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"description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.",
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"description": "Monitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nMore Than Just an Enclosure\nWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\n\nKey Features - \n\n1. Bi-amplified design with 100 watts (60 LF, 40 HF) for powerful, accurate sound\n2. 5” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1” natural silk dome tweeter delivers superb transient details\n4. New computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Ultra-wide range 52-35kHz frequency response covers full musical spectrum\n10. Front panel LED shines brightly when speaker is positioned at ideal monitor angle\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 5 inch (127mm) Kevlar curved cone with high temperature voice coil and damped rubber surround. Magnetically shielded\nHigh Freq. Driver - 1 inch (25mm) magnetically shielded natural silk dome\nFrequency Response - 52 Hz – 35 kHz\nCrossover Frequency - 2.5kHz\nLow Freq. Amplifier Power - 60W\nHigh Freq. Amplifier Power - 40W\nMaximum Peak - SPL\t110 dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -10dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : - 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 100W\nFuse - 220–240V~ T1AL 250V / 100–120V~ T1.6AL 250V\nCabinet -Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t6.9” x 7.8” x 10” / 176 x 197 x 254 mm\nWeight - 12.3 lbs, 5.6kg",
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"description": "Introducing M-Audio’s BX8-D3 monitors—the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio’s BX monitors guarantee absolute surgical precision and repeatable engineering excellence.\n\nListen with confidence: with M-Audio’s BX8-D3 studio reference monitors, you’ll hear everything in lifelike detail, so your mixes and recordings will sound their best!\n\nMonitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3’s 8-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX8- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nKey Features - \n\n1. Bi-amplified design with 150 watts (80 LF, 70 HF) for powerful, accurate sound\n2. 8” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1.25” natural silk dome tweeter delivers superb transient details\n4. Computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Wide range 37-22kHz frequency response covers full musical spectrum\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 8 inch (203 mm) Kevlar curved cone with high temperature voice coil and damped rubber surround, magnetically shielded\nHigh Freq. Driver- 1.25 inch (32mm) magnetically shielded natural silk dome\nFrequency Response- \t37Hz – 22kHz\nCrossover Frequency - 2.0kHz\nLow Freq. Amplifier Power - 80W\nHigh Freq. Amplifier Power - 70W\nMaximum Peak SPL - 114dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -12dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 150W\nFuse - 220–240V~ T1AL, 250V / 100–120V~ T2AL, 250V\nCabinet - Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t9.8” x 11.9” x 15.1” / 250 x 302 x 384 mm\nWeight - 23.1 lb / 10.5 kg",
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"name": "Oxygen 25 (blue) 25-Key USB MIDI Controller",
"description": "The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use.\n\nStreamlined Session Control\nFeaturing eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this.\n\nProfessional Quality\nM-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls.\n\nA New Approach to Making Music\nWith Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. 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A powerful music creation tool, Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Explore sonic possibilities in real time whether on stage or in the studio. When you are satisfied with your work, Ableton Live Lite lets you save it or mix it down.\n\nWhatever you set out to achieve, MPC Beats will get you started. Incorporating the finest parts of the legendary MPC workflow, MPC Beats features all the essential tools for pro production. Edit samples, mixdown your tracks, find any sound with the synth engines found on the legendary MPCs, record audio and much more. MPC Beats will host your AU/VST plugins so as you expand your arsenal, know you’ll have complete compatibility with industry standard virtual studio technology.\n\nThe AIR Creative FX Collection features 20 effects that are used by some of the world’s most respected audio professionals. 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This exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\nA new standard for guitar amplifier modeling software\n\nReValver includes ValveKing® & Custom Lite Amp Modules, 3 x cabs, 3 x mics (with multiple selectable positions), and 3x effects.\n\nAIR Music’s Mini Grand is a simple-to-use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Combining premium quality piano samples, innovative re-pedaling technology, built-in room simulation and equal and stretched tuning, Mini Grand is the go-to plugin for authentic, emotive piano sounds.\n\nAIR Music’s Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. 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"description": "LITTLE AG 1000\n\nlittle_ag_1000_rear_web.png__1980x1980_q85_subsampling-2\nlittle_ag_1000_side_dx_web.png__1980x1980_q85_subsampling-2\nlittle_ag_1000_side_sx_web.png__1980x1980_q85_subsampling-2\nPrevious\nNext\nLITTLE AG 1000\nProduct code: MBH110112Z\nFor 2021 we are excited to announce the godfather of gospel bass players, the legendary Andrew Gouché has joined the Markbass family! A Grammy Award winning producer with over 30 years of experience as the bassist for many R&B and Gospel legends as Prince and the New Power Generation, Gladys Knight, Andraé Crouch, The Winans and musical director for Chaka Khan, he got regular call for recording sessions across all genres including Michael Jackson, Quincy Jones, Julio Iglesias, Madonna, Snoop Dogg, Warren G, Earth, Wind & Fire, Aretha Franklin, Y’anna, Hidden Beach Unwrapped Series, Jimmy Reid, LA Jazz Syndicate, Smokey Robinson, Patti LaBelle, Judith Hill, Kirk Franklin, Donna Summer ... with his distintive bass sound Andrew has made an indelible mark on the history of Gospel and R&B music, inspiring today’s generation of bassists.\n\nHaving played our amplifiers at several events, Andrew fell in love with Markbass’ tone and character. So in partnership with Andrew, we’ve been working together over the past year to make an amplifier head that has his own unique sound - instinctively. We’re proud to introduce the amazing Little AG 1000, designed with Andrew - built by Markbass.\n\nKEY POINTS\n\n> Andrew Gouché signature sound\nWe created this amplifier to suit Andrew’s individual requirements for both sound, and playing style. Thanks to his exceptional music production experience and finely tuned musical ear, the development process was rapid and precise. With Andrew’s deep knowledge of what makes a great bass sound, we customised frequency choices based on his direction and he stamped it with his seal of approval – “Finally I have MY sound!”.\n\n> 1000W high-power / ultimate dynamics\nThis ultra high-power head is underpinned by our powerful 1000W MPT power amp delivering extraordinary power and headroom, with accurate dynamics and amazing definition.\n\n> Limiter Control\nThis dedicated limiter control enables a modern amp response when fully dialled in. In contrast when set to zero it creates that old generation behavior along with the typical distortion you can get when the limiter effect is really low. Of course you can also select everything in between to create your own individual amplifier characteristic response.\n\n> FSW MUTE / EQ ON/OFF\nFeatured on the front panel of the Little AG 1000 amplifier is a convenient mute switch. In addition with an optional dual footswitch (FSW) you can remotely trigger the mute function, and also turn the EQ section on/off.\n\n> MPT - MARK PROPRIETARY TECHNOLOGY\nMany other bass amps on the market use power amps that are not specifically designed for bass. At Markbass, Marco De Virgiliis invested heavily in R&D to develop proprietary power amp technology in house. Our MPT power amp was built from the ground up to respect and elevate the inherent tone of your instrument.\n\nTECHNICAL FEATURES\nINPUTS\nINPUT: impedance 500 Kohm, max. voltage 9 Vpp\n\nEFFECT RETURN: impedance 33 Kohm, max. voltage 10 Vpp\n\nCONTROLS\nGAIN: -46 dB to +23 dB range\n\nMASTER VOLUME \n\nLINE OUT LEVEL \n\nLIMITER\n\nMUTE SWITCH\n\nGROUND LIFT (switch on rear panel)\n\nPRE/POST EQ (switch on rear panel)\n\nEQUALIZATION\nULTRALOW: level ±16 dB (freq. 65 Hz)\n\nLOW: level ±16 dB (freq. 100 Hz)\n\nMID: level ±16 dB (freq. 500 Hz)\n\nHIGH MID: level ±16 dB (freq. 1.4 KHz)\n\nHIGH: level ±16 dB (freq. 6 KHz)\n\nOUTPUTS\nLINE OUT: balanced XLR, max. voltage 20 Vpp\n\nEFFECT SEND: unbalanced, max. voltage 20 Vpp (pre-EQ)\n\nTUNER OUT: unbalanced, max. voltage 2 Vpp\n\nSPEAKER OUT: speakon\n\nOTHERS\nBI-BAND LIMITER\n\nFootswitch (optional) for MUTE and EQ ON/OFF\n\nWEIGHT: 7.05 lbs/ 3.2 kg\n\nWIDTH: 10.87 in. / 27.6 cm\n\nDEPTH: 9.84 in. / 25 cm\n\nHEIGHT: 3.27 in. / 8.3 cm\n\nOUTPUT POWER: 1000W RMS @ 4 ohms / 600W RMS @ 8 ohms\n\nPOWER REQUIREMENT:100/120V; 230V; 240V – 50/60Hz (Voltage is factory preset according to region of sale)\n\n",
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