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{ "products": [ { "_id": "6863fd03c641e9186d1b6d8e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX5-D3 ( Singles )", "description": "Monitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nMore Than Just an Enclosure\nWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\n\nKey Features - \n\n1. Bi-amplified design with 100 watts (60 LF, 40 HF) for powerful, accurate sound\n2. 5” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1” natural silk dome tweeter delivers superb transient details\n4. New computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Ultra-wide range 52-35kHz frequency response covers full musical spectrum\n10. Front panel LED shines brightly when speaker is positioned at ideal monitor angle\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 5 inch (127mm) Kevlar curved cone with high temperature voice coil and damped rubber surround. Magnetically shielded\nHigh Freq. Driver - 1 inch (25mm) magnetically shielded natural silk dome\nFrequency Response - 52 Hz – 35 kHz\nCrossover Frequency - 2.5kHz\nLow Freq. Amplifier Power - 60W\nHigh Freq. Amplifier Power - 40W\nMaximum Peak - SPL\t110 dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -10dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : - 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 100W\nFuse - 220–240V~ T1AL 250V / 100–120V~ T1.6AL 250V\nCabinet -Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t6.9” x 7.8” x 10” / 176 x 197 x 254 mm\nWeight - 12.3 lbs, 5.6kg", "price": 16950.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "10 176", "height 69", "14 balancedunbalanced inputs", "sound coming", "youre located", "seamless setup", "played back", "exact length", "meticulously engineered", "dynamic accuracy", "audible resonances", "low mass", "performance driving", "driver excellence", "uncompromisingly accurate", "custom waveguide", "maudios bx5d3", "perfect combination", "monitors drivers", "finetune lowend response", "maximum bass extension", "confidence bx5d3 monitors", "computeroptimized tweeter waveguide", "perfect listening spot", "reliably accurate dispersion", "hightemp voice coil", "optimum listening position", "remains consistently wide", "audiblyintrusive air turbulence", "plague conventional tweeters" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 542, "imageuri": "https://productimages.withfloats.com/actual/6863fd09ef298ca8de63e45c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6863fd09ef298ca8de63e45c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:21:39.682Z", "updatedon": "2025-07-01T15:21:39.682Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx5-d3-singles-/542", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6860fb27802ec4ee5280c267", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": " M-Audio Oxygen 49 MK V ( 49-Key USB MIDI Controller )", "description": "The Oxygen 49 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. Oxygen 49 features eight assignable knobs and nine assignable sliders, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for both production and performance. No other MIDI controller in this price range has so much functionality while remaining easy to use.\n\nStreamlined Session Control\nFeaturing eight assignable knobs, nine assignable sliders, dedicated transport controls and track up/down buttons, Oxygen 49 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 49 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this.\n\nProfessional Quality\nM-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 49 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls.\n\nPro Tools Compatible\nThe Oxygen 49 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 49 controls instantly map to key parameters in the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 49 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility.\n\nA New Approach to Making Music\nWith Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform.\n\nSound Your Best\nIncluded with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MIDI technology provides both a Chord Player and a Phrase Player that can introduce new musical parts to enhance your production—even a drum pattern. Email your ideas to the rest of the band. Share your musical ideas and songs with other musicians through SoundCloud—all without ever leaving Ignite. Plus, you can export WAV and MIDI files, and then import them into any DAW recording software—including Pro Tools.\n\nFeatures - \n\n1. 49 velocity-sensitive keys\n2. 8 MIDI-assignable knobs\n3. 9 MIDI-assignable sliders\n4. 6 dedicated transport controls\n5. Dedicated track up/down buttons\n6. DirectLink mode automatically maps controls to common DAW parameters\n7. Factory presets map controllers to popular virtual instrument software\n8. Unique Select buttons for on-the-fly step through of presets, program changes and MIDI channels\n9. 4 velocity curves and 3 fixed velocity settings\n10. Sustain pedal input\n11. Class-compliant with Windows XP, Windows Vista and Mac OS X\n12. USB bus powered\n13. Includes Ableton Live Lite\n14. Includes Ignite music creation software\n\nSpecifications - \n\nMIDI Data from variable controllers:\nMIDI Control Number\nRPN/NRPN\nProgram, Bank LSB, Bank MSB\nPitch Bend\nGM/GM2/XG SysEx Messages\n\nMIDI Data from buttons/switches:\nNote On\nNote On/Off toggle\nMIDI CC On/Off toggle\nProgram, Bank LSB, Bank MSB presets\nMIDI Machine Control functions\nGM/GM2/XG SysEx messages\n\nWeight: 6.4lbs. (2.9kg)\nSize: 29“ L x 9.4” W x 3.7\" H\n\nRequirements\nCompatibility\nMME\nMac OS X Core MIDI\n\nMinimum System Requirements (PC)\nWindows XP (SP3)*\n1GHz Intel or AMD**\n512MB RAM\n\nWindows Vista 32 , 64bit (SP1) / Win7 32, 64bit; Windows 10\n1.6GHz Intel or AMD**\n1GB RAM\n128MB video card\n\n* Home and Professional Edition only. Windows Media Center Edition is not supported.** CPU may be higher for laptops.\nM-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above.\nMinimum System Requirements (Mac)\nMac OS X 10.4.11 or 10.5.6\nMacintosh G4 1GHz**\n512MB RAM\nG4 accelerator cards not supported\n\n** CPU may be higher for laptops.\nM-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above.", "price": 21400.0, "discountamount": 4590.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "oxygen 49", "oxygen 49 controller", "software doesnt", "presets program", "musical ideas", "ideas quickly", "qwerty keyboard", "portable keyboard", "leaving ignite", "supported cpu", "professional edition", "buttonsswitches note", "mac os", "onthefly step", "midi files", "export wav", "band share", "musical parts", "phrase player", "chord player", "perform sound", "setup chores", "simply workswith", "outofthebox solution", "tight integration", "automatically assigned", "seamless integration", "complex phrases", "played back", "interface options", "pro tools", "powerful suite", "transport windowsas", "key parameters", "personal studios", "professional project", "continued innovation", "professional producers", "constant back", "creative flow", "stay engaged", "remaining easy", "price range", "midi controller", "assignable sliders", "assignable knobs", "leading innovator", "making music", "mixing music", "total control", "dedicated transport", "formidable system", "song sections ignite", "air music technology", "laptops maudio suggests", "fact maudio controllers", "deep tactile control", "dedicated select buttons", "minimum system requirements", "drum pattern email", "front panel controllers", "industrystandard file compatibility", "virtual instruments bundled", "decade youll find", "popular virtual instruments", "common daw functions" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 525, "imageuri": "https://productimages.withfloats.com/actual/6860fb2ab06ea62af820a300.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6860fb2ab06ea62af820a300.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T08:36:55.647Z", "updatedon": "2025-08-04T13:39:06.679Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/-m-audio-oxygen-49-mk-v-49-key-usb-midi-controller-/525", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6860f7c01007da114bbed8d3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Oxygen 25 (blue) 25-Key USB MIDI Controller", "description": "The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use.\n\nStreamlined Session Control\nFeaturing eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this.\n\nProfessional Quality\nM-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls.\n\nA New Approach to Making Music\nWith Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform.\n\nPro Tools Compatible\nThe Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility.\n\nUltra-Compact Design\nThe Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag.\n\nSound Your Best\nIncluded with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MIDI technology provides both a Chord Player and a Phrase Player that can introduce new musical parts to enhance your production—even a drum pattern. Email your ideas to the rest of the band. Share your musical ideas and songs with other musicians through SoundCloud—all without ever leaving Ignite. Plus, you can export WAV and MIDI files, and then import them into any DAW recording software—including Pro Tools.\n\nFeatures - \n\n1. 25 velocity-sensitive keys\n2. 8 MIDI-assignable knobs\n3. 1 MIDI-assignable slider\n4. 6 dedicated transport controls\n5. Dedicated track up/down buttons\n6. DirectLink mode automatically maps controls to common DAW parameters\n7. Factory presets map controllers to popular virtual instrument software\n8. Unique Select buttons for on-the-fly step through of presets, program changes and MIDI channels\n9. 4 velocity curves and 3 fixed velocity settings\n10. Sustain pedal input\n11. Class-compliant with Windows XP, Windows Vista and Mac OS X\n12. USB bus powered\n13. Includes Ableton Live Lite\n14. Includes Ignite music creation software\n\nSpecifications - \n\nMIDI Data from variable controllers:\nMIDI Control Number\nRPN/NRPN\nProgram, Bank LSB, Bank MSB\nPitch Bend\nGM/GM2/XG SysEx Messages\n\nMIDI Data from buttons/switches:\nNote On\nNote On/Off toggle\nMIDI CC On/Off toggle\nProgram, Bank LSB, Bank MSB presets\nMIDI Machine Control functions\nGM/GM2/XG SysEx messages\nWeight:3.8lbs. (1.7kg)\nSize: 16.2“ L x 9.4” W 3.7\" H\n\nRequirements - \n\nCompatibility\nMME\nMac OS X Core MIDI\n\nMinimum System Requirements (PC)\n\nWindows XP (SP3)*\n1GHz Intel or AMD**\n512MB RAM\n\nWindows Vista 32 , 64bit (SP1) / Win7 32, 64bit; Windows 10\n1.6GHz Intel or AMD**\n1GB RAM\n128MB video card\n\n* Home and Professional Edition only. Windows Media Center Edition is not supported.\n** CPU may be higher for laptops.\nM-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above.\nMinimum System Requirements (Mac)\nMac OS X 10.4.11 or 10.5.6\nMacintosh G4 1GHz**\n512MB RAM\nG4 accelerator cards not supported", "price": 15300.0, "discountamount": 1500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "oxygen 25", "perfect complement", "supported cpu", "presets program", "midi controls", "oxygen 25 controller", "software doesnt", "oxygen 25 features", "musical ideas", "ideas quickly", "qwerty keyboard", "portable keyboard", "leaving ignite", "professional edition", "buttonsswitches note", "mac os", "onthefly step", "midi files", "export wav", "band share", "musical parts", "phrase player", "chord player", "couch writing", "compact studios", "soft synths", "amazing amount", "interface options", "pro tools", "powerful suite", "transport windowsas", "personal studios", "professional project", "setup chores", "simply workswith", "outofthebox solution", "tight integration", "automatically assigned", "key parameters", "seamless integration", "complex phrases", "played back", "continued innovation", "professional producers", "constant back", "creative flow", "stay engaged", "total control", "remaining easy", "price range", "midi controller", "assignable knobs", "leading innovator", "making music", "mixing music", "formidable system", "dedicated transport", "song sections ignite", "deep tactile control", "air music technology", "laptops maudio suggests", "fact maudio controllers", "minimum system requirements", "dedicated select buttons", "drum pattern email", "shoulder bag sound", "inspiration strikeswhether relaxing", "incredibly small footprint", "virtual instruments bundled", "front panel controllers", "decade youll find", "track updown buttons", "popular virtual instruments", "common daw functions" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 524, "imageuri": "https://productimages.withfloats.com/actual/6860f800b53660982cbdab8f.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6860f800b53660982cbdab8f.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T08:22:24.552Z", "updatedon": "2025-08-04T13:34:54.489Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/oxygen-25-blue-25-key-usb-midi-controller/524", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685f802a0671dacf1cff5891", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|4 Vocal Studio Pro", "description": "Enter the world of studio-based recording with the AIR 192|4 Vocal Studio Pro—the ultimate all-in-one solution for computer recording projects. Combining the critically acclaimed AIR 192|4 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium AIR Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the AIR 192|4 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario.\n\nThe AIR 192|4 Vocal Studio Pro comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|4 Vocal Studio Pro includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, 80 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. (1) XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate 6. sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. NOVA Black condenser microphone\n10. HDH40 monitoring headphones\n11. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nNOVA Black Microphone\nMicrophone Carrying Pouch\nXLR Microphone Cable\nMicrophone Shock Mount\nMicrophone Windscreen\nHDH40 Headphones\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \nAll specifications are measured at 20 kHz bandwidth. Specifications are subject to change without notice.\n\nMinimum System Requirements\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\nNOVA Black Microphone\n\nType - ack Electret condenser microphone\nElement - 18 mm pure aluminum diaphragm capsule\nPolar Pattern -\tCardioid\nFrequency Response - 20 Hz – 20 kHz\nSensitivity - -38 dB (0 dB = 1 V/Pa @ 1 kHz)\nRated Impedance - \t200Ω\nMaximum SPL - 136 dB\nPhantom Power Required - +48 V\nS/N Ratio - 77 dB\nCurrent Consumption - 3 mA\n\nHDH40 Headphones - \n\nAcoustic Design - \tDynamic, Closed\nDriver- 40 mm, neodymium\nFrequency Response - 15 Hz – 22 kHz\nSensitivity - 95 dB ±3 dB\nRated Impedance\t - 32Ω\nEarpad - Leatherette\nCable Length - 9.8 ft. / 3 m\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - \t104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range - 55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - 100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - +7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - 0.005%\nOutput Impedance - 10 Ω\n\nGeneral - \n\nPower - \tUSB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\n\n\n", "price": 26150.0, "discountamount": 5491.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "1524 cm", "276 2042 cm", "height 80", "buffer settings", "accurate 6 sound", "fastest connection", "professional recording", "piano plugins", "loop package", "powerful daw", "recording scenario", "multimedia projects", "adding voiceovers", "studiobased recording", "delay weve", "software package", "highperformance hardware", "acoustic instruments", "input signal", "warranty manual specifications", "computer hardware whats", "add worldclasssounding instruments", "mpc beats weve", "easytouse software results", "dedicated signal circuit", "ultrapristine ad converters", "guitar tone reverb", "prograde audio capture" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 523, "imageuri": "https://productimages.withfloats.com/actual/685f802de15019c44b0809f0.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f802de15019c44b0809f0.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:39:54.672Z", "updatedon": "2025-06-30T05:06:40.041Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-4-vocal-studio-pro/523", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "685ebeb0705f15cc9080b1b7", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|4 ( 2-In/2-Out 24/192 USB Audio Interface )", "description": "With the AIR 192|4, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to 2 channels at once with its dedicated XLR+¼” balanced combo input, and an all-new ¼” instrument input that has a specially-designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface.\n\nThe AIR 192|4 comes complete with a software package that has everything to get you started. With a powerful DAWs to suit your production needs, AIR 192|4 includes Ableton Live Lite, and MPC beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box\n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications\n\nMinimum System Requirements\n• macOS: 10.8 Class Compliant\n• PC: Windows 7, Windows Driver\n• Standard USB 2.0 or USB-C Port\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - 104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range -\t55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response -\t 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - \t100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (balanced, differential 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - \t+7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - \t0.005%\nOutput Impedance - \t10 Ω\n\nGeneral\n\nPower - USB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\nPremium Software Suite Included - \n\nAbleton Live Lite - Ableton Live Lite is one of the most popular performance and production programs available in the world. A powerful music creation tool, Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Explore sonic possibilities in real time whether on stage or in the studio. When you are satisfied with your work, Ableton Live Lite lets you save it or mix it down.\n\nWhatever you set out to achieve, MPC Beats will get you started. Incorporating the finest parts of the legendary MPC workflow, MPC Beats features all the essential tools for pro production. Edit samples, mixdown your tracks, find any sound with the synth engines found on the legendary MPCs, record audio and much more. MPC Beats will host your AU/VST plugins so as you expand your arsenal, know you’ll have complete compatibility with industry standard virtual studio technology.\n\nThe AIR Creative FX Collection features 20 effects that are used by some of the world’s most respected audio professionals. The AIR Creative FX Collection has been featured in many of the last decade’s top film, game and music projects. Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.\n\nThis exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\n80 effect plug-ins provided by AIR\n\nIncluded are some extra goodies to help out any podcaster, guitarist, or producer. This exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\nA new standard for guitar amplifier modeling software\n\nReValver includes ValveKing® & Custom Lite Amp Modules, 3 x cabs, 3 x mics (with multiple selectable positions), and 3x effects.\n\nAIR Music’s Mini Grand is a simple-to-use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Combining premium quality piano samples, innovative re-pedaling technology, built-in room simulation and equal and stretched tuning, Mini Grand is the go-to plugin for authentic, emotive piano sounds.\n\nAIR Music’s Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nAIR TubeSynth\n\nThe AIR TubeSynth plugin emulates the sound of vintage analog polyphonic synthesizers. Dive into a collection of warm pads, brass synths, and so much more in this massive collection of synthesizer presets.\n\nAIR Electric\n\nAIR Electric plugin is your total electric piano collection on MPC. Choose from a wide collection of keyboards like Rhodes, Wurlitzers, FM keyboards, and more. Dedicated control sections provide deep virtual control over keyboard pickups, envelope, bell and noise settings, and much more.\n\nAIR Bassline\n\nThe AIR Bassline plugin emulates the sound of classic monophonic synthesizers. Create your own unique synth patches with the integrated AIR effects sections.\n\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n", "price": 13500.0, "discountamount": 2835.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "cabs 3", "1524 cm", "276 2042 cm", "height 80", "2 channels", "air 1924", "finest parts", "mix 2 gigs", "sample playback", "amazing patch", "goto plugin", "expertly designed", "complete compatibility", "started incorporating", "real time", "impedance stage", "accurate sound", "air bassline", "air included", "air 1924 enables", "production programs", "vintage drum", "samples ranging", "noise settings", "fm synthesis", "true power", "xpand2 reveals", "broad range", "podcaster guitarist", "extra goodies", "auvst plugins", "tracks find", "essential tools", "popular performance", "buffer settings", "fastest connection", "loop package", "powerful daws", "software package", "accurate representation", "speciallydesigned gain", "music production", "wide collection", "massive collection", "music projects", "mpc choose", "musical styles", "professional recording", "piano plugins", "delay weve", "input signal", "mpc beats", "guitar tone reverb", "air music tech", "active sound slots", "mpc beats weve", "creative production mixing", "synth engines found", "easytouse audio interface", "achieve mpc beats", "diverse collection delivers", "acoustic piano sounds", "ensure professional results", "edit musical ideas", "dedicated signal circuit", "maudio account ready", "unique synth patches", "carefully created thousands", "multitimbral workstation offering", "multiple selectable positions", "respected audio professionals", "computer hardware whats", "ultrapristine ad converters", "add worldclasssounding instruments", "bass plugged directly" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 518, "imageuri": "https://productimages.withfloats.com/actual/685ebeb29e2715528655003c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685ebeb29e2715528655003c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T15:54:24.066Z", "updatedon": "2025-06-30T05:09:42.591Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-4-2-in-2-out-24-192-usb-audio-interface-/518", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "680db921a6537063180ba02a", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Ibanez Q Series QX54QM BSM Electric Guitar", "description": "Ibanez Q Series QX54QM BSM Electric Guitar\nSPECS\nneck type\tParallel Wizard3pc Roasted Maple/Bubinga neck\ntop/back/body\tQuilted Maple topNyatoh body\nfretboard\tRoasted Birdseye Maple fretboardMother of Pearl Step off-set dot inlay\nfret\tJumbo Stainless Steel frets\nnumber of frets\t24\nbridge\tIbanez Mono-Tune bridge\nstring space\t10.8mm\nneck pickup\tR1 (S) neck pickupPassive/Ceramic\nmiddle pickup\tR1 (S) middle pickupPassive/Ceramic\nbridge pickup\tQ58 (H) bridge pickupPassive/Ceramic\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nhardware color\tCosmo black\nNECK DIMENSIONS\nScale :\t648mm/25.5'\na : Width\t42mm at NUT\nb : Width\t57mm at 24F\nc : Thickness\t19mm at 1F\nd : Thickness\t19mm at 12F\nRadius :\t508mmR\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nQX54QM's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nQX54QM's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nRecommended Case\tMR350C\nGig bag included\ndyna-MIX9 switching system w/Alter Switch\nIbanez Custom String Lock\nLuminescent side dot inlay\nFeatures\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nThe Parallel Wizard neck is 19mm thick all the way through the entire length. It provides an amazing fretting-hand experience for the players who prefer their instrument held in a higher playing position. The 3pc Roasted Maple/Bubinga construction also offers excellent stability and long-term durability.\n\nQuilted Maple top / Nyatoh body\nQuilted Maple top / Nyatoh body\nThe Quilted Maple top sonically enriches the response for picking. Nyatoh used as body wood provides a rich mid-low end.\n\nR1 / Q58 S-S-H pickups\nR1 / Q58 S-S-H pickups\nThe R1 / Q58 pickup combo is designed specifically for use in headless guitars. They provide a clearly defined sound, facilitating excellent tonal balance through all frequencies. The lows are powerful without being muddy, and the highs are bright and clear, but never harsh. As a result, every single note within the chord structure is well defined, and clearly audible. These pickups, with their tonal balance, and extremely low noise performance, work extremely well with both digital and analog effects.\n\nCustom string lock\nCustom string lock\nThis custom string lock is one-piece unit that features very simple construction. This means the hardware requires less maintenance, is highly durable, and allows for very easy string changes. Additionally, no proprietary string is required, so you can continue to use your favorite gauge and brand.\n\nMono-Tune bridges\nMono-Tune bridges\nThe Mono-Tune bridges offer a wide intonation range so that you can easily set the instrument up for tuning down a whole step or even further. The string height is also easily adjustable, and each saddle generally has less material, which leads to more natural and organic tone.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSlanted frets\nSlanted frets\nAll of the frets are equally slanted at an 8-degree angle. Many contemporary players tend to favor a much higher playing positon to execute more effectively, highly technical and intricate techniques like tapping, finger style, and even occasional bass-inspired slap riff. This higher position results in the four fretting fingers naturally tilting slightly inwards. This 8-degree inward tilt of the frets perfectly accommodates this and offers a more natural feeling and comfortably playing guitar.\n\nRoasted Birdseye Maple fretboard\nRoasted Birdseye Maple fretboard\nThe beautiful Birdseye Maple fretboard imbues this model with an exotic appearance . The fretboard is heat-treated for a balanced attack and rich sustain.\n\nJumbo Stainless Steel frets\nJumbo Stainless Steel frets\nStainless steel frets boast excellent corrosion resistance. The wide and tall fret-type offers a quick response and effortless articulation when playing chords and clear tone when playing single notes.\n\nErgonomic body design\nErgonomic body design\nThe body features a number of strategically placed curves on both the top and back of the instrument. This complex, yet sophisticated design provides maximum playing comfort.\n\nCompact and light-weight, yet resonant body\nCompact and light-weight, yet resonant body\nWhile it is really compact and light-weight, its non-chambered, solid body provides great sound with rich woody tones.\n\nLuminescent side dot inlays", "price": 101544.0, "discountamount": 11000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "instrument held", "clear tone", "quick response", "natural feeling", "8degree angle", "mini switch", "alter switch", "body features", "great sound", "sophisticated design", "effortless articulation", "balanced attack", "exotic appearance", "intricate techniques", "equally slanted", "humbucking sound", "sound variations", "saddle generally", "easily adjustable", "easily set", "favorite gauge", "hardware requires", "simple construction", "onepiece unit", "tonal balance", "chord structure", "headless guitars", "designed specifically", "picking nyatoh", "entire length", "19mm thick", "thickness 19mm", "width 57mm", "width 42mm", "dynamix 9 offers", "string height", "proprietary string", "easy string", "body wood", "highly durable", "single note", "playing chords", "resonant body", "resonant body compact", "frets perfectly accommodates", "contemporary players tend", "wide intonation range", "tall frettype offers", "custom string lock", "offers excellent stability", "nonchambered solid body", "effectively highly technical", "single coil modes", "higher playing positon", "higher playing position", "higher position results", "tapping finger style", "monotune bridges offer", "amazing frettinghand experience", "parallel wizard neck" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 510, "imageuri": "https://productimages.withfloats.com/actual/680db922a742d9b0452b0975.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/680db922a742d9b0452b0975.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-04-27T04:57:05.291Z", "updatedon": "2025-04-27T04:57:05.291Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ibanez-q-series-qx54qm-bsm-electric-guitar/510", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Ibanez ", "category": "Electric guitar", "tags": [ "Ibanez Q Series QX54QM BSM Electric Guitar", "Ibanez Q Series QX54QM PRICE", "Ibanez QX54QM BSM Electric Guitar price", "Ibanez Q Series QX54QM BSM Electric Guitar price", "Ibanez Electric Guitar price in India", "Ibanez Q Series Electric Guitar price", "Ibanez Electric Guitar shop in delhi", "Ibanez Electric Guitar" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "6136dff0541b3500011668eb", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "FENDER T-BUCKET 400CE ACOUSTIC-ELECTRIC GUITAR", "description": "The fabulous-looking T-Bucket 400CE acoustic-electric guitar stands out from the pack with elegant aesthetics and rocking Fender tone. This stage-ready instrument makes a strong sonic and visual statement with its slick contemporary style and robust onboard active electronics. An exciting alternative to traditional acoustic guitars, this guitar is for the player who wants something different than the norm.\n\nFEATURES\nCutaway dreadnought acoustic-electric guitar\nFishman® Isys™ III pickup system with active preamp, tuner, volume and tone controls\nPremium-grade figured maple top with quartersawn scalloped ”X”-bracing; premium–grade lacewood back\nBound maple neck with “C”-shaped profile; 20-fret rosewood fingerboard\nGraphTech® NuBone™ nut and compensated saddle\nFree Guitar Bag and 4-Picks\nFISHMAN® PREAMP WITH BUILT-IN TUNER\nFISHMAN® PREAMP WITH BUILT-IN TUNER\n\nA Fishman® pickup/preamp system gives your acoustic instrument peerless amplified performance, with a variety of onboard controls and no compromise whatsoever on pure, rich and resonant acoustic tone. The built-in tuner is conveniently placed right where you can see it, helping to keep your intonation right on the money.\n\nSCALLOPED BRACING\nSCALLOPED BRACING\n\nScalloped bracing is thinner than more conventional bracing. That means that the bracing pattern inside the guitar uses less wood, which means that soundboard mass is reduced. This lets the top resonate more freely, resulting in better tone with more nuance and greater projection.\n\nGRAPHTECH NUT AND BRIDGE SADDLE\nGRAPHTECH NUT AND BRIDGE SADDLE\n\nGraphTech string nuts and bridge saddles enhance the sustain, clarity and tonal consistency of an acoustic instrument. Neither too soft nor too brittle, they eliminate troublesome string binding, and they deliver performance, workability and appearance that easily outdo other plastics and come remarkably close to real bone.\n\nBODY\nBody Back: Laminated Lacewood\nBody Sides: Laminated Lacewood\nBody Top: Laminated Flame Maple\nBody Finish: Gloss\nBody Shape: Dreadnought Cutaway\nBody Binding: Tortoiseshell\nBracing: Scalloped X\nRosette: Rosewood with Aged White Outline\nNECK\nNeck Material: 3-Piece Laminated Maple\nNeck Binding: Tortoiseshell\nNeck Finish: Gloss\nNeck Shape: \"C\" Shape\nScale Length: 25.3\" (643 mm)\nFingerboard Material: Rosewood\nFingerboard Radius: 11.81\" (300 mm)\nNumber of Frets: 20\nFret Size: Vintage Style\nNut Material: Graph Tech® NuBone\nNut Width: 1.69\" (43 mm)\nPosition Inlays: Inlays at 3rd, 5th, 7th, and 9th frets. Special \"F\" inlay at 12th fret. White side dots\nTruss Rod: Dual-Action\nELECTRONICS\nSpecial Electronics: Fishman® Isys III System with Active Onboard Preamp and Tuner\n\nHARDWARE\nBridge: Rosewood-Based Vintage-Style Fender® \"Viking\" Bridge with Compensated Graph Tech® Nubone™ Saddle\nBridge Pins: Black with White Dots\nHardware Finish: Chrome\nTuning Machines: Chrome Die-Cast\nPickguard: None", "price": 29575.0, "discountamount": 4475.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 435, "imageuri": "https://productimages.withfloats.com/actual/6136dff18f2fb70001f64679.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6136dff18f2fb70001f64679.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-09-07T03:43:44.301Z", "updatedon": "2021-09-07T03:43:44.301Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fender-t-bucket-400ce-acoustic-electric-guitar/435", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "FENDER", "category": "ELECTRO ACOUSTIC GUITARS", "tags": [ "FENDER T-BUCKET 400CE ACOUSTIC-ELECTRIC GUITAR" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "612b71344fd5270001c17d90", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "HOHNER Harmonica Marine Band Crossover C M2009016X", "description": "HOHNER Harmonica Marine Band Crossover C M2009016X\n\nTHE FUTURE OF HARMONICAS\nA hundred years down the road, the blues is still one of the most influential musical genres around. Its impact can be heard in the pop hymns, rock songs, and even hip hop tracks from all over the world. So we decided to design a new high-end harmonica for the blues and all the styles which grew out of it, using sustainable raw materials, with a powerful original sound that would meet the needs of this new generation of professional musicians. The result: The Crossover. The patented laminated bamboo comb is completely water resistant and extremely airtight, the tone is bright and crisp and the modern compromise tuning is ideal for single note playing, whether acoustic or amplified, while still retaining a full chord sound. Whether you’re into blues, rock, jazz, or soul, the Crossover provides you with the power, sound, and feel you need to bring your dreams to life. Cross over into a new world of harmonica!\n\nFEATURES\nm2009016x-1.jpg\nCOMPLETELY ASSEMBLED WITH SCREWS\nCompletely assembled with screws for easy maintenance\n\nm2009016x-2.jpg\nREINFORCED COVERS WITH SIDE VENTS AND OPEN BACK\nCovers with side vents, opened up at back for greater volume and stability\n\nm2009016x-3.jpg\nTRIPLE LAQUERED BAMBOO COMB\nPatented bamboo comb sealed with 2 layers of clear lacquer plus UltraGlide coating on mouthpiece to completely eliminate swelling\n\nm2009016x-4.jpg\nENHANCED PLAYING COMFORT\nReed plate edges and channel openings rounded off for greater playing comfort\n\nm2009016x-5.jpg\n\nMODERN COMPROMISE TUNING\nPerfect for single note playing as well as full chord sound in all contemporary styles\nm2009016x-6.jpg\nZIPPER CASE\nSturdy zipper case allows moisture to evaporate while keeping dust out dust out\n \nTECHNICAL DETAILS\nReed plates (material, thickness): brass, 0.9 mm\nReed plates (surface): brass\nReeds (number, material): 20, brass\nComb (material, color): bamboo, blonde\nComb (finish): triple lacquered\nMouthpiece (surface): bamboo\nCover plates: stainless steel\nKeys: C\nType: diatonic\nTuning: Richter\nNumber of holes: 10\nTonal range *: 3 octaves\nLength: 10 cm / 3.9”", "price": 0.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 411, "imageuri": "https://productimages.withfloats.com/actual/612b713b4ade6c0001b6cacb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/612b713b4ade6c0001b6cacb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-29T11:36:20.204Z", "updatedon": "2021-08-29T11:36:20.204Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/hohner-harmonica-marine-band-crossover-c-m2009016x/411", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "HOHNER", "category": "Harmonica", "tags": [ "HOHNER Harmonica Marine Band Crossover C M2009016X" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }