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"name": "Oxygen 61 MK IV ( USB MIDI Performance Keyboard Controller )",
"description": "Melodics Offer\nFor a Limited time join over 100,000 musicians building their skills with Melodics. Melodics is a desktop app that teaches you to play and perform with MIDI keyboards, pad controllers, and drums. Whether your just starting out or a seasoned pro looking to learn advanced techniques Melodics grows with you. It’s free to download upon registration of your controller, and comes with over 60 free lessons (Including Five Exclusive to M-Audio) to get you started!\n\nNEW: Welcome to The World of VIP Music Software | Effortless Integration, Enhanced Workflow\nExperience expanded control of your VST instrument and effect collection with CODE 49 and VIP3.0 (Free Download Included a $99.99 Value). VIP3.0 provides you with unparalleled access to your virtual instrument and effect collection, seamlessly integrating the hardware / software experience and grants the unrestricted freedom to create in a user-friendly, intuitive format. 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Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nTouch Loops\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n\nAbleton is a trademark of Ableton AG. 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"name": "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier",
"description": "KC-220 Battery Powered Stereo Keyboard Amplifier\tKC-220\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nOffering full-range stereo sound and battery-powered operation, the three-channel KC-220 is the ultimate mobile keyboard amp. It also excels as a mini PA, thanks to its built-in DSP effects, dedicated auxiliary input, and support for an XLR vocal mic. Delivering big sound in a super-portable package, the KC-220 is a must-have amp for rehearsals, street performances, and gigging on the go.\n\nHome\nKC-220Features\tSpecs\tAccessories\tSupportTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nBattery-powered stereo keyboard amplifier\nHighly efficient power section with 30 watts of power (15 watts x 2)\nTwo newly developed custom 6.5-inch woofers and two custom tweeters\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nBuilt-in DSP effects: reverb and two chorus types\nXLR mic input, mono/stereo line output, and headphones output\nMetal jacks for increased durability\nRuns on eight AA batteries or included AC adapter; removable cartridge for easy battery replacement\nBuilt-in tilt-back stand and integrated mount for optional ST-A95 speaker stand\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-220 delivers full-range stereo sound with 30 watts of power (15 watts x 2), two newly designed 6.5-inch speakers, and two custom tweeters. Paired with an advanced power section optimized for efficient battery operation, the KC-220 smoothly reproduces the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard 3+1 Mixing\nCompact and convenient, the KC-220 is a complete stereo mixing system that travels everywhere you need to play. Three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments, and Channel 1 also includes an XLR input for using a vocal mic. There’s a dedicated aux channel as well, with 1/8-inch and RCA inputs for connecting smartphones, music players, and other devices.\n\nStereo Effects and EQ\nIt’s easy to enhance your sound with the KC-220’s high-quality DSP effects. Normal and wide stereo chorus effects are provided, plus a lush stereo reverb for vocals and instruments. And for hands-free operation on stage, effects on/off can be controlled with an optional footswitch. The KC-220 also includes high and low EQ for shaping the overall sound to suit the venue.\n\nVersatile Connectivity\nThe KC-220 is equipped with mono/stereo line outputs, allowing you to interface with PA systems, stage monitors, or recording devices. Plugging into the Phones jack mutes the onboard speakers, perfect for private practice sessions and checking sounds on stage with headphones.",
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"name": "YAMAHA MGP24X MIXING CONSOLE",
"description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")",
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"name": "YAMAHA MODX7 76-KEY SYNTHESIZER",
"description": "For the synthesist needing unique sound design capabilities, MODX is a synthesizer with an 8-operator, full controllable FM-X engine. MODX features deep programmability, controllability and a huge amount of polyphony.\n\nSOUND\nSound is the most important aspect of any instrument. The power of the MODX synthesis engine allows unlimited potential to create your own unique sound demanded by any artist.\n\nThe MODX sound engine is based on the same technology powering the flagship MONTAGE: AWM2 (Advanced Wave Memory 2) sample and synthesis engine and a pure FM-X (Frequency Modulation) synthesizer modernized for amazing sound playback and complex sound design.\n\nAWM2\nOnly found in Yamaha music synthesizers, the AWM2 engine offers much more than just sample playback. Each of the 16 AWM2 parts feature eight fully-programmable synthesizers with a filter (18 different types!,) amplitude, pitch and filter envelope generators, nine LFOs, 3-band EQ and a dedicated dual insert effect with Virtual Circuitry Modeling.\n\nFM-X\nFM-X is an amazingly sophisticated pure synthesizer engine capable of producing classic ‘80s or cutting-edge, EDM sound with incredible dynamic range, power and fidelity. MODX features an 8-operator FM architecture and 64-note polyphony, allowing for a massive array of sound design options.\n\n192-NOTE TOTAL POLYPHONY\nMODX features 128-note stereo AWM2 polyphony and 64-notes of FM-X polyphony. Due to the unique architecture of MODX and MONTAGE, this polyphony is always available without latency or compromising other features.\n\nSSS (Seamless Sound Switching)\nSeamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without stopping.\n\n* This function is only available for Performances that have a maximum of 4 parts.\n\nCONTROL\nMotion Control puts rhythmic and dynamic control at your fingertips for a unique, personalized sound.\n\nSUPER KNOB\nMacro dynamic control\n\n\nMOTION SEQ\nRhythmic, tempo-synced control\n\n\n \nENVELOPE FOLLOWER\nAudio synth parameter control\n\n\n\nINTEGRATEDFLASH\nMODX includes 1 GB of non-volatile user flash memory with high speed reading/writing for your own custom samples or synth libraries from yamahamusicsoft.com.\n\nEFFECTS\nFrom high definition reverbs to incredibly detailed Virtual Circuit Modeling (VCM) effects, MODX is loaded with DSP innovation, power and, most importantly, sound quality. Use effects like Beat Repeat, Vinyl Break or Bit Crusher to get EDM sound. The Spiralizer effect creates the auditory illusion of a tone continually rising or falling in pitch without getting higher or lower.\n\nYou can even add a compressor with sidechain for a modern “ducking” effect. Or go retro with vintage effects like Analog Delay, VCM Phaser or a variety of Amp Simulators. Piano players will appreciate piano-focused effects like Damper Resonance for a super-realistic piano experience and the HD reverbs that let you put yourself in any performance space.\n\nA/D INPUT\nCoupled with two A/D inputs, MODX is a perfect centerpiece for any professional recording studio or live computer rig.\n\nSIDECHAIN\nAutomatically control the dynamic behavior of one part from another. Sidechain is very popular in modern dance music where a pad or other sustain part is “keyed” to the kick drum. When the kick drum plays, it ducks down the sustained part creating a “pumping” rhythmic effect.\n\nMULTI-CHANNEL USB AUDIO INTERFACE\nAs expected for modern computer-based music production, MODX features a professional 4-in/10-out, multi-channel USB audio interface. A single-cable connection replaces the need for an external audio interface. iOS compatible.\n\nCONTROL\nEvery artist wants to sound unique. Take control and stand out from the crowd. Bring the sophistication of music production automation to realtime live performance with Motion Control.\n\nSUPER KNOB\nThe Super Knob allows simultaneous control of up to 128 parameters in a single Performance. This means you can control nearly anything from mix functions like volume, pan and effect sends to detailed synth parameters like filters, LFOs and Operators.\n\nThat’ s 128 parameters…SIMULTANEOUSLY!\n\nThe Super Knob can even be assigned to a second FC7 foot controller making it easy to manipulate the sound when playing with both hands.\n\nMOTION SEQUENCES\nMotion Sequences are tempo-synchronized, completely customizable control sequences that can be assigned to virtually any synthesizer parameter and provide incredible new ways of creating sound.\n\nMotion Sequences also have dedicated controls on the front panel making it easy to manipulate and change in real-time, providing incredible interactivity and expression.\n\nKeyboard\nNumber of Keys: 76\nType: Semi-weighted Keyboard\nInitial Touch: Yes\nAftertouch: No\nTone generator\nTone Generator: Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms\nMaximum Polyphony: AWM2: 128 (max.; stereo/mono waveforms) FM-X: 64 (max.)\nMulti Timbral Capacity: 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part\nWave: Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.00 GB\nPerformance: Approx. 2,000\nFilter: 18 types\nEffects: Reverb x 12 types, Variation x 76 types, Insertion (A, B) x 76 types*, Master Effect x 15 types *A/D part insertion x 71 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)\nOther\nControllers: Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial\nDisplay: 7\" TFT Color Wide VGA LCD touch screen\nConnectors: [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)\nPower Consumption: 16 W (when using PA-150B AC adaptor)\nLive Sets: Preset: 256 and more, User: 2,048\nPerformance Recorder\nTracks: 16 Sequence tracks, Tempo track, Scene track\nRecording type: Real time replace, Real time overdub, Real time punch in/out\nNote Capacity: Approx. 130,000 notes\nNote Resolution: 480 ppq (parts per quarter note)\nTempo (BPM): 5 – 300\nSongs: 128 songs\nArpeggio: Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types\nSequence formats: MODX original format, SMF formats 0, 1",
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"name": "KORG KROSS 2-61 SYNTHESIZER KEYBOARD WITH MICROSD CARD, INDIAN SOUNDS & STYLES",
"description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i(Enhanced Definition Synthesis - integrated)\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators\n\nProgram\n\nTimbres\n\nUp to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset\n\nMaster Keyboard functionality\n\nThese allow you to control external MIDI devices\n\nCombination\n\nDrumkits\n\nStereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).\n\nUser Combinations\n\n896 Combinations (384 Preload)\n\nUser Programs\n\n1280 Programs (768 Preload)\n\nUser Drum Kits\n\n58 Drum Kits (42 Preload)\n\nPreset Programs\n\n265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)\n\n* Total number of preload programs and preset programs:1,075 (810 preload programs, 265 preset programs\n\nThe Number of Combinations/Programs/Drum Kits\n\nFavorites\nNumber of memories\n\n128 (16 favorites × 8 banks)\n\nEffects\nInsert effects\n\n5 Insert Effects In-line processing; stereo in - stereo out.\n\nMaster effects\n\n2 Master Effects Two effects sends; stereo in - stereo out.\n\nEffects types\n\nTotal of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)\n\nModulation\n\nDynamic Modulation\n\nEffects Control Bus\n\nStereo side-chaining for limiter, gates, vocoders, etc.\n\nPolyphonic arpeggiators\nProgram mode\n\nOne arpeggiator\n\nCombination mode\n\nTwo arpeggiators\n\nSequencer modes\n\nTwo arpeggiators\n\nPreset arpeggio patterns\n\nUP, DOWN, ALT1, ALT2, RANDOM\n\nUser arpeggio patterns\n\nNumber of arpeggio patterns: 1280 (1024 preload)\nNumber of tones: 12 tones,\nNumber of steps: up to 64 steps\n\nStep sequencer\nProgram mode\nCombination mode\nSequencer mode\n\nOne unit\nNumber of tones: 12 tones + 1 accent tone\nNumber of steps: up to 64 steps\n* Can be created for each program, combination, and song.\n\nDrum Track\nPreset Patterns\n\n772 patterns (Held in common with sequencer patterns.)\n\nOther\n\nTrigger Mode / Sync / Zone settings can be specified\n\nSequencer\nTracks\n\n16MIDI Tracks\n\nNumber of Songs\n\nUp to 128 songs\n\nResolution\n\n1/480\n\nTempo\n\n40.00–300.00 (1/100 BPM resolution)\n\nMaximum Memory\n\nUp to 210,000 MIDI events\n\nCounter\n\nMeasure/Beat/Tick\n\nTemplate Song\n\n16 preset/16 user template songs\n\nPreset Patterns\n\n772 patterns (shared with Drum Track patterns)\n\nFormat\n\nKORG (KROSS) format, SMF format 0 and 1\n\nPad sampler\nSpecifications\n\n16 pads × 8 banks\nAutomatically saved on the SD card, and automatically loaded\nUp to four pads can play simultaneously\n\nRecording format\n\nPCM audio format 48 kHz/16-bit\n\nRecording time\n\nUp to approximately 14 seconds of stereo sample for each pad\n\nImport\n\nWAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nEdit\n\nWaveform display editing functionality, start address and looping settings etc., normalize and other editing operations\n\nAudio Recorder\nRecording Format\n\nPCM audio format 48kHz/16bit\n\nImport\n\nWAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nExport\n\nWAVE format (file name extension: .wav) 48kHz/16bit, stereo\n\nRecording Time\n\nMaximum continuous recording time: 3 hours\nDepends on the SD card used; approximately 90 minutes per 1 GB\n\nNumber of Songs\n\nUp to 200 songs\n\nNumber of overdub recordings\n\nDepends on the remaining capacity of the SD card\n\nCounter\n\nHour/Min/Sec\n\nPad audio play\n\n\n16 pads × 8 banks\nDirectly play back data from SD card\nMultiple pads cannot be played simultaneously\n\nMedia\nFile, Utility, Information, additional PCM data management functionality\n\nControllers\nGeneral Control\n\nPitch bend wheel, Modulation wheel, SW1, SW2\n\nRealtime Control\n\nSELECT button, SWITCH button, KNOB1 knob, KNOB2 knob\n\nStep Sequencer/Favorite/Pad Sampler/Pad Audio Play\n\n\nPads 1–16\nSTEP SEQ ACTIVE button, Run button\nFAVORITES ACTIVE button\nSAMPLER ACTIVE button, HOLD button\nAUDIO PLAY ACTIVE button\nBANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)\n\nDrum Track\n\nDRUM TRACK button\n\nArpeggiator\n\nARP button\n\nAudio Recorder\n\nAUDIO REC button\n\nUser Interface\nDisplay\n\n240 × 64 pixel LCD backlight\nAdjustable contrast (hold the EXIT button and turn the VALUE dial)\n\nCategory\n\nCATEGORY dial, VALUE dial\n\nMODE\n\nCOMBI button, PROG button, SEQ (GLOBAL/MEDIA) button\n\nValue Controllers\n\nCursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons\n\nSequencer\n\nREC button, START/STOP button\n\nQuick Layer Split\n\nLAYER/SPLIT button\n\nOther\n\nVOLUME knob\n\nControl Input\nDAMPER (Supports piano-style half-damper pedals as well as standard foot switches)\nASSIGNABLE SWITCH\nASSIGNABLE PEDAL\n\nAudio Outputs (Analog)\nAUDIO OUTPUT L/MONO, R\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nOutput Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)\nMaximum Level: +10.0 dBu\nLoad Impedance: 10k ohm or greater\nControllable by the VOLUME knob\n\nHEADPHONE OUTPUT\n\nConnectors: 3.5mm (1/8\") stereo mini phone jack\nOutput Impedance: 33 ohnm\nMaximum Level: 40 + 40 mW\nControllable by the VOLUME knob\n\nAudio Inputs (Analog)\nLINE IN\n\nConnectors: 3.5 mm (1/8\") stereo mini phone jack\nInput Impedance: 1.1k ohm\nMaximum Input Level: -42 to 0 dBu\n\nMIC IN\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nInput Impedance: 33 ohm\nMaximum Input Level: -48 to -6dBu\nPhantom power or plug-in power is not supported.\n\nOthers\nMIDI\n\nIN, OUT\n\nUSB\n\nUSB connector TYPE B x 1, USB-MIDI interface, USB audio interface\n\nSD Card Slot\n\nOne card slat\n\n* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.\n\nMain Specifications\nPower\n\nAC adaptor power supply DC 9V\nAA alkaline batteries x 6, or nickel-metal hydride batteries x 6\n\nBattery Life\n\nAA alkaline batteries x 6: Approximately 6 hours\nAA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours\n\n* Varies depending on the batteries used and the conditions of use.\n\nPower Consumption\n\n5 W\n\nDimensions (W x D x H)\n\nKROSS2-61: 935 mm × 269 mm x 88 mm / 36.81\" × 10.59\" × 3.46\"\nKROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01\" × 15.08\" × 5.35\"\n\nWeight\n\nKROSS2-6: 3.8 kg / 8.38 lbs (excluding batteries)\nKROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)\n\nIncluded Items\n\nAC adapter, Quick Start Guide\n\nAccessories (sold separately)\nKeyboard stand\n\nKROSS2-61: Standard-S-BK61\nKROSS2-88: Standard-L-SV88\n\nSoft case\n\nKROSS2-61: SC-KROSS 2 61\nKROSS2-88: SC-KROSS 2 88\n\nExpression/Volume Pedal\n\nXVP-20\nXVP-10\n\nFoot Controller\n\nEXP-2\n\nDamper Pedal\n\nDS-1H\n\nPedal Switch\n\nPS-1\nPS-3",
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"description": "FEATURES\nThe ideal keyboard for Indian music lovers, for both performance and learning.\n801 instruments, including 40 Indian instruments.\n282 types of auto accompaniment Styles, including 50 Indian Styles.\nRiyaz (Tabla/Mridangam & Tanpura) function with 30 Taals\nQuick Sampling function (Normal/One shot/Loop)\nPowerful amplifiers with bass reflex speakers\nProfessional-quality DSP Effects\nPitch bend wheel\nLesson function\nKeyboard Stand Not Included (Sold Separately)\nIndian instruments\nAuthentic sounding Indian instruments are essential for anyone who wants to play traditional Indian songs or modern Indian movie songs. The PSR-I500 has the Voices of 40 of Indian instruments on board, including newly sampled Voices based on requests from famous Indian music producers. Of course, not limited only to Indian instruments, the PSR-I500 also features a variety of instruments from Pianos to Synthesizers, making it possible to play songs from a variety of genres, from orchestra classics to electronic dance music.\n\n\n\nQuick Sampling\nIn addition to the extensive collection of preset instruments, you can also add your own sampled contents like short vocal phrases, SFX, or looping Chorus with the PSR-I500. The PSR-I500 can even vary the pitch of the sound that you have sampled to match the key you play.\n\n\n\nIndian Styles\nIf you're struggling with finding other band members or simply just want to perform alone, the PSR-I500’s auto accompaniment function “Styles” is invaluable. As you play chords, automatically created basslines, rhythm tracks or other kinds of accompaniment follow along. The PSR-I500 has a variety of accompaniment Styles including 50 different types of Indian Styles from around the country.\n\n\n\nRiyaz\nThe PSR-I500 has a built-in Tabla/Mridangam & Tanpura function called “Riyaz”. You can practice to traditional Indian rhythms for hours, or use it for backing rhythm. What's more the PSR-I500 now features 30 different patterns of Taals.\n\n\n\nSong lessons\nYou can quickly learn how to play your favorite songs step by step with the PSR-I500. Not only the vast library of onboard songs, but all songs you have imported will be supported by the PSR-I500 lesson function. You can also buy songs from the impressive collection at Yamaha MusicSoft or even download practice music or lesson songs your teacher has made for you.\n\nKeyboard\n\nNumber of Keys: 61\nType: Organ Style\nTouch Response: Yes (Soft, Medium, Hard, Fixed)\nOther Controllers\n\nPitch Bend: Yes\nControl Knobs: Yes (x2)\nDisplay\n\nType: Custom LCD\nSize: 92 mm x 42 mm\nBacklight: Yes\nLanguage: English\nVoices\n\nTone Generation: AWM Stereo Sampling\nNumber of Polyphony (Max.): 48\nNumber of Voices: 801 (257 Panel Voices + 32 Drum/SFX Kits + 50 Arpeggio Voices + 462 XGlite Voices)\nFeatured Voices: Indian Voice x 40, Sweet! Voice x 8, Cool! Voice x 3\nCompatibility GM: Yes\n\nXGlite: Yes\n\nEffects\n\nDSP: 10\nReverb: 12\nChorus: 5\nMaster EQ: 6\nHarmony: 26\nFunctions\n\nDual/Layers: Yes\nSplit: Yes\nArpeggio: 160\nMelody Suppressor: Yes\nAccompaniment Styles\n\nNumber of Preset Styles: 282 (Incl. Indian 50 styles)\nFingering: Multi\nStyle Control: ACMP ON/OFF, SYNC START, SYNC STOP, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, TRACK ON/OFF\nOne Touch Setting (OTS): Yes\n\nExternal Styles: 10\n\nCompatibility: Style File Format (SFF)\n\nNumber of Preset Songs: 60\n\nRecording\n\nNumber of Songs: 10\nNumber of Tracks: 6 (5 Melody + 1 Style/Pattern)\nData Capacity: Approx. 19,000 notes (when only “melody” tracks are recorded)\nCompatible Data Format\n\nPlayback: SMF (Formats 0 & 1)\nRecording: Original File Format (SMF 0 conversion function)\nUSB Audio Recorder\n\nRecording Time (max.): 80 minutes (approx. 0.9 GB) per Song\nFormat Playback: WAV(44.1 kHz, 16 bit, stereo)\nFormat Recording: WAV(44.1 kHz, 16 bit, stereo)\nQuick Sampling\n\nSampleing Type: Normal, Oneshot, Loop\nSamples (Preset/Usesr): 5\nSampling Time: Approx. 9.6 sec.\nSampling Sources: AUX IN\nSampling Format: Original File Format (16 bit, stereo)\nSampling Rate: 44.1 kHz\nFunctions\n\nUSB audio interface: 44.1 kHz, 16 bit, stereo\nRegistration Number of Buttons: 4 ( x 8 banks )\nLesson/Guide Yamaha Education Suite (Y.E.S.): Yamaha Education Suite (Y.E.S.6)/ Listening, Timing, Waiting\nOverall Controls\n\nMetronome: Yes\nTempo Range: 11 - 280\nTranspose: -12 to 0, 0 to +12\nTuning: 427.0 – 440.0 – 453.0 Hz (approx. 0.2Hz increments)\nRiyaz (Tabla/Tanpura Pattern)\n\nPreset: 30\nSections: 5\nStorage and Connectivity\n\nStorage Internal Memory: Approx. 1.73 MB\nStorage External Drives: USB flash drive\nConnectivity\n\nDC IN: 12v\nHeadphones: Headphones/Output\nSustain Pedal: Yes\nAUX IN: Yes (Stereo Mini)\nUSB TO DEVICE: Yes\nUSB TO HOST: Yes\nAmplifiers and Speakers\n\nAmplifiers: 6 W + 6 W\nSpeakers: 12 cm x 2\nPower Supply\n\nPower Supply: PA-150 or an equivalent recommended by Yamaha, Six “AA” size alkaline (LR6), manganese (R6) or Ni-MH rechargeable (HR6) batteries\nPower Consumption: 8 W (When using PA-150 AC adaptor)",
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