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{ "products": [ { "_id": "68bc323ddc6ff268b2215197", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio 1176 LN", "description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.", "price": 344205.0, "discountamount": 8606.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 628, "imageuri": "https://productimages.withfloats.com/actual/68bc32447835a9672ae7dffc.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68bc32447835a9672ae7dffc.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-09-06T13:08:13.946Z", "updatedon": "2025-09-06T13:08:13.946Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-1176-ln/628", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "Universal Audio Classic Limiting Amplifier", "tags": [ "Universal Audio Classic Limiting Amplifier", "Universal Audio 1176 LN" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6860fca0e217a6684019cf2e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Oxygen 61 MK IV ( USB MIDI Performance Keyboard Controller )", "description": "Melodics Offer\nFor a Limited time join over 100,000 musicians building their skills with Melodics. Melodics is a desktop app that teaches you to play and perform with MIDI keyboards, pad controllers, and drums. Whether your just starting out or a seasoned pro looking to learn advanced techniques Melodics grows with you. It’s free to download upon registration of your controller, and comes with over 60 free lessons (Including Five Exclusive to M-Audio) to get you started!\n\nNEW: Welcome to The World of VIP Music Software | Effortless Integration, Enhanced Workflow\nExperience expanded control of your VST instrument and effect collection with CODE 49 and VIP3.0 (Free Download Included a $99.99 Value). VIP3.0 provides you with unparalleled access to your virtual instrument and effect collection, seamlessly integrating the hardware / software experience and grants the unrestricted freedom to create in a user-friendly, intuitive format. The combination of VIP and CODE 49 maximizes workflow and ensures a playing experience that feels natural and enhances creativity – the natural, tactile feel of hardware fused with the unrivalled processing capability of virtual Instruments. Quickly find sounds based on instrument type, timbre, style or articulation from your entire VST library; sculpt immersive, expressive sounds and textures layering up to 8 separate instruments and patches per VIP instance; load up to 4 different VST effects per instrument channel to sculpt the perfect sound; put power into your performance with Pad Chord Progressions and user-friendly Key Control processors; and much more. From live performance to studio production, VIP’s user-friendly functionality coupled with a diverse feature set guarantees simple, seamless integration into your existing setup and provides the ultimate platform for unrestricted creative expression.\n\nThe Oxygen Series\nM-Audio pioneered the portable MIDI controller market with the Oxygen series of keyboard controllers. Today, M-Audio continues to be a leader of this technology by developing intuitive controllers for software-based music production and performance. Thanks to continued innovation over the course of nearly a decade, the new Oxygen series controllers offer more control, deep hardware/software integration, and come equipped with a reliable build that enables you to make music on the go or implement these controllers into any studio.\n\nStreamlined Control\nWith an array of assignable knobs, pads, and faders, Oxygen 61 gives you total control over your software, allowing you to stay engaged in the creative flow of recording and mixing music without ever reaching for the mouse. It features 61 velocity-sensitive keys for playing chords, bass lines, and melodies; eight assignable knobs for tweaking effect plugins and virtual instruments; eight velocity-sensitive pads for triggering samples or finger drumming; and nine assignable faders for mixing tracks together and controlling the master output. Oxygen 61 also has dedicated transport controls and track-up and -down buttons that allow you to initiate play, stop, and record in the DAW environment right from your keyboard controller.\n\nUse Your Favorite DAW\nThe Oxygen 61 MIDI controller offers out-of-the-box integration with popular DAWs including Ableton Live, Pro Tools, Logic, Cubase, and many more. Using DirectLink, Oxygen 61's controls instantly map to key parameters in your favorite DAW, enabling you to immediately tweak the mixers, editors, and transport windows. Additionally, Oxygen 61 has built-in customizable mapping presets that quickly interface Oxygen 61 with your favorite effect plugins and virtual instruments. Setting up a MIDI controller with your software doesn’t get any easier than this.\n\nFor an easy-to-use and portable setup, all Oxygen controllers are USB-powered, class-compliant, and support USB-MIDI connectivity. Plus, they support iOS connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.\n\nAbleton Live Lite\nAbleton Live Lite is included with Oxygen 61 for immediate music creation. One of the most popular performance and production programs available in the world, Ableton Live Lite is a powerful music creation tool that enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Host plugins and use Oxygen 61 to produce, compose, or perform all within Ableton Live Lite. When you are satisfied with your work, Ableton Live lets you save it or mix it down.\n\nAIR Music Tech Xpand!2\nXpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nTouch Loops\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n\nAbleton is a trademark of Ableton AG. Cubase is a registered trademark of Steinberg Media Technologies AG. Pro Tools is a registered trademark of Avid Technology, Inc. in the U.S. and other countries. Logic is a trademark of Apple Inc., registered in the U.S. and other countries. M-Audio is a trademark of inMusic Brands Inc., registered in the US and other countries. All other product or company names are trademarks or registered trademarks of their respective owners.\n\nFeatures - \n\n1. 61 full-size, synth-action velocity-sensitive keys\n2. 8 velocity-sensitive trigger pads for beat production, clip launching, and more\n3. 8 assignable knobs for manipulating virtual instruments and plugins\n4. 9 assignable faders built in so you can mix with ease\n5. Transport buttons let you control your DAW without reaching for the mouse\n6. DirectLink automatically maps controls to popular DAWs: Ableton Live, Pro Tools, Logic, Cubase, and more\n7. LCD screen provides instant parameter feedback\n8. Sustain pedal input for further creative control\n9. USB-powered, plug-and-play support, and USB-MIDI connectivity\n10. Includes Ableton Live Lite\n11. Includes AIR Music Tech Xpand!2, a multitimbral all-in-one workstation\n12. Includes VIP3.0 - the ground-breaking, award-winning music software platform that provides musicians and composers with a powerful hands-on control solution for their virtual instrument and virtual effect collection. \n\nRequirements - \n\nMacintosh: 1.25 GHz G4/G5 or faster (Intel Mac recommended), 1 GB RAM (2 GB recommended), Mac OS X 10.4.11 (10.5 or later recommended)\nWindows: 1.5 GHz Pentium 4 or Celeron compatible CPU or faster (multicore CPU recommended), 1 GB RAM (2 GB recommended), Windows 10, Windows 8, Windows 7, Windows Vista or Windows XP, Windows compatible sound card (ASIO driver support recommended), QuickTime recommended\nAvailable USB Port", "price": 27850.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "10411 105", "code 49", "oxygen 61", "registered trademark", "registered trademarks", "enables musicians", "mix 2 gigs", "avid technology", "sample playback", "amazing patch", "produce compose", "popular performance", "reliable build", "60 free lessons", "oxygen controllers", "faders oxygen 61", "oxygen series", "countries maudio", "countries logic", "midi controller", "keyboard controller", "100000 musicians building", "usb port", "7 lcd screen", "company names", "inmusic brands", "vintage drum", "samples ranging", "fm synthesis", "true power", "xpand2 reveals", "audio apps", "usbpowered classcompliant", "portable setup", "mixers editors", "immediately tweak", "key parameters", "popular daws", "daw environment", "mixing tracks", "finger drumming", "triggering samples", "stay engaged", "total control", "continued innovation", "ultimate platform", "existing setup", "live performance", "instrument channel", "vst effects", "textures layering", "enhances creativity", "unparalleled access", "vst instrument", "seasoned pro", "desktop app", "melodics melodics", "production programs", "music creation", "software doesnt", "assignable faders", "mixing music", "software allowing", "make music", "virtual instrument", "velocitysensitive pads", "creative flow", "8 separate instruments", "hardware fused", "feels natural", "playing experience", "unrestricted freedom", "liking ableton", "favorite daw", "effect collection", "music production", "assignable knobs", "virtual instruments", "assignable knobs pads", "hardware software experience", "favorite daw enabling", "softwarebased music production", "manipulating virtual instruments", "virtual instruments setting", "maudio account ready", "initiate play stop", "studio streamlined control", "developing intuitive controllers", "unrestricted creative expression", "vip instance load", "ableton live lite", "favorite effect plugins", "air music tech", "natural tactile feel", "ableton ag cubase", "tweaking effect plugins", "celeron compatible cpu", "carefully created thousands", "active sound slots", "multitimbral workstation offering", "edit musical ideas", "support ios connectivity", "support usbmidi connectivity", "dedicated transport controls", "pad chord progressions", "unrivalled processing capability", "userfriendly intuitive format", "limited time join" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 526, "imageuri": "https://productimages.withfloats.com/actual/6860fca683322e22c2fc0e80.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6860fca683322e22c2fc0e80.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T08:43:12.36Z", "updatedon": "2025-06-29T08:53:04.882Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/oxygen-61-mk-iv-usb-midi-performance-keyboard-controller-/526", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. 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And it goes a step further, with a software suite of 5 award-winning UAD plug-in titles, featuring Collections from Teletronix,® Pultec,® and UA.\n \nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo Solo USB Heritage Edition gives you 5 premium plug-in titles worth over $1,300 — including the full suite of UA's Teletronix and 1176 compressors, all Pultec EQs, UA 610 Unison mic preamps, and Pure Plate Reverb. These premium Heritage Edition titles are in addition to Apollo Solo USB's included \"Realtime Analog Classics\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nThe full UAD plug-in library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs — with more being added regularly. These are the exact same plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.\n\nTwo Unison Preamps: The Sound of Neve, Helios, API, Avalon & More\nApollo Solo USB Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nUnison technology is also found on Apollo Solo USB's front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more.\n\nBuilt for Musicians, Electronic Producers, and Songwriters\nApollo Solo USB Heritage Edition features robust all-metal construction, best-in-class headphone amplifier, and superior audio conversion. It’s perfect for musicians, songwriters, and electronic music producers who need UA quality in a compact package.\n\nKey Features\n● A special edition of UA's popular Apollo Solo USB interface — with a premium suite of 5 award-winning plug-in titles from Teletronix,® Pultec,® and UA — a $1,300 value\n● UAD SOLO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency\n● Unison mic preamp and guitar amp emulations from Neve,® API,® Avalon,® Manley,® Marshall,® Fender,® and more\n● Runs UAD Powered Plug-Ins via VST, AU, and AAX 64 formats in major DAWs\n● Compatible with Pro Tools, Cubase, Ableton Live, and more**\n● Best-in-class headphone amplifier for loud, detailed, low-noise monitoring\n● Uncompromising analog design, superior components, and premium build quality\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n \n*Apollo Solo USB Heritage Edition includes 5 premium UAD plug-in titles, plus the “Realtime Analog Classics” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.\n **Apollo Solo USB is not compatible with LUNA Recording System.\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nUA 610 Tube Preamp & EQ Collection\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Bundle:\nUA 610-B Tube Preamp & EQ\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nMarshall® Plexi Classic Guitar Amp\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nRaw Distortion\nAmpeg® SVT-VR Classic Bass Amp\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler", "price": 69675.0, "discountamount": 8000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "API", "SSL", "VST", "UA.", "Neve", "tone", "Avalon", "Manley", "Fender", "Legacy", "robust", "Cubase", "uaudio", "Helios", "Windows", "Ableton", "Dr. Dre", "addition", "benefits", "property", "matching", "Musicians", "Pro Tools", "The Sound", "full suite", "Ampex tape", "everything", "trademarks", "UA quality", "major DAWs", "Pultec EQs", "100 titles", "Songwriters", "hit records", "zero latency", "Key Features", "full library", "Foo Fighters", "$1,300 value", "tape machines", "premium suite", "Pultec Pro EQ", "Billie Eilish", "software suite", "AAX 64 formats", "Raw Distortion", "Kendrick Lamar", "Lexicon reverbs", "input impedance", "compact package", "bass amp models", "hallmark feature", "accurate library", "1176 compressors", "Pultec EQP-1A EQ", "Unison technology", "A Special Edition", "respective owners", "metal construction", "UA 610 Tube Preamp", "UAD plug-in bundle", "stage “sweet spots", "Other UAD plug-ins", "Two Unison Preamps", "exact same plug-ins", "vintage compressors", "USB Audio Interface", "guitar amp plug-ins", "superior components", "UA 610-B Tube Preamp", "solid-state mic pres", "Electronic Producers", "UAD Powered Plug-Ins", "classic Moog filters", "Precision Delay Mod L", "guitar amp emulations", "LUNA Recording System", "premium build quality", "two Unison mic preamps", "Realtime UAD Processing", "5 premium plug-in titles", "UAD SOLO Core Processing", "full UAD plug-in library", "superior audio conversion", "classic analog emulations", "UA 610 Unison mic preamps", "class headphone amplifier", "electronic music producers", "Precision Reflection Engine", "professional audio interface", "UA 1176SE Limiting Amplifier", "Pultec Passive EQ Collection", "5 premium UAD plug-in titles", "Uncompromising analog design", "Precision Mix Rack Collection", "knowledgeable audio engineers", "Iconic UAD Analog Collections", "5 award-winning plug-in titles", "exacting mic preamp emulations", "two Unison-enabled mic preamps", "Universal Audio Apollo Solo USB", "EQ\nUA 1176LN Limiting Amplifier", "Realtime Analog Classics Bundle", "EQ Collection\nPure Plate Reverb", "premium Heritage Edition titles", "RealVerb Pro Custom Room Modeler", "Apollo \"Heritage Edition\" Bundle", "Realtime Analog Classics\" bundle", "Apollo Solo USB Heritage Edition", "popular Apollo Solo USB interface", "class-leading UA audio conversion", "front-panel Hi-Z instrument input", "component-level circuit behaviors", "UA 1176 Classic Limiter Collection", "Marshall® Plexi Classic Guitar Amp", "5 award-winning UAD plug-in titles", "Teletronix LA-2A Leveling Amplifier", "loud, detailed, low-noise monitoring", "Free, industry-leading technical support", "proprietary hardware-software integration", "SOLO Core realtime UAD plug-in processing", "Teletronix LA-2A Classic Leveler Collection", "Ampeg® SVT-VR Classic Bass Amp\nPrecision Channel Strip" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 465, "imageuri": "https://productimages.withfloats.com/actual/61a8fafc54732f0001794cca.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fafc54732f0001794cca.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:57:30.548Z", "updatedon": "2021-12-02T16:57:30.548Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-apollo-solo-usb-usb-audio-interface-for-windows-heritage-edition-/465", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Universal Audio Apollo Solo USB - USB Audio Interf", "(for Windows) [Heritage Edition]" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8f2fe786f1f0001618cfb", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Focusrite Scarlett 2i2 (3rd Gen)", "description": "Scarlett has gone platinum. Sitting on the desks of a huge global community of musicians, producers and home-recordists, the iconic 2i2 has already helped make more records than any other interface in history. And with the 3rd Generation, you’re going to sound better than ever.\n\n✔ Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals\n\n✔ Two high headroom instrument inputs, for plugging your guitar or bass straight in\n\n✔ High-performance converters, allowing you to record, mix and play back audio in studio quality, anywhere\n\n✔ Quick Start tool, making it easier than ever to get up and running\n\n\nYour music, write away\n\nScarlett’s best-selling interface – millions of musicians use 2i2 to write and record every day. Featuring natural sounding 3rd Gen mic preamps, and Air, emulating our original ISA preamps, 2i2 is getting musicians the most from their mics everywhere, all the time. It’s like writing in a studio.\n\n\nThe best sounding, easily\n\nGetting studio quality recordings at home has never been easier. Quick Start gets you set up, recording and playing back within minutes. Our mic preamps, high-headroom instrument inputs and now-iconic Gain Halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.\n\n\n\nYour recording is 30 years in the making\n\nWe’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.\n\n\n\nOUR TECHNOLOGY IS SOUND\n\nIncredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your two-year warranty to get it sorted. Sound.\n\n\n\nAll the tools you need to start recording right, now\n\nYour 2i2 interface comes with a whole range of recording software, sounds and plug-ins to choose from:\n\nAvid® Pro Tools® | First Focusrite Creative Pack: hundreds of virtual instrument sounds, 500MB of loops, and great-sounding effects\n\nAbleton® Live Lite™: industry-leading music-making software\n\nThree Month Splice Sounds Subscription: Get access to millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily\n\nXLN Audio Addictive Keys: choose one of four inspiring virtual keyboard instruments\n\nSoftube Time and Tone Bundle: three of Softube's world class reverb, delay and distortion plug-ins, and an an easy-to-use mastering tool\n\nFocusrite Red Plug-in Suite: accurately models our classic Red 2 equaliser and Red 3 compressor\n\nFocusrite Plug-in Collective: receive free versions of the most innovative software, as well as benefiting from discounts", "price": 21920.0, "discountamount": 3500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "best", "bass", "mics", "tech", "life", "range", "desks", "delay", "500MB", "loops", "vocals", "access", "problem", "history", "guitars", "presets", "minutes", "records", "clarity", "decades", "science", "Air mode", "millions", "30 years", "platinum", "hundreds", "discounts", "producers", "musicians", "iconic 2i2", "experience", "Collective", "Tone Bundle", "new releases", "Softube Time", "free versions", "2i2 interface", "3rd Generation", "mastering tool", "home-recordists", "other interface", "Avid® Pro Tools®", "Quick Start tool", "Red 3 compressor", "iconic Gain Halos", "two-year warranty", "selling interface", "Focusrite hardware", "world class reverb", "distortion plug-ins", "innovative software", "global support team", "Ableton® Live Lite™", "original ISA preamps", "huge global community", "Focusrite Scarlett 2i2", "unique high-end detail", "great-sounding effects", "classic Red 2 equaliser", "performing Scarlett mic", "24-bit/192kHz converters", "XLN Audio Addictive Keys", "studio quality recordings", "virtual instrument sounds", "Focusrite Red Plug-in Suite", "High-performance converters", "First Focusrite Creative Pack", "high-headroom instrument inputs", "Two high headroom instrument inputs", "high-quality, royalty-free one-shots", "natural sounding 3rd Gen mic preamps", "Three Month Splice Sounds Subscription", "industry-leading music-making software", "four inspiring virtual keyboard instruments" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 461, "imageuri": "https://productimages.withfloats.com/actual/61a8f2ff54732f0001794cac.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8f2ff54732f0001794cac.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:23:26.293Z", "updatedon": "2023-07-16T12:35:10.927Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/focusrite-scarlett-2i2-3rd-gen-/461", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Focusrite ", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Focusrite Scarlett 2i2", "The world’s best selling audio interface", "Focusrite Scarlett 2i2 (3rd Gen)", "Focusrite Scarlett 2i2 3rd Generation USB Audio In", "Focusrite Scarlett 2i2 3rd Gen", "Focusrite Scarlett 2i2 3rd Gen price in India", "Focusrite 2i2 3rd Gen", "Focusrite 2i2 3rd Gen price", "Focusrite Audio Interface price," ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8eff00e540b000134f3e3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Focusrite Scarlett 2i2 Studio (3rd Gen)", "description": "Scarlett has gone platinum. Sitting on the desks of a huge global community of musicians, producers and home-recordists, the iconic 2i2 has already helped make more records than any other interface in history. And with the 3rd Generation, you’re going to sound better than ever.\n\n✔ Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals\n\n✔ Two high headroom instrument inputs, for plugging your guitar or bass straight in\n\n✔ High-performance converters, allowing you to record, mix and play back audio in studio quality, anywhere \n\n✔ Quick Start tool, making it easier than ever to get up and running\n\n\n\nTHE COMPLETE HOME RECORDING STUDIO\n\nScarlett’s best-selling interface, millions of musicians use 2i2 to write and record every day. Featuring natural sounding 3rd Generation mic preamps, and Air, emulating our original ISA preamps, 2i2 is getting musicians the most from their mics everywhere, all the time. It’s like writing in a studio.\n\n\n\nTHE BEST SOUNDING, EASILY\n\nQuick Start gets you set up and recording within minutes. Your CM25 MkIII mic captures every detail. Your HP60 MkIII headphones mean clear and comfortable mixing and monitoring. 3rd Gen mic preamps, high-headroom instrument input and now-iconic gain halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.\n\n\n\nYOUR RECORDING IS 30 YEARS IN THE MAKING\n\nWe’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. 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For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\n\nYamaha MG20XU 20-Channel Mixing Console: Max. 16 Mic / 20 Line Inputs (12 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX)\n\nFEATURES\n20-Channel Mixing Console\nMax. 16 Mic / 20 Line Inputs (12 mono + 4 stereo)\n4 GROUP Buses + 1 Stereo Bus\n4 AUX (incl. FX)\n“D-PRE” mic preamps with an inverted Darlington circuit\n1-Knob compressors\nHigh-grade effects: SPX with 24 programs\n24-bit/192kHz 2in/2out USB Audio functions\nWorks with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter\nIncludes Cubase AI DAW software download version\nPAD switch on mono inputs\n+48V phantom power\nXLR balanced outputs\nInternal universal power supply for world-wide use\nRack Mount Kit Included\nMetal chassis\nDimensions(W×H×D): 444 mm x 130 mm x 500 m (17.5\" x 5.1\" x 19.7\")", "price": 76600.0, "discountamount": 18600.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 394, "imageuri": "https://productimages.withfloats.com/actual/61291d8ad6c8110001f7e69e.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61291d8ad6c8110001f7e69e.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-27T17:14:42.428Z", "updatedon": "2024-09-07T05:26:49.507Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-mg20xu-20-channel-mixer/394", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA ", "category": "Audio Mixers", "tags": [ "YAMAHA MG20XU 20-CHANNEL MIXER", "MG20XU", "Audio Mixers", "20-CHANNEL MIXER", "YAMAHA MG20XU", "YAMAHA", "Analog Mixer", "YAMAHA MG20XU Analog Mixer", "Yamaha mg20xu 20 channel mixer price", "Yamaha mg20xu 20 channel mixer price in india", "Yamaha Mixer 20-Channel price in india", "yamaha mixer 22-channel price in india", "Yamaha mg20xu 20 channel mixer specs", "Yamaha mg20xu 20 channel mixer manual", "Yamaha MG 20 XU mixer price", "Yamaha mg20xu 20 channel mixer for sale" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5fe624be10510b00013d6d29", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Yamaha PSR I-400 Indian Portable Keyboard", "description": "Color/FinishBodyColorSize/WeightDimensionsWidthHeightDepthWeightWeightControl InterfaceKeyboardNumber of KeysTypeTouch ResponseOther ControllersPitch BendControl KnobsDisplayTypeSizeBacklightLanguagePanelLanguageVoicesTone GenerationTone Generating TechnologyPolyphonyNumber of Polyphony (Max.)PresetNumber of VoicesFeatured VoicesCompatibilityGMXGliteEffectsTypesReverbChorusMaster EQHarmonyUltra-Wide StereoFunctionsDual/LayersSplitArpeggioAccompaniment StylesPresetNumber of Preset StylesFingeringStyle ControlFile FormatOther FeaturesOne Touch Setting (OTS)Music DatabaseExternal StylesSongsPresetNumber of Preset SongsRecordingNumber of SongsNumber of TracksData CapacityCompatible Data FormatPlaybackRecordingFunctionsRegistrationNumber of ButtonsLesson/GuideYamaha Education Suite (Y.E.S.)Lesson/GuideOverall ControlsMetronomeTempo RangeTransposeTuningRiyaz (Tabla/Tanpura Pattern)PresetSectionsMiscellaneousPIANO ButtonStorage and ConnectivityStorageInternal MemoryExternal DrivesConnectivityDC INHeadphonesSustain PedalUSB TO DEVICEUSB TO HOSTAmplifiers and SpeakersAmplifiersSpeakersPower SupplyPower SupplyPower ConsumptionAuto Power Off FunctionAccessoriesIncluded AccessoriesMusic RestSong BookPower Adaptor\nPSR-I400\nColor/Finish\nBody\tColor\tMetallic Dark Gray\nSize/Weight\nDimensions\tWidth\t946 mm (37-1/4\")\nHeight\t140 mm (5-1/2\")\nDepth\t405 mm (15-15/16\")\nWeight\tWeight\t6.8 kg (15 lbs., 0 oz.) not including batteries\nControl Interface\nKeyboard\tNumber of Keys\t61\nType\tOrgan Style\nTouch Response\tYes (Soft, Medium, Hard, Fixed)\nOther Controllers\tPitch Bend\tYes\nControl Knobs\tYes (x 2)\nDisplay\tType\tLCD\nSize\t92 mm x 42 mm\nBacklight\tYes\nLanguage\tEnglish\nPanel\tLanguage\tEnglish\nVoices\nTone Generation\tTone Generating Technology\tAWM Stereo Sampling\nPolyphony\tNumber of Polyphony (Max.)\t32\nPreset\tNumber of Voices\t764 (225 Panel Voices + 27 Drum/SFX Kits + 46 Arpeggio Voices + 466 XGlite Voices)\nFeatured Voices\tIndian Voice x 30, Sweet! Voice x 5, Cool! Voice x 3\nCompatibility\tGM\tYes\nXGlite\tYes\nEffects\nTypes\tReverb\t9 types\nChorus\t4 types\nMaster EQ\t6 types\nHarmony\t26 types\nUltra-Wide Stereo\t3 types\nFunctions\tDual/Layers\tYes\nSplit\tYes\nArpeggio\t162 types\nAccompaniment Styles\nPreset\tNumber of Preset Styles\t218 (Incl. Indian 35 Styles)\nFingering\tMulti finger\nStyle Control\tACMP ON/OFF, SYNC START, SYNC STOP, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, TRACK ON/OFF\nFile Format\tStyle File Format (SFF)\nOther Features\tOne Touch Setting (OTS)\tYes\nMusic Database\t355 (Incl. 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The PSR-I500 has the Voices of 40 of Indian instruments on board, including newly sampled Voices based on requests from famous Indian music producers. Of course, not limited only to Indian instruments, the PSR-I500 also features a variety of instruments from Pianos to Synthesizers, making it possible to play songs from a variety of genres, from orchestra classics to electronic dance music.\n\n\n\nQuick Sampling\nIn addition to the extensive collection of preset instruments, you can also add your own sampled contents like short vocal phrases, SFX, or looping Chorus with the PSR-I500. The PSR-I500 can even vary the pitch of the sound that you have sampled to match the key you play.\n\n\n\nIndian Styles\nIf you're struggling with finding other band members or simply just want to perform alone, the PSR-I500’s auto accompaniment function “Styles” is invaluable. As you play chords, automatically created basslines, rhythm tracks or other kinds of accompaniment follow along. The PSR-I500 has a variety of accompaniment Styles including 50 different types of Indian Styles from around the country.\n\n\n\nRiyaz\nThe PSR-I500 has a built-in Tabla/Mridangam & Tanpura function called “Riyaz”. You can practice to traditional Indian rhythms for hours, or use it for backing rhythm. What's more the PSR-I500 now features 30 different patterns of Taals.\n\n\n\nSong lessons\nYou can quickly learn how to play your favorite songs step by step with the PSR-I500. Not only the vast library of onboard songs, but all songs you have imported will be supported by the PSR-I500 lesson function. You can also buy songs from the impressive collection at Yamaha MusicSoft or even download practice music or lesson songs your teacher has made for you.\n\nKeyboard\n\nNumber of Keys: 61\nType: Organ Style\nTouch Response: Yes (Soft, Medium, Hard, Fixed)\nOther Controllers\n\nPitch Bend: Yes\nControl Knobs: Yes (x2)\nDisplay\n\nType: Custom LCD\nSize: 92 mm x 42 mm\nBacklight: Yes\nLanguage: English\nVoices\n\nTone Generation: AWM Stereo Sampling\nNumber of Polyphony (Max.): 48\nNumber of Voices: 801 (257 Panel Voices + 32 Drum/SFX Kits + 50 Arpeggio Voices + 462 XGlite Voices)\nFeatured Voices: Indian Voice x 40, Sweet! Voice x 8, Cool! Voice x 3\nCompatibility GM: Yes\n\nXGlite: Yes\n\nEffects\n\nDSP: 10\nReverb: 12\nChorus: 5\nMaster EQ: 6\nHarmony: 26\nFunctions\n\nDual/Layers: Yes\nSplit: Yes\nArpeggio: 160\nMelody Suppressor: Yes\nAccompaniment Styles\n\nNumber of Preset Styles: 282 (Incl. Indian 50 styles)\nFingering: Multi\nStyle Control: ACMP ON/OFF, SYNC START, SYNC STOP, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, TRACK ON/OFF\nOne Touch Setting (OTS): Yes\n\nExternal Styles: 10\n\nCompatibility: Style File Format (SFF)\n\nNumber of Preset Songs: 60\n\nRecording\n\nNumber of Songs: 10\nNumber of Tracks: 6 (5 Melody + 1 Style/Pattern)\nData Capacity: Approx. 19,000 notes (when only “melody” tracks are recorded)\nCompatible Data Format\n\nPlayback: SMF (Formats 0 & 1)\nRecording: Original File Format (SMF 0 conversion function)\nUSB Audio Recorder\n\nRecording Time (max.): 80 minutes (approx. 0.9 GB) per Song\nFormat Playback: WAV(44.1 kHz, 16 bit, stereo)\nFormat Recording: WAV(44.1 kHz, 16 bit, stereo)\nQuick Sampling\n\nSampleing Type: Normal, Oneshot, Loop\nSamples (Preset/Usesr): 5\nSampling Time: Approx. 9.6 sec.\nSampling Sources: AUX IN\nSampling Format: Original File Format (16 bit, stereo)\nSampling Rate: 44.1 kHz\nFunctions\n\nUSB audio interface: 44.1 kHz, 16 bit, stereo\nRegistration Number of Buttons: 4 ( x 8 banks )\nLesson/Guide Yamaha Education Suite (Y.E.S.): Yamaha Education Suite (Y.E.S.6)/ Listening, Timing, Waiting\nOverall Controls\n\nMetronome: Yes\nTempo Range: 11 - 280\nTranspose: -12 to 0, 0 to +12\nTuning: 427.0 – 440.0 – 453.0 Hz (approx. 0.2Hz increments)\nRiyaz (Tabla/Tanpura Pattern)\n\nPreset: 30\nSections: 5\nStorage and Connectivity\n\nStorage Internal Memory: Approx. 1.73 MB\nStorage External Drives: USB flash drive\nConnectivity\n\nDC IN: 12v\nHeadphones: Headphones/Output\nSustain Pedal: Yes\nAUX IN: Yes (Stereo Mini)\nUSB TO DEVICE: Yes\nUSB TO HOST: Yes\nAmplifiers and Speakers\n\nAmplifiers: 6 W + 6 W\nSpeakers: 12 cm x 2\nPower Supply\n\nPower Supply: PA-150 or an equivalent recommended by Yamaha, Six “AA” size alkaline (LR6), manganese (R6) or Ni-MH rechargeable (HR6) batteries\nPower Consumption: 8 W (When using PA-150 AC adaptor)", "price": 25990.0, "discountamount": 3590.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 295, "imageuri": "https://productimages.withfloats.com/actual/5fe616f0c22a6d0001371e3d.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5fe616f0c22a6d0001371e3d.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2020-12-25T16:44:32.354Z", "updatedon": "2025-08-04T14:13:57.235Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-psr-i500-portable-indian-keyboard/295", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA", "category": "PORTABLE KEYBOARDS", "tags": [ "YAMAHA PSR-I500 PORTABLE INDIAN KEYBOARD", "yamaha psr-i500 portable keyboard", "yamaha psr i500", "yamaha psr i500 keyboard", "yamaha psr i500 price", "yamaha psr i500 price in India", "yamaha psr series keyboard", "yamaha musical dealer", "yamaha musical instruments", "yamaha musical instruments showroom in delhi", "yamaha musical instruments showroom in hyderabad", "yamaha musical instruments showroom in mumbai", "Yamaha Music Station at Mumbai", "Yamaha Music India", "Yamaha Piano Keyboard at Best Price in Mumbai", "Yamaha Musical Instrument Dealers in Mumbai", "yamaha musical instruments supplier in delhi", "yamaha musical instruments supplier in india", "musical instruments supplier in india", "musical instruments supplier in delhi", "Music Instruments in Delhi", "Musical Instrument Manufacturers Delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }