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{ "products": [ { "_id": "65bf341645a4a11780c23cc2", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier", "description": "KC-220 Battery Powered Stereo Keyboard Amplifier\tKC-220\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nOffering full-range stereo sound and battery-powered operation, the three-channel KC-220 is the ultimate mobile keyboard amp. It also excels as a mini PA, thanks to its built-in DSP effects, dedicated auxiliary input, and support for an XLR vocal mic. Delivering big sound in a super-portable package, the KC-220 is a must-have amp for rehearsals, street performances, and gigging on the go.\n\nHome\nKC-220Features\tSpecs\tAccessories\tSupportTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nBattery-powered stereo keyboard amplifier\nHighly efficient power section with 30 watts of power (15 watts x 2)\nTwo newly developed custom 6.5-inch woofers and two custom tweeters\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nBuilt-in DSP effects: reverb and two chorus types\nXLR mic input, mono/stereo line output, and headphones output\nMetal jacks for increased durability\nRuns on eight AA batteries or included AC adapter; removable cartridge for easy battery replacement\nBuilt-in tilt-back stand and integrated mount for optional ST-A95 speaker stand\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-220 delivers full-range stereo sound with 30 watts of power (15 watts x 2), two newly designed 6.5-inch speakers, and two custom tweeters. Paired with an advanced power section optimized for efficient battery operation, the KC-220 smoothly reproduces the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard 3+1 Mixing\nCompact and convenient, the KC-220 is a complete stereo mixing system that travels everywhere you need to play. Three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments, and Channel 1 also includes an XLR input for using a vocal mic. There’s a dedicated aux channel as well, with 1/8-inch and RCA inputs for connecting smartphones, music players, and other devices.\n\nStereo Effects and EQ\nIt’s easy to enhance your sound with the KC-220’s high-quality DSP effects. Normal and wide stereo chorus effects are provided, plus a lush stereo reverb for vocals and instruments. And for hands-free operation on stage, effects on/off can be controlled with an optional footswitch. The KC-220 also includes high and low EQ for shaping the overall sound to suit the venue.\n\nVersatile Connectivity\nThe KC-220 is equipped with mono/stereo line outputs, allowing you to interface with PA systems, stage monitors, or recording devices. Plugging into the Phones jack mutes the onboard speakers, perfect for private practice sessions and checking sounds on stage with headphones.", "price": 58132.0, "discountamount": 9232.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "go", "off", "must", "TIME", "side", "have", "WORTH", "needs", "today", "venue", "KC amp", "sounds", "low EQ", "vocals", "Normal", "organs", "mini PA", "honored", "1/8-inch", "30 watts", "XLR input", "stage rig", "RCA jacks", "Keyboards", "master EQ", "dedicated", "big sound", "RCA inputs", "3+1 Mixing", "The KC-220", "AC adapter", "PA systems", "rehearsals", "two decades", "smartphones", "Metal jacks", "aux channel", "synthesizers", "KC benchmark", "XLR mic input", "drum machines", "overall sound", "music players", "other devices", "XLR vocal mic", "Stereo Effects", "stage monitors", "auxiliary input", "rhythm machines", "mixing features", "tilt-back stand", "integrated mount", "new enhancements", "onboard speakers", "keyboard players", "two chorus types", "complete control", "working musicians", "recording devices", "headphones output", "6.5-inch speakers", "latest generation", "lush stereo reverb", "eight AA batteries", "lasting durability", "optional footswitch", "street performances", "removable cartridge", "two custom tweeters", "hands-free operation", "three-channel KC-220", "88-note stage pianos", "wide frequency range", "versatile connectivity", "super-portable package", "advanced power section", "full-range stereo sound", "efficient power section", "custom 6.5-inch woofers", "easy battery replacement", "mono/stereo line outputs", "high-quality DSP effects", "private practice sessions", "battery-powered operation", "wide stereo chorus effects", "efficient battery operation", "powerful high-fidelity sound", "other electronic instruments", "ultimate mobile keyboard amp", "KC Series Keyboard Amplifiers", "complete stereo mixing system", "three 1/4-inch input channels", "Electronic Musical Instruments", "various electronic instruments", "Three 1/4-inch line input channels", "Battery-powered stereo keyboard amplifier", "optional ST-A95 speaker stand Full-Range Sound", "KC-220Features Specs Accessories SupportTweet Facebook Pinterest", "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier KC-220 Battery Powered Stereo Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 494, "imageuri": "https://productimages.withfloats.com/actual/65bf3417c355a61540e5dfe4.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf3417c355a61540e5dfe4.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T06:52:06.124Z", "updatedon": "2024-02-04T06:54:45.146Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-220-battery-powered-stereo-keyboard-amplifier/494", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland KC-220 Battery Powered Stereo Keyboard A", "KC-220 Battery Powered Stereo Keyboard Amplifier", "ROLAND KC220", "Roland Price India", "Authorised Dealer Roland", "Authorised Dealer Roland", "Roland India", "roland", "kc220", "Keyboard Amplifier", "kc220 roland", "roland kc220 price in india", "Roland Authorised Online Dealer", "roland stoer india", "roland shop delhi", "roland shop india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "685ebeb0705f15cc9080b1b7", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|4 ( 2-In/2-Out 24/192 USB Audio Interface )", "description": "With the AIR 192|4, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to 2 channels at once with its dedicated XLR+¼” balanced combo input, and an all-new ¼” instrument input that has a specially-designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface.\n\nThe AIR 192|4 comes complete with a software package that has everything to get you started. With a powerful DAWs to suit your production needs, AIR 192|4 includes Ableton Live Lite, and MPC beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box\n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications\n\nMinimum System Requirements\n• macOS: 10.8 Class Compliant\n• PC: Windows 7, Windows Driver\n• Standard USB 2.0 or USB-C Port\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - 104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range -\t55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response -\t 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - \t100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (balanced, differential 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - \t+7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - \t0.005%\nOutput Impedance - \t10 Ω\n\nGeneral\n\nPower - USB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\nPremium Software Suite Included - \n\nAbleton Live Lite - Ableton Live Lite is one of the most popular performance and production programs available in the world. A powerful music creation tool, Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Explore sonic possibilities in real time whether on stage or in the studio. When you are satisfied with your work, Ableton Live Lite lets you save it or mix it down.\n\nWhatever you set out to achieve, MPC Beats will get you started. Incorporating the finest parts of the legendary MPC workflow, MPC Beats features all the essential tools for pro production. Edit samples, mixdown your tracks, find any sound with the synth engines found on the legendary MPCs, record audio and much more. MPC Beats will host your AU/VST plugins so as you expand your arsenal, know you’ll have complete compatibility with industry standard virtual studio technology.\n\nThe AIR Creative FX Collection features 20 effects that are used by some of the world’s most respected audio professionals. The AIR Creative FX Collection has been featured in many of the last decade’s top film, game and music projects. Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.\n\nThis exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\n80 effect plug-ins provided by AIR\n\nIncluded are some extra goodies to help out any podcaster, guitarist, or producer. This exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\nA new standard for guitar amplifier modeling software\n\nReValver includes ValveKing® & Custom Lite Amp Modules, 3 x cabs, 3 x mics (with multiple selectable positions), and 3x effects.\n\nAIR Music’s Mini Grand is a simple-to-use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Combining premium quality piano samples, innovative re-pedaling technology, built-in room simulation and equal and stretched tuning, Mini Grand is the go-to plugin for authentic, emotive piano sounds.\n\nAIR Music’s Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nAIR TubeSynth\n\nThe AIR TubeSynth plugin emulates the sound of vintage analog polyphonic synthesizers. Dive into a collection of warm pads, brass synths, and so much more in this massive collection of synthesizer presets.\n\nAIR Electric\n\nAIR Electric plugin is your total electric piano collection on MPC. Choose from a wide collection of keyboards like Rhodes, Wurlitzers, FM keyboards, and more. Dedicated control sections provide deep virtual control over keyboard pickups, envelope, bell and noise settings, and much more.\n\nAIR Bassline\n\nThe AIR Bassline plugin emulates the sound of classic monophonic synthesizers. Create your own unique synth patches with the integrated AIR effects sections.\n\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n", "price": 13500.0, "discountamount": 2835.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "cabs 3", "1524 cm", "276 2042 cm", "height 80", "2 channels", "air 1924", "finest parts", "mix 2 gigs", "sample playback", "amazing patch", "goto plugin", "expertly designed", "complete compatibility", "started incorporating", "real time", "impedance stage", "accurate sound", "air bassline", "air included", "air 1924 enables", "production programs", "vintage drum", "samples ranging", "noise settings", "fm synthesis", "true power", "xpand2 reveals", "broad range", "podcaster guitarist", "extra goodies", "auvst plugins", "tracks find", "essential tools", "popular performance", "buffer settings", "fastest connection", "loop package", "powerful daws", "software package", "accurate representation", "speciallydesigned gain", "music production", "wide collection", "massive collection", "music projects", "mpc choose", "musical styles", "professional recording", "piano plugins", "delay weve", "input signal", "mpc beats", "guitar tone reverb", "air music tech", "active sound slots", "mpc beats weve", "creative production mixing", "synth engines found", "easytouse audio interface", "achieve mpc beats", "diverse collection delivers", "acoustic piano sounds", "ensure professional results", "edit musical ideas", "dedicated signal circuit", "maudio account ready", "unique synth patches", "carefully created thousands", "multitimbral workstation offering", "multiple selectable positions", "respected audio professionals", "computer hardware whats", "ultrapristine ad converters", "add worldclasssounding instruments", "bass plugged directly" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 518, "imageuri": "https://productimages.withfloats.com/actual/685ebeb29e2715528655003c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685ebeb29e2715528655003c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T15:54:24.066Z", "updatedon": "2025-06-30T05:09:42.591Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-4-2-in-2-out-24-192-usb-audio-interface-/518", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "66698344cee93a1bbc3822a2", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "IBANEZ AZ2204NW PRESTIGE ELECTRIC GUITAR WITH CASE - MINT GREEN", "description": "SPECS\nneck type\tAZ Oval CS-TECH WOOD Roasted Maple neck\ntop/back/body\tAlder body\nfretboard\tRosewood fretboardMother of Pearl dot inlay\nfret\tJumbo Stainless Steel fretsPrestige fret edge treatment\nnumber of frets\t22\nbridge\tGotoh® T1702B bridge\nstring space\t10.5mm\nneck pickup\tSeymour Duncan® Fortuna™ (S) neck pickupPassive/Alnico\nmiddle pickup\tSeymour Duncan® Fortuna™ (S) middle pickupPassive/Alnico\nbridge pickup\tSeymour Duncan® Fortuna™ (H) bridge pickupPassive/Alnico\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nnut\tBone nut\nhardware color\tChrome\nNECK DIMENSIONS\nScale :\t648mm/25.5\"\na : Width\t42mm at NUT\nb : Width\t56.4mm at 22F\nc : Thickness\t20.5mm at 1F\nd : Thickness\t22.5mm at 12F\nRadius :\t228mmR to 305mmR COMPOUND\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nAZ2204NW's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nAZ2204NW's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nGotoh® Magnum Lock machine heads w/H.A.P.\ndyna-MIX9 switching system w/Alter Switch\nLuminlay side dots\nFretboard Radius: 228mm@nut to 305mm@22nd fret Compound\nNon-recessed bridge cavity\nHardshell case included\nFeatures\nRosewood fretboard\nRosewood fretboard\nRosewood provides a well-balanced solid tone with a focused mid range.\n\nCompound Radius Fretboard (228mm to 305mm)\nCompound Radius Fretboard (228mm to 305mm)\nOffering the best of both worlds, the digitized compound radius fretboard of the AZ-N is built to enhance both smooth chording and lead work in the upper register.\n\n5 tremolo springs\n5 tremolo springs\nFive tremolo springs allow string vibration to be more efficiently transferred to the guitar body.\n\nNon-recessed bridge cavity\nNon-recessed bridge cavity\nWhile the AZ series features a recessed bridge cavity for fluid and dynamic tremolo action, this model has non-recessed bridge cavity. The direct contact between bridge plate and the guitar body provides better resonance and helps facilitate subtle nuances in playing dynamics.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSeymour Duncan® Fortuna™ S-S-H pickups\nSeymour Duncan® Fortuna™ S-S-H pickups\nSeymour Duncan® Fortuna™ Pickups feature a moderate output and natural clean voicing which accurately reflect subtle playing nuances. From treble to bass, the overall tonal balance is evenly adjusted and works well with various effect pedals.\n\nGotoh® T1702B tremolo bridge\nGotoh® T1702B tremolo bridge\nThe T1702B tremolo bridge provides quick response and improved articulation. The 10.5mm string spacing allows for easy picking across strings and its snap-in construction makes it easy to load a tremolo arm. The tremolo block and saddles are made of brass, facilitating better overall resonance.\n\nOval C S-TECH WOOD Roasted Maple neck\nOval C S-TECH WOOD Roasted Maple neck\nThe S-TECH special roasted treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. The neck is sealed with an oil finish which helps make it feel similar to a well-played guitar neck.\n\nErgonomic rear body contour\nErgonomic rear body contour\nA shallow body back contour and a big forearm contour make the guitar body fit the player naturally, thus increasing playing comfort. The AZ body has a deep waist and different radii on each body edge curve, making it easier to play in both standing or sitting positions.\n\nGotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post)\nGotoh® Magnum Lock machine heads w/H.A.P.(Height Adjustable Post)\nGOTOH® MAGNUM LOCK® machine heads have an established reputation for tuning stability. Its H. A. P® (Height Adjustable Post). system allows for the adjustment of string posts for the appropriate tension of each string.\n\nLuminlay side dot inlays\nLuminlay side dot inlays\nThe Luminlay side dot position marks make it easy for players to see fretboard position marks when performing on dark stages.\n\nSuper All Access Neck Joint\nThe Super All Access Neck Joint increases playability and allows for easy access to the higher frets", "price": 207152.0, "discountamount": 20000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "3G", "5A", "1F", "22F", "12F", "AZ-N", "bass", "Width", "brass", "fluid", "model", "flick", "H.A.P.", "number", "228mmR", "worlds", "player", "treble", "saddles", "focused", "H. A. P®", "standing", "One mode", "dynamics", "humbucker", "stability", "mid range", "Thickness", "tolerance", "AZ series", "lead work", "Gotoh®", "oil finish", "deep waist", "solid tone", "6E strings", "MINT GREEN", "adjustment", "durability", "reputation", "tremolo arm", "easy access", "guitar neck", "guitar body", "playability", "The AZ body", "established", "dark stages", "combination", "mini switch", "string posts", "construction", "articulation", "bridge plate", "Alter Switch", "easy picking", "higher frets", "tremolo block", "Fortuna&trade", "Hardshell case", "factory tuning", "quick response", "upper register", "direct contact", "subtle nuances", "OTHER FEATURES", "305mmR COMPOUND", "body edge curve", "SPECS neck type", "different radii", "moderate output", "smooth chording", "IBANEZ AZ2204NW", "control diagram", "playing comfort", "string vibration", "water resistance", "humbucking sound", "Fretboard Radius", "overall resonance", "5 tremolo springs", "sitting positions", "single coil modes", "22nd fret Compound", "Luminlay side dots", "appropriate tension", "big forearm contour", "temperature changes", "Pearl dot inlay fret", "DESCRIPTION CONTROLS", "Five tremolo springs", "Alnico bridge pickup", "middle pickupPassive", "Alnico middle pickup", "S) neck pickupPassive", "natural clean voicing", "NECK DIMENSIONS Scale", "10.5mm string spacing", "nine sound variations", "overall tonal balance", "various effect pedals", "Height Adjustable Post", "subtle playing nuances", "dynamic tremolo action", "H) bridge pickupPassive", "two single coil pickups", "Rosewood fretboardMother", "Luminlay side dot inlays", "PRESTIGE ELECTRIC GUITAR", "Switching system diagram", "fretboard position marks", "The T1702B tremolo bridge", "shallow body back contour", "body Alder body fretboard", "dyna-MIX9 switching system", "Non-recessed bridge cavity", "Ergonomic rear body contour", "Gotoh® T1702B tremolo bridge", "D'Addario® EXL110 string gauge", "The Super All Access Neck Joint", "Gotoh Magnum Lock machine heads", "Seymour Duncan® Fortuna™ Pickups", "Gotoh® Magnum Lock machine heads", "GOTOH® MAGNUM LOCK® machine heads", "Gotoh® T1702B bridge string space", "nut Bone nut hardware color Chrome", "digitized compound radius fretboard", "The Luminlay side dot position marks", "The S-TECH special roasted treatment", "Oval C S-TECH WOOD Roasted Maple neck", "Seymour Duncan® Fortuna™ S-S-H pickups", "AZ Oval CS-TECH WOOD Roasted Maple neck", "Features Rosewood fretboard Rosewood fretboard", "Jumbo Stainless Steel fretsPrestige fret edge treatment" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 504, "imageuri": "https://productimages.withfloats.com/actual/66698347844f26002466fbe6.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/66698347844f26002466fbe6.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-06-12T11:15:16.981Z", "updatedon": "2025-04-22T15:45:22.809Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ibanez-az2204nw-prestige-electric-guitar-with-case-mint-green/504", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "IBANEZ", "category": "Electric guitar", "tags": [ "Ibanez Prestige AZ2204NW Electric Guitar w/Case, J", "Ibanez az2204nw prestige electric guitar with case", "Ibanez az2204nw prestige electric guitar with case", "Ibanez az2204nw prestige electric guitar with case", "Ibanez Prestige", "Ibanez Prestige AZS2209H", "Ibanez Black Electric Guitar", "Ibanez guitar models List", "Ibanez AZ discontinued", "fender guitar shop in delhi", "Electric Guitar", "electric guitar shop near me", "Guitar wholesaler", "Ibanez Electric Guitar PRICE IN DELHI" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bf0fb43d4ba611b80085d8", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-990 Keyboard Amplifier", "description": "KC-990 Stereo Mixing Keyboard Amplifier\tKC-990WHERE TO BUY\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nThe flagship KC-990 is a performance powerhouse filled with high-end features. Offering four onboard DSP effects, four stereo input channels, a stereo aux input, and support for an XLR vocal mic, it’s a great all-in-one solution for players with large keyboard setups and small groups performing with electronic instruments and backing tracks. The KC-990 delivers big, full sound for both stage monitoring and PA use, thanks to its stereo speaker configuration and 320 watts of total power. And with Stereo Link capability, you can seamlessly add a second KC-990 when you need more inputs and broader sound coverage.\n\nHome\nKC-990Features\tSpecs\tSupport\t\nWHERE TO BUY\nTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nFlagship stereo keyboard amplifier with 320 watts of power\nOnboard mixer with four stereo input channels, stereo auxiliary input, and master EQ\nTwo newly developed custom 12-inch woofers and two custom horn tweeters\nBuilt-in effects: reverb, chorus, tremolo, and rotary\nControl rotary speed and effects on/off with optional external footswitches\nFlexible I/O with XLR mic input, stereo XLR and ¼-inch line outputs, headphones output, and more\nStereo Link function for chaining two KC-990s\nMetal jacks for increased durability\nCasters and side-mounted handles for enhanced mobility\nFull-Range Stereo Sound for High-Impact Performances\nThe KC-990 offers full-range stereo sound reproduction with 320 watts of power (160 watts x 2), two newly designed 12-inch speakers, and two custom horn tweeters. This allows the KC-990 to accurately reproduce the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard Mixing for Big Rigs and Full Groups\nRoland’s most powerful KC amp is a complete stereo sound system in a single package, making it ideal for backline amplification, stage monitoring, and even main PA use. With four stereo line input channels available, you can connect keyboards, percussion pads, drum machines, and more. There’s also a dedicated auxiliary input to plug in a smartphone or music player for backing tracks. Channel 1 includes an XLR input too, allowing you to connect a vocal mic for even more versatility. The Aux In channel supports 1/8-inch, RCA, and ¼-inch connections, and features a handy monitor function for working with guide tracks on stage.\n\nBuilt-In Stereo Effects\nThe KC-990 comes equipped with four different effects for sweetening your live sound. The chorus effect is derived from Roland’s world-famous JC-series amps, providing unmatched depth and dimension through the KC-990’s stereo speakers. The amp also includes tremolo and rotary effects that work great with organs and electric pianos, plus a lush stereo reverb for vocals and instruments. By connecting optional footswitches, you can turn the effects on/off and control rotary speed hands-free while performing.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its rear-panel connectivity, the KC-990 integrates easily into any playing environment. Stereo line outputs are provided on both XLR and ¼-inch jacks, offering simultaneous connections for interfacing with PA systems, stage monitors, and recording devices. The XLR outputs also have a switchable ground lift, which eliminates hum that can sometimes occur when connecting to a main PA. There’s a headphones jack too, perfect for silent practice sessions and discrete monitoring of guide tracks and instruments on stage.\n\nExpand Your Setup with Stereo Link\nIf you ever need to expand your inputs or sound coverage, the KC-990’s Stereo Link function makes it simple. First off, the number of available inputs doubles when you connect to the two stereo link jacks on a second KC-990. In addition, the left and right signals of connected instruments are split across the two amps, providing super-wide stereo dispersion for even more impressive sound.\n\n", "price": 153657.0, "discountamount": 28000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "hum", "RCA", "left", "TIME", "needs", "WORTH", "mixer", "today", "vocals", "organs", "number", "The Aux", "quality", "Casters", "tremolo", "KC amps", "addition", "two amps", "Big Rigs", "enhanced", "dimension", "master EQ", "stage rig", "XLR input", "320 watts", "keyboards", "160 watts", "Performing", "smartphone", "PA systems", "live sound", "The KC-990", "two KC-990s", "Metal jacks", "Full Groups", "main PA use", "versatility", "total power", "two decades", "small groups", "¼-inch jacks", "music player", "one solution", "rotary speed", "guide tracks", "synthesizers", "Flexible I/O", "KC benchmark", "power Onboard", "XLR vocal mic", "drum machines", "XLR mic input", "chorus effect", "second KC-990", "right signals", "Stereo Effects", "single package", "stage monitors", "backing tracks", "rotary effects", "rhythm machines", "percussion pads", "unmatched depth", "electric pianos", "powerful KC amp", "big, full sound", "mixing features", "flagship KC-990", "The XLR outputs", "stereo speakers", "impressive sound", "available inputs", "stereo aux input", "12-inch speakers", "keyboard players", "stage monitoring", "new enhancements", "complete control", "headphones output", "working musicians", "latest generation", "recording devices", "high-end features", "lush stereo reverb", "¼-inch connections", "lasting durability", "discrete monitoring", "Stereo line outputs", "¼-inch line outputs", "playing environment", "wide frequency range", "88-note stage pianos", "side-mounted handles", "Stereo Link function", "two stereo link jacks", "large keyboard setups", "connected instruments", "optional footswitches", "versatile connectivity", "switchable ground lift", "four different effects", "handy monitor function", "stereo auxiliary input", "broader sound coverage", "Stereo Link capability", "backline amplification", "performance powerhouse", "custom 12-inch woofers", "rear-panel connectivity", "four onboard DSP effects", "silent practice sessions", "Tweet Facebook Pinterest", "two custom horn tweeters", "simultaneous connections", "High-Impact Performances", "dedicated auxiliary input", "four stereo input channels", "world-famous JC-series amps", "complete stereo sound system", "stereo speaker configuration", "super-wide stereo dispersion", "powerful high-fidelity sound", "KC-990Features Specs Support", "other electronic instruments", "KC Series Keyboard Amplifiers", "optional external footswitches", "four stereo line input channels", "Roland KC-990 Keyboard Amplifier", "mobility Full-Range Stereo Sound", "Flagship stereo keyboard amplifier", "full-range stereo sound reproduction", "KC-990 Stereo Mixing Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 493, "imageuri": "https://productimages.withfloats.com/actual/65bf0fb67d7faddcb3c791fb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf0fb67d7faddcb3c791fb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T04:16:52.905Z", "updatedon": "2024-02-04T04:16:52.905Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-990-keyboard-amplifier/493", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland Keyboard Amplifier", "Roland KC-990 Keyboard Amplifier", "ROLAND KC990 PRICE IN INDIA", "Roland Price India", "Authorised Dealer Roland", "Roland Authorised Dealer", "roland kc990", "kc990", "Roland Synthesizer Authorised Dealer", "roland india", "roland shop", "roland stoer india", "Roland store in india delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bcedac7d5b260c20c24c7c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "description": "The 50-watt KC-80 is a miniature powerhouse with three line input channels, a dedicated aux input, and support for an XLR vocal mic. Compared to the previous-generation KC-60, the power section has been completely redesigned for higher output, better stability, and enhanced bass reproduction. In addition, the 10-inch woofer has been upgraded for improved sound quality. If desired, the low-end performance can be extended by driving a powered subwoofer from the KC-80’s Sub Out jack.\n\n\n\nFEATURES\nCompact and affordable keyboard amplifier with 50 watts of power\nRedesigned power amp and power supply sections provide increased stability and improved bass reproduction\nCustom two-way speaker system with newly developed 10-inch woofer and tweeter\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nXLR mic input, 1/4-inch line output, headphones output, and sub output\nMetal jacks for increased durability\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-80 offers full-range audio reproduction in an easy-to-carry portable amp. The cabinet features Roland’s patented twin bass-reflex design, providing extended low-frequency response without distortion. Paired with the newly redesigned power section and updated 10-inch woofer, the KC-80 delivers even better bass performance for amplifying 88-note stage pianos, organs, and synthesizers, plus rhythm machines and other electronic instruments.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its easy-access connectivity, the KC-80 integrates into any playing environment. A 1/4-inch line output enables you to interface with PA systems, stage monitors, and recording devices. There’s also a Sub Out jack for connecting to a powered subwoofer, with level conveniently tied to the amp’s master volume for one-touch control. Plugging into the Phones jack mutes the onboard speakers and Sub Out, perfect for private practice sessions and checking sounds on stage with headphones.\n\nOnboard 3+1 Mixing\nThe KC-80’s three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments. In addition, there’s an auxiliary channel with 1/8-inch and RCA inputs for connecting smartphones, music players, or other devices. Channel 1 also includes an XLR input, allowing you to plug in a vocal mic for even more versatility.", "price": 56645.0, "discountamount": 9145.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "level", "carry", "sounds", "organs", "support", "cabinet", "Compact", "tweeter", "50 watts", "addition", "1/8-inch", "FEATURES", "RCA jacks", "XLR input", "stability", "The KC-80", "dedicated", "Keyboards", "distortion", "3+1 Mixing", "PA systems", "sub output", "Performing", "RCA inputs", "Metal jacks", "smartphones", "versatility", "Sub Out jack", "synthesizers", "portable amp", "drum machines", "music players", "master volume", "50-watt KC-80", "power section", "other devices", "sound quality", "higher output", "XLR vocal mic", "10-inch woofer", "stage monitors", "auxiliary input", "rhythm machines", "bass performance", "onboard speakers", "auxiliary channel", "one-touch control", "recording devices", "powered subwoofer", "headphones output", "bass reproduction", "low-end performance", "playing environment", "miniature powerhouse", "Redesigned power amp", "88-note stage pianos", "power supply sections", "Versatile Connectivity", "A 1/4-inch line output", "master EQ XLR mic input", "twin bass-reflex design", "easy-access connectivity", "previous-generation KC-60", "private practice sessions", "three line input channels", "durability Full-Range Sound", "other electronic instruments", "affordable keyboard amplifier", "three 1/4-inch input channels", "Custom two-way speaker system", "full-range audio reproduction", "Electronic Musical Instruments", "various electronic instruments", "extended low-frequency response", "three 1/4-inch line input channels", "Roland KC-80 3-Ch Mixing Keyboard Amplifier" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 490, "imageuri": "https://productimages.withfloats.com/actual/65bcedae8f3782b8fa081035.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bcedae8f3782b8fa081035.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-02T13:27:08.726Z", "updatedon": "2024-09-08T15:50:43.253Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-80-3-ch-mixing-keyboard-amplifier/490", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "Roland kc 80 3 ch mixing keyboard amplifier price", "Roland kc 80 3 ch mixing keyboard amplifier specs", "Roland kc 80 3 ch mixing keyboard amplifier review", "roland kc-80 review", "Roland KC-80 price", "roland kc-80 manual", "Roland KC-80 Weight", "Roland KC-80 used" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5fe616f0a8e3b200011b0970", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA PSR-I500 PORTABLE INDIAN KEYBOARD", "description": "FEATURES\nThe ideal keyboard for Indian music lovers, for both performance and learning.\n801 instruments, including 40 Indian instruments.\n282 types of auto accompaniment Styles, including 50 Indian Styles.\nRiyaz (Tabla/Mridangam & Tanpura) function with 30 Taals\nQuick Sampling function (Normal/One shot/Loop)\nPowerful amplifiers with bass reflex speakers\nProfessional-quality DSP Effects\nPitch bend wheel\nLesson function\nKeyboard Stand Not Included (Sold Separately)\nIndian instruments\nAuthentic sounding Indian instruments are essential for anyone who wants to play traditional Indian songs or modern Indian movie songs. The PSR-I500 has the Voices of 40 of Indian instruments on board, including newly sampled Voices based on requests from famous Indian music producers. Of course, not limited only to Indian instruments, the PSR-I500 also features a variety of instruments from Pianos to Synthesizers, making it possible to play songs from a variety of genres, from orchestra classics to electronic dance music.\n\n\n\nQuick Sampling\nIn addition to the extensive collection of preset instruments, you can also add your own sampled contents like short vocal phrases, SFX, or looping Chorus with the PSR-I500. The PSR-I500 can even vary the pitch of the sound that you have sampled to match the key you play.\n\n\n\nIndian Styles\nIf you're struggling with finding other band members or simply just want to perform alone, the PSR-I500’s auto accompaniment function “Styles” is invaluable. As you play chords, automatically created basslines, rhythm tracks or other kinds of accompaniment follow along. The PSR-I500 has a variety of accompaniment Styles including 50 different types of Indian Styles from around the country.\n\n\n\nRiyaz\nThe PSR-I500 has a built-in Tabla/Mridangam & Tanpura function called “Riyaz”. You can practice to traditional Indian rhythms for hours, or use it for backing rhythm. What's more the PSR-I500 now features 30 different patterns of Taals.\n\n\n\nSong lessons\nYou can quickly learn how to play your favorite songs step by step with the PSR-I500. Not only the vast library of onboard songs, but all songs you have imported will be supported by the PSR-I500 lesson function. You can also buy songs from the impressive collection at Yamaha MusicSoft or even download practice music or lesson songs your teacher has made for you.\n\nKeyboard\n\nNumber of Keys: 61\nType: Organ Style\nTouch Response: Yes (Soft, Medium, Hard, Fixed)\nOther Controllers\n\nPitch Bend: Yes\nControl Knobs: Yes (x2)\nDisplay\n\nType: Custom LCD\nSize: 92 mm x 42 mm\nBacklight: Yes\nLanguage: English\nVoices\n\nTone Generation: AWM Stereo Sampling\nNumber of Polyphony (Max.): 48\nNumber of Voices: 801 (257 Panel Voices + 32 Drum/SFX Kits + 50 Arpeggio Voices + 462 XGlite Voices)\nFeatured Voices: Indian Voice x 40, Sweet! Voice x 8, Cool! Voice x 3\nCompatibility GM: Yes\n\nXGlite: Yes\n\nEffects\n\nDSP: 10\nReverb: 12\nChorus: 5\nMaster EQ: 6\nHarmony: 26\nFunctions\n\nDual/Layers: Yes\nSplit: Yes\nArpeggio: 160\nMelody Suppressor: Yes\nAccompaniment Styles\n\nNumber of Preset Styles: 282 (Incl. Indian 50 styles)\nFingering: Multi\nStyle Control: ACMP ON/OFF, SYNC START, SYNC STOP, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, TRACK ON/OFF\nOne Touch Setting (OTS): Yes\n\nExternal Styles: 10\n\nCompatibility: Style File Format (SFF)\n\nNumber of Preset Songs: 60\n\nRecording\n\nNumber of Songs: 10\nNumber of Tracks: 6 (5 Melody + 1 Style/Pattern)\nData Capacity: Approx. 19,000 notes (when only “melody” tracks are recorded)\nCompatible Data Format\n\nPlayback: SMF (Formats 0 & 1)\nRecording: Original File Format (SMF 0 conversion function)\nUSB Audio Recorder\n\nRecording Time (max.): 80 minutes (approx. 0.9 GB) per Song\nFormat Playback: WAV(44.1 kHz, 16 bit, stereo)\nFormat Recording: WAV(44.1 kHz, 16 bit, stereo)\nQuick Sampling\n\nSampleing Type: Normal, Oneshot, Loop\nSamples (Preset/Usesr): 5\nSampling Time: Approx. 9.6 sec.\nSampling Sources: AUX IN\nSampling Format: Original File Format (16 bit, stereo)\nSampling Rate: 44.1 kHz\nFunctions\n\nUSB audio interface: 44.1 kHz, 16 bit, stereo\nRegistration Number of Buttons: 4 ( x 8 banks )\nLesson/Guide Yamaha Education Suite (Y.E.S.): Yamaha Education Suite (Y.E.S.6)/ Listening, Timing, Waiting\nOverall Controls\n\nMetronome: Yes\nTempo Range: 11 - 280\nTranspose: -12 to 0, 0 to +12\nTuning: 427.0 – 440.0 – 453.0 Hz (approx. 0.2Hz increments)\nRiyaz (Tabla/Tanpura Pattern)\n\nPreset: 30\nSections: 5\nStorage and Connectivity\n\nStorage Internal Memory: Approx. 1.73 MB\nStorage External Drives: USB flash drive\nConnectivity\n\nDC IN: 12v\nHeadphones: Headphones/Output\nSustain Pedal: Yes\nAUX IN: Yes (Stereo Mini)\nUSB TO DEVICE: Yes\nUSB TO HOST: Yes\nAmplifiers and Speakers\n\nAmplifiers: 6 W + 6 W\nSpeakers: 12 cm x 2\nPower Supply\n\nPower Supply: PA-150 or an equivalent recommended by Yamaha, Six “AA” size alkaline (LR6), manganese (R6) or Ni-MH rechargeable (HR6) batteries\nPower Consumption: 8 W (When using PA-150 AC adaptor)", "price": 25990.0, "discountamount": 3590.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 295, "imageuri": "https://productimages.withfloats.com/actual/5fe616f0c22a6d0001371e3d.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5fe616f0c22a6d0001371e3d.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2020-12-25T16:44:32.354Z", "updatedon": "2025-08-04T14:13:57.235Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-psr-i500-portable-indian-keyboard/295", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA", "category": "PORTABLE KEYBOARDS", "tags": [ "YAMAHA PSR-I500 PORTABLE INDIAN KEYBOARD", "yamaha psr-i500 portable keyboard", "yamaha psr i500", "yamaha psr i500 keyboard", "yamaha psr i500 price", "yamaha psr i500 price in India", "yamaha psr series keyboard", "yamaha musical dealer", "yamaha musical instruments", "yamaha musical instruments showroom in delhi", "yamaha musical instruments showroom in hyderabad", "yamaha musical instruments showroom in mumbai", "Yamaha Music Station at Mumbai", "Yamaha Music India", "Yamaha Piano Keyboard at Best Price in Mumbai", "Yamaha Musical Instrument Dealers in Mumbai", "yamaha musical instruments supplier in delhi", "yamaha musical instruments supplier in india", "musical instruments supplier in india", "musical instruments supplier in delhi", "Music Instruments in Delhi", "Musical Instrument Manufacturers Delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5fe611179e2e300001251cdf", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Yamaha PSRSX900 Arranger Workstation keyboard", "description": "The PSR-SX900 is the flagship in the PSR-SX Series. Surpassed only by the Genos, this power-house songwriting and performance keyboard features never before seen speaker technology, pro-level connectivity, and a completely redesigned user interface.\n\nFEATURES\n1337 Voices, including 252 Super Articulation Voices, 24 Organ Flutes! Voices. 56 Drum/SFX kits\n525 Styles, including 463 Pro Styles, 46 Session Styles, 10 DJ Styles and 6 Freeplay Styles\nPre-installed Expansion content\nReal Distortion and Real Reverb, with an intuitive effects interface\n1GB on-board memory for expansion data\n4GB internal memory\nMIDI song file capacity : 3MB per file\nJoystick, FSB keyboard, Sub output, and Expansive Soundfield Speakers for powerful live performance\nIntuitive and fast control with 7\" color touch screen and Assignable function\nChord Looper function\nMic/Guitar input for use when singing or collaborating with other performers\nPlaylist and Registration for quick and easy set up\nVocal Harmony and Synth Vocoder functions\nAudio Recording (WAV/MP3)\nVoice and Style expandability with the Yamaha Expansion Manager\n2 USB TO DEVICE terminals\nExternal display capability\nBluetooth Audio *may not have this functionality depending on the country\n", "price": 128990.0, "discountamount": 17400.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 293, "imageuri": "https://productimages.withfloats.com/actual/5fe61117f914c4000115797a.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5fe61117f914c4000115797a.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2020-12-25T16:19:35.526Z", "updatedon": "2023-10-23T12:19:44.129Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-psrsx900-arranger-workstation-keyboard/293", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Yamaha", "category": "Arranger Keyboard ", "tags": [ "Yamaha Music India", "PSR-SX900", "Yamaha PSR SX900 Priyanka musiccal house", "Buy Yamaha", "Electronic Keyboard PSR SX900 Online i", "Arranger Keyboard from Yamaha", "Yamaha PSRSX900 Arranger Workstation keyboard", "Yamaha", "Arranger Workstation", "yamaha musical dealer", "Yamaha PSR-SX900 price", "Yamaha PSR-SX900 Price in India", "Yamaha PSR-SX900 Keyboard", "Yamaha PSR SX900", "AUTHORIZED DEALER OF YAMAHA PRODUCTS" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b80c723f9cc21066bc85d5c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Aphex Channel Master Preamplifier and Input Processor ", "description": "Patented RPA tube preamp\nEasyRider® Class A automatic compressor\nPatented logic-assisted gate\nUniversal de-esser\nPatented Aphex Aural Exciter® and Big Bottom® processors\nS/PDIF and AES/EBU digital outputs\nComplete High Performance Channel Strip\nWith more and more studios foregoing consoles in favor of recording and mixing \"in the box\", a clean and versatile front end input stage is indispensible. There are dozens and dozens of channel strips and similar devices to choose from, but none that come close to the Channel in terms of sound, features or performance.\n\nOur legendary Model 230 has been re-imagined as the Channel, adding a host of new features to address a greater number of workflows while retaining the sound, functionality and versatility that made the 230 one of the most in-demand processors ever for professional audio, live sound, broadcast and post production.\n\nChannel incorporates seven powerful devices within a compact, single rack space design, including five of Aphex''s exclusive patented technologies. The result is the highest possible audio quality, processing power and flexibility.\n\nThe elegant front panel not only looks great, but is laid out in an intuitive, easy-to-use workflow with easy to understand labeling. Building on the foundation of the Model 230, the Channel features an instrument input, dedicated output and gain reduction metering, front panel sample rate and clock source selection; and a reference quality internal clock.\n\nApplications\nBroadcast - Channel is a tube microphone preamp and signal processor that is an indispensable broadcast station tool. You''ll find them in the production room and installed as permanent on-air processing for pumping up voices.\n\nRecording Studios - Channel is a powerful and easy-to-use channel strip for commercial and project studios, featuring our reflected-plate amplifier tube microphone preamp design plus compression, gating, de-esser, parametric EQ, Aural Exciter and Big Bottom bass enhancement.\n\nLive Sound - When space is at a premium in a touring rig, and night after night reliability is essential, the rugged Channel provides all the top quality processing needed for any instrument without taking up precious rack space.\n\n\nConnector\tXLR-3F\nType\tTransformerless, NPN active balanced, tube second stage\nInput Z\t2k ? nominal\nMaximum Input Level (MIL)\t+25dBu\nCMRR\t70 dB @ 60 Hz\nNominal Preamp Gain\t20 to 65 dB\nPhantom Power\t+48VDC\nPad\t20dB\nEIN\t-127dBu (input shorted)\nTube Type\t12AT7/ECC81 Dual Triode\nOutput\nConnector\tXLR-3M and 1/4\" TRS phone jacks\nType\tXLR is Impedance Balanced (may be used unbalanced)\nTRS is unbalanced\nOut Z Balanced\tXLR 66 ?\nOut Z Unbalanced\tXLR 33 ?\nTRS 600 ?\nNominal Level\tXLR +4dBu\nTRS -10dBV\nMaximum Output Level\t+25dBu Unloaded\nTRS +11dBV\nCompressor\nAttack / Release\tProgram dependent, user variable release baseline\nRatio\t4:1\nThreshold\tFixed\nKnee\tMedium hard\nGate\nAttack\t0.1 millisecond\nHold / Release\t300 milliseconds / 400 milliseconds\nThreshold\t-50 to +20dB (variable)\nDepth\t1 to 58dB (variable)\nDe-Esser\nAttack\t0.1 millisecond\nRelease\t100 milliseconds\nThreshold\tVariable -20 to +20dB\nRatio\t5:1\nActive Band\t4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover\nInsert\nConnector Type - Send\t1/4\" TRS phone jack (balanced)\nConnector Type - Return\t1/4\" TRS phone jack (balanced)\nNominal Operating Level\t0 dBu\nPoint of Insertion\tBetween dynamics processing and equalizers\nBig Bottom\nFrequency\t50 Hz to 280 Hz\nTune\tOff to +12dB\nParametric EQ\nFrequency Tune\t240 Hz to 8 kHz\nPeak / Dip\t±12dB\nQ Range\t0.5 to 5\nAural Exciter\nFrequency Tune\t500 Hz to 5kHz\nMix\tOff to +12dB\nAnalog Audio\nTHD\t<.01% @ +4dBu Out\nIMD\t01% @ +4dBu Out\nFreq Response (Flat)\t18 Hz to 24kHz ±1dB\nDigital Audio\nInternal Sample Rates\t44.1KHz, 48KHz, 88.2KHz, 96KHz\nExternal Sample Rates\tAutomatically syncs to any Word Clock between 32KHz and 96KHz\nResolution\t24 bits\nWord Clock Input\tBNC jack, High Z, Captures\nWord Clock Output\tBNC jack, 75 ?, 5Vp-p\nDynamic Range\tDigital dynamic range greater than analog front end\nNoise Dither\tDithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither.\nLevel Equivalency\t-20dBFS Digital = +4dBu Analog\nPower Requirements\t90-250 VAC 50-60 Hz 12W\nDimensions\t19\"W x 1.75\"H x 8.25\" D 1 Rack U (482.6mm x 44.5mm x 209.6mm)\nDepth Behind Front Panel\t7.5\" (190.5mm)\nNet Weight\t6 lbs(2.73 kg)\nShipping Weight\t9 lbs (4.1 kg)", "price": 0.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": true, "shipmentduration": 7, "_keywords": [ "Channel features", "user variable release", "possible audio quality", "top quality processing", "clock source selection", "front panel sample rate", "High Performance Channel", "single rack space design", "reference quality internal", "versatile front end input stage", "Aphex Channel Master Preamplifier", "s exclusive patented technologies", "incorporates seven powerful devices", "indispensable broadcast station tool", "amplifier tube microphone preamp design" ], "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 234, "imageuri": "https://productimages.withfloats.com/actual/5b80c723b106b90505d40c01.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5b80c723b106b90505d40c01.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-08-25T03:04:03.254Z", "updatedon": "2020-12-17T05:22:09.935Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM//aphex-channel-master-preamplifier-and-input-processor-/234", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Aphex", "category": "Preamplifier", "tags": [ "Aphex Channel Master Preamplifier and Input Proces", "CHANNEL", "8 Master Preamp & Input Processor" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }