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{ "products": [ { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. 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And it goes a step further, with a software suite of 5 award-winning UAD plug-in titles, featuring Collections from Teletronix,® Pultec,® and UA.\n \nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo Solo USB Heritage Edition gives you 5 premium plug-in titles worth over $1,300 — including the full suite of UA's Teletronix and 1176 compressors, all Pultec EQs, UA 610 Unison mic preamps, and Pure Plate Reverb. These premium Heritage Edition titles are in addition to Apollo Solo USB's included \"Realtime Analog Classics\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nThe full UAD plug-in library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs — with more being added regularly. These are the exact same plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.\n\nTwo Unison Preamps: The Sound of Neve, Helios, API, Avalon & More\nApollo Solo USB Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nUnison technology is also found on Apollo Solo USB's front-panel Hi-Z instrument input, providing dead-on impedance and gain matching for guitar and bass amp models from Fender, Marshall, Ampeg, and more.\n\nBuilt for Musicians, Electronic Producers, and Songwriters\nApollo Solo USB Heritage Edition features robust all-metal construction, best-in-class headphone amplifier, and superior audio conversion. It’s perfect for musicians, songwriters, and electronic music producers who need UA quality in a compact package.\n\nKey Features\n● A special edition of UA's popular Apollo Solo USB interface — with a premium suite of 5 award-winning plug-in titles from Teletronix,® Pultec,® and UA — a $1,300 value\n● UAD SOLO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency\n● Unison mic preamp and guitar amp emulations from Neve,® API,® Avalon,® Manley,® Marshall,® Fender,® and more\n● Runs UAD Powered Plug-Ins via VST, AU, and AAX 64 formats in major DAWs\n● Compatible with Pro Tools, Cubase, Ableton Live, and more**\n● Best-in-class headphone amplifier for loud, detailed, low-noise monitoring\n● Uncompromising analog design, superior components, and premium build quality\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n \n*Apollo Solo USB Heritage Edition includes 5 premium UAD plug-in titles, plus the “Realtime Analog Classics” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.\n **Apollo Solo USB is not compatible with LUNA Recording System.\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nUA 610 Tube Preamp & EQ Collection\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Bundle:\nUA 610-B Tube Preamp & EQ\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nMarshall® Plexi Classic Guitar Amp\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nRaw Distortion\nAmpeg® SVT-VR Classic Bass Amp\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler", "price": 69675.0, "discountamount": 8000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "API", "SSL", "VST", "UA.", "Neve", "tone", "Avalon", "Manley", "Fender", "Legacy", "robust", "Cubase", "uaudio", "Helios", "Windows", "Ableton", "Dr. Dre", "addition", "benefits", "property", "matching", "Musicians", "Pro Tools", "The Sound", "full suite", "Ampex tape", "everything", "trademarks", "UA quality", "major DAWs", "Pultec EQs", "100 titles", "Songwriters", "hit records", "zero latency", "Key Features", "full library", "Foo Fighters", "$1,300 value", "tape machines", "premium suite", "Pultec Pro EQ", "Billie Eilish", "software suite", "AAX 64 formats", "Raw Distortion", "Kendrick Lamar", "Lexicon reverbs", "input impedance", "compact package", "bass amp models", "hallmark feature", "accurate library", "1176 compressors", "Pultec EQP-1A EQ", "Unison technology", "A Special Edition", "respective owners", "metal construction", "UA 610 Tube Preamp", "UAD plug-in bundle", "stage “sweet spots", "Other UAD plug-ins", "Two Unison Preamps", "exact same plug-ins", "vintage compressors", "USB Audio Interface", "guitar amp plug-ins", "superior components", "UA 610-B Tube Preamp", "solid-state mic pres", "Electronic Producers", "UAD Powered Plug-Ins", "classic Moog filters", "Precision Delay Mod L", "guitar amp emulations", "LUNA Recording System", "premium build quality", "two Unison mic preamps", "Realtime UAD Processing", "5 premium plug-in titles", "UAD SOLO Core Processing", "full UAD plug-in library", "superior audio conversion", "classic analog emulations", "UA 610 Unison mic preamps", "class headphone amplifier", "electronic music producers", "Precision Reflection Engine", "professional audio interface", "UA 1176SE Limiting Amplifier", "Pultec Passive EQ Collection", "5 premium UAD plug-in titles", "Uncompromising analog design", "Precision Mix Rack Collection", "knowledgeable audio engineers", "Iconic UAD Analog Collections", "5 award-winning plug-in titles", "exacting mic preamp emulations", "two Unison-enabled mic preamps", "Universal Audio Apollo Solo USB", "EQ\nUA 1176LN Limiting Amplifier", "Realtime Analog Classics Bundle", "EQ Collection\nPure Plate Reverb", "premium Heritage Edition titles", "RealVerb Pro Custom Room Modeler", "Apollo \"Heritage Edition\" Bundle", "Realtime Analog Classics\" bundle", "Apollo Solo USB Heritage Edition", "popular Apollo Solo USB interface", "class-leading UA audio conversion", "front-panel Hi-Z instrument input", "component-level circuit behaviors", "UA 1176 Classic Limiter Collection", "Marshall® Plexi Classic Guitar Amp", "5 award-winning UAD plug-in titles", "Teletronix LA-2A Leveling Amplifier", "loud, detailed, low-noise monitoring", "Free, industry-leading technical support", "proprietary hardware-software integration", "SOLO Core realtime UAD plug-in processing", "Teletronix LA-2A Classic Leveler Collection", "Ampeg® SVT-VR Classic Bass Amp\nPrecision Channel Strip" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 465, "imageuri": "https://productimages.withfloats.com/actual/61a8fafc54732f0001794cca.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fafc54732f0001794cca.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:57:30.548Z", "updatedon": "2021-12-02T16:57:30.548Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-apollo-solo-usb-usb-audio-interface-for-windows-heritage-edition-/465", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Universal Audio Apollo Solo USB - USB Audio Interf", "(for Windows) [Heritage Edition]" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8f14b0e540b000134f3ed", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Focusrite Scarlett Solo Studio (3rd Gen)", "description": "Everything you need to record guitar and vocals at the same time\n\nYou’ve found the simplest way to create incredible recordings of your music. Featuring the smallest USB audio interface we make, mic, headphones and all the cables you need to get started, Scarlett Solo Studio is ready to record every song you’ll ever write.\n\n✔ Our simplest Scarlett USB interface, featuring the best performing Scarlett mic preamp the range has ever heard – now with Air \n\n✔ CM25 MkIII condenser microphone, for making detailed studio-quality recordings\n\n✔ HP60 MkIII professional closed-back headphones, for clear and comfortable audio playback, mixing and monitoring \n\n✔ XLR and USB cables in the box, no power supply needed. Unpack, plug in, record\n\n\n\nYOUR SIGNATURE SOUND, ONE SIMPLE SETUP\n\nScarlett Solo Studio helps thousands of musicians and songwriters share their music with the world every day. Featuring a natural sounding 3rd Gen mic preamp, and Air, emulating our original ISA preamps. With your songs and Scarlett Solo Studio Pack, you have everything you need to record in studio quality.\n\n\nTHE BEST SOUNDING, EASILY\n\nQuick Start gets you set up and recording within minutes. Your CM25 MkIII mic captures every detail. Your HP60 MkIII headphones mean clear and comfortable mixing and monitoring. A 3rd Gen mic preamp, high-headroom instrument input and now-iconic Gain Halos mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.\n\n\n\nYOUR RECORDING IS 30 YEARS IN THE MAKING\n\nWe’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.\n\n\n\nOUR TECHNOLOGY IS SOUND\n\nIncredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your two-year warranty to get it sorted. Sound.\n\n\n\nALL THE TOOLS YOU NEED TO START RECORDING RIGHT, NOW\n\nAlong with CM25 MkIII microphone and HP60 MkIII headphones, your Solo interface comes with a whole range of recording software, sounds and plug-ins to choose from:\n\nAvid® Pro Tools® | First Focusrite Creative Pack:\n\nhundreds of virtual instrument sounds, 500MB of loops, and great-sounding effects.\n\nAbleton® Live Lite™:\n\nindustry-leading music-making software\n\nThree Month Splice Sounds Subscription:\n\nGet access to millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily\n\nXLN Audio Addictive Keys:\n\nchoose one of four inspiring virtual keyboard instruments\n\nSoftube Time and Tone Bundle: three of Softube's world class reverb, delay and distortion plug-ins, and an an easy-to-use mastering tool\n\nFocusrite Red Plug-in Suite:\n\naccurately models our classic Red 2 equaliser and Red 3 compressor\n\nFocusrite Plug-in Collective:\n\nreceive free versions of the most innovative software, as well as benefiting from discounts\n\n", "price": 26050.0, "discountamount": 4000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "box", "THE", "XLR", "song", "tech", "life", "clear", "YEARS", "range", "delay", "500MB", "loops", "Unpack", "vocals", "guitar", "EASILY", "access", "minutes", "clarity", "presets", "decades", "science", "problem", "hundreds", "millions", "Air mode", "same time", "discounts", "thousands", "musicians", "monitoring", "Collective", "Everything", "experience", "USB cables", "mic preamps", "Quick Start", "Tone Bundle", "simplest way", "power supply", "new releases", "Softube Time", "free versions", "BEST SOUNDING", "Focusrite Plug", "studio quality", "Solo interface", "mastering tool", "RECORDING RIGHT", "SIGNATURE SOUND", "ONE SIMPLE SETUP", "Red 3 compressor", "Avid® Pro Tools®", "iconic Gain Halos", "two-year warranty", "comfortable mixing", "recording software", "Focusrite hardware", "world class reverb", "distortion plug-ins", "innovative software", "global support team", "Ableton® Live Lite™", "A 3rd Gen mic preamp", "original ISA preamps", "incredible recordings", "CM25 MkIII microphone", "HP60 MkIII headphones", "unique high-end detail", "great-sounding effects", "performing Scarlett mic", "classic Red 2 equaliser", "24-bit/192kHz converters", "XLN Audio Addictive Keys", "virtual instrument sounds", "Scarlett Solo Studio Pack", "comfortable audio playback", "Focusrite Red Plug-in Suite", "smallest USB audio interface", "First Focusrite Creative Pack", "high-headroom instrument input", "Focusrite Scarlett Solo Studio", "CM25 MkIII condenser microphone", "simplest Scarlett USB interface", "detailed studio-quality recordings", "natural sounding 3rd Gen mic preamp", "high-quality, royalty-free one-shots", "Three Month Splice Sounds Subscription", "industry-leading music-making software", "four inspiring virtual keyboard instruments", "HP60 MkIII professional closed-back headphones" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 460, "imageuri": "https://productimages.withfloats.com/actual/61a8f151efc34900014e4f92.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8f151efc34900014e4f92.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T16:16:11.358Z", "updatedon": "2022-10-08T16:58:46.61Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/focusrite-scarlett-solo-studio-3rd-gen-/460", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Focusrite ", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Focusrite Scarlett Solo Studio (3rd Gen)", "AUDIO INTERFACES / SOUND CARDS", "Scarlett Solo Studio (3rd Gen)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "60852c423f20370001fe6b4c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Cort Roselyn LE Nat Limited Edition Orchestra Model Solid Adirondack Spruce Top Semi Acoustic Guitar", "description": "Cort Roselyn LE Nat Limited Edition Orchestra Model Solid Adirondack Spruce Top Semi Acoustic Guitar\n\nRoselyn LE\n\nInspired by arts and crafts of the 19th century Art Nouveau era, the Roselyn LE is a true masterpiece that incorporates both classic and modern aesthetics and guitar building techniques. It all started with a carefully crafted wooden inlay in the center of the guitar with a portrait of a young woman holding a rose, and the name Roselyn was born. Unique features such as an off-set sound hole on top and sound port on side, bevel cut on body arm rest, and elegant looking vine/flower mother-of-pearl inlay that branches out from the center inlay all contribute to the beauty and uniqueness of the Roselyn LE.\n\nFeatures\n\nSolid Adirondack Spruce Top\nFor the Limited Edition models, only the highest grade woods (Master Grade) were used and Adirondack Spruce fits the bill with its strength and extreme dynamics and sensitivity. Even at full volume, you will still be able to hear smoothness in the tone without losing any definition.\n\nSolid Rosewood Back & Sides\nRich and deep, warm yet punchy with an ideal sprinkling of sweet presence, rosewood imparts a big low-end with plenty of power and volume for use in any musical style.\n\nSpecial Designed Rosette & Side Sound Port\nThe “Roselyn” inlay in the center is crafted in meticulous detail, and with the addition of vine and flowers m.o.p. inlay branching out into the dark ebony, the guitar almost looks like an artwork from 19th century. Instead of a conventional sound hole in the center of the body, an off-set sound hole is cut out in a seed shape to go along with the body outline. There is a second sound hole, a Sound Port, on the lower part of the side of the body which affects the Helmholtz properties of the body and enhances the dynamics and the treble of the acoustic tone. It also allows the player to better monitor the natural sound of the guitar during performance.\n\nOM Cutaway Body\nThe OM’s compact size is ideal for players with a small body frame or seeking playing comfort. The bright and stronger high-midrange emphasis is more suited for fingerpicking than strumming which often requires more low-end. The Florentine cutaway on this model allows easy access to the high frets.\n\n5pcs Mahogany & Walnut Neck\nThe 5-piece neck not only provides strength and stability but a strong and focused sound in conjunction with the body’s acoustic resonance.\n\nGotoh® 510Z Gold\nFeaturing an extremely precise 21:1 tuning ratio, these tuners feel solid and ultra-smooth at the same time. The elegant and streamlined knobs also reduce fatigue during the tuning process. You will feel the quality of these tuners the moment you start tuning the guitar.\n\nL.R. Baggs® Anthem\nThe L.R. Baggs® Anthem pickup/preamp system delivers the pure acoustic vibrations of the instrument to the amplifier and PA without any coloration. Unneeded feedback can also be easily and effectively controlled through minimalistic controls that do not interfere with the look of the instrument.\n\nEbony Fingerboard\nThere are many types of woods that are used for fingerboard but no other compares to the jet-black beauty and slick smoothness of Ebony.\n\nEbony Bridge Pins\nThe high density of Ebony wood keeps the fundamental acoustic sound focused and tight with greater sonic projection than plastic, enhancing the transfer of the string vibrations throughout the soundboard top, body and the neck.\n\n \nSpecifications\nCONSTRUCTION DoubleLock Neck Joint\nCUTAWAY Florentine\nBODY OM(Orchestra Model)\nNUT WIDTH 1 11/16\"(43㎜)\nTOP Solid Adirondack Spruce\nBACK & SIDES Solid Rosewood\nNECK 5pcs Mahogany & Walnut\n(Walnut Reinforced Neck)\nFRETBOARD Ebony\nFRETS 20\nSCALE 25.3\"(643㎜)\nTUNERS Gotoh® 510Z Gold\nBRIDGE Ebony\nELECTRONICS L.R. Baggs® Anthem\nSTRINGS D'Addario® EXP16\nBRACING Hand Scalloped X-Bracing\nSPECIAL Special Designed Rosette & Side Sound Port\nADDITIONAL Tusq Nut & Saddle", "price": 146460.0, "discountamount": 8312.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 371, "imageuri": "https://productimages.withfloats.com/actual/60852e307c3a2e0001480330.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/60852e307c3a2e0001480330.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-04-25T08:45:54.329Z", "updatedon": "2022-02-02T16:42:01.242Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/cort-roselyn-le-nat-limited-edition-orchestra-model-solid-adirondack-spruce-top-semi-acoustic-guitar/371", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Cort", "category": "ELECTRO ACOUSTIC GUITARS", "tags": [ "Cort Roselyn LE Nat Limited Edition Orchestra Mode", "Roselyn LE", "Electro Acoustic Guitar", "Cort Roselyn LE Nat Limited Edition" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "600aecd2f7b21d00010471b9", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "FRACTAL AXE-FX III MKII Preamp/FX Processor", "description": "The Axe-Fx III is the latest in our line of the worlds most powerful all-in-one processors for guitar, bass, and other instruments. This new model offers our latest \"Ares\" amp modeling technology, thousands of UltraRes speaker cab simulations, and state-of-the-art effect algorithms, all backed with more raw power and feature upgrades than any Fractal Audio product before. Our vision was to take the Axe-Fx to a whole new level: to create a totally redesigned platform that sounds better, does more, and is easier to use. Equipped with four processors, the Axe-Fx III contains more raw processing power than any guitar product ever made, by far.\n\nThe hardware of the Axe-Fx III was designed around a streamlined new workflow. The centerpiece is a dazzling new high-contrast full-color display with 30x the resolution of previous products. This display works alongside five new endless-rotary push encoders. These push-knobs do different things on different pages, with labels to show dynamic functions. The end result is a user experience thats immediately more intuitive. The display also excels at animation for meters, modifiers, and more.\n\nBetter sound quality has been achieved through an audiophile-grade signal path. The difference shines through in lower noise floor, pristine clarity, and better USB audio performance than most dedicated audio interfaces. Computer audio integration now includes a professional-quality 24-bit/48k 88 interface. Record multiple tracks of processed audio at the same time, plus a DI. The re-amping workflow is improved with independent monitoring of backing tracks and re-processed guitar tones while you dial in a sound.Physically, the Axe-Fx III continues our tradition of combining extraordinary design with manufacturing quality rugged enough to withstand the rigors of life on the road. The unit is housed in a steel enclosure with a one-piece anodized aluminum faceplate/bezel featuring a glowing Axe-Fx III logo.", "price": 261225.0, "discountamount": 43000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 334, "imageuri": "https://productimages.withfloats.com/actual/600aecd28df25d000110e1ac.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/600aecd28df25d000110e1ac.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-22T15:18:42.013Z", "updatedon": "2021-01-22T15:36:37.632Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fractal-axe-fx-iii-mkii-preamp-fx-processor/334", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "FRACTAL", "category": "Guitar Multi Effects Processor", "tags": [ "FRACTAL", "FX Processor", "FRACTAL AXE-FX III MKII Preamp/FX Processor", "FRACTAL AXE-FX III MKII Preamp", "Fractal Audio", "", "Axe-Fx III", "Fractal Audio Systems" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "5ff31f4ee1af5d0001d3cabb", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA MODX7 76-KEY SYNTHESIZER", "description": "For the synthesist needing unique sound design capabilities, MODX is a synthesizer with an 8-operator, full controllable FM-X engine. MODX features deep programmability, controllability and a huge amount of polyphony.\n\nSOUND\nSound is the most important aspect of any instrument. The power of the MODX synthesis engine allows unlimited potential to create your own unique sound demanded by any artist.\n\nThe MODX sound engine is based on the same technology powering the flagship MONTAGE: AWM2 (Advanced Wave Memory 2) sample and synthesis engine and a pure FM-X (Frequency Modulation) synthesizer modernized for amazing sound playback and complex sound design.\n\nAWM2\nOnly found in Yamaha music synthesizers, the AWM2 engine offers much more than just sample playback. Each of the 16 AWM2 parts feature eight fully-programmable synthesizers with a filter (18 different types!,) amplitude, pitch and filter envelope generators, nine LFOs, 3-band EQ and a dedicated dual insert effect with Virtual Circuitry Modeling.\n\nFM-X\nFM-X is an amazingly sophisticated pure synthesizer engine capable of producing classic ‘80s or cutting-edge, EDM sound with incredible dynamic range, power and fidelity. MODX features an 8-operator FM architecture and 64-note polyphony, allowing for a massive array of sound design options.\n\n192-NOTE TOTAL POLYPHONY\nMODX features 128-note stereo AWM2 polyphony and 64-notes of FM-X polyphony. Due to the unique architecture of MODX and MONTAGE, this polyphony is always available without latency or compromising other features.\n\nSSS (Seamless Sound Switching)\nSeamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without stopping.\n\n* This function is only available for Performances that have a maximum of 4 parts.\n\nCONTROL\nMotion Control puts rhythmic and dynamic control at your fingertips for a unique, personalized sound.\n\nSUPER KNOB\nMacro dynamic control\n\n\nMOTION SEQ\nRhythmic, tempo-synced control\n\n\n \nENVELOPE FOLLOWER\nAudio synth parameter control\n\n\n\nINTEGRATEDFLASH\nMODX includes 1 GB of non-volatile user flash memory with high speed reading/writing for your own custom samples or synth libraries from yamahamusicsoft.com.\n\nEFFECTS\nFrom high definition reverbs to incredibly detailed Virtual Circuit Modeling (VCM) effects, MODX is loaded with DSP innovation, power and, most importantly, sound quality. Use effects like Beat Repeat, Vinyl Break or Bit Crusher to get EDM sound. The Spiralizer effect creates the auditory illusion of a tone continually rising or falling in pitch without getting higher or lower.\n\nYou can even add a compressor with sidechain for a modern “ducking” effect. Or go retro with vintage effects like Analog Delay, VCM Phaser or a variety of Amp Simulators. Piano players will appreciate piano-focused effects like Damper Resonance for a super-realistic piano experience and the HD reverbs that let you put yourself in any performance space.\n\nA/D INPUT\nCoupled with two A/D inputs, MODX is a perfect centerpiece for any professional recording studio or live computer rig.\n\nSIDECHAIN\nAutomatically control the dynamic behavior of one part from another. Sidechain is very popular in modern dance music where a pad or other sustain part is “keyed” to the kick drum. When the kick drum plays, it ducks down the sustained part creating a “pumping” rhythmic effect.\n\nMULTI-CHANNEL USB AUDIO INTERFACE\nAs expected for modern computer-based music production, MODX features a professional 4-in/10-out, multi-channel USB audio interface. A single-cable connection replaces the need for an external audio interface. iOS compatible.\n\nCONTROL\nEvery artist wants to sound unique. Take control and stand out from the crowd. Bring the sophistication of music production automation to realtime live performance with Motion Control.\n\nSUPER KNOB\nThe Super Knob allows simultaneous control of up to 128 parameters in a single Performance. This means you can control nearly anything from mix functions like volume, pan and effect sends to detailed synth parameters like filters, LFOs and Operators.\n\nThat’ s 128 parameters…SIMULTANEOUSLY!\n\nThe Super Knob can even be assigned to a second FC7 foot controller making it easy to manipulate the sound when playing with both hands.\n\nMOTION SEQUENCES\nMotion Sequences are tempo-synchronized, completely customizable control sequences that can be assigned to virtually any synthesizer parameter and provide incredible new ways of creating sound.\n\nMotion Sequences also have dedicated controls on the front panel making it easy to manipulate and change in real-time, providing incredible interactivity and expression.\n\nKeyboard\nNumber of Keys: 76\nType: Semi-weighted Keyboard\nInitial Touch: Yes\nAftertouch: No\nTone generator\nTone Generator: Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms\nMaximum Polyphony: AWM2: 128 (max.; stereo/mono waveforms) FM-X: 64 (max.)\nMulti Timbral Capacity: 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part\nWave: Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.00 GB\nPerformance: Approx. 2,000\nFilter: 18 types\nEffects: Reverb x 12 types, Variation x 76 types, Insertion (A, B) x 76 types*, Master Effect x 15 types *A/D part insertion x 71 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)\nOther\nControllers: Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial\nDisplay: 7\" TFT Color Wide VGA LCD touch screen\nConnectors: [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)\nPower Consumption: 16 W (when using PA-150B AC adaptor)\nLive Sets: Preset: 256 and more, User: 2,048\nPerformance Recorder\nTracks: 16 Sequence tracks, Tempo track, Scene track\nRecording type: Real time replace, Real time overdub, Real time punch in/out\nNote Capacity: Approx. 130,000 notes\nNote Resolution: 480 ppq (parts per quarter note)\nTempo (BPM): 5 – 300\nSongs: 128 songs\nArpeggio: Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types\nSequence formats: MODX original format, SMF formats 0, 1", "price": 145990.0, "discountamount": 9000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 322, "imageuri": "https://productimages.withfloats.com/actual/5ff31f4e30f8c90001cc9e92.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ff31f4e30f8c90001cc9e92.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-04T13:59:42.014Z", "updatedon": "2023-10-23T11:57:13.738Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-modx7-76-key-synthesizer/322", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA", "category": "SYNTHESIZER KEYBOARDS", "tags": [ "YAMAHA", "MODX7 76-KEY SYNTHESIZER", "Yamaha MODX7 76-Key Synthesizer", "MODX7", "Yamaha MODX7 price", "yamaha synthesizer dealers in delhi", "yamaha synthesizer dealer", "Yamaha Keyboard Dealers & Distri", "Yamaha Keyboard Dealers & Suppliers In Delhi", "Synthesizers wholesaler & Wholesale Dealers in Ind", "Keyboards & Synthesizers at amazing price" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b6b3ac78c85e4055895874a", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Alesis Recital Pro ", "description": "Alesis Recital Pro\nRECITAL PRO\n88-Key Digital Piano with Hammer-Action Keys\nPREMIUM FEEL AND SOUND\nThe Alesis Recital Pro is a full-featured digital piano with 88 full-sized hammer-action keys with adjustable touch response. The Recital Pro features 12 premium built-in realistic voices:\n• Acoustic Piano\n• Acoustic Piano (Bright)\n• Electric Piano\n• Vibraphone\n• Organ\n• Church Organ\n• Harpsichord\n• Clavi\n• Synth\n• Strings\n• Acoustic Bass\n• Fingered Bass\n\nYou can easily customize the voices by combining any two at once in Layer Mode for a full, rich tone by using the intuitive onboard controls and display screen. Voices can also be assigned to only the left or right hands in Split Mode. You can even add adjustable Modulation, Reverb and Chorus to further tailor your sound. With powerful 20-watt built-in speakers and a 128-note maximum note polyphony, Recital Pro delivers ultra-realistic sound with an authentic playing experience.\n\n\nPOWERFUL EDUCATIONAL FEATURES\nThe Alesis Recital Pro has an incredibly useful feature called \"Lesson Mode.\" This feature divides the 88 keys into two zones with the same pitch and voice. This enables both the student and teacher to easily watch each other and play together without having to take turns or reach over one another. Recital Pro also features an easy “Record Mode” that enables you to record your playing and then critically listen back to your performance.\n\n\nALL THE RIGHT CONNECTIONS\nThe Recital Pro features a ¼” (6.35mm) headphone output which mutes the internal speakers for convenient, quiet private practice. In addition to a ¼” (6.35mm) sustain pedal input (pedal not included), Recital Pro also features stereo ¼” (6.35mm) outputs to connect to a recorder, mixer, amplifier or other sound system. Recital also features a USB-MIDI output for connecting to a computer and using educational software or virtual instrument plugins. Recital Pro can be powered using the included power supply or with 6 D cell batteries (not included).\n\n\nINCLUDES 3-MONTHS OF SKOOVE PREMIUM\n\nSkoove is the easiest way to learn piano--- featuring in-depth online piano courses that adapt to you and give you feedback. Develop your repertoire on your own time, at your own pace with a curated catalog filled with everything from current chart hits to classical music. Need a little help? Skoove’s experienced team of musicians is on hand with one-on-one support to answer your questions. New, exclusive lessons are added every month so you can keep expanding your repertoire with new music as well as up your piano game with new music theory tips and tricks.\nAlesis Recital Pro | 88-Key Digital Piano \nAlesis Recital Pro | MUSICIANSSHIP.COM\nAlesis Digital Piano PRIYANKA MUSICAL HOUSE\nAlesis Recital Pro | 88-Key Digital Piano price india \n \n", "price": 32000.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "Acoustic Piano", "Alesis Recital Pro", "Recital Pro delivers", "online piano courses", "new music theory tips", "adjustable Modulation", "included power supply", "maximum note polyphony", "quiet private practice", "Digital Piano price india", "adjustable touch response", "virtual instrument plugins", "intuitive onboard controls", "Digital Piano PRIYANKA MUSICAL" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 83, "imageuri": "https://productimages.withfloats.com/actual/5a9e3a9eb8a1d509a0b5d569.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5a9e3a9eb8a1d509a0b5d569.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-03-06T06:52:14.767Z", "updatedon": "2018-08-08T18:47:35.296Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/alesis-recital-pro-/83", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": null, "category": null, "tags": null, "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "UniquePaymentUrl", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b6b3ac48c85e4055895817f", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Yamaha PSRI455 ", "description": "Yamaha PSRI455 Digital Keyboard,\n\nAll you need is optimized and more advanced for Indian Music.\nOf the 753 voices and 206 styles built-in, 19 voices feature Indian instruments and 26 styles provide automatic accompaniment ideal for Indian music. Naturally, the electronic tabla and tanpura—which are indispensable to this type of music—can also be found here. In fact, this keyboard’s tabla and tanpura can be set and played in exactly the same way as stand-alone instruments. What’s more, the PSR-I455 also comes with raga-mode practice songs that can be conveniently used for instrument and voice training.\n\nThe PSR-I455 also features a number of enhancements to core functions. It has its own 10- song, 6-track sequencer, as well as a USB TO DEVICE terminal for rapid, convenient storage of songs, styles, and Registration Memory data. Meanwhile, a pair of knob-type controllers provides for more-expressive live performances—for example, they can be used for real-time control of assigned effects such as filters or to modify Arpeggio function patterns, of which 162 different types are included. Not only keyboard playing, but also DJ performances can be made much more dynamic and exciting using these controllers.\n\nThe PSR-I455 can replicate a diverse range of instruments and musical genres from countries and regions all over the world, not just India. As such, it is suitable for a great many different types of music.\n\nWhether studying, playing for fun, or performing for others, you will find everything you need packed into the stylish silver and black body of this class-topping super keyboard.\n\nProduct Information", "price": 23990.0, "discountamount": 3040.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "USB", "way", "fact", "pair", "number", "styles", "voices", "tanpura", "effects", "10 song", "PSR I455", "countries", "music can", "functions", "black body", "enhancements", "indian music", "diverse range", "Yamaha PSRI455", "voice training", "stylish silver", "musical genres", "DJ performances", "DEVICE terminal", "different types", "keyboard playing", "electronic tabla", "real time control", "6 track sequencer", "convenient storage", "Indian instruments", "Product Information", "knob type controllers", "stand alone instruments", "Registration Memory data", "raga mode practice songs", "PSRI455 Digital Keyboard", "Arpeggio function patterns", "class topping super keyboard", "automatic accompaniment ideal" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 4, "imageuri": "https://productimages.withfloats.com/actual/58f332eef351f50abcda5949.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/58f332eef351f50abcda5949.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2017-04-16T09:01:34.219Z", "updatedon": "2018-08-08T18:47:32.672Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-psri455-/4", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": null, "category": null, "tags": null, "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "UniquePaymentUrl", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68bc323ddc6ff268b2215197", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio 1176 LN", "description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.", "price": 344205.0, "discountamount": 8606.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 628, "imageuri": "https://productimages.withfloats.com/actual/68bc32447835a9672ae7dffc.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68bc32447835a9672ae7dffc.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-09-06T13:08:13.946Z", "updatedon": "2025-09-06T13:08:13.946Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-1176-ln/628", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio", "category": "Universal Audio Classic Limiting Amplifier", "tags": [ "Universal Audio Classic Limiting Amplifier", "Universal Audio 1176 LN" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }