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{ "products": [ { "_id": "68a54ce6bf323e16334fe686", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "NUX Mighty Space 30W Wireless Portable Modeling Amp", "description": "– Powerful 30 watts portable wireless Modeling Amplifier.\n\n– TSAC-HD (White-Box) Amp Modeling algorithm offers realistic playability & feedback.\n\n– 512 samples IR resolution. (34 premium built-in IRs and 20 user slots for 3rd party)\n\n– 7 presets with ACTIVE functions. (PRESET switch toggles ACTIVE ones sequentially.)\n\n– GATE, CMP, EFX, AMP, IR, EQ, MOD, DLY, RVB effect blocks with free order.\n\n– White-box algorithm EFX offers analog response and natural chaos.\n\n– Stereo DLY / RVB effects with gorgeous tone.\n\n– Patch Level function for each preset.\n\n– Drum & Loop with included NMP-2 Lite footswitch control.\n\n– 7hrs playing time. (11.1V / 5000mAh)\n\n– Ultra-low system latency: 1.2ms\n\n– Intuitive MightyAmp™ APP & Mighty Editor™ edit software(3rd party IR loader).", "price": 33652.0, "discountamount": 4500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 621, "imageuri": "https://productimages.withfloats.com/actual/68a54cea7e55938ab8837f30.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a54cea7e55938ab8837f30.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-20T04:19:50.647Z", "updatedon": "2025-08-20T04:19:50.647Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/nux-mighty-space-30w-wireless-portable-modeling-amp/621", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "NUX ", "category": "Rechargeable Wireless Amplifier", "tags": [ "NUX Mighty Space 30W Wireless Portable Modeling Amp", "Rechargeable Wireless Modeling Amplifier", "nux india", "NUX Amplifier\tNGA-30W Mighty Space" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "65d05dee5f72731e00bc3ea4", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Mark bass little mark vintage 1000 MBH110093Z", "description": "Little Mark Vintage 1000\nProduct code: MBH110093Z\nFollowing the astounding success of the 500W version, this 1000W high-power head is created for those who need the highly appreciated features and lot of tone options of the LITTLE MARK VINTAGE but also like to have a massive supply of power, no matter how big is the stage and the volume you play!\n\nThis one is part of the Gold Series, a state of the art lineup offering superior quality, recognizable by its catching new look marking a new era at Markbass, starting from gold plated circuits, to the highly selected components, to some of the most requested features!\n\n> key points\n\n> Tube Preamp\nThe Little Mark Vintage 1000 features a Tube Preamp, to get rich and warm tone full of harmonics.\n\n> 1000W MPT (Mark Proprietary Technology) Power Amp \nThis ultrahigh-power head gets amplified by a powerful 1000W MPT power amp, delivering a large supply of power and serious headroom with amazing definition and dynamics.\nAbout all the bass amps on the market use the same power amp from different manufacturers, which are not specificically designed for bass. At Markbass, Marco De Virgiliis invested a lot on R&D to create a proprietary power amp technology, specifically designed to respect and glorify the tone of your instrument.\n\n> Limiter Control\nThis control offers a modern reaction when you set it all the way up, or put it down to zero to create that old generation behavior with its typical distortion you get when the Limiter effect is really low, and of course you can also get everything in between.\n\n> New EQ setting / ​​​​​3-WAY Switch\nThe 4 Bands EQ of the Little Mark Vintage 1000 have a new setting on frequencies center, all tuned to offer a pretty balanced tone that easily cuts in the mix, plus a 3-WAY switch with three useful EQ preset options to get very quickly a real FLAT setting, a CUT one with scooped Mids and enhanced Low and High and an OLD one with scooped High to get an old vintage style tone.\n\n> Real DI box\nThe BALANCED DI OUT with transformer is optimized to give pure, full, rich, linear sound on all frequencies. Although Little Mark amp heads already feature high-quality DI circuitry, the transformer upgrades the DI performance offering a real DI box inside the head, handling extreme transients without introducing any distortion or coloration.\n\n> Gold Line Top Features\nAs it happens in the Gold Line series, the Little Mark Vintage 1000 features gold plated circuits and top quality selected components, providing the purest and cleanest sound you can imagine.\n\n> Mute and ON/OFF EQ\nFootswitchable MUTE is one of the most requested features in order to tune or switch an instrument in a silent way. The optional Dual Footswitch also allows to turn ON/OFF the EQ section.\n\n> Size/Weight\nThe Little Mark Vintage 1000 features the same compact SIZE and light WEIGHT of all the Little Mark family heads.\n\n \n\n \n\nMinimum ohm load for all Markbass heads is 4 ohms.\nMarkbass amps/combos are manufactured to be sold and used in the country of purchase, and they are factory preset to that country’s voltage. Due to homologation issues, the voltage may not be changed.", "price": 104480.0, "discountamount": 13580.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "R&D", "lot", "CUT", "mix", "Mids", "part", "stage", "order", "state", "4 ohms", "purest", "volume", "market", "OLD one", "voltage", "new era", "country", "purchase", "dynamics", "Mark bass", "bass amps", "harmonics", "warm tone", "coloration", "EQ section", "instrument", "everything", "key points", "art lineup", "silent way", "Tube Preamp", "Real DI box", "new setting", "transformer", "Size/Weight", "Gold Series", "Product code", "light WEIGHT", "large supply", "500W version", "The BALANCED", "tone options", "balanced tone", "Markbass heads", "same power amp", "Limiter effect", "massive supply", "cleanest sound", "The 4 Bands EQ", "New EQ setting", "DI performance", "modern reaction", "Limiter Control", "serious headroom", "superior quality", "Minimum ohm load", "Gold Line series", "same compact SIZE", "​​​​​3-WAY Switch", "catching new look", "real FLAT setting", "frequencies center", "Marco De Virgiliis", "typical distortion", "extreme transients", "astounding success", "amazing definition", "homologation issues", "Footswitchable MUTE", "ultrahigh-power head", "gold plated circuits", "Little Mark amp heads", "1000W high-power head", "Gold Line Top Features", "old vintage style tone", "different manufacturers", "old generation behavior", "The Little Mark Vintage", "optional Dual Footswitch", "Little Mark family heads", "high-quality DI circuitry", "Mark Proprietary Technology", "powerful 1000W MPT power amp", "MBH110093Z Little Mark Vintage", "three useful EQ preset options", "pure, full, rich, linear sound", "top quality selected components", "proprietary power amp technology" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 499, "imageuri": "https://productimages.withfloats.com/actual/65d05df27e38dded8f74a74c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65d05df27e38dded8f74a74c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-17T07:19:10.443Z", "updatedon": "2024-09-08T15:41:09.467Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/mark-bass-little-mark-vintage-1000-mbh110093z/499", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "MARK BASS", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Little Mark Vintage 1000", "MARK BASS LITTLE MARK VINTAG 1000", "Mark Bass Amps", "MARKBASS PRICE IN INDIA", "MRAK BASS", "MARK BASS INDIA", "LITTLE MARK VINTAGE 1000 PRICE IN INDIA", "Markbass Little Mark Vintage D2", "Mark Bass Cabinet", "Markbass Little Mark 250 combo review", "Markbass for sale", "Markbass Little Mark IV 300", "Mark Bass manuals", "Markbass Little Marcus 58R", "Markbass 12 cabinet" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8ec6b786f1f0001618cd9", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio Apollo x8 [Heritage Edition]", "description": "Apollo x8 Heritage Edition has all the benefits of the acclaimed Apollo x8, including world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Unison-enabled mic preamps, and full LUNA Recording System integration. And it goes a step further, with a software suite of 10 award-winning UAD plug-in titles, featuring Collections from Helios,® Fairchild,® Teletronix,® Pultec,® and UA.\n\n● Produce with a special edition of UA's elite-class Apollo x8 interface, including a premium suite of award-winning UAD plug-ins worth over $2,400\n● Record with elite-class A/D and D/A conversion nearing the widest dynamic range and lowest signal to noise available — at any price\n● Track and mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more award-winning UAD Powered Plug-Ins in real time\n● Record with near-zero latency through preamp emulations from Neve,® API,® SSL,® Helios,® Manley,® Avalon,® and more using Unison™ technology*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Run UAD Powered Plug-Ins via VST, AU, and AAX 64 in all major DAWs\n● Easily connect to consoles and studio gear with switchable +24 / +20 dBu headroom settings\n● Work in surround formats up to 7.1, complete with speaker calibration and fold-down\n● Use integrated Talkback mic and built-in cues for easy communication and slating takes\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo x8 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 Unison mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to the Apollo x8's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.\n\nRealtime UAD HEXA Core Processing\nApollo x8 Heritage Edition features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, SSL, Avalon, Helios, or API, or running high UAD plug-in counts when mixing in your DAW.\n\nUnison™ Technology — The Sound of Neve, API, Avalon & Manley Preamps\nPerfect for musicians, engineers, producers, and sound designers, Apollo x8 Heritage Edition features four Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nLUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow\nAll Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nSurround Sound Monitoring and +24 dBu Operation\nWith comprehensive surround monitoring support for formats up to 7.1, Apollo x8 Heritage Edition is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x8 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x8 Heritage Edition offers 18 x 24 simultaneous inputs/outputs (8 x 14 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo desktop or rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices.\n\nApollo x8 Heritage Edition Key Features:\n● A special edition of UA's acclaimed Apollo x8 interface — with a premium suite of 10 award-winning plug-in titles from Helios,® Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value\n● 18 x 24 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion\n● Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size\n● 4 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, SSL, Manley, Avalon, Helios, UA, and more*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Surround monitor controller up to 7.1 format\n● UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs\n● Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; 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And it goes a step further, with a software suite of 10 award-winning UAD plug-in titles, featuring Collections from Helios,® Fairchild,® Teletronix,® Pultec,® and UA.\n\n● Produce with a special edition of UA's elite-class Apollo x16 interface, including a premium suite of award-winning UAD plug-ins worth over $2,400\n\n● Record with elite-class A/D and D/A conversion nearing the widest dynamic range and lowest signal to noise available — at any price\n\n● Track and mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more award-winning UAD Powered Plug-Ins in real time\n\n● Easily connect to consoles and studio gear with switchable +24 / +20 dBu headroom settings\n\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac/Thunderbolt)\n\n● Run UAD Powered Plug-Ins via VST, AU, and AAX 64 in all major DAWs\n\n\n● Work in surround formats up to 7.1, complete with speaker calibration and fold-down\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo x16 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to the Apollo x16's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.\n\nRealtime UAD HEXA Core Processing\nApollo x16 Heritage Edition features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, SSL, Avalon, Helios, or API, or running high UAD plug-in counts when mixing in your DAW.\n\nLUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow\nAll Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nSurround Sound Monitoring and +24 dBu Operation\nWith comprehensive surround monitoring support for formats up to 7.1, Apollo x16 Heritage Edition is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x16 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x16 Heritage Edition offers 18 x 20 simultaneous inputs/outputs (16 x 18 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo desktop or rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices.\n\nApollo x16 Heritage Edition Key Features:\n● A special edition of UA's acclaimed Apollo x16 interface — with a premium suite of 10 award-winning plug-in titles from Helios,® Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value\n● 18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion\n● Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size\n● LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Surround monitor controller up to 7.1 format\n● UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs\n● Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 Macs via optional adapter \n● Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines\n● Uncompromising UA analog design, superior components, and premium build quality\n● Also includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp, Legacy Pultec EQ, additional LA-2A and 1176 compressors, Marshall Plexi Classic, Ampeg SVT-VR Classic, and more\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nFairchild Tube Limiter Collection\nTeletronix LA‑3A Audio Leveler\nUA 610 Tube Preamp & EQ Collection\nHelios Type 69 Preamp & EQ Collection\nV76 Preamplifier\nOxide Tape Recorder\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Plus Bundle:\nUA 610-B Tube Preamp & EQ\nMarshall Plexi Classic Guitar Amp\nAmpeg SVT-VR Classic Bass Amp\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nFairchild 670 Compressor (Legacy)\nPrecision Enhancer Hz\nRaw Distortion\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler\n", "price": 420240.0, "discountamount": 39500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "Apollo x16 interface", "Realtime UAD Processing", "Universal Audio Apollo x16", "Apollo X series interfaces", "previous generation Apollo", "Iconic UAD Analog Collections", "Precision Mix Rack Collection", "powerful HEXA Core processing", "premium Heritage Edition titles", "UAD HEXA Core processing onboard", "Realtime UAD HEXA Core Processing", "x16 Heritage Edition Key Features", "flagship Apollo x16 Heritage Edition", "18 x 20 Thunderbolt 3 audio interface", "full LUNA Recording System integration" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 457, "imageuri": "https://productimages.withfloats.com/actual/61a8ebb60e0fd000018d2c6a.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8ebb60e0fd000018d2c6a.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T15:52:14.926Z", "updatedon": "2022-10-08T17:11:15.094Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-apollo-x16-heritage-edition-/457", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio Apollo ", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Universal Audio Apollo x16 [Heritage Edition]" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8ead161a3d1000148f79b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio Apollo x6 [Heritage Edition]", "description": "Apollo x6 Heritage Edition has all the benefits of the acclaimed Apollo x6, including world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Unison-enabled mic preamps, and full LUNA Recording System integration. And it goes a step further, with a software suite of 10 award-winning UAD plug-in titles, featuring Collections from Helios,® Fairchild,® Teletronix,® Pultec,® and UA.\n\n● Produce with a special edition of UA's elite-class Apollo x6 interface, including a premium suite of award-winning UAD plug-ins worth over $2,400\n● Record with elite-class A/D and D/A conversion nearing the widest dynamic range and lowest signal to noise available — at any price\n● Track and mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more award-winning UAD Powered Plug-Ins in real time\n● Record with near-zero latency through preamp emulations from Neve,® API,® SSL,® Helios,® Manley,® Avalon,® and more using Unison™ technology*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Run UAD Powered Plug-Ins via VST, AU, and AAX 64 in all major DAWs\n● Easily connect to consoles and studio gear with switchable +24 / +20 dBu headroom settings\n● Work in surround formats up to 5.1, complete with speaker calibration and fold-down\n● Use integrated Talkback mic and built-in cues for easy communication and slating takes\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo x6 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 Unison mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to Apollo x6's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.\n\nRealtime UAD HEXA Core Processing\nApollo x6 Heritage Edition features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, SSL, Avalon, Helios, or API, or running high UAD plug-in counts when mixing in your DAW.\n\nUnison™ Technology — The Sound of Neve, API, Avalon & Manley Preamps\nPerfect for electronic musicians and post production professionals who don’t require tons of mic inputs, Apollo x6 Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nLUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow\nAll Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nSurround Sound Monitoring and +24 dBu Operation\nWith comprehensive 5.1 surround monitoring support, Apollo x6 Heritage Edition is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x6 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x6 Heritage Edition offers 16 x 22 simultaneous inputs/outputs (6 x 12 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo desktop or rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices.\n\nApollo x6 Heritage Edition Key Features:\n● A special edition of UA's acclaimed Apollo x6 interface — with a premium suite of 10 award-winning plug-in titles from Helios,® Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value\n● 16 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion\n● Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size\n● 2 Unison-enabled mic/line preamps — track through fully authentic preamp emulations from Neve, API, SSL, Manley, Avalon, Helios, UA, and more*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Surround monitor controller up to 5.1 format\n● UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Live, and other major DAWs\n● Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 Macs via optional adapter \n● Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines\n● Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono\n● Uncompromising UA analog design, superior components, and premium build quality\n● Also includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp, Legacy Pultec EQ, additional LA-2A and 1176 compressors, Marshall Plexi Classic, Ampeg SVT-VR Classic, and more\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nFairchild Tube Limiter Collection\nTeletronix LA‑3A Audio Leveler\nUA 610 Tube Preamp & EQ Collection\nHelios Type 69 Preamp & EQ Collection\nV76 Preamplifier\nOxide Tape Recorder\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Plus Bundle:\nUA 610-B Tube Preamp & EQ\nMarshall Plexi Classic Guitar Amp\nAmpeg SVT-VR Classic Bass Amp\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nFairchild 670 Compressor (Legacy)\nPrecision Enhancer Hz\nRaw Distortion\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler\n\n*Apollo x6 Heritage Edition includes ten premium UAD plug-in titles, plus the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.", "price": 237330.0, "discountamount": 23700.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "Apollo x6 interface", "Realtime UAD Processing", "Universal Audio Apollo x6", "UA 610 Unison mic preamps", "Apollo x6 Heritage Edition", "Apollo X series interfaces", "previous generation Apollo", "Iconic UAD Analog Collections", "Precision Mix Rack Collection", "premium Heritage Edition titles", "x6 Heritage Edition Key Features", "UAD HEXA Core processing onboard", "Realtime UAD HEXA Core Processing", "16 x 22 Thunderbolt 3 audio interface", "full LUNA Recording System integration" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 456, "imageuri": "https://productimages.withfloats.com/actual/61a8eb0e7bbb200001a11174.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8eb0e7bbb200001a11174.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T15:48:33.365Z", "updatedon": "2021-12-02T15:49:31.369Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-apollo-x6-heritage-edition-/456", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Apollo x6 Heritage Edition has all the benefits of", "Universal Audio Apollo x6 [Heritage Edition]" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "612921084fd5270001c171c3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA MGP24X MIXING CONSOLE", "description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")", "price": 129500.0, "discountamount": 35900.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 395, "imageuri": "https://productimages.withfloats.com/actual/61292109d6c8110001f7e6cb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61292109d6c8110001f7e6cb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-27T17:29:44.986Z", "updatedon": "2025-08-04T13:44:28.206Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-mgp24x-mixing-console/395", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA ", "category": "Audio Mixers", "tags": [ "YAMAHA MGP24X MIXING CONSOLE", "MGP24X mixer", "yamaha mgp24x", "yamaha mixing", "MIXING CONSOLE", "Audio Mixers", "Yamaha MGP24X price in India", "Yamaha MGP24X manual PDF", "Yamaha mgp24x mixing review", "Yamaha MGP16X", "Yamaha MGP24X details", "Yamaha mixer 24 channel olx", "Yamaha mgp24x price in India Amazon", "Yamaha mgp24x mixing price", "Yamaha Mgp24x 24-channel Premium Mixing Console", "MGP Series Mixing Console - Yamaha Asia" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "5ff31f4ee1af5d0001d3cabb", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA MODX7 76-KEY SYNTHESIZER", "description": "For the synthesist needing unique sound design capabilities, MODX is a synthesizer with an 8-operator, full controllable FM-X engine. MODX features deep programmability, controllability and a huge amount of polyphony.\n\nSOUND\nSound is the most important aspect of any instrument. The power of the MODX synthesis engine allows unlimited potential to create your own unique sound demanded by any artist.\n\nThe MODX sound engine is based on the same technology powering the flagship MONTAGE: AWM2 (Advanced Wave Memory 2) sample and synthesis engine and a pure FM-X (Frequency Modulation) synthesizer modernized for amazing sound playback and complex sound design.\n\nAWM2\nOnly found in Yamaha music synthesizers, the AWM2 engine offers much more than just sample playback. Each of the 16 AWM2 parts feature eight fully-programmable synthesizers with a filter (18 different types!,) amplitude, pitch and filter envelope generators, nine LFOs, 3-band EQ and a dedicated dual insert effect with Virtual Circuitry Modeling.\n\nFM-X\nFM-X is an amazingly sophisticated pure synthesizer engine capable of producing classic ‘80s or cutting-edge, EDM sound with incredible dynamic range, power and fidelity. MODX features an 8-operator FM architecture and 64-note polyphony, allowing for a massive array of sound design options.\n\n192-NOTE TOTAL POLYPHONY\nMODX features 128-note stereo AWM2 polyphony and 64-notes of FM-X polyphony. Due to the unique architecture of MODX and MONTAGE, this polyphony is always available without latency or compromising other features.\n\nSSS (Seamless Sound Switching)\nSeamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without stopping.\n\n* This function is only available for Performances that have a maximum of 4 parts.\n\nCONTROL\nMotion Control puts rhythmic and dynamic control at your fingertips for a unique, personalized sound.\n\nSUPER KNOB\nMacro dynamic control\n\n\nMOTION SEQ\nRhythmic, tempo-synced control\n\n\n \nENVELOPE FOLLOWER\nAudio synth parameter control\n\n\n\nINTEGRATEDFLASH\nMODX includes 1 GB of non-volatile user flash memory with high speed reading/writing for your own custom samples or synth libraries from yamahamusicsoft.com.\n\nEFFECTS\nFrom high definition reverbs to incredibly detailed Virtual Circuit Modeling (VCM) effects, MODX is loaded with DSP innovation, power and, most importantly, sound quality. Use effects like Beat Repeat, Vinyl Break or Bit Crusher to get EDM sound. The Spiralizer effect creates the auditory illusion of a tone continually rising or falling in pitch without getting higher or lower.\n\nYou can even add a compressor with sidechain for a modern “ducking” effect. Or go retro with vintage effects like Analog Delay, VCM Phaser or a variety of Amp Simulators. Piano players will appreciate piano-focused effects like Damper Resonance for a super-realistic piano experience and the HD reverbs that let you put yourself in any performance space.\n\nA/D INPUT\nCoupled with two A/D inputs, MODX is a perfect centerpiece for any professional recording studio or live computer rig.\n\nSIDECHAIN\nAutomatically control the dynamic behavior of one part from another. Sidechain is very popular in modern dance music where a pad or other sustain part is “keyed” to the kick drum. When the kick drum plays, it ducks down the sustained part creating a “pumping” rhythmic effect.\n\nMULTI-CHANNEL USB AUDIO INTERFACE\nAs expected for modern computer-based music production, MODX features a professional 4-in/10-out, multi-channel USB audio interface. A single-cable connection replaces the need for an external audio interface. iOS compatible.\n\nCONTROL\nEvery artist wants to sound unique. Take control and stand out from the crowd. Bring the sophistication of music production automation to realtime live performance with Motion Control.\n\nSUPER KNOB\nThe Super Knob allows simultaneous control of up to 128 parameters in a single Performance. This means you can control nearly anything from mix functions like volume, pan and effect sends to detailed synth parameters like filters, LFOs and Operators.\n\nThat’ s 128 parameters…SIMULTANEOUSLY!\n\nThe Super Knob can even be assigned to a second FC7 foot controller making it easy to manipulate the sound when playing with both hands.\n\nMOTION SEQUENCES\nMotion Sequences are tempo-synchronized, completely customizable control sequences that can be assigned to virtually any synthesizer parameter and provide incredible new ways of creating sound.\n\nMotion Sequences also have dedicated controls on the front panel making it easy to manipulate and change in real-time, providing incredible interactivity and expression.\n\nKeyboard\nNumber of Keys: 76\nType: Semi-weighted Keyboard\nInitial Touch: Yes\nAftertouch: No\nTone generator\nTone Generator: Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms\nMaximum Polyphony: AWM2: 128 (max.; stereo/mono waveforms) FM-X: 64 (max.)\nMulti Timbral Capacity: 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part\nWave: Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.00 GB\nPerformance: Approx. 2,000\nFilter: 18 types\nEffects: Reverb x 12 types, Variation x 76 types, Insertion (A, B) x 76 types*, Master Effect x 15 types *A/D part insertion x 71 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)\nOther\nControllers: Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial\nDisplay: 7\" TFT Color Wide VGA LCD touch screen\nConnectors: [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)\nPower Consumption: 16 W (when using PA-150B AC adaptor)\nLive Sets: Preset: 256 and more, User: 2,048\nPerformance Recorder\nTracks: 16 Sequence tracks, Tempo track, Scene track\nRecording type: Real time replace, Real time overdub, Real time punch in/out\nNote Capacity: Approx. 130,000 notes\nNote Resolution: 480 ppq (parts per quarter note)\nTempo (BPM): 5 – 300\nSongs: 128 songs\nArpeggio: Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types\nSequence formats: MODX original format, SMF formats 0, 1", "price": 145990.0, "discountamount": 9000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 322, "imageuri": "https://productimages.withfloats.com/actual/5ff31f4e30f8c90001cc9e92.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ff31f4e30f8c90001cc9e92.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-04T13:59:42.014Z", "updatedon": "2023-10-23T11:57:13.738Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-modx7-76-key-synthesizer/322", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA", "category": "SYNTHESIZER KEYBOARDS", "tags": [ "YAMAHA", "MODX7 76-KEY SYNTHESIZER", "Yamaha MODX7 76-Key Synthesizer", "MODX7", "Yamaha MODX7 price", "yamaha synthesizer dealers in delhi", "yamaha synthesizer dealer", "Yamaha Keyboard Dealers & Distri", "Yamaha Keyboard Dealers & Suppliers In Delhi", "Synthesizers wholesaler & Wholesale Dealers in Ind", "Keyboards & Synthesizers at amazing price" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5ff31947ed85f900013031e5", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "KORG KROSS 2-61 SYNTHESIZER KEYBOARD WITH MICROSD CARD, INDIAN SOUNDS & STYLES", "description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i（Enhanced Definition Synthesis - integrated）\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators\n\nProgram\n\nTimbres\n\nUp to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset\n\nMaster Keyboard functionality\n\nThese allow you to control external MIDI devices\n\nCombination\n\nDrumkits\n\nStereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).\n\nUser Combinations\n\n896 Combinations (384 Preload)\n\nUser Programs\n\n1280 Programs (768 Preload)\n\nUser Drum Kits\n\n58 Drum Kits (42 Preload)\n\nPreset Programs\n\n265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)\n\n* Total number of preload programs and preset programs：1,075 (810 preload programs, 265 preset programs\n\nThe Number of Combinations/Programs/Drum Kits\n\nFavorites\nNumber of memories\n\n128 (16 favorites × 8 banks)\n\nEffects\nInsert effects\n\n5 Insert Effects In-line processing; stereo in - stereo out.\n\nMaster effects\n\n2 Master Effects Two effects sends; stereo in - stereo out.\n\nEffects types\n\nTotal of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)\n\nModulation\n\nDynamic Modulation\n\nEffects Control Bus\n\nStereo side-chaining for limiter, gates, vocoders, etc.\n\nPolyphonic arpeggiators\nProgram mode\n\nOne arpeggiator\n\nCombination mode\n\nTwo arpeggiators\n\nSequencer modes\n\nTwo arpeggiators\n\nPreset arpeggio patterns\n\nUP, DOWN, ALT1, ALT2, RANDOM\n\nUser arpeggio patterns\n\nNumber of arpeggio patterns: 1280 (1024 preload)\nNumber of tones: 12 tones,\nNumber of steps: up to 64 steps\n\nStep sequencer\nProgram mode\nCombination mode\nSequencer mode\n\nOne unit\nNumber of tones: 12 tones + 1 accent tone\nNumber of steps: up to 64 steps\n* Can be created for each program, combination, and song.\n\nDrum Track\nPreset Patterns\n\n772 patterns (Held in common with sequencer patterns.)\n\nOther\n\nTrigger Mode / Sync / Zone settings can be specified\n\nSequencer\nTracks\n\n16MIDI Tracks\n\nNumber of Songs\n\nUp to 128 songs\n\nResolution\n\n1/480\n\nTempo\n\n40.00–300.00 (1/100 BPM resolution)\n\nMaximum Memory\n\nUp to 210,000 MIDI events\n\nCounter\n\nMeasure/Beat/Tick\n\nTemplate Song\n\n16 preset/16 user template songs\n\nPreset Patterns\n\n772 patterns (shared with Drum Track patterns)\n\nFormat\n\nKORG (KROSS) format, SMF format 0 and 1\n\nPad sampler\nSpecifications\n\n16 pads × 8 banks\nAutomatically saved on the SD card, and automatically loaded\nUp to four pads can play simultaneously\n\nRecording format\n\nPCM audio format 48 kHz/16-bit\n\nRecording time\n\nUp to approximately 14 seconds of stereo sample for each pad\n\nImport\n\nWAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nEdit\n\nWaveform display editing functionality, start address and looping settings etc., normalize and other editing operations\n\nAudio Recorder\nRecording Format\n\nPCM audio format 48kHz/16bit\n\nImport\n\nWAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nExport\n\nWAVE format (file name extension: .wav) 48kHz/16bit, stereo\n\nRecording Time\n\nMaximum continuous recording time: 3 hours\nDepends on the SD card used; approximately 90 minutes per 1 GB\n\nNumber of Songs\n\nUp to 200 songs\n\nNumber of overdub recordings\n\nDepends on the remaining capacity of the SD card\n\nCounter\n\nHour/Min/Sec\n\nPad audio play\n\n\n16 pads × 8 banks\nDirectly play back data from SD card\nMultiple pads cannot be played simultaneously\n\nMedia\nFile, Utility, Information, additional PCM data management functionality\n\nControllers\nGeneral Control\n\nPitch bend wheel, Modulation wheel, SW1, SW2\n\nRealtime Control\n\nSELECT button, SWITCH button, KNOB1 knob, KNOB2 knob\n\nStep Sequencer/Favorite/Pad Sampler/Pad Audio Play\n\n\nPads 1–16\nSTEP SEQ ACTIVE button, Run button\nFAVORITES ACTIVE button\nSAMPLER ACTIVE button, HOLD button\nAUDIO PLAY ACTIVE button\nBANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)\n\nDrum Track\n\nDRUM TRACK button\n\nArpeggiator\n\nARP button\n\nAudio Recorder\n\nAUDIO REC button\n\nUser Interface\nDisplay\n\n240 × 64 pixel LCD backlight\nAdjustable contrast (hold the EXIT button and turn the VALUE dial)\n\nCategory\n\nCATEGORY dial, VALUE dial\n\nMODE\n\nCOMBI button, PROG button, SEQ (GLOBAL/MEDIA) button\n\nValue Controllers\n\nCursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons\n\nSequencer\n\nREC button, START/STOP button\n\nQuick Layer Split\n\nLAYER/SPLIT button\n\nOther\n\nVOLUME knob\n\nControl Input\nDAMPER (Supports piano-style half-damper pedals as well as standard foot switches)\nASSIGNABLE SWITCH\nASSIGNABLE PEDAL\n\nAudio Outputs (Analog)\nAUDIO OUTPUT L/MONO, R\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nOutput Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)\nMaximum Level: +10.0 dBu\nLoad Impedance: 10k ohm or greater\nControllable by the VOLUME knob\n\nHEADPHONE OUTPUT\n\nConnectors: 3.5mm (1/8\") stereo mini phone jack\nOutput Impedance: 33 ohnm\nMaximum Level: 40 + 40 mW\nControllable by the VOLUME knob\n\nAudio Inputs (Analog)\nLINE IN\n\nConnectors: 3.5 mm (1/8\") stereo mini phone jack\nInput Impedance: 1.1k ohm\nMaximum Input Level: -42 to 0 dBu\n\nMIC IN\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nInput Impedance: 33 ohm\nMaximum Input Level: -48 to -6dBu\nPhantom power or plug-in power is not supported.\n\nOthers\nMIDI\n\nIN, OUT\n\nUSB\n\nUSB connector TYPE B x 1, USB-MIDI interface, USB audio interface\n\nSD Card Slot\n\nOne card slat\n\n* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.\n\nMain Specifications\nPower\n\nAC adaptor power supply DC 9V\nAA alkaline batteries x 6, or nickel-metal hydride batteries x 6\n\nBattery Life\n\nAA alkaline batteries x 6: Approximately 6 hours\nAA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours\n\n* Varies depending on the batteries used and the conditions of use.\n\nPower Consumption\n\n5 W\n\nDimensions (W x D x H)\n\nKROSS2-61: 935 mm × 269 mm x 88 mm / 36.81\" × 10.59\" × 3.46\"\nKROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01\" × 15.08\" × 5.35\"\n\nWeight\n\nKROSS2-6: 3.8 kg / 8.38 lbs (excluding batteries)\nKROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)\n\nIncluded Items\n\nAC adapter, Quick Start Guide\n\nAccessories (sold separately)\nKeyboard stand\n\nKROSS2-61: Standard-S-BK61\nKROSS2-88: Standard-L-SV88\n\nSoft case\n\nKROSS2-61: SC-KROSS 2 61\nKROSS2-88: SC-KROSS 2 88\n\nExpression/Volume Pedal\n\nXVP-20\nXVP-10\n\nFoot Controller\n\nEXP-2\n\nDamper Pedal\n\nDS-1H\n\nPedal Switch\n\nPS-1\nPS-3", "price": 69775.0, "discountamount": 10200.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 321, "imageuri": "https://productimages.withfloats.com/actual/5ff319472cc79e00016bcc58.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ff319472cc79e00016bcc58.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-04T13:33:59.118Z", "updatedon": "2023-10-23T12:00:02.019Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/korg-kross-2-61-synthesizer-keyboard-with-microsd-card-indian-sounds-styles/321", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "KORG", "category": "SYNTHESIZER KEYBOARDS", "tags": [ "KORG KROSS 2", "KORG KROSS 2-61 SYNTHESIZER", "KORG SYNTHESIZER KEYBOARD", "KORG KROSS 2-61 SYNTHESIZER KEYBOARD", "korg synthesizer", "", "Synthesizers / Keyboards | KORG (India)", "synthesizers / keyboards korg (india) dealers", "korg (india) dealers", "Korg Keyboard Dealers & Suppliers In Lucknow,", "Keyboard Instruments in Lucknow", "Music Synthesizers - Wholesaler & Wholesale Dealer", "Synthesizer Keyboard Instruments" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }