watts of professional sound inside a futuristic design that delivers pro-grade sound. The two-way design features an Acoustically-inert MDF cabinet with bass reflex that push low frequencies through modern Black Kevlar® drivers. Plus, enhanced rear ports and computer-optimized natural silk dome tweeters deliver the full spectrum of frequencies needed for any type of media.\n\nFront & Rear Panel I/O\nThe BX4BT's offer all the connections you need to playback audio from all your devices. The rear panel features 1/4“, 1/8”, and RCA inputs, while the front panel features 1/8-inch aux input and a headphone connection that turns the speakers off for private listening. Very helpful for those late nights in the home office or mixing sessions where you don't want to disturb anyone.\n\nSpeaker Placement Controls & EQ\nM-Audio BX4BT features Left/Right Active Speaker Position switch lets you choose which speaker is the Left or Right side. This is very useful if you are left-handed and want the speaker with the front panel volume control on your left side, or vice versa. Also on the rear panel are High-EQ and Low-EQ controls to boost the low end or add some shimmer to the highs.\n\nKey Features - \n\n1. Bluetooth® Connectivity – Easily pair with any Bluetooth-enabled device for wireless streaming\n2. Black Kevlar® low frequency drivers; 1“ natural silk dome tweeters\n3. New computer-optimized tweeter waveguide for precise imaging\n4. High-EQ and Low-EQ controls for dialing in the perfect sound\n5. Enhanced rear ports for extended low-frequency response\n6. Left/right Active Speaker Position switch for configuring which side has volume control\n7. Bluetooth, 1/4”, 1/8“, and RCA inputs for connecting to virtually any audio source\n8. Front 1/8” AUX input for quick connection of smartphones or other audio sources\n9. Acoustically-inert MDF cabinet with bass reflex design for deep, rich sound\n10. Includes 1/8“ speaker interconnect cable, 1/8” to 1/8“ cable and 1/8” to RCA cable\n\nTechnical Specifications - \n\nFrequency Response - 69 Hz – 22 kHz\nOutput Power - 120 W (total peak), 2 x 25 W (RMS)\nLF Driver - 4.5“ / 114.3 mm\nHF Driver - - 1” / 25.4 mm; silk dome\nAudio Inputs- (1) RCA stereo input pair / (2) 1/4“ (6.35 mm) TRS inputs / (1) 1/8” (3.5 mm) stereo auxiliary input\nHeadphone Output - 1/8“ (3.5 mm) stereo output\nInterconnection Cable - \t1/8” (3.5 mm) TRS Bluetooth Range 100' (30.5 m)\nPower - 100–240 VAC, 50/60 Hz, 85 W\nDimensions -\t6.1“ x 6.9” x 8.9\"\n(width x depth x height, per speaker)\n156 x 175 x 225 mm\nWeight - 9.83 lbs.\n(per speaker)\n4.46 kg", "price": 22500.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "89 width", "dimensions 61", "18 cable", "speaker 156", "left side", "speaker 446 kg", "total peak 2", "quick connection", "loweq controls", "vice versa", "mixing sessions", "home office", "late nights", "private listening", "headphone connection", "rca inputs", "bx4bts offer", "full spectrum", "listening experience", "reference mix", "turntable phone", "playing audio", "playback audio", "bluetoothenabled device", "low end", "rear panel", "frequencies needed", "futuristic design", "bluetooth device", "bass reflex", "bass reflex design", "bluetooth streaming device", "push low frequencies", "enhanced rear ports", "twoway design features", "computeroptimized tweeter waveguide", "acousticallyinert mdf cabinet", "delivers prograde sound", "professional sound inside" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 543, "imageuri": "https://productimages.withfloats.com/actual/6863ff1c02376e367aa83ce6.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6863ff1c02376e367aa83ce6.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:30:27.812Z", "updatedon": "2025-07-01T15:30:27.812Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx4-bt-bluetooth-monitors/543", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. 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LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. 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Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. 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(34 premium built-in IRs and 20 user slots for 3rd party)\n\n– 7 presets with ACTIVE functions. (PRESET switch toggles ACTIVE ones sequentially.)\n\n– GATE, CMP, EFX, AMP, IR, EQ, MOD, DLY, RVB effect blocks with free order.\n\n– White-box algorithm EFX offers analog response and natural chaos.\n\n– Stereo DLY / RVB effects with gorgeous tone.\n\n– Patch Level function for each preset.\n\n– Drum & Loop with included NMP-2 Lite footswitch control.\n\n– 7hrs playing time. 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