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{ "products": [ { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. 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It offers a massive selection of sounds to cover nearly any style—including a wide range of regional folk instruments—plus support for adding more with World Expansion titles on Roland Cloud. The keyboard also provides powerful tools to enhance performances and creative sessions, such as an Audio Player with independent pitch and speed control, per-tone scale tuning, a class-compliant USB-C audio/MIDI interface, and more.\n\nStandard Features\nXPS-10X\nView the Gallery\nXPS-10X\nAcclaimed Roland Sounds\nThe XPS-10X features over 1600 diverse sounds from the core XPS-60 library, including pianos, organs, guitars, basses, orchestral instruments, synths, drums, and more. In addition, there are many folk instrument selections to perform with authentic local sounds from regions around the world.\n\nXPS-10X\nAdd Global Instruments with the World Expansion Series\nThe XPS-10X also supports region-specific sound collections from the World Expansion series on Roland Cloud. Each title includes new waveforms and tone data, allowing you to discover rare instrument sounds from India, Mexico, South America, Southeast Asia, and more. World Expansions can be purchased and installed via Roland Cloud Manager on a computer or the XPS Tone Loader app for mobile devices.\n\n Explore the World Expansion Series\nXPS-10X\nPortable Inspiration\nLike all instruments in the XPS series, the XPS-10X delivers excellent playability in a robust and rugged design. The expressive 61-note keyboard offers outstanding feel, and you can power the instrument with a rechargeable mobile battery for the ultimate grab-and-go convenience.\n\nXPS-10X\nFree-Flowing Sound Creation\nWith its ergonomic panel layout, performing and composing with the XPS-10X is a joy. Call up tones with intuitive category buttons and set up favorites for quick access. Split and layer tones, change the octave range and transposition, and apply arpeggio and chord memory functions with quick button presses. When you’re done, save the complete setup within a Scene memory for one-touch recall on stage.\n\nXPS-10X\nPerform with Backing Music\nThe XPS-10X’s Audio Player function makes elevating your performances with backing music easy. Connect a USB flash drive with your WAV/AIFF audio files, assign them to the eight phrase pads, and launch them as you play. Pitch and playback speed are independently adjustable for each file, allowing you to match a vocalist's singing range or change the tempo to suit the mood.\n\nXPS-10X\nMulti-Function Phrase Pads\nAlong with song playback, the XPS-10X phrase pads can trigger onboard drum sounds or imported samples in real time. You can also use them as part select and part mute buttons while working with the step sequencer.\n\nXPS-10X\nAccessible Scale Settings\nJust like the XPS-60, the XPS-10X allows you to set the optimal scales for each tone individually so they’re ready to play when needed. When Transpose Sync is enabled, your custom scale settings will automatically follow the current keyboard transpose button setting.\n\nXPS-10X\nStep Sequencer\nThe eight-track step sequencer is ideal for sketching song ideas and creating interactive backing with the XPS-10X’s onboard sounds. The arpeggio function and built-in rhythms automatically synchronize with the sequencer, ready to bring fresh energy to your keyboard performances.\n\nXPS-10X\nConnect with Computers and Mobile Devices\nThe XPS-10X’s class-compliant USB-C audio/MIDI interface lets you perform and record with music apps or stream gig audio via your phone. And with integrated computer DAW control, you can operate functions in your favorite software platform from the XPS-10X panel. The XPS Tone Loader app also communicates via USB-C, allowing you to purchase and install World Expansion titles using your smartphone or tablet.\n\n Learn More About the XPS Tone Loader", "price": 73500.0, "discountamount": 8600.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 622, "imageuri": "https://productimages.withfloats.com/actual/68a5fceefe1cedd0c02960b2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a5fceefe1cedd0c02960b2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-20T16:50:48.136Z", "updatedon": "2025-09-07T08:17:02.958Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-xps-10x-expandable-synthesizer/622", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland ", "category": "SYNTHESIZER ", "tags": [ "ROLAND XPS-10X Expandable Synthesizer", "ROLAND XPS-10X Expandable Synthesizer PRICE" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6891c7630f05049239d728c9", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "NUX DP-2000 Digital Percussion Pad", "description": "Introducing the brand new NUX DP-2000, a powerful integrated percussion pad. With its 8 velocity sensitive independent strike pads, the DP-2000 not only includes the high standard acoustic drum samples from our flagship DM-8 kit, but it also includes folk percussion and electronic sound samples. What’s more, you can expand your sound library by importing your own drum samples with a U disk. Additionally, the DP-2000 includes inputs for external triggers. Easily add a hi-hat pedal and external kick drum, making the DP-2000 a mini e-drum kit.\n\n\nHigh Quality Sound Library\nIntroducing the brand new NUX DP-2000, a powerful integrated percussion pad. With its 8 velocity sensitive independent strike pads, the DP-2000 not only includes the high standard acoustic drum samples from our flagship DM-8 kit, but it also includes folk percussion and electronic sound samples. What’s more, you can expand your sound library by importing your own drum samples with a U disk. Additionally, the DP-2000 includes inputs for external triggers. Easily add a hi-hat pedal and external kick drum, making the DP-2000 a mini e-drum kit.\n\n\nNewly Designed Color Screen\nThe DP-2000 sports a newly designed UI interactive interface making for a smooth and positive workflow .\n\nThese 8 velocity sensitive strike pads all have LED lights, and the brightness changes with dynamic playing and tone length, making for an expressive light show on any darkened stage.\n\n\nEven More Possibilities\nThe DP-2000 will find its way into your drumming ecosystem, either onstage next to your acoustic drum kit, or use the MIDI In/Out ports make it a secondary drum brain by connecting it to your already existing e-drum kit.\n\n\nEffects\nThe DP-2000 includes six on board effects, which can be assigned to the percussion pads or as BUS effects via the FX function on the panel.\n\n\nI/O\n\nUSB-C Port-The Best And Most Powerful Friend Of DP-2000\nEasily expand your sound library for the DP-2000, by making use of the included USB port and a USB drive loaded with your favorite drum and percussion samples. The DP-2000 also supports WAV music playback via USB drive, making it a great performance and practice instrument.\n\n\nOf course, you can also connect to our NUX provided Bluetooth module NBT-1 through this USB-C port, which supports Bluetooth audio and Bluetooth MIDI functions.\n\n\nStrike Pad And Expansion\nWant to expand beyond the included pads? Not a problem. The DP-2000 includes three ¼” (6.35mm) jacks can be connected to an extra trigger, hi-hat pedal, and a kick drum pedal, enabling you to create a set of mini but mighty electronic drums.\n\n\n", "price": 23473.0, "discountamount": 4023.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 606, "imageuri": "https://productimages.withfloats.com/actual/6891c767b942df89a967b6e2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6891c767b942df89a967b6e2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-05T08:57:07.048Z", "updatedon": "2025-08-05T08:57:07.048Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/nux-dp-2000-digital-percussion-pad/606", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "NUX", "category": "Digital Percussion Pad", "tags": [ "NUX DP-2000 Digital Percussion Pad", "A powerful integrated percussion pad", "nux dp 2000 octapad", "NUX DP2000 PAD PRICE", "nux dp 2000 octapad price delhi india", "nux india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6864009eca2e6c61c5b79752", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX3 BT Bluetooth® Monitors", "description": "M-Audio BX3 BT Bluetooth®-enabled multimedia reference monitors deliver professional sound in an attractive compact design. Engineered for a pristine listening experience with the flexibility to stream music and audio from any Bluetooth® device, BX3 BT monitors have the latest Bluetooth® technology combined with rich studio-quality sound.\n\nAmazing Sound, Compact Form\nDesigned to deliver a great listening experience, M-Audio's BX3 BT monitors provide 120 Watts of amazing sound inside a bold, style-driven compact design that provides the ultimate solution for pro-grade sound. The two-way design features an Acoustically-inert MDF cabinet with bass reflex that provides robust lows through the Black Kevlar® drivers. Plus, enhanced rear ports and computer-optimized natural silk dome tweeters deliver the full spectrum of frequencies needed for any song, movie, or video game to sound big and lifelike!\n\nConnect Your Devices\nThe BX3 BT's front and rear panel offer all the connections you would need to connect any playback device. The rear panel features 1/4“, 1/8”, and RCA inputs, while the front panel features 1/8-inch aux input a headphone connection that turns the speakers off for private listening. Very helpful for those late nights in the home office or mixing sessions where you don't want to disturb anyone.\n\nActive Speaker Controls & EQ\nM-Audio BX3 BT features controls on the rear panel that let you customize the EQ and active speaker placement. High-EQ and Low-EQ controls enable anyone to add some extra rumble or clarity to their music. The Left/Right Active Speaker Position switch lets you choose which speaker is the Left or Right side. This is very useful if you are left-handed and want the speaker with the front panel volume control on your left side.\n\nKey Features - \n\n1. Bluetooth® Connectivity – Easily pair with any Bluetooth-enabled device for wireless streaming\n2. Black Kevlar® low frequency drivers; 1“ natural silk dome tweeters\n3. New computer-optimized tweeter waveguide for precise imaging\n4. High-EQ and Low-EQ controls for dialing in the perfect sound\n5. Enhanced rear ports for extended low-frequency response\n6. Left/right Active Speaker Position switch for configuring which side has volume control\n7. Bluetooth, 1/4”, 1/8“, and RCA inputs for connecting to virtually any audio source\n8. Front 1/8” AUX input for quick connection of smartphones or other audio sources\n9. Acoustically-inert MDF cabinet with bass reflex design for deep, rich sound\n10. Includes 1/8“ speaker interconnect cable, 1/8” to 1/8“ cable and 1/8” to RCA cable\n\nTechnical Specifications - \n\nFrequency Response - 80 Hz – 22 kHz\nOutput Power - 120 W (total peak), 2 x 25 W (RMS)\nLF Drivern- 3.5“ / 88.9 mm\nHF Driver - - 1” / 25.4 mm; silk dome\nAudio Inputs - (1) RCA stereo input pair / (2) 1/4“ (6.35 mm) TRS inputs / (1) 1/8” (3.5 mm) stereo auxiliary input\nHeadphone Output - 1/8“ (3.5 mm) stereo output\nInterconnection Cable - \t1/8” (3.5 mm) TRS Bluetooth Range 100' (30.5 m)\nPower\t - 100–240 VAC, 50/60 Hz, 85 W\nDimensions - 5.5“ x 5.7” x 8.2\"\n(width x depth x height, per speaker)\n140 x 145 x 208 mm\nWeight\t7.39 lbs.\n(per speaker)\n3.35 kg", "price": 17200.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "82 width", "dimensions 55", "18 cable", "speaker 140", "speaker 335 kg", "lifelike connect", "stream music", "total peak 2", "quick connection", "bluetoothenabled device", "extra rumble", "mixing sessions", "home office", "late nights", "headphone connection", "rca inputs", "playback device", "video game", "song movie", "frequencies needed", "full spectrum", "robust lows", "ultimate solution", "sound big", "prograde sound", "private listening", "loweq controls", "bass reflex", "rear panel", "bass reflex design", "loweq controls enable", "rear panel offer", "amazing sound inside", "pristine listening experience", "enhanced rear ports", "computeroptimized tweeter waveguide", "bx3 bts front", "black kevlar drivers", "acousticallyinert mdf cabinet", "twoway design features" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 544, "imageuri": "https://productimages.withfloats.com/actual/686400a8b9165a004e21f91a.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/686400a8b9165a004e21f91a.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:37:02.019Z", "updatedon": "2025-07-01T15:37:02.019Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx3-bt-bluetooth-monitors/544", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8fd6c786f1f0001618d34", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Fluid Audio SRI-2", "description": "Featuring a robust aluminum chassis, the SRI-2 interface is a sturdy piece of gear reminiscent of the “old school” studios. Along with the striking design comes exceptional 21st century audio quality and functionality. Best-in-class digital converters capture the detailed nuance of every recording. The large volume knob provides accurate control of the output level, and direct monitoring provides zero-latency tracking. The 2 XLR/TRS combo inputs are conveniently mounted on the front of the SRI-2, so you can easily plug in your instrument or mic. The truly unique innovation of the SRI-2, however, is the speaker switching capability, which allows you to A-B your mix on two sets of speakers (with one of them hopefully being from Fluid Audio).\n\nBig Volume Knob\n\nEasy to reach on the top surface, the knob is solid aluminum with rubber grip for good weight and feel\n\nInputs\n\nTwo combo XLR/TRS inputs are front mounted for easy access. 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Use it on the go on your laptop or iPad with the included Cubasis LE Software (with Apple iPad Camera Connection Kit, not included) Includes Cubase LE for windows and OSX\n\nWDM / ASIO / Core Audio\n\nNo drivers needed for Windows or OSX. 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And it goes a step further, with a software suite of 5 award-winning UAD plug-in titles, featuring Collections from Teletronix,® Pultec,® and UA.\n \nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo Solo USB Heritage Edition gives you 5 premium plug-in titles worth over $1,300 — including the full suite of UA's Teletronix and 1176 compressors, all Pultec EQs, UA 610 Unison mic preamps, and Pure Plate Reverb. These premium Heritage Edition titles are in addition to Apollo Solo USB's included \"Realtime Analog Classics\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nThe full UAD plug-in library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs — with more being added regularly. These are the exact same plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.\n\nTwo Unison Preamps: The Sound of Neve, Helios, API, Avalon & More\nApollo Solo USB Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nUnison technology is also found on Apollo Solo USB's front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more.\n\nBuilt for Musicians, Electronic Producers, and Songwriters\nApollo Solo USB Heritage Edition features robust all-metal construction, best-in-class headphone amplifier, and superior audio conversion. It’s perfect for musicians, songwriters, and electronic music producers who need UA quality in a compact package.\n\nKey Features\n● A special edition of UA's popular Apollo Solo USB interface — with a premium suite of 5 award-winning plug-in titles from Teletronix,® Pultec,® and UA — a $1,300 value\n● UAD SOLO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency\n● Unison mic preamp and guitar amp emulations from Neve,® API,® Avalon,® Manley,® Marshall,® Fender,® and more\n● Runs UAD Powered Plug-Ins via VST, AU, and AAX 64 formats in major DAWs\n● Compatible with Pro Tools, Cubase, Ableton Live, and more**\n● Best-in-class headphone amplifier for loud, detailed, low-noise monitoring\n● Uncompromising analog design, superior components, and premium build quality\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n \n*Apollo Solo USB Heritage Edition includes 5 premium UAD plug-in titles, plus the “Realtime Analog Classics” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.\n **Apollo Solo USB is not compatible with LUNA Recording System.\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nUA 610 Tube Preamp & EQ Collection\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Bundle:\nUA 610-B Tube Preamp & EQ\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nMarshall® Plexi Classic Guitar Amp\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nRaw Distortion\nAmpeg® SVT-VR Classic Bass Amp\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler", "price": 69675.0, "discountamount": 8000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "API", "SSL", "VST", "UA.", "Neve", "tone", "Avalon", "Manley", "Fender", "Legacy", "robust", "Cubase", "uaudio", "Helios", "Windows", "Ableton", "Dr. Dre", "addition", "benefits", "property", "matching", "Musicians", "Pro Tools", "The Sound", "full suite", "Ampex tape", "everything", "trademarks", "UA quality", "major DAWs", "Pultec EQs", "100 titles", "Songwriters", "hit records", "zero latency", "Key Features", "full library", "Foo Fighters", "$1,300 value", "tape machines", "premium suite", "Pultec Pro EQ", "Billie Eilish", "software suite", "AAX 64 formats", "Raw Distortion", "Kendrick Lamar", "Lexicon reverbs", "input impedance", "compact package", "bass amp models", "hallmark feature", "accurate library", "1176 compressors", "Pultec EQP-1A EQ", "Unison technology", "A Special Edition", "respective owners", "metal construction", "UA 610 Tube Preamp", "UAD plug-in bundle", "stage “sweet spots", "Other UAD plug-ins", "Two Unison Preamps", "exact same plug-ins", "vintage compressors", "USB Audio Interface", "guitar amp plug-ins", "superior components", "UA 610-B Tube Preamp", "solid-state mic pres", "Electronic Producers", "UAD Powered Plug-Ins", "classic Moog filters", "Precision Delay Mod L", "guitar amp emulations", "LUNA Recording System", "premium build quality", "two Unison mic preamps", "Realtime UAD Processing", "5 premium plug-in titles", "UAD SOLO Core Processing", "full UAD plug-in library", "superior audio conversion", "classic analog emulations", "UA 610 Unison mic preamps", "class headphone amplifier", "electronic music producers", "Precision Reflection Engine", "professional audio interface", "UA 1176SE Limiting Amplifier", "Pultec Passive EQ Collection", "5 premium UAD plug-in titles", "Uncompromising analog design", "Precision Mix Rack Collection", "knowledgeable audio engineers", "Iconic UAD Analog Collections", "5 award-winning plug-in titles", "exacting mic preamp emulations", "two Unison-enabled mic preamps", "Universal Audio Apollo Solo USB", "EQ\nUA 1176LN Limiting Amplifier", "Realtime Analog Classics Bundle", "EQ Collection\nPure Plate Reverb", "premium Heritage Edition titles", "RealVerb Pro Custom Room Modeler", "Apollo \"Heritage Edition\" Bundle", "Realtime Analog Classics\" bundle", "Apollo Solo USB Heritage Edition", "popular Apollo Solo USB interface", "class-leading UA audio conversion", "front-panel Hi-Z instrument input", "component-level circuit behaviors", "UA 1176 Classic Limiter Collection", "Marshall® Plexi Classic Guitar Amp", "5 award-winning UAD plug-in titles", "Teletronix LA-2A Leveling Amplifier", "loud, detailed, low-noise monitoring", "Free, industry-leading technical support", "proprietary hardware-software integration", "SOLO Core realtime UAD plug-in processing", "Teletronix LA-2A Classic Leveler Collection", "Ampeg® SVT-VR Classic Bass Amp\nPrecision Channel Strip" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 465, "imageuri": "https://productimages.withfloats.com/actual/61a8fafc54732f0001794cca.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fafc54732f0001794cca.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:57:30.548Z", "updatedon": "2021-12-02T16:57:30.548Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-apollo-solo-usb-usb-audio-interface-for-windows-heritage-edition-/465", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Universal Audio Apollo Solo USB - USB Audio Interf", "(for Windows) [Heritage Edition]" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68bc323ddc6ff268b2215197", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio 1176 LN", "description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.", "price": 344205.0, "discountamount": 8606.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 628, "imageuri": "https://productimages.withfloats.com/actual/68bc32447835a9672ae7dffc.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68bc32447835a9672ae7dffc.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-09-06T13:08:13.946Z", "updatedon": "2025-09-06T13:08:13.946Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-1176-ln/628", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "Universal Audio Classic Limiting Amplifier", "tags": [ "Universal Audio Classic Limiting Amplifier", "Universal Audio 1176 LN" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68bc2f31516b6e59ba196329", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio LA-610MK2", "description": "LA-610 mkII classic tube recording channel\n\nA classic tube mic preamp & LA-2A-style compressor in a single unit.\n\nThe LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.\nThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\n\nKey Features\nAll-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\nAuthentic Teletronix LA-2A-style T4 opto-compressor section\nMkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\nMic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\nHigh and Low frequency shelving EQ\nComplete vintage channel strip at groundbreaking price within project studio reach\nUA build quality and heritage, audiophile components, hand-assembled in the USA\nBacked by 1-Year limited warranty\n\nNow you can\nRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\nCompress signals with authentic Teletronix T4 opto-compression tube circuitry\nShape your tones further with High and Low frequency shelving tube EQ\nRecord your tracks through vintage UA, “handmade in the USA,”“ circuits\n\nThe Legendary 610 Preamp\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 MkII will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.\n\nToneful Tube Compression\nThe LA-610 Mk II’s T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or ”\"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. 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