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{ "products": [ { "_id": "68791a41280dcfd7b0962e0e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Fender 40th Anniversary Telecaster Vintage Edition Electric Guitar 0379501507 - Satin Vintage Blonde", "description": "The first instruments to bear the Squier name were introduced in 1982, answering the call for genuine Fender® designs at accessible prices. The Squier 40th Anniversary collection celebrates the 40-year journey of Fender's entry-level brand with special editions of the Telecaster®, Stratocaster®, Jazzmaster®, Precision Bass®, and Jazz Bass®, all available in Gold Edition and Vintage Edition variants.\n\nSpecification\nBody Shape\tTelecaster®\nBody Material\tNyatoh\nBody Finish\tSatin Urethane\nColor\tSatin Vintage Blonde\nNeck Material\tMaple\nNeck Shape\t“C” \nNeck Joint\t-\nRadius\t9.5“ (241 mm)\nFingerboard Material\tMaple\nFingerboard Inlay\tBlack Dot\nNumber of Frets\t21\nScale Length\t25.5” (64.77 cm)\nNut Width\t-\nNut Material\tBone\nBridge/Tailpiece\t3-Saddle Strings-Through-Body Tele®\nTuners\tVintage Style\nNeck Pickup\tFender® Designed Alnico Single-Coil\nBridge Pickup\tFender® Designed Alnico Single-Coi\nControls\tMaster Volume, Master Tone\nSwitching\t3-Position Blade\nStrings\tNickel Plated Steel (.009-.042 Gauges)\n", "price": 65280.0, "discountamount": 9139.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 598, "imageuri": "https://productimages.withfloats.com/actual/6890e5af9c6ecb239237d3e9.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6890e5af9c6ecb239237d3e9.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-17T15:44:01.81Z", "updatedon": "2025-08-04T16:54:06.556Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fender-40th-anniversary-telecaster-vintage-edition-electric-guitar-0379501507-satin-vintage-blonde/598", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Fender", "category": "Fender Squier Electric Guitars", "tags": [ "Fender Electric Guitar 0379501507", "Fender 40th Anniversary Telecaster Electric Guitar 0379501507", "Fender Guitar 0379501507", "FENDER GUITAR PRICE DELHI INDIA", "Fender Store DELHI INDIA", "Fender 0379501507", "Fender Player Telecaster Pau Ferro Fingerboard Electric Guitar", "40th Anniversary Telecaster®, Vintage Edition", "fender guitar india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6860fca0e217a6684019cf2e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Oxygen 61 MK IV ( USB MIDI Performance Keyboard Controller )", "description": "Melodics Offer\nFor a Limited time join over 100,000 musicians building their skills with Melodics. Melodics is a desktop app that teaches you to play and perform with MIDI keyboards, pad controllers, and drums. Whether your just starting out or a seasoned pro looking to learn advanced techniques Melodics grows with you. It’s free to download upon registration of your controller, and comes with over 60 free lessons (Including Five Exclusive to M-Audio) to get you started!\n\nNEW: Welcome to The World of VIP Music Software | Effortless Integration, Enhanced Workflow\nExperience expanded control of your VST instrument and effect collection with CODE 49 and VIP3.0 (Free Download Included a $99.99 Value). VIP3.0 provides you with unparalleled access to your virtual instrument and effect collection, seamlessly integrating the hardware / software experience and grants the unrestricted freedom to create in a user-friendly, intuitive format. The combination of VIP and CODE 49 maximizes workflow and ensures a playing experience that feels natural and enhances creativity – the natural, tactile feel of hardware fused with the unrivalled processing capability of virtual Instruments. Quickly find sounds based on instrument type, timbre, style or articulation from your entire VST library; sculpt immersive, expressive sounds and textures layering up to 8 separate instruments and patches per VIP instance; load up to 4 different VST effects per instrument channel to sculpt the perfect sound; put power into your performance with Pad Chord Progressions and user-friendly Key Control processors; and much more. From live performance to studio production, VIP’s user-friendly functionality coupled with a diverse feature set guarantees simple, seamless integration into your existing setup and provides the ultimate platform for unrestricted creative expression.\n\nThe Oxygen Series\nM-Audio pioneered the portable MIDI controller market with the Oxygen series of keyboard controllers. Today, M-Audio continues to be a leader of this technology by developing intuitive controllers for software-based music production and performance. Thanks to continued innovation over the course of nearly a decade, the new Oxygen series controllers offer more control, deep hardware/software integration, and come equipped with a reliable build that enables you to make music on the go or implement these controllers into any studio.\n\nStreamlined Control\nWith an array of assignable knobs, pads, and faders, Oxygen 61 gives you total control over your software, allowing you to stay engaged in the creative flow of recording and mixing music without ever reaching for the mouse. It features 61 velocity-sensitive keys for playing chords, bass lines, and melodies; eight assignable knobs for tweaking effect plugins and virtual instruments; eight velocity-sensitive pads for triggering samples or finger drumming; and nine assignable faders for mixing tracks together and controlling the master output. Oxygen 61 also has dedicated transport controls and track-up and -down buttons that allow you to initiate play, stop, and record in the DAW environment right from your keyboard controller.\n\nUse Your Favorite DAW\nThe Oxygen 61 MIDI controller offers out-of-the-box integration with popular DAWs including Ableton Live, Pro Tools, Logic, Cubase, and many more. Using DirectLink, Oxygen 61's controls instantly map to key parameters in your favorite DAW, enabling you to immediately tweak the mixers, editors, and transport windows. Additionally, Oxygen 61 has built-in customizable mapping presets that quickly interface Oxygen 61 with your favorite effect plugins and virtual instruments. Setting up a MIDI controller with your software doesn’t get any easier than this.\n\nFor an easy-to-use and portable setup, all Oxygen controllers are USB-powered, class-compliant, and support USB-MIDI connectivity. Plus, they support iOS connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.\n\nAbleton Live Lite\nAbleton Live Lite is included with Oxygen 61 for immediate music creation. One of the most popular performance and production programs available in the world, Ableton Live Lite is a powerful music creation tool that enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Host plugins and use Oxygen 61 to produce, compose, or perform all within Ableton Live Lite. When you are satisfied with your work, Ableton Live lets you save it or mix it down.\n\nAIR Music Tech Xpand!2\nXpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nTouch Loops\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n\nAbleton is a trademark of Ableton AG. Cubase is a registered trademark of Steinberg Media Technologies AG. Pro Tools is a registered trademark of Avid Technology, Inc. in the U.S. and other countries. Logic is a trademark of Apple Inc., registered in the U.S. and other countries. M-Audio is a trademark of inMusic Brands Inc., registered in the US and other countries. All other product or company names are trademarks or registered trademarks of their respective owners.\n\nFeatures - \n\n1. 61 full-size, synth-action velocity-sensitive keys\n2. 8 velocity-sensitive trigger pads for beat production, clip launching, and more\n3. 8 assignable knobs for manipulating virtual instruments and plugins\n4. 9 assignable faders built in so you can mix with ease\n5. Transport buttons let you control your DAW without reaching for the mouse\n6. DirectLink automatically maps controls to popular DAWs: Ableton Live, Pro Tools, Logic, Cubase, and more\n7. LCD screen provides instant parameter feedback\n8. Sustain pedal input for further creative control\n9. USB-powered, plug-and-play support, and USB-MIDI connectivity\n10. Includes Ableton Live Lite\n11. Includes AIR Music Tech Xpand!2, a multitimbral all-in-one workstation\n12. Includes VIP3.0 - the ground-breaking, award-winning music software platform that provides musicians and composers with a powerful hands-on control solution for their virtual instrument and virtual effect collection. \n\nRequirements - \n\nMacintosh: 1.25 GHz G4/G5 or faster (Intel Mac recommended), 1 GB RAM (2 GB recommended), Mac OS X 10.4.11 (10.5 or later recommended)\nWindows: 1.5 GHz Pentium 4 or Celeron compatible CPU or faster (multicore CPU recommended), 1 GB RAM (2 GB recommended), Windows 10, Windows 8, Windows 7, Windows Vista or Windows XP, Windows compatible sound card (ASIO driver support recommended), QuickTime recommended\nAvailable USB Port", "price": 27850.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "10411 105", "code 49", "oxygen 61", "registered trademark", "registered trademarks", "enables musicians", "mix 2 gigs", "avid technology", "sample playback", "amazing patch", "produce compose", "popular performance", "reliable build", "60 free lessons", "oxygen controllers", "faders oxygen 61", "oxygen series", "countries maudio", "countries logic", "midi controller", "keyboard controller", "100000 musicians building", "usb port", "7 lcd screen", "company names", "inmusic brands", "vintage drum", "samples ranging", "fm synthesis", "true power", "xpand2 reveals", "audio apps", "usbpowered classcompliant", "portable setup", "mixers editors", "immediately tweak", "key parameters", "popular daws", "daw environment", "mixing tracks", "finger drumming", "triggering samples", "stay engaged", "total control", "continued innovation", "ultimate platform", "existing setup", "live performance", "instrument channel", "vst effects", "textures layering", "enhances creativity", "unparalleled access", "vst instrument", "seasoned pro", "desktop app", "melodics melodics", "production programs", "music creation", "software doesnt", "assignable faders", "mixing music", "software allowing", "make music", "virtual instrument", "velocitysensitive pads", "creative flow", "8 separate instruments", "hardware fused", "feels natural", "playing experience", "unrestricted freedom", "liking ableton", "favorite daw", "effect collection", "music production", "assignable knobs", "virtual instruments", "assignable knobs pads", "hardware software experience", "favorite daw enabling", "softwarebased music production", "manipulating virtual instruments", "virtual instruments setting", "maudio account ready", "initiate play stop", "studio streamlined control", "developing intuitive controllers", "unrestricted creative expression", "vip instance load", "ableton live lite", "favorite effect plugins", "air music tech", "natural tactile feel", "ableton ag cubase", "tweaking effect plugins", "celeron compatible cpu", "carefully created thousands", "active sound slots", "multitimbral workstation offering", "edit musical ideas", "support ios connectivity", "support usbmidi connectivity", "dedicated transport controls", "pad chord progressions", "unrivalled processing capability", "userfriendly intuitive format", "limited time join" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 526, "imageuri": "https://productimages.withfloats.com/actual/6860fca683322e22c2fc0e80.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6860fca683322e22c2fc0e80.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T08:43:12.36Z", "updatedon": "2025-06-29T08:53:04.882Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/oxygen-61-mk-iv-usb-midi-performance-keyboard-controller-/526", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "685ebeb0705f15cc9080b1b7", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|4 ( 2-In/2-Out 24/192 USB Audio Interface )", "description": "With the AIR 192|4, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to 2 channels at once with its dedicated XLR+¼” balanced combo input, and an all-new ¼” instrument input that has a specially-designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface.\n\nThe AIR 192|4 comes complete with a software package that has everything to get you started. With a powerful DAWs to suit your production needs, AIR 192|4 includes Ableton Live Lite, and MPC beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box\n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications\n\nMinimum System Requirements\n• macOS: 10.8 Class Compliant\n• PC: Windows 7, Windows Driver\n• Standard USB 2.0 or USB-C Port\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - 104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range -\t55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response -\t 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - \t100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (balanced, differential 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - \t+7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - \t0.005%\nOutput Impedance - \t10 Ω\n\nGeneral\n\nPower - USB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\nPremium Software Suite Included - \n\nAbleton Live Lite - Ableton Live Lite is one of the most popular performance and production programs available in the world. A powerful music creation tool, Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Explore sonic possibilities in real time whether on stage or in the studio. When you are satisfied with your work, Ableton Live Lite lets you save it or mix it down.\n\nWhatever you set out to achieve, MPC Beats will get you started. Incorporating the finest parts of the legendary MPC workflow, MPC Beats features all the essential tools for pro production. Edit samples, mixdown your tracks, find any sound with the synth engines found on the legendary MPCs, record audio and much more. MPC Beats will host your AU/VST plugins so as you expand your arsenal, know you’ll have complete compatibility with industry standard virtual studio technology.\n\nThe AIR Creative FX Collection features 20 effects that are used by some of the world’s most respected audio professionals. The AIR Creative FX Collection has been featured in many of the last decade’s top film, game and music projects. Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.\n\nThis exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\n80 effect plug-ins provided by AIR\n\nIncluded are some extra goodies to help out any podcaster, guitarist, or producer. This exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\nA new standard for guitar amplifier modeling software\n\nReValver includes ValveKing® & Custom Lite Amp Modules, 3 x cabs, 3 x mics (with multiple selectable positions), and 3x effects.\n\nAIR Music’s Mini Grand is a simple-to-use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Combining premium quality piano samples, innovative re-pedaling technology, built-in room simulation and equal and stretched tuning, Mini Grand is the go-to plugin for authentic, emotive piano sounds.\n\nAIR Music’s Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nAIR TubeSynth\n\nThe AIR TubeSynth plugin emulates the sound of vintage analog polyphonic synthesizers. Dive into a collection of warm pads, brass synths, and so much more in this massive collection of synthesizer presets.\n\nAIR Electric\n\nAIR Electric plugin is your total electric piano collection on MPC. Choose from a wide collection of keyboards like Rhodes, Wurlitzers, FM keyboards, and more. Dedicated control sections provide deep virtual control over keyboard pickups, envelope, bell and noise settings, and much more.\n\nAIR Bassline\n\nThe AIR Bassline plugin emulates the sound of classic monophonic synthesizers. Create your own unique synth patches with the integrated AIR effects sections.\n\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n", "price": 13500.0, "discountamount": 2835.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "cabs 3", "1524 cm", "276 2042 cm", "height 80", "2 channels", "air 1924", "finest parts", "mix 2 gigs", "sample playback", "amazing patch", "goto plugin", "expertly designed", "complete compatibility", "started incorporating", "real time", "impedance stage", "accurate sound", "air bassline", "air included", "air 1924 enables", "production programs", "vintage drum", "samples ranging", "noise settings", "fm synthesis", "true power", "xpand2 reveals", "broad range", "podcaster guitarist", "extra goodies", "auvst plugins", "tracks find", "essential tools", "popular performance", "buffer settings", "fastest connection", "loop package", "powerful daws", "software package", "accurate representation", "speciallydesigned gain", "music production", "wide collection", "massive collection", "music projects", "mpc choose", "musical styles", "professional recording", "piano plugins", "delay weve", "input signal", "mpc beats", "guitar tone reverb", "air music tech", "active sound slots", "mpc beats weve", "creative production mixing", "synth engines found", "easytouse audio interface", "achieve mpc beats", "diverse collection delivers", "acoustic piano sounds", "ensure professional results", "edit musical ideas", "dedicated signal circuit", "maudio account ready", "unique synth patches", "carefully created thousands", "multitimbral workstation offering", "multiple selectable positions", "respected audio professionals", "computer hardware whats", "ultrapristine ad converters", "add worldclasssounding instruments", "bass plugged directly" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 518, "imageuri": "https://productimages.withfloats.com/actual/685ebeb29e2715528655003c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685ebeb29e2715528655003c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T15:54:24.066Z", "updatedon": "2025-06-30T05:09:42.591Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-4-2-in-2-out-24-192-usb-audio-interface-/518", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "685eb743e217a6684019ce06", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "M-Track Duo HD ( New Model )", "description": "The M-Track Duo HD is the path of least resistance between any song idea, podcast concept, or voiceover and a studio-quality finished product. There are no extraneous knobs or parameters—only the essentials for recording your next masterpiece. This simple, reliable, and powerful unit built with USB-C connectivity makes it easy to create and record studio-quality audio instantly with any modern DAW or iOS/Android device.\n\nComplete Feature List - \n\n1. 2-in/2-out USB-C audio interface for Mac, PC, iOS, and Android\n2. Pro-grade 24-bit/192kHz audio resolution captures every nuance of recorded sound\n3. 2 combo inputs for mic, instrument, or line-level source for convenience and studio versatility\n4. Crystal preamps deliver 55 dB of clear, detailed gain\n5. Pro A/D converters faithfully capture your performances\n6. Switchable +48V phantom power feeds studio condenser microphones\n7. Direct/USB monitor switch tailors your monitoring output\n8. Headphone output with independent level control allows for precise monitoring for different audio channels\n9. Includes 1m/3.3ft USB-C to USB-C cable\n10. Includes Producer Essentials software bundle (a $1,200+ value) with professional audio production tools and sound libraries from industry-leading brands. All software listed below includes lifetime access unless otherwise noted.\n\nDAWs - \n\nAbleton Live Lite\nMPC Beats\nReason+ (6-month subscription)\n\nEffects - \n\nVocals: Antares AutoTune Unlimited (2-month access)\nGuitar: HeadRush ReValver\nDrums: BFD Player + Dark Mahogany\nMixing: AIR Creative FX Collection Essentials\nProduction: AIR Jura Chorus\nProduction: AIR Multiband Filterbank\n\nInstruments - \n\nAIR Essential Keyboards\nAIR Xpand!2\nAIR Bassline\nAIR OPx-4\nAIR Tubesynth\n\nSamples\n\nSplice (2-month access)\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio- 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN\t- -128 dBu (max. gain, 40 source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB / Direct Stereo: 6 dB to +60 dB\n\nLine Input - (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance\t- 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\n \nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - \t+4 dBu\n\nHeadphone Output (1/4” [6.35 mm] TRS)\n\nPower\t- 60 mW/Ch, 32Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nPower - USB bus-powered\n\nDimensions (WDH) - 7.5 x 4.4 x 2.1 in / 191 x 111 x 55 mm\n\nWeight - 0.80 lbs / 0.36 kg", "price": 11300.0, "discountamount": 2373.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "software listed", "industryleading brands", "sound libraries", "precise monitoring", "linelevel source", "mic instrument", "modern daw", "simple reliable", "extraneous knobs", "includes lifetime access", "independent level control", "mac pc ios", "usbc connectivity makes", "powerful unit built", "studioquality finished product", "mtrack duo hd" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 516, "imageuri": "https://productimages.withfloats.com/actual/685eb74531651e3c61047e76.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685eb74531651e3c61047e76.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T15:22:43.019Z", "updatedon": "2025-06-30T05:04:22.487Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/m-track-duo-hd-new-model-/516", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bf341645a4a11780c23cc2", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier", "description": "KC-220 Battery Powered Stereo Keyboard Amplifier\tKC-220\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nOffering full-range stereo sound and battery-powered operation, the three-channel KC-220 is the ultimate mobile keyboard amp. It also excels as a mini PA, thanks to its built-in DSP effects, dedicated auxiliary input, and support for an XLR vocal mic. Delivering big sound in a super-portable package, the KC-220 is a must-have amp for rehearsals, street performances, and gigging on the go.\n\nHome\nKC-220Features\tSpecs\tAccessories\tSupportTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nBattery-powered stereo keyboard amplifier\nHighly efficient power section with 30 watts of power (15 watts x 2)\nTwo newly developed custom 6.5-inch woofers and two custom tweeters\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nBuilt-in DSP effects: reverb and two chorus types\nXLR mic input, mono/stereo line output, and headphones output\nMetal jacks for increased durability\nRuns on eight AA batteries or included AC adapter; removable cartridge for easy battery replacement\nBuilt-in tilt-back stand and integrated mount for optional ST-A95 speaker stand\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-220 delivers full-range stereo sound with 30 watts of power (15 watts x 2), two newly designed 6.5-inch speakers, and two custom tweeters. Paired with an advanced power section optimized for efficient battery operation, the KC-220 smoothly reproduces the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard 3+1 Mixing\nCompact and convenient, the KC-220 is a complete stereo mixing system that travels everywhere you need to play. Three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments, and Channel 1 also includes an XLR input for using a vocal mic. There’s a dedicated aux channel as well, with 1/8-inch and RCA inputs for connecting smartphones, music players, and other devices.\n\nStereo Effects and EQ\nIt’s easy to enhance your sound with the KC-220’s high-quality DSP effects. Normal and wide stereo chorus effects are provided, plus a lush stereo reverb for vocals and instruments. And for hands-free operation on stage, effects on/off can be controlled with an optional footswitch. The KC-220 also includes high and low EQ for shaping the overall sound to suit the venue.\n\nVersatile Connectivity\nThe KC-220 is equipped with mono/stereo line outputs, allowing you to interface with PA systems, stage monitors, or recording devices. Plugging into the Phones jack mutes the onboard speakers, perfect for private practice sessions and checking sounds on stage with headphones.", "price": 58132.0, "discountamount": 9232.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "go", "off", "must", "TIME", "side", "have", "WORTH", "needs", "today", "venue", "KC amp", "sounds", "low EQ", "vocals", "Normal", "organs", "mini PA", "honored", "1/8-inch", "30 watts", "XLR input", "stage rig", "RCA jacks", "Keyboards", "master EQ", "dedicated", "big sound", "RCA inputs", "3+1 Mixing", "The KC-220", "AC adapter", "PA systems", "rehearsals", "two decades", "smartphones", "Metal jacks", "aux channel", "synthesizers", "KC benchmark", "XLR mic input", "drum machines", "overall sound", "music players", "other devices", "XLR vocal mic", "Stereo Effects", "stage monitors", "auxiliary input", "rhythm machines", "mixing features", "tilt-back stand", "integrated mount", "new enhancements", "onboard speakers", "keyboard players", "two chorus types", "complete control", "working musicians", "recording devices", "headphones output", "6.5-inch speakers", "latest generation", "lush stereo reverb", "eight AA batteries", "lasting durability", "optional footswitch", "street performances", "removable cartridge", "two custom tweeters", "hands-free operation", "three-channel KC-220", "88-note stage pianos", "wide frequency range", "versatile connectivity", "super-portable package", "advanced power section", "full-range stereo sound", "efficient power section", "custom 6.5-inch woofers", "easy battery replacement", "mono/stereo line outputs", "high-quality DSP effects", "private practice sessions", "battery-powered operation", "wide stereo chorus effects", "efficient battery operation", "powerful high-fidelity sound", "other electronic instruments", "ultimate mobile keyboard amp", "KC Series Keyboard Amplifiers", "complete stereo mixing system", "three 1/4-inch input channels", "Electronic Musical Instruments", "various electronic instruments", "Three 1/4-inch line input channels", "Battery-powered stereo keyboard amplifier", "optional ST-A95 speaker stand Full-Range Sound", "KC-220Features Specs Accessories SupportTweet Facebook Pinterest", "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier KC-220 Battery Powered Stereo Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 494, "imageuri": "https://productimages.withfloats.com/actual/65bf3417c355a61540e5dfe4.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf3417c355a61540e5dfe4.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T06:52:06.124Z", "updatedon": "2024-02-04T06:54:45.146Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-220-battery-powered-stereo-keyboard-amplifier/494", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland KC-220 Battery Powered Stereo Keyboard A", "KC-220 Battery Powered Stereo Keyboard Amplifier", "ROLAND KC220", "Roland Price India", "Authorised Dealer Roland", "Authorised Dealer Roland", "Roland India", "roland", "kc220", "Keyboard Amplifier", "kc220 roland", "roland kc220 price in india", "Roland Authorised Online Dealer", "roland stoer india", "roland shop delhi", "roland shop india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bf0fb43d4ba611b80085d8", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-990 Keyboard Amplifier", "description": "KC-990 Stereo Mixing Keyboard Amplifier\tKC-990WHERE TO BUY\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nThe flagship KC-990 is a performance powerhouse filled with high-end features. Offering four onboard DSP effects, four stereo input channels, a stereo aux input, and support for an XLR vocal mic, it’s a great all-in-one solution for players with large keyboard setups and small groups performing with electronic instruments and backing tracks. The KC-990 delivers big, full sound for both stage monitoring and PA use, thanks to its stereo speaker configuration and 320 watts of total power. And with Stereo Link capability, you can seamlessly add a second KC-990 when you need more inputs and broader sound coverage.\n\nHome\nKC-990Features\tSpecs\tSupport\t\nWHERE TO BUY\nTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nFlagship stereo keyboard amplifier with 320 watts of power\nOnboard mixer with four stereo input channels, stereo auxiliary input, and master EQ\nTwo newly developed custom 12-inch woofers and two custom horn tweeters\nBuilt-in effects: reverb, chorus, tremolo, and rotary\nControl rotary speed and effects on/off with optional external footswitches\nFlexible I/O with XLR mic input, stereo XLR and ¼-inch line outputs, headphones output, and more\nStereo Link function for chaining two KC-990s\nMetal jacks for increased durability\nCasters and side-mounted handles for enhanced mobility\nFull-Range Stereo Sound for High-Impact Performances\nThe KC-990 offers full-range stereo sound reproduction with 320 watts of power (160 watts x 2), two newly designed 12-inch speakers, and two custom horn tweeters. This allows the KC-990 to accurately reproduce the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard Mixing for Big Rigs and Full Groups\nRoland’s most powerful KC amp is a complete stereo sound system in a single package, making it ideal for backline amplification, stage monitoring, and even main PA use. With four stereo line input channels available, you can connect keyboards, percussion pads, drum machines, and more. There’s also a dedicated auxiliary input to plug in a smartphone or music player for backing tracks. Channel 1 includes an XLR input too, allowing you to connect a vocal mic for even more versatility. The Aux In channel supports 1/8-inch, RCA, and ¼-inch connections, and features a handy monitor function for working with guide tracks on stage.\n\nBuilt-In Stereo Effects\nThe KC-990 comes equipped with four different effects for sweetening your live sound. The chorus effect is derived from Roland’s world-famous JC-series amps, providing unmatched depth and dimension through the KC-990’s stereo speakers. The amp also includes tremolo and rotary effects that work great with organs and electric pianos, plus a lush stereo reverb for vocals and instruments. By connecting optional footswitches, you can turn the effects on/off and control rotary speed hands-free while performing.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its rear-panel connectivity, the KC-990 integrates easily into any playing environment. Stereo line outputs are provided on both XLR and ¼-inch jacks, offering simultaneous connections for interfacing with PA systems, stage monitors, and recording devices. The XLR outputs also have a switchable ground lift, which eliminates hum that can sometimes occur when connecting to a main PA. There’s a headphones jack too, perfect for silent practice sessions and discrete monitoring of guide tracks and instruments on stage.\n\nExpand Your Setup with Stereo Link\nIf you ever need to expand your inputs or sound coverage, the KC-990’s Stereo Link function makes it simple. First off, the number of available inputs doubles when you connect to the two stereo link jacks on a second KC-990. In addition, the left and right signals of connected instruments are split across the two amps, providing super-wide stereo dispersion for even more impressive sound.\n\n", "price": 153657.0, "discountamount": 28000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "hum", "RCA", "left", "TIME", "needs", "WORTH", "mixer", "today", "vocals", "organs", "number", "The Aux", "quality", "Casters", "tremolo", "KC amps", "addition", "two amps", "Big Rigs", "enhanced", "dimension", "master EQ", "stage rig", "XLR input", "320 watts", "keyboards", "160 watts", "Performing", "smartphone", "PA systems", "live sound", "The KC-990", "two KC-990s", "Metal jacks", "Full Groups", "main PA use", "versatility", "total power", "two decades", "small groups", "¼-inch jacks", "music player", "one solution", "rotary speed", "guide tracks", "synthesizers", "Flexible I/O", "KC benchmark", "power Onboard", "XLR vocal mic", "drum machines", "XLR mic input", "chorus effect", "second KC-990", "right signals", "Stereo Effects", "single package", "stage monitors", "backing tracks", "rotary effects", "rhythm machines", "percussion pads", "unmatched depth", "electric pianos", "powerful KC amp", "big, full sound", "mixing features", "flagship KC-990", "The XLR outputs", "stereo speakers", "impressive sound", "available inputs", "stereo aux input", "12-inch speakers", "keyboard players", "stage monitoring", "new enhancements", "complete control", "headphones output", "working musicians", "latest generation", "recording devices", "high-end features", "lush stereo reverb", "¼-inch connections", "lasting durability", "discrete monitoring", "Stereo line outputs", "¼-inch line outputs", "playing environment", "wide frequency range", "88-note stage pianos", "side-mounted handles", "Stereo Link function", "two stereo link jacks", "large keyboard setups", "connected instruments", "optional footswitches", "versatile connectivity", "switchable ground lift", "four different effects", "handy monitor function", "stereo auxiliary input", "broader sound coverage", "Stereo Link capability", "backline amplification", "performance powerhouse", "custom 12-inch woofers", "rear-panel connectivity", "four onboard DSP effects", "silent practice sessions", "Tweet Facebook Pinterest", "two custom horn tweeters", "simultaneous connections", "High-Impact Performances", "dedicated auxiliary input", "four stereo input channels", "world-famous JC-series amps", "complete stereo sound system", "stereo speaker configuration", "super-wide stereo dispersion", "powerful high-fidelity sound", "KC-990Features Specs Support", "other electronic instruments", "KC Series Keyboard Amplifiers", "optional external footswitches", "four stereo line input channels", "Roland KC-990 Keyboard Amplifier", "mobility Full-Range Stereo Sound", "Flagship stereo keyboard amplifier", "full-range stereo sound reproduction", "KC-990 Stereo Mixing Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 493, "imageuri": "https://productimages.withfloats.com/actual/65bf0fb67d7faddcb3c791fb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf0fb67d7faddcb3c791fb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T04:16:52.905Z", "updatedon": "2024-02-04T04:16:52.905Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-990-keyboard-amplifier/493", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland Keyboard Amplifier", "Roland KC-990 Keyboard Amplifier", "ROLAND KC990 PRICE IN INDIA", "Roland Price India", "Authorised Dealer Roland", "Roland Authorised Dealer", "roland kc990", "kc990", "Roland Synthesizer Authorised Dealer", "roland india", "roland shop", "roland stoer india", "Roland store in india delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bcedac7d5b260c20c24c7c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "description": "The 50-watt KC-80 is a miniature powerhouse with three line input channels, a dedicated aux input, and support for an XLR vocal mic. Compared to the previous-generation KC-60, the power section has been completely redesigned for higher output, better stability, and enhanced bass reproduction. In addition, the 10-inch woofer has been upgraded for improved sound quality. If desired, the low-end performance can be extended by driving a powered subwoofer from the KC-80’s Sub Out jack.\n\n\n\nFEATURES\nCompact and affordable keyboard amplifier with 50 watts of power\nRedesigned power amp and power supply sections provide increased stability and improved bass reproduction\nCustom two-way speaker system with newly developed 10-inch woofer and tweeter\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nXLR mic input, 1/4-inch line output, headphones output, and sub output\nMetal jacks for increased durability\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-80 offers full-range audio reproduction in an easy-to-carry portable amp. The cabinet features Roland’s patented twin bass-reflex design, providing extended low-frequency response without distortion. Paired with the newly redesigned power section and updated 10-inch woofer, the KC-80 delivers even better bass performance for amplifying 88-note stage pianos, organs, and synthesizers, plus rhythm machines and other electronic instruments.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its easy-access connectivity, the KC-80 integrates into any playing environment. A 1/4-inch line output enables you to interface with PA systems, stage monitors, and recording devices. There’s also a Sub Out jack for connecting to a powered subwoofer, with level conveniently tied to the amp’s master volume for one-touch control. Plugging into the Phones jack mutes the onboard speakers and Sub Out, perfect for private practice sessions and checking sounds on stage with headphones.\n\nOnboard 3+1 Mixing\nThe KC-80’s three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments. In addition, there’s an auxiliary channel with 1/8-inch and RCA inputs for connecting smartphones, music players, or other devices. Channel 1 also includes an XLR input, allowing you to plug in a vocal mic for even more versatility.", "price": 56645.0, "discountamount": 9145.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "level", "carry", "sounds", "organs", "support", "cabinet", "Compact", "tweeter", "50 watts", "addition", "1/8-inch", "FEATURES", "RCA jacks", "XLR input", "stability", "The KC-80", "dedicated", "Keyboards", "distortion", "3+1 Mixing", "PA systems", "sub output", "Performing", "RCA inputs", "Metal jacks", "smartphones", "versatility", "Sub Out jack", "synthesizers", "portable amp", "drum machines", "music players", "master volume", "50-watt KC-80", "power section", "other devices", "sound quality", "higher output", "XLR vocal mic", "10-inch woofer", "stage monitors", "auxiliary input", "rhythm machines", "bass performance", "onboard speakers", "auxiliary channel", "one-touch control", "recording devices", "powered subwoofer", "headphones output", "bass reproduction", "low-end performance", "playing environment", "miniature powerhouse", "Redesigned power amp", "88-note stage pianos", "power supply sections", "Versatile Connectivity", "A 1/4-inch line output", "master EQ XLR mic input", "twin bass-reflex design", "easy-access connectivity", "previous-generation KC-60", "private practice sessions", "three line input channels", "durability Full-Range Sound", "other electronic instruments", "affordable keyboard amplifier", "three 1/4-inch input channels", "Custom two-way speaker system", "full-range audio reproduction", "Electronic Musical Instruments", "various electronic instruments", "extended low-frequency response", "three 1/4-inch line input channels", "Roland KC-80 3-Ch Mixing Keyboard Amplifier" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 490, "imageuri": "https://productimages.withfloats.com/actual/65bcedae8f3782b8fa081035.jpg", "tileimageuri": 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INDIA", "BASS GUITAR", "Ibanez gsr200 tr gio series bass guitar price", "Ibanez gsr200 tr gio series bass guitar specs", "Ibanez gsr200 tr gio series bass guitar used", "ibanez gio soundgear bass 5-string", "Ibanez GSR200 review", "ibanez gio soundgear 4-string bass", "Ibanez gio soundgear bass GSR200", "Ibanez GSR200 price" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. 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