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"description": "Monitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nMore Than Just an Enclosure\nWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\n\nKey Features - \n\n1. Bi-amplified design with 100 watts (60 LF, 40 HF) for powerful, accurate sound\n2. 5” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1” natural silk dome tweeter delivers superb transient details\n4. New computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Ultra-wide range 52-35kHz frequency response covers full musical spectrum\n10. Front panel LED shines brightly when speaker is positioned at ideal monitor angle\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 5 inch (127mm) Kevlar curved cone with high temperature voice coil and damped rubber surround. Magnetically shielded\nHigh Freq. Driver - 1 inch (25mm) magnetically shielded natural silk dome\nFrequency Response - 52 Hz – 35 kHz\nCrossover Frequency - 2.5kHz\nLow Freq. Amplifier Power - 60W\nHigh Freq. Amplifier Power - 40W\nMaximum Peak - SPL\t110 dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -10dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : - 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 100W\nFuse - 220–240V~ T1AL 250V / 100–120V~ T1.6AL 250V\nCabinet -Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t6.9” x 7.8” x 10” / 176 x 197 x 254 mm\nWeight - 12.3 lbs, 5.6kg",
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"name": "Markbass Standard 104HF Front-Ported Neo 4x10 Bass Speaker Cabinet Ohm",
"description": "Markbass Standard 104HF Bass Cabinet\nThe Standard 104HF is one of our most popular cabinets and, for many players, it sets a new standard for 4x10s. Hear the miracle of neodymium speakers by playing through this cabinet... then FEEL the miracle when you pick it up! The Standard 104HF is a leader in its field due to its sound, power and portability. But you don't have to trust us; let your ears and your lower back be the judge!\n\n \n\nThis cabinet is available in both 8 ohm (STD104HF-8) and 4 ohm (STD104HF-4) versions.",
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"description": "MB58R 104 ENERGY\nProduct code: N/A\nThe MB58R series is a further example of how Markbass is always one step ahead in innovating using state-of-the-art technologies. Once again Marco De Virgiliis with his pioneering soul has managed to create this new series of products which, with the use of custom components born thanks to years of experience and research Markbass and the use of revolutionary materials with an eye to the future and the evironment, has really nailed the tone and power versus portability issue.\nThe MB58R 104 ENERGY features 4x10\" Markbass Neodymium custom speakers and 1\" driver with horn, boasts an impressive 800W of power handling and weights 36.4 lbs / 16.5 kg . This cabinet works great on its own, plus the 8ohm version makes up an amazing stack when added to another Markbass 8 ohm cab (for example, another MB58R 104 ENERGY or a MB58R 151 ENERGY).\n\nKEY POINTS\n> UNMISTAKABLE TONE\nStrength for Markbass products has always been an unmistakable tone. This new series has custom components born thanks to years of experience and research.\n> MADE IN ITALY\nNot just technology but also GLOCALIZATION and Made in Italy. Glocalization is for Markbass a key word, intended as the use and optimization of local resources to be competitive on the global market.\n> ECO-FRIENDLY\nIt’s time to think about the future; focus on the product and on the natural environment that surrounds it.\n> AMAZING POWER TO WEIGHT RATIO\nState of the art and technology with an amazing power to weight ratio.The MB58R 104 ENERGYfeatures 4x10\" ultra-light neodymium speakers and thanks to the revolutionary material and technology used for its enclosure this cabinet weighs only 36.4 lbs / 16.5 kg, it has an impressive 800 watts (RMS) of power handling, controlled bottom end and ultra-focused sound.\n> BEST QUALITY, RIGHT PRICE\nThe new series of products has an incredible strength point: high quality and innovation at the right price.\n> MODERN CLASSIC WINNING AESTHETIC\nConsidered by all as the most beautiful cabinet on the market!\n\n \n\nProduct weight and specs are subject to change without notice.\n\n",
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"name": "FRACTAL AXE-FX III MKII Preamp/FX Processor",
"description": "The Axe-Fx III is the latest in our line of the worlds most powerful all-in-one processors for guitar, bass, and other instruments. This new model offers our latest \"Ares\" amp modeling technology, thousands of UltraRes speaker cab simulations, and state-of-the-art effect algorithms, all backed with more raw power and feature upgrades than any Fractal Audio product before. Our vision was to take the Axe-Fx to a whole new level: to create a totally redesigned platform that sounds better, does more, and is easier to use. Equipped with four processors, the Axe-Fx III contains more raw processing power than any guitar product ever made, by far.\n\nThe hardware of the Axe-Fx III was designed around a streamlined new workflow. The centerpiece is a dazzling new high-contrast full-color display with 30x the resolution of previous products. This display works alongside five new endless-rotary push encoders. These push-knobs do different things on different pages, with labels to show dynamic functions. The end result is a user experience thats immediately more intuitive. The display also excels at animation for meters, modifiers, and more.\n\nBetter sound quality has been achieved through an audiophile-grade signal path. The difference shines through in lower noise floor, pristine clarity, and better USB audio performance than most dedicated audio interfaces. Computer audio integration now includes a professional-quality 24-bit/48k 88 interface. Record multiple tracks of processed audio at the same time, plus a DI. The re-amping workflow is improved with independent monitoring of backing tracks and re-processed guitar tones while you dial in a sound.Physically, the Axe-Fx III continues our tradition of combining extraordinary design with manufacturing quality rugged enough to withstand the rigors of life on the road. The unit is housed in a steel enclosure with a one-piece anodized aluminum faceplate/bezel featuring a glowing Axe-Fx III logo.",
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"name": "Casio WK-7600 Work Station Keyboard (76 Keys) ",
"description": "Features\nEffector and everything else you need to create exactly the sound you want\n\nDigital reproduction of rich sound\n\nDrawbar Organ Function\n\nThe keyboard comes with 50 specially selected built-in drawbar organ tones. Nine sliders can be used to change harmonic overtone level settings and add percussion and click sounds for real-time sound creation as you play. A rotary speaker simulated using a built-in DSP provides the distinctive acoustic effect of drawbar organ speakers. Parameters can be edited to create original \"\"user drawbar organ tones,\"\" 50 of which can be stored in memory for later recall.\n\nCreate distinctly original sounds\n\nTone Editor\n\nThe attack time, release time, cutoff,vibrato, reverb/chorus, DSP and other parameters of a built-in tone can be adjusted and edited. You can save the result as your own unique\"\"user tone\"\" that will be available for instant recall whenever you need it during live performances. A Tone Editor button provides instant access to the editing mode.\n\nVersatile effector, an essential sound creation tool\n\nMultiple Digital Effects\n\nBuilt-in effects include reverb (10 types),chorus (5 types), and DSP (100 preset DSPs).By adjusting the parameters of the DSP effect types, you can create original effects and store up to 100 original types in memory for later recall.\n\nDSP and chorus cannot be used simultaneously.\n\nEqualizer\n\nIncorporates five selectable frequency characteristics,including “Bright” for a lively sound emphasizing the treble range and “Powerful” with a stress on volume.\n\nA great tool for live stage performances\n\nRegistration\n\nA simple operation saves the current setup, including tone, rhythm, and other settings for instant recall when you need them. * You even can save tones to which effector effects are being applied. Recalling a registration instantly changes the digital keyboard's setup, making this a great tool for live stage performances.\n\n* 6 sets x 16 banks tor 96 setups.\n\nA wide selection of phrases that can be used in songs\n\nArpeggiator\n\nWith the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from 150 different arpeggiato types, including playing arpeggios from a fingered chord, guitar phrases, and more.\n\nSequencer and mixer functions for total musical creation support\n\nMulti-track Recorder Capabilities\n\nSong Sequencer\n\n17-track Song Sequencer (16 tracks + 1 system track) acts as a multi-track recorder, so you can use it for real-time recording of your keyboard play. 17 tracks mean that you can perform multi-track recording to layer bass,guitar, piano, and other instruments onto a drum part and build to a final song. Both real-time and step recording are supported.Completed recordings can be converted to SMF (Standard MIDI File) format and stored to an SD memory card.\n\nCompleted recordings can be converted to SMF (Standard MIDI File) format and stored to an SD memory card.\n\nWhen even more sound creation attention to detail is required\n\n32-channel Mixer\n\nNine sliders, one for each channel, can be used for individual simultaneous adjustment of volume, pan, reverb send, and other parameters. Sound input from an external source via the MIC IN terminal and INST IN terminal can also be adjusted as desired.\n\nCreate rich, realistic rhythm sections of your very own\n\nPattern Sequencer\n\nUp to eight tracks (drum, percussion, bass, chord 1 through chord 5) can be edited to create original accompaniment patterns (INTRO, NORMAL, NORMAL FILL-IN, VARIATION, VARIATION FILL-IN). In addition to recording over each individual accompaniment part of an existing rhythm, and event editing function gives you total control over each aspect of recorded data, an Easy Edit function lets you combine accompaniment from multiple built-in rhythms to create original rhythms, and mixer capabilities give you control over the tones, volume levels, reverb, and other parameters of each part.\n\nA full selection of editing tools include event insert, event delete, event copy, quantize, and more. Memory is provided for storage of up to 100 different user rhythms, which can be recalled with the touch of a key.\n\nGreat for creating original demo recordings\n\nAudio Recording / MIC IN & INST IN\n\nNormal keyboard play, Auto Accompaniment,Song Sequencer play, INST IN terminal input,MIC IN terminal input and other audio can be recorded to an SD memory card as digital audio data. While playing back a song you created with the Song Sequencer, you can play along with on a guitar or other instrument, or input vocal with a microphone.\n\nSaved audio files can also be transferred to a computer connected via USB for long-term storage. Special Data Manager 6.1 application software, downloadable from the URL shown below, can be used to convert data to WAV format, which can be played back on a computer.\n\nAll of this greatly simplifies the task of creating original demo recordings.\n\n* To perform the operations described in this section, you will need to obtain a commercially available SD memory card or SDHC memory card with a capacity between 2GB and 32GB.\nData Manager 6.1 download site:\n\nThe expandability to configure an ideal musical environment\n\nSD Memory Card Slot\n\nSong sequencer, pattern sequencer, tone editor, and other data can be saved to an SD or SDHC memory card. An Audio Record function can be used to record digital audio data. SMF (Standard MIDI File) data stored on an SD or SDHC memory card can be played back on the digital keyboard.\n\nInput/Output Terminals\n\nDifferent input/output terminals are provided to meet a variety of different needs: line out terminals (L/MONO, R) for connection of the mixer of a stage PA system or other devices, an INST IN terminal and a MIC IN terminal for connection of a musical instrument or microphone, an audio in terminal (AUDIO IN) for audio device input that can be output through the speakers, and more.\n\nUSB Port\n\nThe USB port provides easy computer and MIDI send/receive connection. It also enables quick and simple transfer of song sequencer, pattern sequencer, tone editor and other data, as well as audio data recorded to an SD memory card from an audio device between the digital keyboard and a computer. 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