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{ "products": [ { "_id": "68a5fce89456e157a3a6b003", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND XPS-10X Expandable Synthesizer", "description": "XPS Quality in a Streamlined Performance Keyboard\nThe XPS-10X brings you the essential features of the flagship XPS-60 in a streamlined, performance-ready keyboard. It offers a massive selection of sounds to cover nearly any style—including a wide range of regional folk instruments—plus support for adding more with World Expansion titles on Roland Cloud. The keyboard also provides powerful tools to enhance performances and creative sessions, such as an Audio Player with independent pitch and speed control, per-tone scale tuning, a class-compliant USB-C audio/MIDI interface, and more.\n\nStandard Features\nXPS-10X\nView the Gallery\nXPS-10X\nAcclaimed Roland Sounds\nThe XPS-10X features over 1600 diverse sounds from the core XPS-60 library, including pianos, organs, guitars, basses, orchestral instruments, synths, drums, and more. In addition, there are many folk instrument selections to perform with authentic local sounds from regions around the world.\n\nXPS-10X\nAdd Global Instruments with the World Expansion Series\nThe XPS-10X also supports region-specific sound collections from the World Expansion series on Roland Cloud. Each title includes new waveforms and tone data, allowing you to discover rare instrument sounds from India, Mexico, South America, Southeast Asia, and more. World Expansions can be purchased and installed via Roland Cloud Manager on a computer or the XPS Tone Loader app for mobile devices.\n\n Explore the World Expansion Series\nXPS-10X\nPortable Inspiration\nLike all instruments in the XPS series, the XPS-10X delivers excellent playability in a robust and rugged design. The expressive 61-note keyboard offers outstanding feel, and you can power the instrument with a rechargeable mobile battery for the ultimate grab-and-go convenience.\n\nXPS-10X\nFree-Flowing Sound Creation\nWith its ergonomic panel layout, performing and composing with the XPS-10X is a joy. Call up tones with intuitive category buttons and set up favorites for quick access. Split and layer tones, change the octave range and transposition, and apply arpeggio and chord memory functions with quick button presses. When you’re done, save the complete setup within a Scene memory for one-touch recall on stage.\n\nXPS-10X\nPerform with Backing Music\nThe XPS-10X’s Audio Player function makes elevating your performances with backing music easy. Connect a USB flash drive with your WAV/AIFF audio files, assign them to the eight phrase pads, and launch them as you play. Pitch and playback speed are independently adjustable for each file, allowing you to match a vocalist's singing range or change the tempo to suit the mood.\n\nXPS-10X\nMulti-Function Phrase Pads\nAlong with song playback, the XPS-10X phrase pads can trigger onboard drum sounds or imported samples in real time. You can also use them as part select and part mute buttons while working with the step sequencer.\n\nXPS-10X\nAccessible Scale Settings\nJust like the XPS-60, the XPS-10X allows you to set the optimal scales for each tone individually so they’re ready to play when needed. When Transpose Sync is enabled, your custom scale settings will automatically follow the current keyboard transpose button setting.\n\nXPS-10X\nStep Sequencer\nThe eight-track step sequencer is ideal for sketching song ideas and creating interactive backing with the XPS-10X’s onboard sounds. The arpeggio function and built-in rhythms automatically synchronize with the sequencer, ready to bring fresh energy to your keyboard performances.\n\nXPS-10X\nConnect with Computers and Mobile Devices\nThe XPS-10X’s class-compliant USB-C audio/MIDI interface lets you perform and record with music apps or stream gig audio via your phone. And with integrated computer DAW control, you can operate functions in your favorite software platform from the XPS-10X panel. The XPS Tone Loader app also communicates via USB-C, allowing you to purchase and install World Expansion titles using your smartphone or tablet.\n\n Learn More About the XPS Tone Loader", "price": 73500.0, "discountamount": 8600.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 622, "imageuri": "https://productimages.withfloats.com/actual/68a5fceefe1cedd0c02960b2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a5fceefe1cedd0c02960b2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-20T16:50:48.136Z", "updatedon": "2025-09-07T08:17:02.958Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-xps-10x-expandable-synthesizer/622", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland ", "category": "SYNTHESIZER ", "tags": [ "ROLAND XPS-10X Expandable Synthesizer", "ROLAND XPS-10X Expandable Synthesizer PRICE" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "68a4900ff5434d48fca8b12b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth", "description": "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth\n\nThe Alesis Nitro Pro XL 10-piece electronic drum kit with Mesh heads & Bluetooth redefines the electronic drum experience, offering an expansive setup for players who demand versatility and precision. This upgraded version of the standard Nitro kit features an additional tom and cymbal, creating a dynamic 10-piece configuration that caters to advanced playing styles. With premium mesh drum heads, Bluetooth connectivity, and an intuitive module powered by professionally recorded kits, this model delivers a realistic feel and a rich, customizable sound palette. Designed for practice, live performance, and recording, the Nitro Pro XL combines cutting-edge technology with superior build quality to inspire creativity and elevate your drumming.\n\nAlesis Ntro Pro Premium Mesh Heads For Enhanced Playability\n\nThe Nitro Pro XL features premium mesh drum heads that deliver a natural rebound and quiet performance, closely mimicking the feel of acoustic drums. The 10\" dual-zone snare and four 8\" dual-zone tom pads provide exceptional responsiveness and dynamic range, allowing nuanced articulation whether you're playing soft rolls or aggressive strikes. The mesh heads also ensure that vibrations are evenly distributed across the surface, improving playability and reducing noise. This advanced design lets drummers practice freely without disturbing others, while retaining the tactile feedback needed for expressive playing.\n\nIconic Drum Sounds Powered By BFD Kits\n\nAt the heart of this electronic drum kit is the Nitro Pro XL module, loaded with 36 professionally recorded kits sourced from the renowned BFD library. These kits span decades of iconic drum sounds, from rock and pop to jazz and funk, giving players an expansive sound palette. Additionally, the module includes 52 kits—36 pre-configured and 16 user-customizable—allowing drummers to tweak sounds and create their own unique setups. With intuitive controls and high-quality samples, the module ensures every hit translates into rich, lifelike tones that inspire creativity and enhance performance.\n\nAdvanced Hardware For Dynamic Performance\n\nThis electronic drum kit is equipped with hardware designed to support advanced playing techniques and configurations. The 8\" mesh bass drum tower accommodates double kick pedals, perfect for drummers exploring complex rhythms and fast-paced patterns. The cymbal setup includes two 10\" crash cymbals with choke, a 10\" ride cymbal, and a 10\" hi-hat with foot controller for precise expression. An aluminum rack provides a stable foundation, ensuring the kit remains secure during intense practice sessions or live performances. Together, these components create a platform for dynamic play and reliable functionality.\n\nDurable Construction For Reliable Use\n\nThe Nitro Pro XL is built with durability in mind, featuring high-quality materials and engineering that withstand extended use. The aluminum rack offers lightweight stability, making it easy to transport while maintaining a robust setup for demanding practice or stage environments. Mesh drum heads are designed for long-lasting performance, resisting wear and tear while maintaining consistent response. Every detail—from the reinforced hardware to the module's user-friendly interface—contributes to a kit that's ready to perform and endure over time.\n\nPerfect For Intermediate And Advanced Drummers\n\nThe Alesis Nitro Pro XL combines professional-grade features with intuitive usability, making it ideal for intermediate and advanced players looking to expand their skills. With its premium mesh heads, BFD-powered sound library, and ergonomic design, this electronic drum kit provides the tools needed to explore new techniques and sounds. Whether you're refining your craft or performing live, the Nitro Pro XL offers the precision, durability, and tonal quality to inspire your playing.\n\nFEATURES\n\n10\" dual-zone deep mesh snare for realistic response and dynamic sensitivity\n8\" mesh tom pads ensure quiet play and acoustic-like feel\n8\" mesh drum tower supports double kick pedals for advanced techniques\n10\" crash cymbals with choke provide expressive control and versatility\n10\" ride cymbal delivers consistent tone for various playing styles\n10\" hi-hat with foot controller offers precision for detailed performance\nAluminum rack ensures stability during long practice sessions or gigs\n52 drum kits offer expansive options for creativity and customization\nPremium BFD sounds deliver iconic tones for diverse genres\nBluetooth connectivity enables effortless integration with modern devices", "price": 95377.0, "discountamount": 13077.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 612, "imageuri": "https://productimages.withfloats.com/actual/68a49013f21481169198f8ca.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a49013f21481169198f8ca.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-19T14:54:07.499Z", "updatedon": "2025-08-19T14:54:07.499Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/alesis-nitro-pro-xl-10-piece-electronic-drum-kit-with-mesh-heads-bluetooth/612", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Alesis ", "category": "electronic drum kit", "tags": [ "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth", "Alesis Nitro Pro XL 10PC Electronic Drum Kit ", "Alesis Nitro Pro XL " ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6878b0036145c08c0f70adde", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Fender Squier Sonic Stratocaster FSR Maple Fingerboard Electric Guitar Arctic White 0373152580 ", "description": "Overview\nThe Squier FSR Sonic™ Stratocaster® is ready to launch any musical adventure at breakneck speed, delivering Fender® style and inspiration to any player at any stage. This Strat®-style guitar features a “C” neck profile and a slim, lightweight body for comfortable playing. The three single-coil (S) pickup configuration produces crystal-clear sound. Other standout features include a tremolo for vibrato, a closed-gear tuning key for smooth, precise tuning, and durable chrome hardware that is sure to appeal to guitarists.\n\nFEATURES\n\nThin and light wooden body\nSSS pickup configuration\n6-saddle tremolo bridge keeps the tremolo highly stable\nSealed Die-Cast Key Set Maintains Sound Accuracy\nChrome hardware\n\nSeries : Squier Sonic™\nBody material: Poplar\nBody finish: glossy polyester paint\nNeck: Maple, “C” shape\nNeck finish: Matte urethane\nFingerboard: Laurel or maple, 9.5“ (241 mm)\nFrets: 21, narrow and high\nNotes: Pearlescent dots (laurel), black dots (maple)\nNut (Material /Width): Synthetic Bone, 1.650” (42mm)\nTuners: Sealed cast tuners\nString Length: 25.5 in (64.77 cm)\nBridge: 6-saddle vintage synchro tremolo bridge with block saddle\nPickguard: 1 layer white or 1 layer black\nPickups: Ceramic single-coil pickups (bridge /middle/neck)\nPickup Switch: 5-position blade switch: Position 1: bridge pickup, Position 2: bridge and middle pickups,\nPosition 3: Middle pickup, Position 4: Middle and neck pickups, Position 5: Neck pickup\nControls: Master Volume, Tone 1 (Neck/Middle Pickup), Tone 2 (Bridge Pickup)\nControl knob: White or black plastic\nHardware finish: Chrome\n", "price": 19424.0, "discountamount": 2719.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 564, "imageuri": "https://productimages.withfloats.com/actual/6878b008e5567a55a9fafb6a.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6878b008e5567a55a9fafb6a.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-17T08:10:43.126Z", "updatedon": "2025-08-04T14:31:31.509Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/fender-squier-sonic-stratocaster-fsr-maple-fingerboard-electric-guitar-arctic-white-0373152580-/564", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Fender", "category": "Fender Squier Electric Guitars", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6863fd03c641e9186d1b6d8e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "BX5-D3 ( Singles )", "description": "Monitor Performance Starts with Driver Excellence\nA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\n\nMore Than Just an Enclosure\nWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\n\nKey Features - \n\n1. Bi-amplified design with 100 watts (60 LF, 40 HF) for powerful, accurate sound\n2. 5” Kevlar low-frequency driver with high-temp voice coil and damped rubber surround\n3. 1” natural silk dome tweeter delivers superb transient details\n4. New computer-optimized tweeter waveguide for precise imaging\n5. Acoustic Space Control to fine-tune low-end response to your room\n6. Optimized rear port for extended low-frequency response\n7. XLR balanced and 1/4” balanced/unbalanced inputs for connecting audio interfaces, mixers, synthesizers, DJ gear, and more\n8. Volume control enables you to dial in the perfect monitor playback level\n9. Ultra-wide range 52-35kHz frequency response covers full musical spectrum\n10. Front panel LED shines brightly when speaker is positioned at ideal monitor angle\n\nSPECIFICATION - \n\nType - 2-way near-field studio reference monitors\nLow Freq. Driver - 5 inch (127mm) Kevlar curved cone with high temperature voice coil and damped rubber surround. Magnetically shielded\nHigh Freq. Driver - 1 inch (25mm) magnetically shielded natural silk dome\nFrequency Response - 52 Hz – 35 kHz\nCrossover Frequency - 2.5kHz\nLow Freq. Amplifier Power - 60W\nHigh Freq. Amplifier Power - 40W\nMaximum Peak - SPL\t110 dB SPL - Full Bandwidth Pink Noise Measured\nInput Sensitivity - -10dBU\nInput Connectors - 1x XLR balanced input connector 1x TRS balanced/unbalanced input connector\nInput Impedance - 10kΩ balanced, 20kΩ unbalanced\nPolarity - Positive signal at + input produce outward LF cone displacement\nProtection - RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external mains fuse\nPower\tVoltage : - 100–120V, 50/60 Hz / 220–240V, 50/60 Hz Consumption: 100W\nFuse - 220–240V~ T1AL 250V / 100–120V~ T1.6AL 250V\nCabinet -Vinyl-laminated high-acoustic-efficiency MDF\nDimensions - (width x depth x height)\t6.9” x 7.8” x 10” / 176 x 197 x 254 mm\nWeight - 12.3 lbs, 5.6kg", "price": 16950.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "10 176", "height 69", "14 balancedunbalanced inputs", "sound coming", "youre located", "seamless setup", "played back", "exact length", "meticulously engineered", "dynamic accuracy", "audible resonances", "low mass", "performance driving", "driver excellence", "uncompromisingly accurate", "custom waveguide", "maudios bx5d3", "perfect combination", "monitors drivers", "finetune lowend response", "maximum bass extension", "confidence bx5d3 monitors", "computeroptimized tweeter waveguide", "perfect listening spot", "reliably accurate dispersion", "hightemp voice coil", "optimum listening position", "remains consistently wide", "audiblyintrusive air turbulence", "plague conventional tweeters" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 542, "imageuri": "https://productimages.withfloats.com/actual/6863fd09ef298ca8de63e45c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6863fd09ef298ca8de63e45c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T15:21:39.682Z", "updatedon": "2025-07-01T15:21:39.682Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/bx5-d3-singles-/542", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": " STUDIO MONITORS", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "66698344cee93a1bbc3822a2", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "IBANEZ AZ2204NW PRESTIGE ELECTRIC GUITAR WITH CASE - MINT GREEN", "description": "SPECS\nneck type\tAZ Oval CS-TECH WOOD Roasted Maple neck\ntop/back/body\tAlder body\nfretboard\tRosewood fretboardMother of Pearl dot inlay\nfret\tJumbo Stainless Steel fretsPrestige fret edge treatment\nnumber of frets\t22\nbridge\tGotoh® T1702B bridge\nstring space\t10.5mm\nneck pickup\tSeymour Duncan® Fortuna™ (S) neck pickupPassive/Alnico\nmiddle pickup\tSeymour Duncan® Fortuna™ (S) middle pickupPassive/Alnico\nbridge pickup\tSeymour Duncan® Fortuna™ (H) bridge pickupPassive/Alnico\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nnut\tBone nut\nhardware color\tChrome\nNECK DIMENSIONS\nScale :\t648mm/25.5\"\na : Width\t42mm at NUT\nb : Width\t56.4mm at 22F\nc : Thickness\t20.5mm at 1F\nd : Thickness\t22.5mm at 12F\nRadius :\t228mmR to 305mmR COMPOUND\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nAZ2204NW's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nAZ2204NW's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nGotoh® Magnum Lock machine heads w/H.A.P.\ndyna-MIX9 switching system w/Alter Switch\nLuminlay side dots\nFretboard Radius: 228mm@nut to 305mm@22nd fret Compound\nNon-recessed bridge cavity\nHardshell case included\nFeatures\nRosewood fretboard\nRosewood fretboard\nRosewood provides a well-balanced solid tone with a focused mid range.\n\nCompound Radius Fretboard (228mm to 305mm)\nCompound Radius Fretboard (228mm to 305mm)\nOffering the best of both worlds, the digitized compound radius fretboard of the AZ-N is built to enhance both smooth chording and lead work in the upper register.\n\n5 tremolo springs\n5 tremolo springs\nFive tremolo springs allow string vibration to be more efficiently transferred to the guitar body.\n\nNon-recessed bridge cavity\nNon-recessed bridge cavity\nWhile the AZ series features a recessed bridge cavity for fluid and dynamic tremolo action, this model has non-recessed bridge cavity. The direct contact between bridge plate and the guitar body provides better resonance and helps facilitate subtle nuances in playing dynamics.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSeymour Duncan® Fortuna™ S-S-H pickups\nSeymour Duncan® Fortuna™ S-S-H pickups\nSeymour Duncan® Fortuna™ Pickups feature a moderate output and natural clean voicing which accurately reflect subtle playing nuances. From treble to bass, the overall tonal balance is evenly adjusted and works well with various effect pedals.\n\nGotoh® T1702B tremolo bridge\nGotoh® T1702B tremolo bridge\nThe T1702B tremolo bridge provides quick response and improved articulation. The 10.5mm string spacing allows for easy picking across strings and its snap-in construction makes it easy to load a tremolo arm. The tremolo block and saddles are made of brass, facilitating better overall resonance.\n\nOval C S-TECH WOOD Roasted Maple neck\nOval C S-TECH WOOD Roasted Maple neck\nThe S-TECH special roasted treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. The neck is sealed with an oil finish which helps make it feel similar to a well-played guitar neck.\n\nErgonomic rear body contour\nErgonomic rear body contour\nA shallow body back contour and a big forearm contour make the guitar body fit the player naturally, thus increasing playing comfort. The AZ body has a deep waist and different radii on each body edge curve, making it easier to play in both standing or sitting positions.\n\nGotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post)\nGotoh® Magnum Lock machine heads w/H.A.P.(Height Adjustable Post)\nGOTOH® MAGNUM LOCK® machine heads have an established reputation for tuning stability. Its H. A. P® (Height Adjustable Post). system allows for the adjustment of string posts for the appropriate tension of each string.\n\nLuminlay side dot inlays\nLuminlay side dot inlays\nThe Luminlay side dot position marks make it easy for players to see fretboard position marks when performing on dark stages.\n\nSuper All Access Neck Joint\nThe Super All Access Neck Joint increases playability and allows for easy access to the higher frets", "price": 207152.0, "discountamount": 20000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "3G", "5A", "1F", "22F", "12F", "AZ-N", "bass", "Width", "brass", "fluid", "model", "flick", "H.A.P.", "number", "228mmR", "worlds", "player", "treble", "saddles", "focused", "H. A. P®", "standing", "One mode", "dynamics", "humbucker", "stability", "mid range", "Thickness", "tolerance", "AZ series", "lead work", "Gotoh®", "oil finish", "deep waist", "solid tone", "6E strings", "MINT GREEN", "adjustment", "durability", "reputation", "tremolo arm", "easy access", "guitar neck", "guitar body", "playability", "The AZ body", "established", "dark stages", "combination", "mini switch", "string posts", "construction", "articulation", "bridge plate", "Alter Switch", "easy picking", "higher frets", "tremolo block", "Fortuna&trade", "Hardshell case", "factory tuning", "quick response", "upper register", "direct contact", "subtle nuances", "OTHER FEATURES", "305mmR COMPOUND", "body edge curve", "SPECS neck type", "different radii", "moderate output", "smooth chording", "IBANEZ AZ2204NW", "control diagram", "playing comfort", "string vibration", "water resistance", "humbucking sound", "Fretboard Radius", "overall resonance", "5 tremolo springs", "sitting positions", "single coil modes", "22nd fret Compound", "Luminlay side dots", "appropriate tension", "big forearm contour", "temperature changes", "Pearl dot inlay fret", "DESCRIPTION CONTROLS", "Five tremolo springs", "Alnico bridge pickup", "middle pickupPassive", "Alnico middle pickup", "S) neck pickupPassive", "natural clean voicing", "NECK DIMENSIONS Scale", "10.5mm string spacing", "nine sound variations", "overall tonal balance", "various effect pedals", "Height Adjustable Post", "subtle playing nuances", "dynamic tremolo action", "H) bridge pickupPassive", "two single coil pickups", "Rosewood fretboardMother", "Luminlay side dot inlays", "PRESTIGE ELECTRIC GUITAR", "Switching system diagram", "fretboard position marks", "The T1702B tremolo bridge", "shallow body back contour", "body Alder body fretboard", "dyna-MIX9 switching system", "Non-recessed bridge cavity", "Ergonomic rear body contour", "Gotoh® T1702B tremolo bridge", "D'Addario® EXL110 string gauge", "The Super All Access Neck Joint", "Gotoh Magnum Lock machine heads", "Seymour Duncan® Fortuna™ Pickups", "Gotoh® Magnum Lock machine heads", "GOTOH® MAGNUM LOCK® machine heads", "Gotoh® T1702B bridge string space", "nut Bone nut hardware color Chrome", "digitized compound radius fretboard", "The Luminlay side dot position marks", "The S-TECH special roasted treatment", "Oval C S-TECH WOOD Roasted Maple neck", "Seymour Duncan® Fortuna™ S-S-H pickups", "AZ Oval CS-TECH WOOD Roasted Maple neck", "Features Rosewood fretboard Rosewood fretboard", "Jumbo Stainless Steel fretsPrestige fret edge treatment" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 504, "imageuri": "https://productimages.withfloats.com/actual/66698347844f26002466fbe6.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/66698347844f26002466fbe6.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-06-12T11:15:16.981Z", "updatedon": "2025-04-22T15:45:22.809Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ibanez-az2204nw-prestige-electric-guitar-with-case-mint-green/504", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "IBANEZ", "category": "Electric guitar", "tags": [ "Ibanez Prestige AZ2204NW Electric Guitar w/Case, J", "Ibanez az2204nw prestige electric guitar with case", "Ibanez az2204nw prestige electric guitar with case", "Ibanez az2204nw prestige electric guitar with case", "Ibanez Prestige", "Ibanez Prestige AZS2209H", "Ibanez Black Electric Guitar", "Ibanez guitar models List", "Ibanez AZ discontinued", "fender guitar shop in delhi", "Electric Guitar", "electric guitar shop near me", "Guitar wholesaler", "Ibanez Electric Guitar PRICE IN DELHI" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65be7ae34c1d0610285e0c04", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland TD-02K Series V-Drums Electronic Drum Set Kits", "description": "Start Your Drumming Journey the Right Way\nThe TD-02 series brings you the world’s finest entry-level electronic drumming experience—at an affordable price. Backed by decades of V-Drums innovation, these compact and highly expressive kits are far greater than the sum of their parts. Every element works together to form a complete musical foundation, from the world-class sounds and ultra-responsive pads to the onboard practice tools, robust hardware, and practical features for reducing noise when playing at home. And with expansion options such as Bluetooth® connectivity for mobile devices, upgradable pads, and more, you can easily grow your setup with genuine Roland accessories as needs evolve.\n\nThe TD-02K is the most compact kit in the series. It features a snare pad, three tom pads, a quiet beaterless kick pedal, three cymbal pads (hi-hat, crash, and ride), and a unique height-adjustable stand ideal for younger players.\n\nLearn more about the high-quality playability, features, and expansion options of the TD-02 series.", "price": 39900.0, "discountamount": 5900.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "sum", "ride", "home", "needs", "setup", "noise", "parts", "crash", "element", "decades", "snare pad", "The TD-02K", "compact kit", "three tom pads", "mobile devices", "younger players", "robust hardware", "expressive kits", "upgradable pads", "affordable price", "The TD-02 series", "three cymbal pads", "expansion options", "practical features", "V-Drums innovation", "world-class sounds", "ultra-responsive pads", "onboard practice tools", "Bluetooth® connectivity", "high-quality playability", "genuine Roland accessories", "complete musical foundation", "quiet beaterless kick pedal", "unique height-adjustable stand", "finest entry-level electronic drumming experience", "Roland TD-02K Series V-Drums Electronic Drum Set Kits" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 491, "imageuri": "https://productimages.withfloats.com/actual/65be7ae5d203789494dcfcd9.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65be7ae5d203789494dcfcd9.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-03T17:41:55.663Z", "updatedon": "2024-09-08T15:49:57.72Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-td-02k-series-v-drums-electronic-drum-set-kits/491", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "roland", "category": "Electronic Drum Kit", "tags": [ "rums Electronic Drum Set K", "Roland TD-02K Series V-Drums Electronic Drum Set K", "roland v-drum", "td02k", "td- 02k", "Roland TD-02K Series V-Drums Electronic Drum Set K", "Electronic Drum Set", "Roland Dealer Delhi India", "electronic drum kit", "roland td02k price in india", "Roland v drums td 02k electronic drum set price", "Roland v drums td 02k electronic drum set review", "Roland v drums td 02k electronic drum set manual", "Roland v drums td 02k electronic drum set amazon", "roland td-02k", "roland td-02kv", "Roland v drums td 02k electronic drum set for sale", "Roland V-Drums TD-50KV2 electronic drum Set" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. 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Featuring the traditional Custom bound all-mahogany body, 60s SlimTaper™ neck profile, ebony fingerboard with block inlays, gold Epiphone LockTone™ Tune-O-Matic™ bridge and Stop Bar tailpiece, a pair of critically acclaimed Epiphone ProBucker™ humbuckers, and Custom split-diamond inlay on the headstock. This Epiphone Inspired by Gibson model also has the 60s style Kalamazoo headstock, rolled neck for a comfortable feel, Graph Tech® NuBone® nut, era-appropriate wiring, and CTS® pots. \n\nProBucker™ humbucker Pickups\n\n\n\nThe classic \"P.A.F\" sound is closer than you think\n\nEpiphone's ProBucker™ humbucker has quietly become one of the most talked about pickups in the industry. It has fooled experts, vintage purists, and even luthiers who have worked with the best vintage examples from the late 50s and early 60s. Epiphone ProBucker™ humbuckers are the real deal--made with 18% Nickel Silver unit bases and covers, the same alloy used by Gibson at the Kalamazoo factory when the humbucker was first invented. The use of Nickel Silver reduces the occurrence of eddy currents due to low conductivity and provides a more transparent and crisp output. The size and shape of the bobbins also has a great impact on tonal response. And the bobbins used on ProBucker™ pickups duplicate the size and shape of the gold standard in the industry, Gibson humbuckers. Epiphone ProBucker™ pickups also feature sand cast Alnico II magnets, high quality 4 conductor lead wire, and are vacuum wax potted to eliminate microphonics.\n\n\n\nBODY\n\nBody Shape: Les Paul\nBody Material: Mahogany\nBinding: Multi-ply Custom\nFinish: Gloss\n\n\nNECK\n\nMaterial: Mahogany\nProfile: 60s SlimTaper™\nScale Length: 24.75\" / 628.65mm\nFingerboard Material: Ebony\nFingerboard Radius: 12\"\nNumber Of Frets: 22\nFrets: Medium Jumbo\nNut Material: Graph Tech® NuBone®\nNut Width: 1.69\" / 43mm\nInlays: Pearloid Block\nJoint: Glued in; Set Neck\n\n\nHARDWARE\n\nFinish: Gold\nTuner Plating: Gold\nBridge: Epiphone LockTone™ Tune-O-Matic™\nTailpiece: Epiphone LockTone™ Stop Bar\nTuning Machines: Grover® Rotomatic® 18:1\nTrussRod: Adjustable\nTruss Rod Cover: \"Bell Shaped\"; 2-layer Les Paul Custom\nControl Knobs: Black Speed Knobs\nSwitch Tip: White\nSwitchwasher: Gold\nStrap Buttons: Gold\nPickup Covers: Gold\nELECTRONICS\n\nNeck Pickup: Epiphone ProBucker™ 2\nBridge Pickup: Epiphone ProBucker™ 3\nControls: 2 Volume, 2 Tone - CTS® potentiometers\nPickup Selector: 3-way Epiphone toggle\nOutput Jack: 1/4\"", "price": 76499.0, "discountamount": 11999.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 432, "imageuri": "https://productimages.withfloats.com/actual/6130fa7819376c000188d4ef.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6130fa7819376c000188d4ef.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-09-02T16:23:19.693Z", "updatedon": "2021-09-02T16:23:19.693Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/epiphone-les-paul-custom-electric-guitar/432", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "EPIPHONE LES PAUL CUSTOM ELECTRIC GUITAR", "category": "Electric Guitar", "tags": [ "EPIPHONE LES PAUL CUSTOM ELECTRIC GUITAR" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6130cb624f8fbc0001f54615", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "EPIPHONE LES PAUL SL ELECTRIC GUITAR ENOLPACH1", "description": "EPIPHONE LES PAUL SL ELECTRIC GUITAR ENOLPACH1\nThe body is made with solid alder for the body and a comfortable hard maple neck. The granadillo fingerboard has classic pearloid dot inlays and standard medium jumbo frets. Tuning is fast and accurate with Epiphone machine heads with a 14:1 tuning ratio along with Epiphone’s adjustable, intonated wrap-around Stop Bar Combo bridge. The Les Paul SL is powered by Epiphone's open coil 650SCR single-coil pickup in the neck position and a 700SCR single-coil pickup in the rhythm or bridge position. 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