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"name": "BX5-D3 ( Singles )",
"description": "Monitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nMore Than Just an Enclosure\nWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\n\nKey Features - \n\n1. Bi-amplified design with 100 watts (60 LF, 40 HF) for powerful, accurate sound\n2. 5” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1” natural silk dome tweeter delivers superb transient details\n4. New computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Ultra-wide range 52-35kHz frequency response covers full musical spectrum\n10. Front panel LED shines brightly when speaker is positioned at ideal monitor angle\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 5 inch (127mm) Kevlar curved cone with high temperature voice coil and damped rubber surround. Magnetically shielded\nHigh Freq. Driver - 1 inch (25mm) magnetically shielded natural silk dome\nFrequency Response - 52 Hz – 35 kHz\nCrossover Frequency - 2.5kHz\nLow Freq. Amplifier Power - 60W\nHigh Freq. Amplifier Power - 40W\nMaximum Peak - SPL\t110 dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -10dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : - 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 100W\nFuse - 220–240V~ T1AL 250V / 100–120V~ T1.6AL 250V\nCabinet -Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t6.9” x 7.8” x 10” / 176 x 197 x 254 mm\nWeight - 12.3 lbs, 5.6kg",
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"name": "Ibanez Q Series QX54QM BSM Electric Guitar",
"description": "Ibanez Q Series QX54QM BSM Electric Guitar\nSPECS\nneck type\tParallel Wizard3pc Roasted Maple/Bubinga neck\ntop/back/body\tQuilted Maple topNyatoh body\nfretboard\tRoasted Birdseye Maple fretboardMother of Pearl Step off-set dot inlay\nfret\tJumbo Stainless Steel frets\nnumber of frets\t24\nbridge\tIbanez Mono-Tune bridge\nstring space\t10.8mm\nneck pickup\tR1 (S) neck pickupPassive/Ceramic\nmiddle pickup\tR1 (S) middle pickupPassive/Ceramic\nbridge pickup\tQ58 (H) bridge pickupPassive/Ceramic\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nhardware color\tCosmo black\nNECK DIMENSIONS\nScale :\t648mm/25.5'\na : Width\t42mm at NUT\nb : Width\t57mm at 24F\nc : Thickness\t19mm at 1F\nd : Thickness\t19mm at 12F\nRadius :\t508mmR\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nQX54QM's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nQX54QM's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nRecommended Case\tMR350C\nGig bag included\ndyna-MIX9 switching system w/Alter Switch\nIbanez Custom String Lock\nLuminescent side dot inlay\nFeatures\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nThe Parallel Wizard neck is 19mm thick all the way through the entire length. It provides an amazing fretting-hand experience for the players who prefer their instrument held in a higher playing position. The 3pc Roasted Maple/Bubinga construction also offers excellent stability and long-term durability.\n\nQuilted Maple top / Nyatoh body\nQuilted Maple top / Nyatoh body\nThe Quilted Maple top sonically enriches the response for picking. Nyatoh used as body wood provides a rich mid-low end.\n\nR1 / Q58 S-S-H pickups\nR1 / Q58 S-S-H pickups\nThe R1 / Q58 pickup combo is designed specifically for use in headless guitars. They provide a clearly defined sound, facilitating excellent tonal balance through all frequencies. The lows are powerful without being muddy, and the highs are bright and clear, but never harsh. As a result, every single note within the chord structure is well defined, and clearly audible. These pickups, with their tonal balance, and extremely low noise performance, work extremely well with both digital and analog effects.\n\nCustom string lock\nCustom string lock\nThis custom string lock is one-piece unit that features very simple construction. This means the hardware requires less maintenance, is highly durable, and allows for very easy string changes. Additionally, no proprietary string is required, so you can continue to use your favorite gauge and brand.\n\nMono-Tune bridges\nMono-Tune bridges\nThe Mono-Tune bridges offer a wide intonation range so that you can easily set the instrument up for tuning down a whole step or even further. The string height is also easily adjustable, and each saddle generally has less material, which leads to more natural and organic tone.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSlanted frets\nSlanted frets\nAll of the frets are equally slanted at an 8-degree angle. Many contemporary players tend to favor a much higher playing positon to execute more effectively, highly technical and intricate techniques like tapping, finger style, and even occasional bass-inspired slap riff. This higher position results in the four fretting fingers naturally tilting slightly inwards. This 8-degree inward tilt of the frets perfectly accommodates this and offers a more natural feeling and comfortably playing guitar.\n\nRoasted Birdseye Maple fretboard\nRoasted Birdseye Maple fretboard\nThe beautiful Birdseye Maple fretboard imbues this model with an exotic appearance . The fretboard is heat-treated for a balanced attack and rich sustain.\n\nJumbo Stainless Steel frets\nJumbo Stainless Steel frets\nStainless steel frets boast excellent corrosion resistance. The wide and tall fret-type offers a quick response and effortless articulation when playing chords and clear tone when playing single notes.\n\nErgonomic body design\nErgonomic body design\nThe body features a number of strategically placed curves on both the top and back of the instrument. This complex, yet sophisticated design provides maximum playing comfort.\n\nCompact and light-weight, yet resonant body\nCompact and light-weight, yet resonant body\nWhile it is really compact and light-weight, its non-chambered, solid body provides great sound with rich woody tones.\n\nLuminescent side dot inlays",
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"name": "YAMAHA MODX7 76-KEY SYNTHESIZER",
"description": "For the synthesist needing unique sound design capabilities, MODX is a synthesizer with an 8-operator, full controllable FM-X engine. MODX features deep programmability, controllability and a huge amount of polyphony.\n\nSOUND\nSound is the most important aspect of any instrument. The power of the MODX synthesis engine allows unlimited potential to create your own unique sound demanded by any artist.\n\nThe MODX sound engine is based on the same technology powering the flagship MONTAGE: AWM2 (Advanced Wave Memory 2) sample and synthesis engine and a pure FM-X (Frequency Modulation) synthesizer modernized for amazing sound playback and complex sound design.\n\nAWM2\nOnly found in Yamaha music synthesizers, the AWM2 engine offers much more than just sample playback. Each of the 16 AWM2 parts feature eight fully-programmable synthesizers with a filter (18 different types!,) amplitude, pitch and filter envelope generators, nine LFOs, 3-band EQ and a dedicated dual insert effect with Virtual Circuitry Modeling.\n\nFM-X\nFM-X is an amazingly sophisticated pure synthesizer engine capable of producing classic ‘80s or cutting-edge, EDM sound with incredible dynamic range, power and fidelity. MODX features an 8-operator FM architecture and 64-note polyphony, allowing for a massive array of sound design options.\n\n192-NOTE TOTAL POLYPHONY\nMODX features 128-note stereo AWM2 polyphony and 64-notes of FM-X polyphony. Due to the unique architecture of MODX and MONTAGE, this polyphony is always available without latency or compromising other features.\n\nSSS (Seamless Sound Switching)\nSeamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without stopping.\n\n* This function is only available for Performances that have a maximum of 4 parts.\n\nCONTROL\nMotion Control puts rhythmic and dynamic control at your fingertips for a unique, personalized sound.\n\nSUPER KNOB\nMacro dynamic control\n\n\nMOTION SEQ\nRhythmic, tempo-synced control\n\n\n \nENVELOPE FOLLOWER\nAudio synth parameter control\n\n\n\nINTEGRATEDFLASH\nMODX includes 1 GB of non-volatile user flash memory with high speed reading/writing for your own custom samples or synth libraries from yamahamusicsoft.com.\n\nEFFECTS\nFrom high definition reverbs to incredibly detailed Virtual Circuit Modeling (VCM) effects, MODX is loaded with DSP innovation, power and, most importantly, sound quality. Use effects like Beat Repeat, Vinyl Break or Bit Crusher to get EDM sound. The Spiralizer effect creates the auditory illusion of a tone continually rising or falling in pitch without getting higher or lower.\n\nYou can even add a compressor with sidechain for a modern “ducking” effect. Or go retro with vintage effects like Analog Delay, VCM Phaser or a variety of Amp Simulators. Piano players will appreciate piano-focused effects like Damper Resonance for a super-realistic piano experience and the HD reverbs that let you put yourself in any performance space.\n\nA/D INPUT\nCoupled with two A/D inputs, MODX is a perfect centerpiece for any professional recording studio or live computer rig.\n\nSIDECHAIN\nAutomatically control the dynamic behavior of one part from another. Sidechain is very popular in modern dance music where a pad or other sustain part is “keyed” to the kick drum. When the kick drum plays, it ducks down the sustained part creating a “pumping” rhythmic effect.\n\nMULTI-CHANNEL USB AUDIO INTERFACE\nAs expected for modern computer-based music production, MODX features a professional 4-in/10-out, multi-channel USB audio interface. A single-cable connection replaces the need for an external audio interface. iOS compatible.\n\nCONTROL\nEvery artist wants to sound unique. Take control and stand out from the crowd. Bring the sophistication of music production automation to realtime live performance with Motion Control.\n\nSUPER KNOB\nThe Super Knob allows simultaneous control of up to 128 parameters in a single Performance. This means you can control nearly anything from mix functions like volume, pan and effect sends to detailed synth parameters like filters, LFOs and Operators.\n\nThat’ s 128 parameters…SIMULTANEOUSLY!\n\nThe Super Knob can even be assigned to a second FC7 foot controller making it easy to manipulate the sound when playing with both hands.\n\nMOTION SEQUENCES\nMotion Sequences are tempo-synchronized, completely customizable control sequences that can be assigned to virtually any synthesizer parameter and provide incredible new ways of creating sound.\n\nMotion Sequences also have dedicated controls on the front panel making it easy to manipulate and change in real-time, providing incredible interactivity and expression.\n\nKeyboard\nNumber of Keys: 76\nType: Semi-weighted Keyboard\nInitial Touch: Yes\nAftertouch: No\nTone generator\nTone Generator: Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms\nMaximum Polyphony: AWM2: 128 (max.; stereo/mono waveforms) FM-X: 64 (max.)\nMulti Timbral Capacity: 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part\nWave: Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.00 GB\nPerformance: Approx. 2,000\nFilter: 18 types\nEffects: Reverb x 12 types, Variation x 76 types, Insertion (A, B) x 76 types*, Master Effect x 15 types *A/D part insertion x 71 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)\nOther\nControllers: Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial\nDisplay: 7\" TFT Color Wide VGA LCD touch screen\nConnectors: [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)\nPower Consumption: 16 W (when using PA-150B AC adaptor)\nLive Sets: Preset: 256 and more, User: 2,048\nPerformance Recorder\nTracks: 16 Sequence tracks, Tempo track, Scene track\nRecording type: Real time replace, Real time overdub, Real time punch in/out\nNote Capacity: Approx. 130,000 notes\nNote Resolution: 480 ppq (parts per quarter note)\nTempo (BPM): 5 – 300\nSongs: 128 songs\nArpeggio: Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types\nSequence formats: MODX original format, SMF formats 0, 1",
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"name": "KORG KROSS 2-61 SYNTHESIZER KEYBOARD WITH MICROSD CARD, INDIAN SOUNDS & STYLES",
"description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i(Enhanced Definition Synthesis - integrated)\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. 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SDHC memory cards up to 32 Gigabytes (GB). 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