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{ "products": [ { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "5b921c31e8d043054e0b1f86", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Steinberg MR816 CSX ", "description": "Steinberg MR816 CSX FireWire Audio Interface Features:\n8 discrete Class A analog 'D-Pre' mic preamps\nIndividually selectable 48V phantom power\nIndividually selectable -26dB pad\nUp to 24-bit/96kHz resolution\n8 x Input Channels with XLR/TRS combo jacks\n8 x Output Channel with TRS connectors\n8 x ADAT digital I/Os for digital audio streams or SPIDF\n2 x Inserts for Hardware FX\n2 x independent headphone outputs\nWord clock I/O for professional synchronization\nDSP Power for Cubase VST3\nOnboard DSP-powered FX with eight instances of the Sweet Spot Morphing Channel Strip and one REV-X Reverb\nTrue Integrated Monitoring\nFull faderless mixing\nExtremely low latency\nDSP-powered FX\n1:1 hardware/software mirroring with Cubase\nDaisy-chaining of up to 3 units", "price": 0.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": true, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 243, "imageuri": "https://productimages.withfloats.com/actual/5b921c316eecb3054f6d1f89.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5b921c316eecb3054f6d1f89.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-09-07T06:35:29.122Z", "updatedon": "2020-12-17T05:16:09.544Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/steinberg-mr816-csx-/243", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": " Steinberg", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Steinberg Interface dealer", "Steinberg MR816 CSX | Priyanka Musical House,", "Steinberg MR816 CSX", "Steinberg Interface dealer india," ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b80c723f9cc21066bc85d5c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Aphex Channel Master Preamplifier and Input Processor ", "description": "Patented RPA tube preamp\nEasyRider® Class A automatic compressor\nPatented logic-assisted gate\nUniversal de-esser\nPatented Aphex Aural Exciter® and Big Bottom® processors\nS/PDIF and AES/EBU digital outputs\nComplete High Performance Channel Strip\nWith more and more studios foregoing consoles in favor of recording and mixing \"in the box\", a clean and versatile front end input stage is indispensible. There are dozens and dozens of channel strips and similar devices to choose from, but none that come close to the Channel in terms of sound, features or performance.\n\nOur legendary Model 230 has been re-imagined as the Channel, adding a host of new features to address a greater number of workflows while retaining the sound, functionality and versatility that made the 230 one of the most in-demand processors ever for professional audio, live sound, broadcast and post production.\n\nChannel incorporates seven powerful devices within a compact, single rack space design, including five of Aphex''s exclusive patented technologies. The result is the highest possible audio quality, processing power and flexibility.\n\nThe elegant front panel not only looks great, but is laid out in an intuitive, easy-to-use workflow with easy to understand labeling. Building on the foundation of the Model 230, the Channel features an instrument input, dedicated output and gain reduction metering, front panel sample rate and clock source selection; and a reference quality internal clock.\n\nApplications\nBroadcast - Channel is a tube microphone preamp and signal processor that is an indispensable broadcast station tool. You''ll find them in the production room and installed as permanent on-air processing for pumping up voices.\n\nRecording Studios - Channel is a powerful and easy-to-use channel strip for commercial and project studios, featuring our reflected-plate amplifier tube microphone preamp design plus compression, gating, de-esser, parametric EQ, Aural Exciter and Big Bottom bass enhancement.\n\nLive Sound - When space is at a premium in a touring rig, and night after night reliability is essential, the rugged Channel provides all the top quality processing needed for any instrument without taking up precious rack space.\n\n\nConnector\tXLR-3F\nType\tTransformerless, NPN active balanced, tube second stage\nInput Z\t2k ? nominal\nMaximum Input Level (MIL)\t+25dBu\nCMRR\t70 dB @ 60 Hz\nNominal Preamp Gain\t20 to 65 dB\nPhantom Power\t+48VDC\nPad\t20dB\nEIN\t-127dBu (input shorted)\nTube Type\t12AT7/ECC81 Dual Triode\nOutput\nConnector\tXLR-3M and 1/4\" TRS phone jacks\nType\tXLR is Impedance Balanced (may be used unbalanced)\nTRS is unbalanced\nOut Z Balanced\tXLR 66 ?\nOut Z Unbalanced\tXLR 33 ?\nTRS 600 ?\nNominal Level\tXLR +4dBu\nTRS -10dBV\nMaximum Output Level\t+25dBu Unloaded\nTRS +11dBV\nCompressor\nAttack / Release\tProgram dependent, user variable release baseline\nRatio\t4:1\nThreshold\tFixed\nKnee\tMedium hard\nGate\nAttack\t0.1 millisecond\nHold / Release\t300 milliseconds / 400 milliseconds\nThreshold\t-50 to +20dB (variable)\nDepth\t1 to 58dB (variable)\nDe-Esser\nAttack\t0.1 millisecond\nRelease\t100 milliseconds\nThreshold\tVariable -20 to +20dB\nRatio\t5:1\nActive Band\t4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover\nInsert\nConnector Type - Send\t1/4\" TRS phone jack (balanced)\nConnector Type - Return\t1/4\" TRS phone jack (balanced)\nNominal Operating Level\t0 dBu\nPoint of Insertion\tBetween dynamics processing and equalizers\nBig Bottom\nFrequency\t50 Hz to 280 Hz\nTune\tOff to +12dB\nParametric EQ\nFrequency Tune\t240 Hz to 8 kHz\nPeak / Dip\t±12dB\nQ Range\t0.5 to 5\nAural Exciter\nFrequency Tune\t500 Hz to 5kHz\nMix\tOff to +12dB\nAnalog Audio\nTHD\t<.01% @ +4dBu Out\nIMD\t01% @ +4dBu Out\nFreq Response (Flat)\t18 Hz to 24kHz ±1dB\nDigital Audio\nInternal Sample Rates\t44.1KHz, 48KHz, 88.2KHz, 96KHz\nExternal Sample Rates\tAutomatically syncs to any Word Clock between 32KHz and 96KHz\nResolution\t24 bits\nWord Clock Input\tBNC jack, High Z, Captures\nWord Clock Output\tBNC jack, 75 ?, 5Vp-p\nDynamic Range\tDigital dynamic range greater than analog front end\nNoise Dither\tDithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither.\nLevel Equivalency\t-20dBFS Digital = +4dBu Analog\nPower Requirements\t90-250 VAC 50-60 Hz 12W\nDimensions\t19\"W x 1.75\"H x 8.25\" D 1 Rack U (482.6mm x 44.5mm x 209.6mm)\nDepth Behind Front Panel\t7.5\" (190.5mm)\nNet Weight\t6 lbs(2.73 kg)\nShipping Weight\t9 lbs (4.1 kg)", "price": 0.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": true, "shipmentduration": 7, "_keywords": [ "Channel features", "user variable release", "possible audio quality", "top quality processing", "clock source selection", "front panel sample rate", "High Performance Channel", "single rack space design", "reference quality internal", "versatile front end input stage", "Aphex Channel Master Preamplifier", "s exclusive patented technologies", "incorporates seven powerful devices", "indispensable broadcast station tool", "amplifier tube microphone preamp design" ], "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 234, "imageuri": "https://productimages.withfloats.com/actual/5b80c723b106b90505d40c01.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5b80c723b106b90505d40c01.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-08-25T03:04:03.254Z", "updatedon": "2020-12-17T05:22:09.935Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/aphex-channel-master-preamplifier-and-input-processor-/234", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Aphex", "category": "Preamplifier", "tags": [ "Aphex Channel Master Preamplifier and Input Proces", "CHANNEL", "8 Master Preamp & Input Processor" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68a5fce89456e157a3a6b003", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND XPS-10X Expandable Synthesizer", "description": "XPS Quality in a Streamlined Performance Keyboard\nThe XPS-10X brings you the essential features of the flagship XPS-60 in a streamlined, performance-ready keyboard. It offers a massive selection of sounds to cover nearly any style—including a wide range of regional folk instruments—plus support for adding more with World Expansion titles on Roland Cloud. The keyboard also provides powerful tools to enhance performances and creative sessions, such as an Audio Player with independent pitch and speed control, per-tone scale tuning, a class-compliant USB-C audio/MIDI interface, and more.\n\nStandard Features\nXPS-10X\nView the Gallery\nXPS-10X\nAcclaimed Roland Sounds\nThe XPS-10X features over 1600 diverse sounds from the core XPS-60 library, including pianos, organs, guitars, basses, orchestral instruments, synths, drums, and more. In addition, there are many folk instrument selections to perform with authentic local sounds from regions around the world.\n\nXPS-10X\nAdd Global Instruments with the World Expansion Series\nThe XPS-10X also supports region-specific sound collections from the World Expansion series on Roland Cloud. Each title includes new waveforms and tone data, allowing you to discover rare instrument sounds from India, Mexico, South America, Southeast Asia, and more. World Expansions can be purchased and installed via Roland Cloud Manager on a computer or the XPS Tone Loader app for mobile devices.\n\n Explore the World Expansion Series\nXPS-10X\nPortable Inspiration\nLike all instruments in the XPS series, the XPS-10X delivers excellent playability in a robust and rugged design. The expressive 61-note keyboard offers outstanding feel, and you can power the instrument with a rechargeable mobile battery for the ultimate grab-and-go convenience.\n\nXPS-10X\nFree-Flowing Sound Creation\nWith its ergonomic panel layout, performing and composing with the XPS-10X is a joy. Call up tones with intuitive category buttons and set up favorites for quick access. Split and layer tones, change the octave range and transposition, and apply arpeggio and chord memory functions with quick button presses. When you’re done, save the complete setup within a Scene memory for one-touch recall on stage.\n\nXPS-10X\nPerform with Backing Music\nThe XPS-10X’s Audio Player function makes elevating your performances with backing music easy. Connect a USB flash drive with your WAV/AIFF audio files, assign them to the eight phrase pads, and launch them as you play. Pitch and playback speed are independently adjustable for each file, allowing you to match a vocalist's singing range or change the tempo to suit the mood.\n\nXPS-10X\nMulti-Function Phrase Pads\nAlong with song playback, the XPS-10X phrase pads can trigger onboard drum sounds or imported samples in real time. You can also use them as part select and part mute buttons while working with the step sequencer.\n\nXPS-10X\nAccessible Scale Settings\nJust like the XPS-60, the XPS-10X allows you to set the optimal scales for each tone individually so they’re ready to play when needed. When Transpose Sync is enabled, your custom scale settings will automatically follow the current keyboard transpose button setting.\n\nXPS-10X\nStep Sequencer\nThe eight-track step sequencer is ideal for sketching song ideas and creating interactive backing with the XPS-10X’s onboard sounds. The arpeggio function and built-in rhythms automatically synchronize with the sequencer, ready to bring fresh energy to your keyboard performances.\n\nXPS-10X\nConnect with Computers and Mobile Devices\nThe XPS-10X’s class-compliant USB-C audio/MIDI interface lets you perform and record with music apps or stream gig audio via your phone. And with integrated computer DAW control, you can operate functions in your favorite software platform from the XPS-10X panel. The XPS Tone Loader app also communicates via USB-C, allowing you to purchase and install World Expansion titles using your smartphone or tablet.\n\n Learn More About the XPS Tone Loader", "price": 73500.0, "discountamount": 8600.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 622, "imageuri": "https://productimages.withfloats.com/actual/68a5fceefe1cedd0c02960b2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a5fceefe1cedd0c02960b2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-20T16:50:48.136Z", "updatedon": "2025-09-07T08:17:02.958Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM//roland-xps-10x-expandable-synthesizer/622", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland ", "category": "SYNTHESIZER ", "tags": [ "ROLAND XPS-10X Expandable Synthesizer", "ROLAND XPS-10X Expandable Synthesizer PRICE" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "68791a41280dcfd7b0962e0e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Fender 40th Anniversary Telecaster Vintage Edition Electric Guitar 0379501507 - Satin Vintage Blonde", "description": "The first instruments to bear the Squier name were introduced in 1982, answering the call for genuine Fender® designs at accessible prices. 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Powered by a set of Fender Standard pickups for high-output sonic character and an inviting “Modern C”-shaped neck for superior playing comfort, this Strat® truly sets the standard for the Fender experience.\n\nFEATURES\nPoplar body with gloss finish\nFender Standard ceramic humbucking and single-coil Stratocaster pickups\n2-point synchronized tremolo bridge with satin chrome saddles\n“Modern C”-shaped maple neck with satin finish\n9.5“-radius fingerboard\n\nBODY\nBody: Poplar\nBody Finish: Gloss Polyurethane\nBody Material: Poplar\nBody Shape: Stratocaster®\n\nELECTRONIC\nBridge Pickup: Standard Humbucking\nControls: Master Volume, Tone 1. (Neck/Middle Pickups), Tone 2. (Bridge Pickup)\nMiddle Pickup: Standard Single-Coil Strat®\nNeck Pickup: Standard Single-Coil Strat®\nPickup Configuration: HSS\nSwitching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. 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Powered by a set of Fender Standard pickups for high-output sonic character and an inviting “Modern C”-shaped neck for superior playing comfort, this Strat® truly sets the standard for the Fender experience.\n\nFEATURES\nPoplar body with gloss finish\nFender Standard ceramic humbucking and single-coil Stratocaster pickups\n2-point synchronized tremolo bridge with satin chrome saddles\n“Modern C”-shaped maple neck with satin finish\n9.5“-radius fingerboard\n\nBODY\nBody: Poplar\nBody Finish: Gloss Polyurethane\nBody Material: Poplar\nBody Shape: Stratocaster®\n\nELECTRONIC\nBridge Pickup: Standard Humbucking\nControls: Master Volume, Tone 1. (Neck/Middle Pickups), Tone 2. (Bridge Pickup)\nMiddle Pickup: Standard Single-Coil Strat®\nNeck Pickup: Standard Single-Coil Strat®\nPickup Configuration: HSS\nSwitching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup\n\nGENERAL\nColor: Aqua Marine Metallic\nOrientation: Right-Hand\nProduct Name: Standard Stratocaster® HSS, Maple Fingerboard, White Pickguard, Aqua Marine Metallic\nSeries: Standard\n\nHARDWARE\nBridge: Standard 2-Point Tremolo with Satin Chrome Steel Block Saddles\nBridge Mounting: 2-Point Modern\nControl Knobs: White\nHardware Finish: Chrome\nNeck Plate: 4-Bolt\nPickguard: 3-Ply White\nPickup Covers: White\nStrap Buttons: Standard\nString Trees: Dual-Wing\nStrings: Nickel Plated Steel (.009-.042 Gauges)\nSwitch Tip: White\nTremolo Arm: Screw-In\nTuning Machines: Fender® Standard Cast/Sealed with Hex Buttons\n\nNECK\nFingerboard Material: Maple\nFingerboard Radius: 9.5” (241 mm)\nNeck Construction: Bolt-On\nNeck Finish: Satin Urethane with Gloss Urethane Headstock Face\nNeck Material: Maple\nNeck Shape: Modern “C”\nNumber of Frets: 21\nNut Material: Micarta\nNut Width: 1.6875\" (42.86 mm)\nPosition Inlays: Black Dot\nSide Dots: Black\nString Nut: Micarta\nTruss Rod: Dual-Action Head Adjust\nTruss Rod Nut: 4 mm Hex", "price": 58440.0, "discountamount": 8181.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 595, "imageuri": "https://productimages.withfloats.com/actual/6879188d184750088ebdf5ef.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6879188d184750088ebdf5ef.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-17T15:36:38.584Z", "updatedon": "2025-08-04T14:09:45.701Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fender-standard-stratocaster-hss-maple-fingerboard-electric-guitar-0266420560-aqua-marine-metallic/595", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Fender", "category": "Fender Squier Electric Guitars", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6878b0036145c08c0f70adde", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Fender Squier Sonic Stratocaster FSR Maple Fingerboard Electric Guitar Arctic White 0373152580 ", "description": "Overview\nThe Squier FSR Sonic™ Stratocaster® is ready to launch any musical adventure at breakneck speed, delivering Fender® style and inspiration to any player at any stage. 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Other standout features include a tremolo for vibrato, a closed-gear tuning key for smooth, precise tuning, and durable chrome hardware that is sure to appeal to guitarists.\n\nFEATURES\n\nThin and light wooden body\nSSS pickup configuration\n6-saddle tremolo bridge keeps the tremolo highly stable\nSealed Die-Cast Key Set Maintains Sound Accuracy\nChrome hardware\n\nSeries : Squier Sonic™\nBody material: Poplar\nBody finish: glossy polyester paint\nNeck: Maple, “C” shape\nNeck finish: Matte urethane\nFingerboard: Laurel or maple, 9.5“ (241 mm)\nFrets: 21, narrow and high\nNotes: Pearlescent dots (laurel), black dots (maple)\nNut (Material /Width): Synthetic Bone, 1.650” (42mm)\nTuners: Sealed cast tuners\nString Length: 25.5 in (64.77 cm)\nBridge: 6-saddle vintage synchro tremolo bridge with block saddle\nPickguard: 1 layer white or 1 layer black\nPickups: Ceramic single-coil pickups (bridge /middle/neck)\nPickup Switch: 5-position blade switch: Position 1: bridge pickup, Position 2: bridge and middle pickups,\nPosition 3: Middle pickup, Position 4: Middle and neck pickups, Position 5: Neck pickup\nControls: Master Volume, Tone 1 (Neck/Middle Pickup), Tone 2 (Bridge Pickup)\nControl knob: White or black plastic\nHardware finish: Chrome\n", "price": 19424.0, "discountamount": 2719.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 564, "imageuri": "https://productimages.withfloats.com/actual/6878b008e5567a55a9fafb6a.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6878b008e5567a55a9fafb6a.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-17T08:10:43.126Z", "updatedon": "2025-08-04T14:31:31.509Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fender-squier-sonic-stratocaster-fsr-maple-fingerboard-electric-guitar-arctic-white-0373152580-/564", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Fender", "category": "Fender Squier Electric Guitars", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6878af04be60a87750a4eaa1", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "FSR Squier Sonic Stratocaster Maple Fingerboard White Pickguard Surf Green – 0373152557", "description": "The Squier Sonic Stratocaster is ready to launch any musical adventure into warp speed, offering iconic Fender style and inspiring tone for players at any stage. This Strat sports a slim and inviting “C”-shaped neck profile and a thin, lightweight body for optimal playing comfort while a trio of Squier single-coil pickups chime with crystal clarity for a wide variety of versatile tones. Further details of this model include a tremolo bridge for expressive vibrato effects, sealed-gear tuning machines for smooth, accurate tuning and durable chrome-plated hardware that is sure to catch the spotlight.\n\nFeatures:\n\nThin and lightweight body\nSquier single-coil pickups\n6-saddle tremolo bridge\nSealed-gear tuning machines\nChrome hardware\n\nHighlights\nSYNCHRONIZED TREMOLO BRIDGE\nThis Stratocaster features a synchronized tremolo bridge for expressive string-bending effects.\n\nSQUIER SINGLE-COIL PICKUPS\nVoiced in-house at Fender, these Squier single-coil pickups produce crisp, articulate tone for a wide variety of musical styles.\n\nSEALED DIE-CAST TUNING MACHINES\nSealed die-cast tuning machines have a smooth action for accurate tuning.\n\nSpecifications:\n\nBody\nBody: Poplar\nBody Finish: Gloss Polyurethane\nBody Shape: Stratocaster\nBody Material: Poplar\n\nNeck\nNeck Material: Maple\nNeck Finish: Satin Urethane\nNeck Shape: “C” Shape\nNeck Construction: Bolt-On\nFingerboard Radius: 9.5″ (241 mm)\nFingerboard Material: Maple\nPosition Inlays: Black Dot\nNumber of Frets: 21\nTruss Rod: Single-Action\nTruss Rod Nut: 4 mm Hex\nString Nut: Synthetic Bone\nNut Width: 1.650″ (42 mm)\nNut Material: Synthetic Bone", "price": 19424.0, "discountamount": 2719.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 563, "imageuri": "https://productimages.withfloats.com/actual/6878af0f6e08c050f80c30da.jpeg", "tileimageuri": "https://productimages.withfloats.com/tile/6878af0f6e08c050f80c30da.jpeg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-17T08:06:28.374Z", "updatedon": "2025-08-04T14:32:02.373Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fsr-squier-sonic-stratocaster-maple-fingerboard-white-pickguard-surf-green-0373152557/563", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Fender", "category": "Fender Squier Electric Guitars", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }