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{ "products": [ { "_id": "5ff31947ed85f900013031e5", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "KORG KROSS 2-61 SYNTHESIZER KEYBOARD WITH MICROSD CARD, INDIAN SOUNDS & STYLES", "description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i（Enhanced Definition Synthesis - integrated）\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators\n\nProgram\n\nTimbres\n\nUp to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset\n\nMaster Keyboard functionality\n\nThese allow you to control external MIDI devices\n\nCombination\n\nDrumkits\n\nStereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).\n\nUser Combinations\n\n896 Combinations (384 Preload)\n\nUser Programs\n\n1280 Programs (768 Preload)\n\nUser Drum Kits\n\n58 Drum Kits (42 Preload)\n\nPreset Programs\n\n265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)\n\n* Total number of preload programs and preset programs：1,075 (810 preload programs, 265 preset programs\n\nThe Number of Combinations/Programs/Drum Kits\n\nFavorites\nNumber of memories\n\n128 (16 favorites × 8 banks)\n\nEffects\nInsert effects\n\n5 Insert Effects In-line processing; stereo in - stereo out.\n\nMaster effects\n\n2 Master Effects Two effects sends; stereo in - stereo out.\n\nEffects types\n\nTotal of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)\n\nModulation\n\nDynamic Modulation\n\nEffects Control Bus\n\nStereo side-chaining for limiter, gates, vocoders, etc.\n\nPolyphonic arpeggiators\nProgram mode\n\nOne arpeggiator\n\nCombination mode\n\nTwo arpeggiators\n\nSequencer modes\n\nTwo arpeggiators\n\nPreset arpeggio patterns\n\nUP, DOWN, ALT1, ALT2, RANDOM\n\nUser arpeggio patterns\n\nNumber of arpeggio patterns: 1280 (1024 preload)\nNumber of tones: 12 tones,\nNumber of steps: up to 64 steps\n\nStep sequencer\nProgram mode\nCombination mode\nSequencer mode\n\nOne unit\nNumber of tones: 12 tones + 1 accent tone\nNumber of steps: up to 64 steps\n* Can be created for each program, combination, and song.\n\nDrum Track\nPreset Patterns\n\n772 patterns (Held in common with sequencer patterns.)\n\nOther\n\nTrigger Mode / Sync / Zone settings can be specified\n\nSequencer\nTracks\n\n16MIDI Tracks\n\nNumber of Songs\n\nUp to 128 songs\n\nResolution\n\n1/480\n\nTempo\n\n40.00–300.00 (1/100 BPM resolution)\n\nMaximum Memory\n\nUp to 210,000 MIDI events\n\nCounter\n\nMeasure/Beat/Tick\n\nTemplate Song\n\n16 preset/16 user template songs\n\nPreset Patterns\n\n772 patterns (shared with Drum Track patterns)\n\nFormat\n\nKORG (KROSS) format, SMF format 0 and 1\n\nPad sampler\nSpecifications\n\n16 pads × 8 banks\nAutomatically saved on the SD card, and automatically loaded\nUp to four pads can play simultaneously\n\nRecording format\n\nPCM audio format 48 kHz/16-bit\n\nRecording time\n\nUp to approximately 14 seconds of stereo sample for each pad\n\nImport\n\nWAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nEdit\n\nWaveform display editing functionality, start address and looping settings etc., normalize and other editing operations\n\nAudio Recorder\nRecording Format\n\nPCM audio format 48kHz/16bit\n\nImport\n\nWAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nExport\n\nWAVE format (file name extension: .wav) 48kHz/16bit, stereo\n\nRecording Time\n\nMaximum continuous recording time: 3 hours\nDepends on the SD card used; approximately 90 minutes per 1 GB\n\nNumber of Songs\n\nUp to 200 songs\n\nNumber of overdub recordings\n\nDepends on the remaining capacity of the SD card\n\nCounter\n\nHour/Min/Sec\n\nPad audio play\n\n\n16 pads × 8 banks\nDirectly play back data from SD card\nMultiple pads cannot be played simultaneously\n\nMedia\nFile, Utility, Information, additional PCM data management functionality\n\nControllers\nGeneral Control\n\nPitch bend wheel, Modulation wheel, SW1, SW2\n\nRealtime Control\n\nSELECT button, SWITCH button, KNOB1 knob, KNOB2 knob\n\nStep Sequencer/Favorite/Pad Sampler/Pad Audio Play\n\n\nPads 1–16\nSTEP SEQ ACTIVE button, Run button\nFAVORITES ACTIVE button\nSAMPLER ACTIVE button, HOLD button\nAUDIO PLAY ACTIVE button\nBANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)\n\nDrum Track\n\nDRUM TRACK button\n\nArpeggiator\n\nARP button\n\nAudio Recorder\n\nAUDIO REC button\n\nUser Interface\nDisplay\n\n240 × 64 pixel LCD backlight\nAdjustable contrast (hold the EXIT button and turn the VALUE dial)\n\nCategory\n\nCATEGORY dial, VALUE dial\n\nMODE\n\nCOMBI button, PROG button, SEQ (GLOBAL/MEDIA) button\n\nValue Controllers\n\nCursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons\n\nSequencer\n\nREC button, START/STOP button\n\nQuick Layer Split\n\nLAYER/SPLIT button\n\nOther\n\nVOLUME knob\n\nControl Input\nDAMPER (Supports piano-style half-damper pedals as well as standard foot switches)\nASSIGNABLE SWITCH\nASSIGNABLE PEDAL\n\nAudio Outputs (Analog)\nAUDIO OUTPUT L/MONO, R\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nOutput Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)\nMaximum Level: +10.0 dBu\nLoad Impedance: 10k ohm or greater\nControllable by the VOLUME knob\n\nHEADPHONE OUTPUT\n\nConnectors: 3.5mm (1/8\") stereo mini phone jack\nOutput Impedance: 33 ohnm\nMaximum Level: 40 + 40 mW\nControllable by the VOLUME knob\n\nAudio Inputs (Analog)\nLINE IN\n\nConnectors: 3.5 mm (1/8\") stereo mini phone jack\nInput Impedance: 1.1k ohm\nMaximum Input Level: -42 to 0 dBu\n\nMIC IN\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nInput Impedance: 33 ohm\nMaximum Input Level: -48 to -6dBu\nPhantom power or plug-in power is not supported.\n\nOthers\nMIDI\n\nIN, OUT\n\nUSB\n\nUSB connector TYPE B x 1, USB-MIDI interface, USB audio interface\n\nSD Card Slot\n\nOne card slat\n\n* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.\n\nMain Specifications\nPower\n\nAC adaptor power supply DC 9V\nAA alkaline batteries x 6, or nickel-metal hydride batteries x 6\n\nBattery Life\n\nAA alkaline batteries x 6: Approximately 6 hours\nAA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours\n\n* Varies depending on the batteries used and the conditions of use.\n\nPower Consumption\n\n5 W\n\nDimensions (W x D x H)\n\nKROSS2-61: 935 mm × 269 mm x 88 mm / 36.81\" × 10.59\" × 3.46\"\nKROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01\" × 15.08\" × 5.35\"\n\nWeight\n\nKROSS2-6: 3.8 kg / 8.38 lbs (excluding batteries)\nKROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)\n\nIncluded Items\n\nAC adapter, Quick Start Guide\n\nAccessories (sold separately)\nKeyboard stand\n\nKROSS2-61: Standard-S-BK61\nKROSS2-88: Standard-L-SV88\n\nSoft case\n\nKROSS2-61: SC-KROSS 2 61\nKROSS2-88: SC-KROSS 2 88\n\nExpression/Volume Pedal\n\nXVP-20\nXVP-10\n\nFoot Controller\n\nEXP-2\n\nDamper Pedal\n\nDS-1H\n\nPedal Switch\n\nPS-1\nPS-3", "price": 69775.0, "discountamount": 10200.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 321, "imageuri": "https://productimages.withfloats.com/actual/5ff319472cc79e00016bcc58.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ff319472cc79e00016bcc58.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-04T13:33:59.118Z", "updatedon": "2023-10-23T12:00:02.019Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/korg-kross-2-61-synthesizer-keyboard-with-microsd-card-indian-sounds-styles/321", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "KORG", "category": "SYNTHESIZER KEYBOARDS", "tags": [ "KORG KROSS 2", "KORG KROSS 2-61 SYNTHESIZER", "KORG SYNTHESIZER KEYBOARD", "KORG KROSS 2-61 SYNTHESIZER KEYBOARD", "korg synthesizer", "", "Synthesizers / Keyboards | KORG (India)", "synthesizers / keyboards korg (india) dealers", "korg (india) dealers", "Korg Keyboard Dealers & Suppliers In Lucknow,", "Keyboard Instruments in Lucknow", "Music Synthesizers - Wholesaler & Wholesale Dealer", "Synthesizer Keyboard Instruments" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68a5fce89456e157a3a6b003", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND XPS-10X Expandable Synthesizer", "description": "XPS Quality in a Streamlined Performance Keyboard\nThe XPS-10X brings you the essential features of the flagship XPS-60 in a streamlined, performance-ready keyboard. It offers a massive selection of sounds to cover nearly any style—including a wide range of regional folk instruments—plus support for adding more with World Expansion titles on Roland Cloud. The keyboard also provides powerful tools to enhance performances and creative sessions, such as an Audio Player with independent pitch and speed control, per-tone scale tuning, a class-compliant USB-C audio/MIDI interface, and more.\n\nStandard Features\nXPS-10X\nView the Gallery\nXPS-10X\nAcclaimed Roland Sounds\nThe XPS-10X features over 1600 diverse sounds from the core XPS-60 library, including pianos, organs, guitars, basses, orchestral instruments, synths, drums, and more. In addition, there are many folk instrument selections to perform with authentic local sounds from regions around the world.\n\nXPS-10X\nAdd Global Instruments with the World Expansion Series\nThe XPS-10X also supports region-specific sound collections from the World Expansion series on Roland Cloud. Each title includes new waveforms and tone data, allowing you to discover rare instrument sounds from India, Mexico, South America, Southeast Asia, and more. World Expansions can be purchased and installed via Roland Cloud Manager on a computer or the XPS Tone Loader app for mobile devices.\n\n Explore the World Expansion Series\nXPS-10X\nPortable Inspiration\nLike all instruments in the XPS series, the XPS-10X delivers excellent playability in a robust and rugged design. The expressive 61-note keyboard offers outstanding feel, and you can power the instrument with a rechargeable mobile battery for the ultimate grab-and-go convenience.\n\nXPS-10X\nFree-Flowing Sound Creation\nWith its ergonomic panel layout, performing and composing with the XPS-10X is a joy. Call up tones with intuitive category buttons and set up favorites for quick access. Split and layer tones, change the octave range and transposition, and apply arpeggio and chord memory functions with quick button presses. When you’re done, save the complete setup within a Scene memory for one-touch recall on stage.\n\nXPS-10X\nPerform with Backing Music\nThe XPS-10X’s Audio Player function makes elevating your performances with backing music easy. Connect a USB flash drive with your WAV/AIFF audio files, assign them to the eight phrase pads, and launch them as you play. Pitch and playback speed are independently adjustable for each file, allowing you to match a vocalist's singing range or change the tempo to suit the mood.\n\nXPS-10X\nMulti-Function Phrase Pads\nAlong with song playback, the XPS-10X phrase pads can trigger onboard drum sounds or imported samples in real time. You can also use them as part select and part mute buttons while working with the step sequencer.\n\nXPS-10X\nAccessible Scale Settings\nJust like the XPS-60, the XPS-10X allows you to set the optimal scales for each tone individually so they’re ready to play when needed. When Transpose Sync is enabled, your custom scale settings will automatically follow the current keyboard transpose button setting.\n\nXPS-10X\nStep Sequencer\nThe eight-track step sequencer is ideal for sketching song ideas and creating interactive backing with the XPS-10X’s onboard sounds. The arpeggio function and built-in rhythms automatically synchronize with the sequencer, ready to bring fresh energy to your keyboard performances.\n\nXPS-10X\nConnect with Computers and Mobile Devices\nThe XPS-10X’s class-compliant USB-C audio/MIDI interface lets you perform and record with music apps or stream gig audio via your phone. And with integrated computer DAW control, you can operate functions in your favorite software platform from the XPS-10X panel. The XPS Tone Loader app also communicates via USB-C, allowing you to purchase and install World Expansion titles using your smartphone or tablet.\n\n Learn More About the XPS Tone Loader", "price": 73500.0, "discountamount": 8600.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 622, "imageuri": "https://productimages.withfloats.com/actual/68a5fceefe1cedd0c02960b2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a5fceefe1cedd0c02960b2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-20T16:50:48.136Z", "updatedon": "2025-09-07T08:17:02.958Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-xps-10x-expandable-synthesizer/622", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland ", "category": "SYNTHESIZER ", "tags": [ "ROLAND XPS-10X Expandable Synthesizer", "ROLAND XPS-10X Expandable Synthesizer PRICE" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68617749d03c4bf2e85d074b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Hammer 88", "description": "Introducing Hammer 88, a premium, no-compromise keyboard controller, ideal for professional, semi-pro players or students seeking the realistic grand piano feel to use with virtual instruments or sound modules. At the heart of Hammer 88 are 88 velocity-sensitive, fully-weighted hammer-action keys that are guaranteed to faithfully capture every subtle nuance of your performance, while providing the unmatched response of a traditional grand piano—classic feel fused with the unrivalled sonic capabilities of virtual instruments. It’s the perfect combination for performers and producers to experience their plugin collection like never before.\n\nExpressive \n\nPut expression center-stage with Hammer 88, thanks to a core range of controls, thoughtfully positioned to complement and enhance your performance. With a unity-locking pitch wheel and a separate modulation wheel, add portamento and glissando effects, or map the Mod-Wheel to any assignable parameter in your virtual instrument collection to reshape and evolve your sound on the fly. With the dedicated Master Volume Fader, you can instantly control the intensity of your performance or MIDI map this to any compatible parameter in your DAW or virtual instrument collection for expanded, hands-on control. Use the assignable Up and Down buttons to select different programs, effects, MMC messages, jump between octaves and more. Add some pedal-based performance articulation using the three dedicated inputs for Sustain, Expression and Soft. With Hammer 88’s performance-centric feature-set, expressing yourself has never been so easy!\n\nOutboard Control\n\nDon’t limit yourself to your computer-based virtual instruments! Take control of your studio equipment with Hammer 88. With its conveniently-located 5-pin MIDI Output, you can send all MIDI information to any compatible peripheral device, including hardware synthesisers, sound modules and drum machines. With Hammer 88, it’s easy get the most out of your external sound generators. This is a controller designed from the ground up to place you firmly in the driver’s seat.\n\nSeamless Integration \n\nAn instrument shouldn’t limit your creativity, it should enhance it! Hammer 88 is USB-powered, class-compliant and supports USB-MIDI connectivity for rapid, hassle-free setup that lets you focus on what’s important—your performance. Plus for iOS enthusiasts, Hammer 88 supports seamless connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.\n\nTouch Loops \n\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n\nKey Features - \n\n1. 88 fully-weighted, hammer-action keys\n2. USB-MIDI connection for playing virtual instruments, controlling recording software and more\n3. 5-Pin MIDI output to trigger external MIDI devices\n4. Pitch bend, modulation, volume and ± controls for expressive performances\n5. Multiple keyboard zones for layering, splits and 4-note chords with a single key press\n6. Inputs for Sustain, Expression and Soft pedals\n7. USB-powered, no power supply required\n8. No drivers required, supports plug-and-play connectivity to your Mac or PC\n9. iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)\n10. Multiple keyboard zones for layering, splits and 4-note chords with a single key press\n11. Clean, professional editing with included Hammer 88 Controller Editor\n12. Power adapter (optional) for stand-alone use\n13. Includes Music Rest\n\nTechnical Specs \n\nKeys: 88, velocity-sensitive, weighted keys\nOctaves: 10\nConnections: USB port, sustain pedal, soft pedal, expression pedal, MIDI Out\nDimensions: 11.9” x 5.0 x 55.9”\nWeight: 38.5 lbs\n\nRequirements\nPC: Windows 7 or later\nMac: OS X 10.8 or later\nAvailable USB Port", "price": 64450.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "dimensions 119", "hammer 88", "mac os", "controller designed", "midi map", "assignable parameter", "usb port", "4note chords", "layering splits", "music production", "vintage drum", "samples ranging", "mix 2 gigs", "audio apps", "usbpowered classcompliant", "drum machines", "midi information", "studio equipment", "sustain expression", "dedicated inputs", "instantly control", "glissando effects", "core range", "perfect combination", "unmatched response", "subtle nuance", "faithfully capture", "sound modules", "students seeking", "compatible parameter", "plugin collection", "virtual instruments", "whats importantyour performance", "pedalbased performance articulation", "computerbased virtual instruments", "external sound generators", "expanded handson control", "controls thoughtfully positioned", "virtual instrument collection", "compatible peripheral device", "maudio account ready", "rapid hasslefree setup", "supports usbmidi connectivity", "instrument shouldnt limit", "unitylocking pitch wheel", "unrivalled sonic capabilities", "professional semipro players" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 535, "imageuri": "https://productimages.withfloats.com/actual/6861774b0c7d44ce437a3056.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6861774b0c7d44ce437a3056.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T17:26:33.275Z", "updatedon": "2025-06-30T04:57:47.864Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/hammer-88/535", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6860fca0e217a6684019cf2e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Oxygen 61 MK IV ( USB MIDI Performance Keyboard Controller )", "description": "Melodics Offer\nFor a Limited time join over 100,000 musicians building their skills with Melodics. Melodics is a desktop app that teaches you to play and perform with MIDI keyboards, pad controllers, and drums. Whether your just starting out or a seasoned pro looking to learn advanced techniques Melodics grows with you. It’s free to download upon registration of your controller, and comes with over 60 free lessons (Including Five Exclusive to M-Audio) to get you started!\n\nNEW: Welcome to The World of VIP Music Software | Effortless Integration, Enhanced Workflow\nExperience expanded control of your VST instrument and effect collection with CODE 49 and VIP3.0 (Free Download Included a $99.99 Value). VIP3.0 provides you with unparalleled access to your virtual instrument and effect collection, seamlessly integrating the hardware / software experience and grants the unrestricted freedom to create in a user-friendly, intuitive format. The combination of VIP and CODE 49 maximizes workflow and ensures a playing experience that feels natural and enhances creativity – the natural, tactile feel of hardware fused with the unrivalled processing capability of virtual Instruments. Quickly find sounds based on instrument type, timbre, style or articulation from your entire VST library; sculpt immersive, expressive sounds and textures layering up to 8 separate instruments and patches per VIP instance; load up to 4 different VST effects per instrument channel to sculpt the perfect sound; put power into your performance with Pad Chord Progressions and user-friendly Key Control processors; and much more. From live performance to studio production, VIP’s user-friendly functionality coupled with a diverse feature set guarantees simple, seamless integration into your existing setup and provides the ultimate platform for unrestricted creative expression.\n\nThe Oxygen Series\nM-Audio pioneered the portable MIDI controller market with the Oxygen series of keyboard controllers. Today, M-Audio continues to be a leader of this technology by developing intuitive controllers for software-based music production and performance. Thanks to continued innovation over the course of nearly a decade, the new Oxygen series controllers offer more control, deep hardware/software integration, and come equipped with a reliable build that enables you to make music on the go or implement these controllers into any studio.\n\nStreamlined Control\nWith an array of assignable knobs, pads, and faders, Oxygen 61 gives you total control over your software, allowing you to stay engaged in the creative flow of recording and mixing music without ever reaching for the mouse. It features 61 velocity-sensitive keys for playing chords, bass lines, and melodies; eight assignable knobs for tweaking effect plugins and virtual instruments; eight velocity-sensitive pads for triggering samples or finger drumming; and nine assignable faders for mixing tracks together and controlling the master output. Oxygen 61 also has dedicated transport controls and track-up and -down buttons that allow you to initiate play, stop, and record in the DAW environment right from your keyboard controller.\n\nUse Your Favorite DAW\nThe Oxygen 61 MIDI controller offers out-of-the-box integration with popular DAWs including Ableton Live, Pro Tools, Logic, Cubase, and many more. Using DirectLink, Oxygen 61's controls instantly map to key parameters in your favorite DAW, enabling you to immediately tweak the mixers, editors, and transport windows. Additionally, Oxygen 61 has built-in customizable mapping presets that quickly interface Oxygen 61 with your favorite effect plugins and virtual instruments. Setting up a MIDI controller with your software doesn’t get any easier than this.\n\nFor an easy-to-use and portable setup, all Oxygen controllers are USB-powered, class-compliant, and support USB-MIDI connectivity. Plus, they support iOS connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.\n\nAbleton Live Lite\nAbleton Live Lite is included with Oxygen 61 for immediate music creation. One of the most popular performance and production programs available in the world, Ableton Live Lite is a powerful music creation tool that enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Host plugins and use Oxygen 61 to produce, compose, or perform all within Ableton Live Lite. When you are satisfied with your work, Ableton Live lets you save it or mix it down.\n\nAIR Music Tech Xpand!2\nXpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nTouch Loops\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n\nAbleton is a trademark of Ableton AG. Cubase is a registered trademark of Steinberg Media Technologies AG. Pro Tools is a registered trademark of Avid Technology, Inc. in the U.S. and other countries. Logic is a trademark of Apple Inc., registered in the U.S. and other countries. M-Audio is a trademark of inMusic Brands Inc., registered in the US and other countries. All other product or company names are trademarks or registered trademarks of their respective owners.\n\nFeatures - \n\n1. 61 full-size, synth-action velocity-sensitive keys\n2. 8 velocity-sensitive trigger pads for beat production, clip launching, and more\n3. 8 assignable knobs for manipulating virtual instruments and plugins\n4. 9 assignable faders built in so you can mix with ease\n5. Transport buttons let you control your DAW without reaching for the mouse\n6. DirectLink automatically maps controls to popular DAWs: Ableton Live, Pro Tools, Logic, Cubase, and more\n7. LCD screen provides instant parameter feedback\n8. Sustain pedal input for further creative control\n9. USB-powered, plug-and-play support, and USB-MIDI connectivity\n10. Includes Ableton Live Lite\n11. Includes AIR Music Tech Xpand!2, a multitimbral all-in-one workstation\n12. Includes VIP3.0 - the ground-breaking, award-winning music software platform that provides musicians and composers with a powerful hands-on control solution for their virtual instrument and virtual effect collection. \n\nRequirements - \n\nMacintosh: 1.25 GHz G4/G5 or faster (Intel Mac recommended), 1 GB RAM (2 GB recommended), Mac OS X 10.4.11 (10.5 or later recommended)\nWindows: 1.5 GHz Pentium 4 or Celeron compatible CPU or faster (multicore CPU recommended), 1 GB RAM (2 GB recommended), Windows 10, Windows 8, Windows 7, Windows Vista or Windows XP, Windows compatible sound card (ASIO driver support recommended), QuickTime recommended\nAvailable USB Port", "price": 27850.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "10411 105", "code 49", "oxygen 61", "registered trademark", "registered trademarks", "enables musicians", "mix 2 gigs", "avid technology", "sample playback", "amazing patch", "produce compose", "popular performance", "reliable build", "60 free lessons", "oxygen controllers", "faders oxygen 61", "oxygen series", "countries maudio", "countries logic", "midi controller", "keyboard controller", "100000 musicians building", "usb port", "7 lcd screen", "company names", "inmusic brands", "vintage drum", "samples ranging", "fm synthesis", "true power", "xpand2 reveals", "audio apps", "usbpowered classcompliant", "portable setup", "mixers editors", "immediately tweak", "key parameters", "popular daws", "daw environment", "mixing tracks", "finger drumming", "triggering samples", "stay engaged", "total control", "continued innovation", "ultimate platform", "existing setup", "live performance", "instrument channel", "vst effects", "textures layering", "enhances creativity", "unparalleled access", "vst instrument", "seasoned pro", "desktop app", "melodics melodics", "production programs", "music creation", "software doesnt", "assignable faders", "mixing music", "software allowing", "make music", "virtual instrument", "velocitysensitive pads", "creative flow", "8 separate instruments", "hardware fused", "feels natural", "playing experience", "unrestricted freedom", "liking ableton", "favorite daw", "effect collection", "music production", "assignable knobs", "virtual instruments", "assignable knobs pads", "hardware software experience", "favorite daw enabling", "softwarebased music production", "manipulating virtual instruments", "virtual instruments setting", "maudio account ready", "initiate play stop", "studio streamlined control", "developing intuitive controllers", "unrestricted creative expression", "vip instance load", "ableton live lite", "favorite effect plugins", "air music tech", "natural tactile feel", "ableton ag cubase", "tweaking effect plugins", "celeron compatible cpu", "carefully created thousands", "active sound slots", "multitimbral workstation offering", "edit musical ideas", "support ios connectivity", "support usbmidi connectivity", "dedicated transport controls", "pad chord progressions", "unrivalled processing capability", "userfriendly intuitive format", "limited time join" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 526, "imageuri": "https://productimages.withfloats.com/actual/6860fca683322e22c2fc0e80.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6860fca683322e22c2fc0e80.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T08:43:12.36Z", "updatedon": "2025-06-29T08:53:04.882Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/oxygen-61-mk-iv-usb-midi-performance-keyboard-controller-/526", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5ff31f4ee1af5d0001d3cabb", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA MODX7 76-KEY SYNTHESIZER", "description": "For the synthesist needing unique sound design capabilities, MODX is a synthesizer with an 8-operator, full controllable FM-X engine. MODX features deep programmability, controllability and a huge amount of polyphony.\n\nSOUND\nSound is the most important aspect of any instrument. The power of the MODX synthesis engine allows unlimited potential to create your own unique sound demanded by any artist.\n\nThe MODX sound engine is based on the same technology powering the flagship MONTAGE: AWM2 (Advanced Wave Memory 2) sample and synthesis engine and a pure FM-X (Frequency Modulation) synthesizer modernized for amazing sound playback and complex sound design.\n\nAWM2\nOnly found in Yamaha music synthesizers, the AWM2 engine offers much more than just sample playback. Each of the 16 AWM2 parts feature eight fully-programmable synthesizers with a filter (18 different types!,) amplitude, pitch and filter envelope generators, nine LFOs, 3-band EQ and a dedicated dual insert effect with Virtual Circuitry Modeling.\n\nFM-X\nFM-X is an amazingly sophisticated pure synthesizer engine capable of producing classic ‘80s or cutting-edge, EDM sound with incredible dynamic range, power and fidelity. MODX features an 8-operator FM architecture and 64-note polyphony, allowing for a massive array of sound design options.\n\n192-NOTE TOTAL POLYPHONY\nMODX features 128-note stereo AWM2 polyphony and 64-notes of FM-X polyphony. Due to the unique architecture of MODX and MONTAGE, this polyphony is always available without latency or compromising other features.\n\nSSS (Seamless Sound Switching)\nSeamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without stopping.\n\n* This function is only available for Performances that have a maximum of 4 parts.\n\nCONTROL\nMotion Control puts rhythmic and dynamic control at your fingertips for a unique, personalized sound.\n\nSUPER KNOB\nMacro dynamic control\n\n\nMOTION SEQ\nRhythmic, tempo-synced control\n\n\n \nENVELOPE FOLLOWER\nAudio synth parameter control\n\n\n\nINTEGRATEDFLASH\nMODX includes 1 GB of non-volatile user flash memory with high speed reading/writing for your own custom samples or synth libraries from yamahamusicsoft.com.\n\nEFFECTS\nFrom high definition reverbs to incredibly detailed Virtual Circuit Modeling (VCM) effects, MODX is loaded with DSP innovation, power and, most importantly, sound quality. Use effects like Beat Repeat, Vinyl Break or Bit Crusher to get EDM sound. The Spiralizer effect creates the auditory illusion of a tone continually rising or falling in pitch without getting higher or lower.\n\nYou can even add a compressor with sidechain for a modern “ducking” effect. Or go retro with vintage effects like Analog Delay, VCM Phaser or a variety of Amp Simulators. Piano players will appreciate piano-focused effects like Damper Resonance for a super-realistic piano experience and the HD reverbs that let you put yourself in any performance space.\n\nA/D INPUT\nCoupled with two A/D inputs, MODX is a perfect centerpiece for any professional recording studio or live computer rig.\n\nSIDECHAIN\nAutomatically control the dynamic behavior of one part from another. Sidechain is very popular in modern dance music where a pad or other sustain part is “keyed” to the kick drum. When the kick drum plays, it ducks down the sustained part creating a “pumping” rhythmic effect.\n\nMULTI-CHANNEL USB AUDIO INTERFACE\nAs expected for modern computer-based music production, MODX features a professional 4-in/10-out, multi-channel USB audio interface. A single-cable connection replaces the need for an external audio interface. iOS compatible.\n\nCONTROL\nEvery artist wants to sound unique. Take control and stand out from the crowd. Bring the sophistication of music production automation to realtime live performance with Motion Control.\n\nSUPER KNOB\nThe Super Knob allows simultaneous control of up to 128 parameters in a single Performance. This means you can control nearly anything from mix functions like volume, pan and effect sends to detailed synth parameters like filters, LFOs and Operators.\n\nThat’ s 128 parameters…SIMULTANEOUSLY!\n\nThe Super Knob can even be assigned to a second FC7 foot controller making it easy to manipulate the sound when playing with both hands.\n\nMOTION SEQUENCES\nMotion Sequences are tempo-synchronized, completely customizable control sequences that can be assigned to virtually any synthesizer parameter and provide incredible new ways of creating sound.\n\nMotion Sequences also have dedicated controls on the front panel making it easy to manipulate and change in real-time, providing incredible interactivity and expression.\n\nKeyboard\nNumber of Keys: 76\nType: Semi-weighted Keyboard\nInitial Touch: Yes\nAftertouch: No\nTone generator\nTone Generator: Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms\nMaximum Polyphony: AWM2: 128 (max.; stereo/mono waveforms) FM-X: 64 (max.)\nMulti Timbral Capacity: 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part\nWave: Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.00 GB\nPerformance: Approx. 2,000\nFilter: 18 types\nEffects: Reverb x 12 types, Variation x 76 types, Insertion (A, B) x 76 types*, Master Effect x 15 types *A/D part insertion x 71 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)\nOther\nControllers: Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial\nDisplay: 7\" TFT Color Wide VGA LCD touch screen\nConnectors: [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)\nPower Consumption: 16 W (when using PA-150B AC adaptor)\nLive Sets: Preset: 256 and more, User: 2,048\nPerformance Recorder\nTracks: 16 Sequence tracks, Tempo track, Scene track\nRecording type: Real time replace, Real time overdub, Real time punch in/out\nNote Capacity: Approx. 130,000 notes\nNote Resolution: 480 ppq (parts per quarter note)\nTempo (BPM): 5 – 300\nSongs: 128 songs\nArpeggio: Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types\nSequence formats: MODX original format, SMF formats 0, 1", "price": 145990.0, "discountamount": 9000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 322, "imageuri": "https://productimages.withfloats.com/actual/5ff31f4e30f8c90001cc9e92.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ff31f4e30f8c90001cc9e92.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-04T13:59:42.014Z", "updatedon": "2023-10-23T11:57:13.738Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-modx7-76-key-synthesizer/322", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA", "category": "SYNTHESIZER KEYBOARDS", "tags": [ "YAMAHA", "MODX7 76-KEY SYNTHESIZER", "Yamaha MODX7 76-Key Synthesizer", "MODX7", "Yamaha MODX7 price", "yamaha synthesizer dealers in delhi", "yamaha synthesizer dealer", "Yamaha Keyboard Dealers & Distri", "Yamaha Keyboard Dealers & Suppliers In Delhi", "Synthesizers wholesaler & Wholesale Dealers in Ind", "Keyboards & Synthesizers at amazing price" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6860f7c01007da114bbed8d3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Oxygen 25 (blue) 25-Key USB MIDI Controller", "description": "The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use.\n\nStreamlined Session Control\nFeaturing eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this.\n\nProfessional Quality\nM-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls.\n\nA New Approach to Making Music\nWith Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform.\n\nPro Tools Compatible\nThe Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility.\n\nUltra-Compact Design\nThe Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag.\n\nSound Your Best\nIncluded with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MIDI technology provides both a Chord Player and a Phrase Player that can introduce new musical parts to enhance your production—even a drum pattern. Email your ideas to the rest of the band. Share your musical ideas and songs with other musicians through SoundCloud—all without ever leaving Ignite. Plus, you can export WAV and MIDI files, and then import them into any DAW recording software—including Pro Tools.\n\nFeatures - \n\n1. 25 velocity-sensitive keys\n2. 8 MIDI-assignable knobs\n3. 1 MIDI-assignable slider\n4. 6 dedicated transport controls\n5. Dedicated track up/down buttons\n6. DirectLink mode automatically maps controls to common DAW parameters\n7. Factory presets map controllers to popular virtual instrument software\n8. Unique Select buttons for on-the-fly step through of presets, program changes and MIDI channels\n9. 4 velocity curves and 3 fixed velocity settings\n10. Sustain pedal input\n11. Class-compliant with Windows XP, Windows Vista and Mac OS X\n12. USB bus powered\n13. Includes Ableton Live Lite\n14. Includes Ignite music creation software\n\nSpecifications - \n\nMIDI Data from variable controllers:\nMIDI Control Number\nRPN/NRPN\nProgram, Bank LSB, Bank MSB\nPitch Bend\nGM/GM2/XG SysEx Messages\n\nMIDI Data from buttons/switches:\nNote On\nNote On/Off toggle\nMIDI CC On/Off toggle\nProgram, Bank LSB, Bank MSB presets\nMIDI Machine Control functions\nGM/GM2/XG SysEx messages\nWeight:3.8lbs. (1.7kg)\nSize: 16.2“ L x 9.4” W 3.7\" H\n\nRequirements - \n\nCompatibility\nMME\nMac OS X Core MIDI\n\nMinimum System Requirements (PC)\n\nWindows XP (SP3)*\n1GHz Intel or AMD**\n512MB RAM\n\nWindows Vista 32 , 64bit (SP1) / Win7 32, 64bit; Windows 10\n1.6GHz Intel or AMD**\n1GB RAM\n128MB video card\n\n* Home and Professional Edition only. Windows Media Center Edition is not supported.\n** CPU may be higher for laptops.\nM-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above.\nMinimum System Requirements (Mac)\nMac OS X 10.4.11 or 10.5.6\nMacintosh G4 1GHz**\n512MB RAM\nG4 accelerator cards not supported", "price": 15300.0, "discountamount": 1500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "oxygen 25", "perfect complement", "supported cpu", "presets program", "midi controls", "oxygen 25 controller", "software doesnt", "oxygen 25 features", "musical ideas", "ideas quickly", "qwerty keyboard", "portable keyboard", "leaving ignite", "professional edition", "buttonsswitches note", "mac os", "onthefly step", "midi files", "export wav", "band share", "musical parts", "phrase player", "chord player", "couch writing", "compact studios", "soft synths", "amazing amount", "interface options", "pro tools", "powerful suite", "transport windowsas", "personal studios", "professional project", "setup chores", "simply workswith", "outofthebox solution", "tight integration", "automatically assigned", "key parameters", "seamless integration", "complex phrases", "played back", "continued innovation", "professional producers", "constant back", "creative flow", "stay engaged", "total control", "remaining easy", "price range", "midi controller", "assignable knobs", "leading innovator", "making music", "mixing music", "formidable system", "dedicated transport", "song sections ignite", "deep tactile control", "air music technology", "laptops maudio suggests", "fact maudio controllers", "minimum system requirements", "dedicated select buttons", "drum pattern email", "shoulder bag sound", "inspiration strikeswhether relaxing", "incredibly small footprint", "virtual instruments bundled", "front panel controllers", "decade youll find", "track updown buttons", "popular virtual instruments", "common daw functions" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 524, "imageuri": "https://productimages.withfloats.com/actual/6860f800b53660982cbdab8f.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6860f800b53660982cbdab8f.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-29T08:22:24.552Z", "updatedon": "2025-08-04T13:34:54.489Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/oxygen-25-blue-25-key-usb-midi-controller/524", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "MIDI CONTROLLERS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "685ebeb0705f15cc9080b1b7", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|4 ( 2-In/2-Out 24/192 USB Audio Interface )", "description": "With the AIR 192|4, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to 2 channels at once with its dedicated XLR+¼” balanced combo input, and an all-new ¼” instrument input that has a specially-designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface.\n\nThe AIR 192|4 comes complete with a software package that has everything to get you started. With a powerful DAWs to suit your production needs, AIR 192|4 includes Ableton Live Lite, and MPC beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box\n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications\n\nMinimum System Requirements\n• macOS: 10.8 Class Compliant\n• PC: Windows 7, Windows Driver\n• Standard USB 2.0 or USB-C Port\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - 104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range -\t55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response -\t 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - \t100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (balanced, differential 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - \t+7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - \t0.005%\nOutput Impedance - \t10 Ω\n\nGeneral\n\nPower - USB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\nPremium Software Suite Included - \n\nAbleton Live Lite - Ableton Live Lite is one of the most popular performance and production programs available in the world. A powerful music creation tool, Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Explore sonic possibilities in real time whether on stage or in the studio. When you are satisfied with your work, Ableton Live Lite lets you save it or mix it down.\n\nWhatever you set out to achieve, MPC Beats will get you started. Incorporating the finest parts of the legendary MPC workflow, MPC Beats features all the essential tools for pro production. Edit samples, mixdown your tracks, find any sound with the synth engines found on the legendary MPCs, record audio and much more. MPC Beats will host your AU/VST plugins so as you expand your arsenal, know you’ll have complete compatibility with industry standard virtual studio technology.\n\nThe AIR Creative FX Collection features 20 effects that are used by some of the world’s most respected audio professionals. The AIR Creative FX Collection has been featured in many of the last decade’s top film, game and music projects. Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.\n\nThis exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\n80 effect plug-ins provided by AIR\n\nIncluded are some extra goodies to help out any podcaster, guitarist, or producer. This exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\nA new standard for guitar amplifier modeling software\n\nReValver includes ValveKing® & Custom Lite Amp Modules, 3 x cabs, 3 x mics (with multiple selectable positions), and 3x effects.\n\nAIR Music’s Mini Grand is a simple-to-use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Combining premium quality piano samples, innovative re-pedaling technology, built-in room simulation and equal and stretched tuning, Mini Grand is the go-to plugin for authentic, emotive piano sounds.\n\nAIR Music’s Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nAIR TubeSynth\n\nThe AIR TubeSynth plugin emulates the sound of vintage analog polyphonic synthesizers. Dive into a collection of warm pads, brass synths, and so much more in this massive collection of synthesizer presets.\n\nAIR Electric\n\nAIR Electric plugin is your total electric piano collection on MPC. Choose from a wide collection of keyboards like Rhodes, Wurlitzers, FM keyboards, and more. Dedicated control sections provide deep virtual control over keyboard pickups, envelope, bell and noise settings, and much more.\n\nAIR Bassline\n\nThe AIR Bassline plugin emulates the sound of classic monophonic synthesizers. Create your own unique synth patches with the integrated AIR effects sections.\n\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n", "price": 13500.0, "discountamount": 2835.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "cabs 3", "1524 cm", "276 2042 cm", "height 80", "2 channels", "air 1924", "finest parts", "mix 2 gigs", "sample playback", "amazing patch", "goto plugin", "expertly designed", "complete compatibility", "started incorporating", "real time", "impedance stage", "accurate sound", "air bassline", "air included", "air 1924 enables", "production programs", "vintage drum", "samples ranging", "noise settings", "fm synthesis", "true power", "xpand2 reveals", "broad range", "podcaster guitarist", "extra goodies", "auvst plugins", "tracks find", "essential tools", "popular performance", "buffer settings", "fastest connection", "loop package", "powerful daws", "software package", "accurate representation", "speciallydesigned gain", "music production", "wide collection", "massive collection", "music projects", "mpc choose", "musical styles", "professional recording", "piano plugins", "delay weve", "input signal", "mpc beats", "guitar tone reverb", "air music tech", "active sound slots", "mpc beats weve", "creative production mixing", "synth engines found", "easytouse audio interface", "achieve mpc beats", "diverse collection delivers", "acoustic piano sounds", "ensure professional results", "edit musical ideas", "dedicated signal circuit", "maudio account ready", "unique synth patches", "carefully created thousands", "multitimbral workstation offering", "multiple selectable positions", "respected audio professionals", "computer hardware whats", "ultrapristine ad converters", "add worldclasssounding instruments", "bass plugged directly" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 518, "imageuri": "https://productimages.withfloats.com/actual/685ebeb29e2715528655003c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685ebeb29e2715528655003c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T15:54:24.066Z", "updatedon": "2025-06-30T05:09:42.591Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-4-2-in-2-out-24-192-usb-audio-interface-/518", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "63cd366c722f5e0001c0db4d", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland SPD-SX PRO Sampling Pad", "description": "The SPD-SX PRO is the ultimate sampling pad for the most demanding gigs. With years of road testing and extensive user feedback from the SPD-S and SPD-SX, the top-tier SPD-SX PRO raises the bar again. Harnessing the advanced sample pad technology of its predecessors, the SPD-SX PRO boasts an array of requested professional enhancements and is built for life on the road. Illuminate dark stages with a large color display and customizable multi-color trigger lights. Expand your performance setup with more audio outputs, additional trigger inputs, and hi-hat and FX expression pedal control. And go further with a massive 32 GB memory, 48 kHz audio playback, increased pad sensitivity without crosstalk, and a dedicated SPD-SX PRO App for easier kit editing.\nHighlights\nNine pads with Roland’s advanced trigger technology, including six large pads and three top-row shoulder pads\nHigh-visibility, horizontal and vertical LEDs with multi-color customization\nIncreased shoulder pad sensitivity and improved crosstalk performance\n4.3-inch color display for easy navigation and viewing during performance\nImport 48/44.1 kHz (16-/24-/32-bit) WAV/AIFF files and MP3s (32–320 kbps) with automatic conversion to 48 kHz/16-bit upon loading\nStereo main output, four direct mono outputs, balanced for easy mixing on stage\nConnectivity for up to eight external individual triggers/pads (four stereo triggers or eight mono triggers with Y-cables)\nDedicated SPD-SX PRO App for Windows/Mac for easy importing, managing samples, and deep kit editing\n32 GB of internal storage for samples, backing tracks, and click tracks\nInput for hi-hat or footswitch expression control\nConnect hi-hats, kick, and snare for a ‘mini drum kit’ setup\nUp to 200 kit patches (43 erasable preset kits and 157 user kits)\nOver 1550 pre-loaded, high-quality samples and sounds\n16-step pad sequencer function\nOnboard effects engine with up to four effects in parallel, plus side chain with output routing\nBuilt-in click/metronome\nCreate in real time by recording performances as WAV files and assigning them to pads", "price": 129900.0, "discountamount": 23700.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "large color display", "eight mono triggers", "four stereo triggers", "massive 32 GB memory", "sample pad technology", "48 kHz audio playback", "ultimate sampling pad", "extensive user feedback", "43 erasable preset kits", "shoulder pad sensitivity", "four direct mono outputs", "additional trigger inputs", "eight external individual", "professional enhancements", "FX expression pedal control" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 475, "imageuri": "https://productimages.withfloats.com/actual/63cd366e91523a000120b795.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/63cd366e91523a000120b795.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2023-01-22T13:13:16.48Z", "updatedon": "2023-02-14T09:31:22.534Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-spd-sx-pro-sampling-pad/475", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "Sampling", "tags": [ "Roland SPD-SX PRO Sampling Pad", "Roland SPD-SX PRO", "Sampling Pad", "Roland SPD-SX PRO Sampling Pad Electric Drum V Dru", "SPD-SX PRO", "roland dealer in india", "roland spd-sx pro price in india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. 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