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{ "products": [ { "_id": "686404d8c4418d1ebb0d0841", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "UBER MIC", "description": "Recording Simplified!\nUber Mic is the perfect set-up for all your recording needs—whether it’s recording acoustic instruments & vocals, capturing pristine audio for podcasts & broadcasting, or simply bringing your gaming experience to the next level. Uber Mic does it all – start recording, streaming & broadcasting now!\n\nJack of All Trades\nCrystal-clear recording demands the right tools for the job. M-Audio’s Uber Mic features a large-diaphragm 3-capsule condenser microphone, perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more. With a choice of four polar patterns including cardioid, omnidirectional, figure-8 and single point stereo, Uber Mic is primed for virtually any recording scenario:\n\n• Cardioid – a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise\n• Omnidirectional – equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources\n• Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously\n• Stereo – picks up from the left and right side of the microphone, producing a true stereo image\n\nFeatures - \n\n1. Easy, intuitive operation for any application\n2. Wide-range 30–20,000Hz frequency response delivers detailed, natural sound\n3. 3-capsule condenser microphone element, including single-point stereo\n4. 4 selectable polar patterns to customize your ideal recording\n5. Polar patterns: cardioid, figure-8, omnidirectional, and stereo\n6. 1/8” headphone jack and internal headphone amplifier\n7. USB/direct mixing control with mic volume control enables zero-latency recording and monitoring\n8. Microphone mute control ensures privacy\n9. LCD display shows polar pattern and currently selected control level\n10. Studio-quality recording and playback for accurate reproduction\n11. Convenient desktop mounting with threaded insert for optional stand-mounting\n12. Integrated stand fits easily into any setup\n13. iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)\n\nSpecifications - \n\nMicrophone:\nType: 3-capsule condenser USB microphone\nCapsule Size: 16mm\nPolar Patterns: Figure 8, cardioid, omni, and stereo\nFrequency Response: 30 Hz - 20 KHz\nSensitivity: -45 dB (0 dB = 1V/Pa @ 1 kHz)\nSNR: 110 dB\nMaximum SPL: 120 dB (THD <1%, 1 kHz)\n\nHeadphone Output: \n\nImpedance: 10 Ω\nOutput Power: 30 mW (@48Ω)\nTHD: 0/03%\nFrequency Response: 20 Hz - 20 KHz\nSNR: 110 dB\n\nGeneral: \n\nConnectors:\n(1) 1/8” (3.5 mm) TRS/stereo headphone output\n(1) mini-USB port\n(1) 5/8”-27 mounting point\n\nPower:\nvia mini-USB\n\nDimensions:\n4.5” x 10.75” / 11.4 x 27.3 cm (diameter x height; with integrated stand)\n\nWeight:\n4.0 lb. / 1.8 kg (microphone & integrated stand) 1.5 lb.\n0.7 kg (microphone only)\n2.1 lb. / 1.0 kg (integrated stand only)", "price": 13000.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "1075 114", "273 cm diameter", "miniusb dimensions 45", "threaded insert", "microphone producing", "microphone ideal", "sound sources", "angles captures", "polar patterns", "podcasting applications", "gaming experience", "simply bringing", "podcasts broadcasting", "directions perfect", "perfect setup", "recording needswhether", "capturing highquality audio", "directional pattern perfect", "recording scenario cardioid", "cardioid omnidirectional figure8", "vocalists instruments percussion", "level uber mic" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 546, "imageuri": "https://productimages.withfloats.com/actual/686404ddad09de209c08e13d.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/686404ddad09de209c08e13d.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:55:04.424Z", "updatedon": "2025-07-01T15:55:04.424Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/uber-mic/546", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "Microphone ", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6860fb27802ec4ee5280c267", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": " M-Audio Oxygen 49 MK V ( 49-Key USB MIDI Controller )", "description": "The Oxygen 49 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. Oxygen 49 features eight assignable knobs and nine assignable sliders, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for both production and performance. No other MIDI controller in this price range has so much functionality while remaining easy to use.\n\nStreamlined Session Control\nFeaturing eight assignable knobs, nine assignable sliders, dedicated transport controls and track up/down buttons, Oxygen 49 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 49 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this.\n\nProfessional Quality\nM-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 49 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls.\n\nPro Tools Compatible\nThe Oxygen 49 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 49 controls instantly map to key parameters in the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 49 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility.\n\nA New Approach to Making Music\nWith Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform.\n\nSound Your Best\nIncluded with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MIDI technology provides both a Chord Player and a Phrase Player that can introduce new musical parts to enhance your production—even a drum pattern. Email your ideas to the rest of the band. Share your musical ideas and songs with other musicians through SoundCloud—all without ever leaving Ignite. Plus, you can export WAV and MIDI files, and then import them into any DAW recording software—including Pro Tools.\n\nFeatures - \n\n1. 49 velocity-sensitive keys\n2. 8 MIDI-assignable knobs\n3. 9 MIDI-assignable sliders\n4. 6 dedicated transport controls\n5. Dedicated track up/down buttons\n6. DirectLink mode automatically maps controls to common DAW parameters\n7. Factory presets map controllers to popular virtual instrument software\n8. Unique Select buttons for on-the-fly step through of presets, program changes and MIDI channels\n9. 4 velocity curves and 3 fixed velocity settings\n10. Sustain pedal input\n11. Class-compliant with Windows XP, Windows Vista and Mac OS X\n12. USB bus powered\n13. Includes Ableton Live Lite\n14. Includes Ignite music creation software\n\nSpecifications - \n\nMIDI Data from variable controllers:\nMIDI Control Number\nRPN/NRPN\nProgram, Bank LSB, Bank MSB\nPitch Bend\nGM/GM2/XG SysEx Messages\n\nMIDI Data from buttons/switches:\nNote On\nNote On/Off toggle\nMIDI CC On/Off toggle\nProgram, Bank LSB, Bank MSB presets\nMIDI Machine Control functions\nGM/GM2/XG SysEx messages\n\nWeight: 6.4lbs. (2.9kg)\nSize: 29“ L x 9.4” W x 3.7\" H\n\nRequirements\nCompatibility\nMME\nMac OS X Core MIDI\n\nMinimum System Requirements (PC)\nWindows XP (SP3)*\n1GHz Intel or AMD**\n512MB RAM\n\nWindows Vista 32 , 64bit (SP1) / Win7 32, 64bit; Windows 10\n1.6GHz Intel or AMD**\n1GB RAM\n128MB video card\n\n* Home and Professional Edition only. Windows Media Center Edition is not supported.** CPU may be higher for laptops.\nM-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above.\nMinimum System Requirements (Mac)\nMac OS X 10.4.11 or 10.5.6\nMacintosh G4 1GHz**\n512MB RAM\nG4 accelerator cards not supported\n\n** CPU may be higher for laptops.\nM-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above.", "price": 21400.0, "discountamount": 4590.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "oxygen 49", "oxygen 49 controller", "software doesnt", "presets program", "musical ideas", "ideas quickly", "qwerty keyboard", "portable keyboard", "leaving ignite", "supported cpu", "professional edition", "buttonsswitches note", "mac os", "onthefly step", "midi files", "export wav", "band share", "musical parts", "phrase player", "chord player", "perform sound", "setup chores", "simply workswith", "outofthebox solution", "tight integration", "automatically assigned", "seamless integration", "complex phrases", "played back", "interface options", "pro tools", "powerful suite", "transport windowsas", "key parameters", "personal studios", "professional project", "continued innovation", "professional producers", "constant back", "creative flow", "stay engaged", "remaining easy", "price range", "midi controller", "assignable sliders", "assignable knobs", "leading innovator", "making music", "mixing music", "total control", "dedicated transport", "formidable system", "song sections ignite", "air music technology", "laptops maudio suggests", "fact maudio controllers", "deep tactile control", "dedicated select buttons", "minimum system requirements", "drum pattern email", "front panel controllers", "industrystandard file compatibility", "virtual instruments bundled", "decade youll find", "popular virtual instruments", "common daw functions" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 525, "imageuri": "https://productimages.withfloats.com/actual/6860fb2ab06ea62af820a300.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6860fb2ab06ea62af820a300.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T08:36:55.647Z", "updatedon": "2025-08-04T13:39:06.679Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/-m-audio-oxygen-49-mk-v-49-key-usb-midi-controller-/525", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6860f7c01007da114bbed8d3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Oxygen 25 (blue) 25-Key USB MIDI Controller", "description": "The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use.\n\nStreamlined Session Control\nFeaturing eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this.\n\nProfessional Quality\nM-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls.\n\nA New Approach to Making Music\nWith Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform.\n\nPro Tools Compatible\nThe Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility.\n\nUltra-Compact Design\nThe Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag.\n\nSound Your Best\nIncluded with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MIDI technology provides both a Chord Player and a Phrase Player that can introduce new musical parts to enhance your production—even a drum pattern. Email your ideas to the rest of the band. Share your musical ideas and songs with other musicians through SoundCloud—all without ever leaving Ignite. Plus, you can export WAV and MIDI files, and then import them into any DAW recording software—including Pro Tools.\n\nFeatures - \n\n1. 25 velocity-sensitive keys\n2. 8 MIDI-assignable knobs\n3. 1 MIDI-assignable slider\n4. 6 dedicated transport controls\n5. Dedicated track up/down buttons\n6. DirectLink mode automatically maps controls to common DAW parameters\n7. Factory presets map controllers to popular virtual instrument software\n8. Unique Select buttons for on-the-fly step through of presets, program changes and MIDI channels\n9. 4 velocity curves and 3 fixed velocity settings\n10. Sustain pedal input\n11. Class-compliant with Windows XP, Windows Vista and Mac OS X\n12. USB bus powered\n13. Includes Ableton Live Lite\n14. Includes Ignite music creation software\n\nSpecifications - \n\nMIDI Data from variable controllers:\nMIDI Control Number\nRPN/NRPN\nProgram, Bank LSB, Bank MSB\nPitch Bend\nGM/GM2/XG SysEx Messages\n\nMIDI Data from buttons/switches:\nNote On\nNote On/Off toggle\nMIDI CC On/Off toggle\nProgram, Bank LSB, Bank MSB presets\nMIDI Machine Control functions\nGM/GM2/XG SysEx messages\nWeight:3.8lbs. (1.7kg)\nSize: 16.2“ L x 9.4” W 3.7\" H\n\nRequirements - \n\nCompatibility\nMME\nMac OS X Core MIDI\n\nMinimum System Requirements (PC)\n\nWindows XP (SP3)*\n1GHz Intel or AMD**\n512MB RAM\n\nWindows Vista 32 , 64bit (SP1) / Win7 32, 64bit; Windows 10\n1.6GHz Intel or AMD**\n1GB RAM\n128MB video card\n\n* Home and Professional Edition only. Windows Media Center Edition is not supported.\n** CPU may be higher for laptops.\nM-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above.\nMinimum System Requirements (Mac)\nMac OS X 10.4.11 or 10.5.6\nMacintosh G4 1GHz**\n512MB RAM\nG4 accelerator cards not supported", "price": 15300.0, "discountamount": 1500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "oxygen 25", "perfect complement", "supported cpu", "presets program", "midi controls", "oxygen 25 controller", "software doesnt", "oxygen 25 features", "musical ideas", "ideas quickly", "qwerty keyboard", "portable keyboard", "leaving ignite", "professional edition", "buttonsswitches note", "mac os", "onthefly step", "midi files", "export wav", "band share", "musical parts", "phrase player", "chord player", "couch writing", "compact studios", "soft synths", "amazing amount", "interface options", "pro tools", "powerful suite", "transport windowsas", "personal studios", "professional project", "setup chores", "simply workswith", "outofthebox solution", "tight integration", "automatically assigned", "key parameters", "seamless integration", "complex phrases", "played back", "continued innovation", "professional producers", "constant back", "creative flow", "stay engaged", "total control", "remaining easy", "price range", "midi controller", "assignable knobs", "leading innovator", "making music", "mixing music", "formidable system", "dedicated transport", "song sections ignite", "deep tactile control", "air music technology", "laptops maudio suggests", "fact maudio controllers", "minimum system requirements", "dedicated select buttons", "drum pattern email", "shoulder bag sound", "inspiration strikeswhether relaxing", "incredibly small footprint", "virtual instruments bundled", "front panel controllers", "decade youll find", "track updown buttons", "popular virtual instruments", "common daw functions" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 524, "imageuri": "https://productimages.withfloats.com/actual/6860f800b53660982cbdab8f.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6860f800b53660982cbdab8f.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T08:22:24.552Z", "updatedon": "2025-08-04T13:34:54.489Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/oxygen-25-blue-25-key-usb-midi-controller/524", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685eb743e217a6684019ce06", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "M-Track Duo HD ( New Model )", "description": "The M-Track Duo HD is the path of least resistance between any song idea, podcast concept, or voiceover and a studio-quality finished product. There are no extraneous knobs or parameters—only the essentials for recording your next masterpiece. This simple, reliable, and powerful unit built with USB-C connectivity makes it easy to create and record studio-quality audio instantly with any modern DAW or iOS/Android device.\n\nComplete Feature List - \n\n1. 2-in/2-out USB-C audio interface for Mac, PC, iOS, and Android\n2. Pro-grade 24-bit/192kHz audio resolution captures every nuance of recorded sound\n3. 2 combo inputs for mic, instrument, or line-level source for convenience and studio versatility\n4. Crystal preamps deliver 55 dB of clear, detailed gain\n5. Pro A/D converters faithfully capture your performances\n6. Switchable +48V phantom power feeds studio condenser microphones\n7. Direct/USB monitor switch tailors your monitoring output\n8. Headphone output with independent level control allows for precise monitoring for different audio channels\n9. Includes 1m/3.3ft USB-C to USB-C cable\n10. Includes Producer Essentials software bundle (a $1,200+ value) with professional audio production tools and sound libraries from industry-leading brands. All software listed below includes lifetime access unless otherwise noted.\n\nDAWs - \n\nAbleton Live Lite\nMPC Beats\nReason+ (6-month subscription)\n\nEffects - \n\nVocals: Antares AutoTune Unlimited (2-month access)\nGuitar: HeadRush ReValver\nDrums: BFD Player + Dark Mahogany\nMixing: AIR Creative FX Collection Essentials\nProduction: AIR Jura Chorus\nProduction: AIR Multiband Filterbank\n\nInstruments - \n\nAIR Essential Keyboards\nAIR Xpand!2\nAIR Bassline\nAIR OPx-4\nAIR Tubesynth\n\nSamples\n\nSplice (2-month access)\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio- 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN\t- -128 dBu (max. gain, 40 source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB / Direct Stereo: 6 dB to +60 dB\n\nLine Input - (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance\t- 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\n \nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - \t+4 dBu\n\nHeadphone Output (1/4” [6.35 mm] TRS)\n\nPower\t- 60 mW/Ch, 32Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nPower - USB bus-powered\n\nDimensions (WDH) - 7.5 x 4.4 x 2.1 in / 191 x 111 x 55 mm\n\nWeight - 0.80 lbs / 0.36 kg", "price": 11300.0, "discountamount": 2373.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "software listed", "industryleading brands", "sound libraries", "precise monitoring", "linelevel source", "mic instrument", "modern daw", "simple reliable", "extraneous knobs", "includes lifetime access", "independent level control", "mac pc ios", "usbc connectivity makes", "powerful unit built", "studioquality finished product", "mtrack duo hd" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 516, "imageuri": "https://productimages.withfloats.com/actual/685eb74531651e3c61047e76.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685eb74531651e3c61047e76.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T15:22:43.019Z", "updatedon": "2025-06-30T05:04:22.487Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/m-track-duo-hd-new-model-/516", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685e7a0eea37e2858df05d1e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "M-Track Duo - 48-KHz, 2-channel USB Audio Interface with 2 Combo Inputs with Crystal Preamps, and Phantom Power", "description": "The M-Track Duo is the best, most portable recording interface in its class. It delivers 48 kHz audio resolution in a compact and easy to use format that is ideal for creating music on any Mac, PC or iOS device. This versatile interface works great for recording any type of sound source and features two Combo Crystal Preamps with phantom power, making it compatible with any microphone. Plus, there is a dedicated switch to choose either a line level or instrument level input, perfect for connecting digital pianos, drum machines or any other stereo ¼” inch line level device, as well as the best possible signal for DI guitar or bass. M-track Duo is completely powered by USB, which makes it portable and perfect for anyone on-the-go. Throw it into your bag, grab a laptop, and create your next podcast, song, or mix, anywhere you want!\n\nKey Features -\n\n1. 2-Channel USB recording interface for Mac and PC\n2. (2) Combo inputs with Crystal Preamps amazing audio quality\n3. Dedicated switches to enable any microphone, instrument, or line level device\n4. +48V phantom power for connecting studio condenser microphones\n5. Stereo 1/4” outs; 1/4” headphone out with independent level controls\n6. USB/Direct Mono/Direct Stereo switch for monitoring mic, line or instrument inputs in stereo or mono\n7. Software bundle, including: MPC Beats, AIR Music Tech Electric, Bassline, and TubeSynth, Revalver guitar amp plugin and 80 AIR plugin effects.\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - -128 dBu (max. gain, 40 Ω source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB Direct Stereo: 6 dB to +60 dB\n\n\nLine Input - (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4' [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nMain Outputs - L and R (impedance-balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - +4 dBu\n\n\nHeadphone Output - (1/4” [6.35 mm] TRS)\n\nPower - 60 mW/Ch, 32 Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nWhat’s In The Box\n\nM-Track Duo\nUSB-B–to–USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety & Warranty Manual", "price": 7650.0, "discountamount": 1606.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "microphone instrument", "mac pc", "instrument inputs", "podcast song", "bag grab", "onthego throw", "completely powered", "di guitar", "dedicated switch", "sound source", "ios device", "creating music", "line level", "2 combo inputs", "crystal preamps", "portable recording interface", "combo crystal preamps", "monitoring mic line", "bass mtrack duo", "phantom power making" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 515, "imageuri": "https://productimages.withfloats.com/actual/685e7a116e3b5e3c3ac1957c.png", "tileimageuri": "https://productimages.withfloats.com/tile/685e7a116e3b5e3c3ac1957c.png", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T11:01:34.473Z", "updatedon": "2025-06-30T05:03:51.647Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/m-track-duo-48-khz-2-channel-usb-audio-interface-with-2-combo-inputs-with-crystal-preamps-and-phantom-power/515", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-AUDIO", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685e77e6ca2e6c61c5b792af", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "M-Track Solo - 48-KHz, 2-channel USB Audio Interface with 1 Crystal Preamp, Phantom Power and Instrument Input", "description": "The M-Track Solo is the best, most portable recording interface in its class. It delivers 48 kHz audio resolution in a compact and easy to use format that is ideal for creating music on any Mac, PC or iOS device. This versatile interface works great for recording any type of sound source and features a single Combo Crystal Preamp with phantom power, plus a switchable Line / Instrument input making it compatible with any guitar or microphone. Plus, with M-Track Solo's 2-channel recording you can use both line inputs simultaneously to capture digital pianos, drum machines or any other stereo 1/4' device. M-track Solo is completely powered by USB, removing the need for an external power supply and making it perfectly portable for recording on-the-go. Throw it into your bag, grab a laptop, and create your next podcast, song, or mix anywhere you want!\n\nKey Features - \n\n1.2-Channel USB recording interface for Mac and PC\n2. (1) Combo input with Crystal Preamp for amazing audio quality\n3. +48V phantom power for connecting studio condenser microphones\n4. Dedicated instrument input for guitar or bass\n5. Stereo line input for connecting digital piano, keyboard and more!\n6. 1/8” headphone and RCA stereo outputs provide easy monitoring\n7. USB/Direct switch for listening to the input signal or the computer signal\n8. Software bundle, including: MPC Beats, AIR Music Tech Electric, Bassline, and TubeSynth, Revalver guitar amp plugin and 80 AIR plugin effects.\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - -128 dBu (max. gain, 40 Ω source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB Direct Stereo: 6 dB to +60 dB\n\nLine Input - (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4' [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\n\nMain Outputs - L and R (impedance-balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - +4 dBu\n\n\nHeadphone Output - (1/4” [6.35 mm] TRS)\n\nPower - 60 mW/Ch, 32 Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nWhat’s In The Box\n\nM-Track Duo\nUSB-B–to–USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety & Warranty Manual", "price": 6700.0, "discountamount": 1407.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "6 18 headphone", "mac pc", "input signal", "crystal preamp", "podcast song", "bag grab", "usb removing", "completely powered", "sound source", "ios device", "creating music", "perfectly portable", "phantom power", "portable recording interface", "recording onthego throw", "external power supply", "line inputs simultaneously" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 514, "imageuri": "https://productimages.withfloats.com/actual/685e77e95d1b008bf30737f3.png", "tileimageuri": "https://productimages.withfloats.com/tile/685e77e95d1b008bf30737f3.png", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T10:52:22.163Z", "updatedon": "2025-06-30T05:02:45.381Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/m-track-solo-48-khz-2-channel-usb-audio-interface-with-1-crystal-preamp-phantom-power-and-instrument-input/514", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-AUDIO", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. 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This portable 2-in/2-out USB recording interface for Mac, PC, iPad, and iPhone gives you superior sound quality, a Vintage Mic Preamp mode derived from UA’s 610 tube preamp, plus a suite of industry-leading music software — so your next recording will sound classic.\n\nKey Benefits\n● Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone\n● Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode\n● Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more\n● Build your desktop production studio around a stylish interface, built to withstand years of home and mobile recording\n\nCollaborate with Best-in-Class Audio Quality\nFrom the team that brought you the game-changing Apollo interface, Volt 2 delivers superior studio sound quality, with more character and tone than any USB interface in its class.\n\nCapture Classic Vocals with Vintage Mic Preamp Mode\nFew sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 2 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. \n\nStay Inspired with a Curated Suite of Audio Software\nSome audio interfaces give you a smattering of random audio apps. Not Volt. Instead, UA put together a bundle of serious music production tools, virtual instruments, and plug-ins including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more.\n\nIncluded Software\nAbleton Ableton Live Lite\nSoftube Marshall Plexi Classic Amp\nSoftube Time & Tone Bundle\nCelemony Melodyne Essential\nRelab LX480 Essentials\nPlugin Alliance Ampeg SVT-VR Classic\nBrainworx bx_tuner\nBrainworx bx_masterdesk Classic\nUJAM Virtual Drummer DEEP\nVirtual Bassist DANDY\nSpitfire LABS\n\nEasy In, Easy Out\nVolt 2 gives you simple 2-in/2-out audio connections. Just plug your mics, guitars, or synths into the front panel. 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This portable 1-in/2-out USB recording interface for Mac, PC, iPad, and iPhone gives you superior sound quality, a Vintage Mic Preamp mode derived from UA’s 610 tube preamp, plus a suite of industry-leading music software — so your next recording will sound classic.\n\nKey Benefits\n● Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone\n● Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode\n● Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more\n● Build your desktop production studio around a stylish interface, built to withstand years of home and mobile recording\n\nRecord Yourself with Best-in-Class Audio Quality\nFrom the team that brought you the game-changing Apollo interface, Volt 1 delivers superior studio sound quality, with more character and tone than any USB interface in its class.\n\nCapture a Classic Vocal with Vintage Mic Preamp Mode\nFew sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 1 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. \n\nStay Inspired with a Curated Suite of Audio Software\nSome audio interfaces give you a smattering of random audio apps. Not Volt. Instead, UA put together a bundle of serious music production tools, virtual instruments, and plug-ins including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more.\n\nIncluded Software\nAbleton Ableton Live Lite\nSoftube Marshall Plexi Classic Amp\nSoftube Time & Tone Bundle\nCelemony Melodyne Essential\nRelab LX480 Essentials\nPlugin Alliance Ampeg SVT-VR Classic\nBrainworx bx_tuner\nBrainworx bx_masterdesk Classic\nUJAM Virtual Drummer DEEP\nVirtual Bassist DANDY\nSpitfire LABS\n\nEasy In, Easy Out\nVolt 1 gives you simple 1-in/2-out audio connections. Just plug a mic or instrument into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. 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