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"name": "AIR 192|14 ( 8-In/4-Out 24/192 USB Audio Interface )",
"description": "The M-Audio AIR 192|14 is an 8-in 4-out feature-packed USB audio/MIDI interface that provides all of the connections and software you need to easily create professional 24-bit/192kHz studio-quality recordings. The AIR 192|14 features (4) XLR+¼” TRS combo inputs, (2) ¼” line inputs and (2) ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of your guitar or bass when plugged directly into the interface. There is also MIDI input and output connections so you can connect any external midi gear that you may have such as external sequencers, drum machines and controllers.\n\nThe AIR 192|14 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|14 includes Ableton Live Lite and MPC Beats. This amazing audio and MIDI recording software will inspire you to create, record and share your ideas across the world at any time.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, 80 effect plugins and AIR’s Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you’ll have a virtual drummer, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. (4) XLR+¼“ TRS combo inputs, (2) ¼” instrument inputs and (2) ¼” line inputs\n6. MIDI input/output for connecting virtually any external MIDI gear\n7. Stereo ¼” with direct mono/stereo switch; (2) ¼” assignable auxiliary outs\n8. (2) ¼” headphone outputs with independent source and level controls\n9. Rugged metal chassis; large central control for easy volume adjustment\n10.USB/Direct knob for balancing between the input signal and the computer signal\n11. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|14\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\n(2) 1/8” (3.5 mm) to MIDI Adapters\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \n\nMinimum System Requirements - \nStandard USB 2.0 or USB-C Port\nWindows: 7 (32 or 64 bit)\nOSX: 10.8\n\nMic Inputs 1-4 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -137 dBu (40 Ω source, A-weighted) -129 dBu (150 Ω source, unweighted)\nMax Input Level - +14 dBu\nGain Range - 62 dB\n\nLine Inputs 1-4 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nMax Input Level - +30 dBu\nGain Range - 61 dB\n\nInst Inputs 5-6 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nDynamic Range - \t110 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nMax Input Level - +16 dBu\nInput Impedance - ~1 MΩ\nGain Range - 59 dB\n\nFixed Line Inputs 7–8 (balanced 1/4“ TRS)\n\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.001% (1 kHz, +4 dBu, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.1 dB)\nMax Input Level - +17 dBu\n\nLine Outputs 1–2 (balanced 1/4” TRS)\n\nDynamic Range - \t112 dB (A-weighted)\nTHD+N - 0.002% (1 kHz, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Output Level - +17 dBu\n\nFixed Line Outputs 3–4 (balanced 1/4“ TRS)\n\nDynamic Range - \t113 dB (A-weighted)\nTHD+N - 0.002% (1 kHz, -1 dBFS)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Output Level - +17 dBu\n\nHeadphone Outputs (stereo 1/4”)\n\nDynamic Range - 111 dB (A-weighted, 32 Ω load)\nTHD+N - 0.002% (1 kHz, -1 dBFS, 10 mW/channel into 32 Ω load)\nFrequency Response - 20 Hz – 20 kHz (+/-0.2 dB)\nMaximum Power Delivered - 160mW (<1% THD, 32 Ω load)\nMaximum Output Level - \t+15 dBu (unloaded)\nImpedance Range - \t32 Ω – 600 Ω\n\nGeneral\n\nOther Connectors - \t(1) 1/8” (3.5 mm) MIDI input\n(1) 1/8” (3.5 mm) MIDI output\n(1) USB Type-C port\n(1) Power adapter input\nPower Adapter - \t12 VAC, 2 A, center-positive (included)\nDimensions (width x depth x height) - 10.2“ x 7.3” x 3.6\" (25.9 x 18.6 x 9.1 cm)\nWeight - 3.9 lbs. 1.8 kg\n",
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"name": "Slate Digital VRS8 (Free ML-1)",
"description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. 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"description": "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth\n\nThe Alesis Nitro Pro XL 10-piece electronic drum kit with Mesh heads & Bluetooth redefines the electronic drum experience, offering an expansive setup for players who demand versatility and precision. This upgraded version of the standard Nitro kit features an additional tom and cymbal, creating a dynamic 10-piece configuration that caters to advanced playing styles. With premium mesh drum heads, Bluetooth connectivity, and an intuitive module powered by professionally recorded kits, this model delivers a realistic feel and a rich, customizable sound palette. Designed for practice, live performance, and recording, the Nitro Pro XL combines cutting-edge technology with superior build quality to inspire creativity and elevate your drumming.\n\nAlesis Ntro Pro Premium Mesh Heads For Enhanced Playability\n\nThe Nitro Pro XL features premium mesh drum heads that deliver a natural rebound and quiet performance, closely mimicking the feel of acoustic drums. The 10\" dual-zone snare and four 8\" dual-zone tom pads provide exceptional responsiveness and dynamic range, allowing nuanced articulation whether you're playing soft rolls or aggressive strikes. The mesh heads also ensure that vibrations are evenly distributed across the surface, improving playability and reducing noise. This advanced design lets drummers practice freely without disturbing others, while retaining the tactile feedback needed for expressive playing.\n\nIconic Drum Sounds Powered By BFD Kits\n\nAt the heart of this electronic drum kit is the Nitro Pro XL module, loaded with 36 professionally recorded kits sourced from the renowned BFD library. These kits span decades of iconic drum sounds, from rock and pop to jazz and funk, giving players an expansive sound palette. Additionally, the module includes 52 kits—36 pre-configured and 16 user-customizable—allowing drummers to tweak sounds and create their own unique setups. With intuitive controls and high-quality samples, the module ensures every hit translates into rich, lifelike tones that inspire creativity and enhance performance.\n\nAdvanced Hardware For Dynamic Performance\n\nThis electronic drum kit is equipped with hardware designed to support advanced playing techniques and configurations. The 8\" mesh bass drum tower accommodates double kick pedals, perfect for drummers exploring complex rhythms and fast-paced patterns. The cymbal setup includes two 10\" crash cymbals with choke, a 10\" ride cymbal, and a 10\" hi-hat with foot controller for precise expression. An aluminum rack provides a stable foundation, ensuring the kit remains secure during intense practice sessions or live performances. Together, these components create a platform for dynamic play and reliable functionality.\n\nDurable Construction For Reliable Use\n\nThe Nitro Pro XL is built with durability in mind, featuring high-quality materials and engineering that withstand extended use. The aluminum rack offers lightweight stability, making it easy to transport while maintaining a robust setup for demanding practice or stage environments. Mesh drum heads are designed for long-lasting performance, resisting wear and tear while maintaining consistent response. Every detail—from the reinforced hardware to the module's user-friendly interface—contributes to a kit that's ready to perform and endure over time.\n\nPerfect For Intermediate And Advanced Drummers\n\nThe Alesis Nitro Pro XL combines professional-grade features with intuitive usability, making it ideal for intermediate and advanced players looking to expand their skills. With its premium mesh heads, BFD-powered sound library, and ergonomic design, this electronic drum kit provides the tools needed to explore new techniques and sounds. Whether you're refining your craft or performing live, the Nitro Pro XL offers the precision, durability, and tonal quality to inspire your playing.\n\nFEATURES\n\n10\" dual-zone deep mesh snare for realistic response and dynamic sensitivity\n8\" mesh tom pads ensure quiet play and acoustic-like feel\n8\" mesh drum tower supports double kick pedals for advanced techniques\n10\" crash cymbals with choke provide expressive control and versatility\n10\" ride cymbal delivers consistent tone for various playing styles\n10\" hi-hat with foot controller offers precision for detailed performance\nAluminum rack ensures stability during long practice sessions or gigs\n52 drum kits offer expansive options for creativity and customization\nPremium BFD sounds deliver iconic tones for diverse genres\nBluetooth connectivity enables effortless integration with modern devices",
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"name": "Hammer 88 Pro ( 88-Key Graded Hammer-Action USB MIDI Controller with Smart Controls and Auto-Mapping )",
"description": "The M-Audio Hammer 88 Pro is a full-sized, 88-key, USB powered MIDI keyboard controller with graded hammer action that opens up a wide world of creativity! Taking feedback from users and artists alike, the new Hammer 88 Pro is equipped to be the ultimate studio and live performance tool. Add the Hammer 88 Pro’s natural piano feel to your arsenal and bring your music to the next level!\n\nDAW Auto-Mapping & Performance Control\n\nThanks to the OLED screen that sits front and center, it’s easier than ever to search for and test sounds, map controls, and mix & edit your sessions. Hammer 88 Pro can control any DAW and automatically map commonly used functions such as Transport, Faders, Pan controls and much more! Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select the map and Auto-Mapping will take care of the rest! 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"name": "Oxygen Pro 25 ( Powerful, 25-key USB powered MIDI controller with Smart Controls and Auto-mapping )",
"description": "The Oxygen Pro 25 is a powerful, 25-key USB powered MIDI controller that allows you to create the music you want to make even easier! The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music—not programming your software. It doesn’t matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow.\n\nSeamless DAW & Performance Control with Auto-Mapping\n\nIt’s simple to use the Oxygen Pro 25 controller with any DAW with the Oxygen Pro 25’s automatically mapped controls such as Transport, Faders, Channel controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select your DAW in the Oxygen Pro 25’s and select the correct configuration in your DAW, and the Oxygen Pro 25’s controls will be completely integrated into your DAW! It also instantly maps to all the virtual instruments included with the Oxygen Pro 25’s (Velvet, Mini Grand, Hybrid 3, TubeSynth, Electric, Bassline). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro 25’s and used in real-time as you create and mix your music.\n\nSmart Controls\n\nWith Smart Chord and Smart Scale technology, creating music and transferring what’s in your imagination to what you hear coming out of your computer has never been easier!\n\nWith Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. The rest of the chord’s properties (Major, Minor, and Voicing – 1,3,5; 1,3,7; 1,3,5,7, etc.) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you to determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all of the parameters can be edited right on the Oxygen Pro 25!\n\nThe Oxygen Pro 25 also features intelligent Smart Scale technology. With Smart Scale, you can set the key bed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any “wrong” notes. You can choose from 16 different scale variations when assigning a scale to the keyboard. Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating.\n\nProfessional Producer Features\n\nBuilt into the Oxygen Pro 25 are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional.\n\nNote Repeat allows you to hold down any of the custom-made M-Audio performance pads and you’ll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button.\n\nThe built-in Arpeggiator Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator’s timing and rhythm is based on the keyboard’s time division setting and either the keyboard’s or your DAW’s tempo setting. Each note in the arpeggio will be the length you’ve selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.\n\nNext-Gen Playability\n\nWith great feel in a lightweight chassis, the Oxygen Pro 25 controller provides a new level of creative inspiration. The M-Audio PrecisionTouch key bed combines professional semi-weighted action with advanced high-speed key bed scanning technology for an ultra-expressive playing experience. This custom key bed also features Channel Aftertouch, giving users added expression and control. Channel Aftertouch enables you to affect the sound of a virtual instrument plugin by continuously scanning how much pressure you apply to any key after initially pressing it. This makes creating the mood, dynamics and emotion you want to deliver in your music natural and fast.\n\nKey Features - \n\n1. Best-in-class, velocity-sensitive, semi-weighted keys with aftertouch and assignable zones\n2. (16) RGB, backlit, assignable, velocity-sensitive pads with Note Repeat for beat production, clip launching, and more\n3. (8) assignable knobs & buttons for controlling virtual instruments, mix plugins, DAW controls, and more\n4. (9) assignable faders for controlling virtual instruments, plugins, DAW faders, and more\n5. Preset and DAW button for auto-mapped DAW controls & plugin parameters\n6. Smart Chord mode enables playing of enharmonic or custom chord voicings\n7. Smart Scale mode eliminates wrong notes making it easy to craft a perfect song\n8. Arpeggiator with Type, Octave, Gate and Swing controls\n9. Ergonomically designed pitch and modulation wheels & 1/4” sustain pedal input\n10. USB-MIDI connection and 5-pin MIDI Output for controlling external MIDI gear\n11. Intuitive layout featuring an OLED screen for quick control edits\n12. Includes MIDI editor software and a complete software production package\n\nWhat’s In The Box\n\nOxygen Pro 25\nUSB Cable\nSoftware Download Card\nQuickstart Guide\nSafety & Warranty Manual\n\nDimensions\n10.4” x 19.3” x 3.3”\n264.1 x 490.2 x 83.3 mm\n\nWeight\n5.4 lbs.\n2.46 kg",
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