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"description": "The Squier® Standard Stratocaster® is a great playing guitar with a traditional vibe and modern feel. Player-friendly features like a 22-fret fingerboard and a slimmer neck make for easier playing and choke-free bends. Alnico single-coil pickups provide plenty of punch while three elegant flame top colors grant a touch of elegance to this stunning instrument.\n\nFEATURES\nMaple neck with “C”-shaped profile, satin finish and “large” headstock\n22-fret rosewood fingerboard\nThree standard single-coil Stratocaster pickups with five-way switching\nTwo-point synchronized tremolo bridge with block saddles\nColor Finish: Amber Burst (AMB)\nFLAME TOP\nFLAME TOP\n\nThis instrument features the notably elegant high-end design element of a beautifully figured flame top.\n\n\"C\"-SHAPED NECK PROFILE\n \n\nThe comfortable \"C\"-shaped neck profile of this instrument (the shape of the neck in cross section) is sculpted to impart a vintage-style playing feel. The most prevalent neck profile shape, it’s remarkably comfortable and is ideal for all playing styles.\n\nVINTAGE-STYLE BRIDGE\nVINTAGE-STYLE BRIDGE\n\nThe vintage-style bridge is as stylishly classic as it is functional, providing rock-solid tuning stability.\n\nBODY\nBody Material: Agathis with Flame Maple Top\nBody Shape: Stratocaster®\nBody Finish: Gloss Polyurethane\nNECK\nNeck Material: Maple\nNeck Finish: Satin Urethane\nNeck Shape: \"C\" Shape\nScale Length: 25.5\" (648 mm)\nFingerboard Material: Indian Laurel\nFingerboard Radius: 9.5\" (241 mm)\nNumber of Frets: 22\nFret Size: Medium Jumbo\nNut Material: Synthetic Bone\nNut Width: 1.650\" (42 mm)\nPosition Inlays: Pearloid Dots\nTruss Rod: Standard\nELECTRONICS\nBridge Pickup: Standard Single-Coil Strat\nMiddle Pickup: Standard Single-Coil Strat\nNeck Pickup: Standard Single-Coil Strat\nControls: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)\nSwitching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup\nConfiguration: SSS\nHARDWARE\nBridge: 2-Point Synchronized Tremolo with Block Saddles\nHardware Finish: Chrome\nTuning Machines: Standard Die-Cast\nPickguard: 3-Ply Parchment\nControl Knobs: White Plastic\nSwitch Tip: White\nNeck Plate: 4-Bolt Engraved",
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"name": "EPIPHONE LES PAUL SL ELECTRIC GUITAR ENOLPACH1",
"description": "EPIPHONE LES PAUL SL ELECTRIC GUITAR ENOLPACH1\nThe body is made with solid alder for the body and a comfortable hard maple neck. The granadillo fingerboard has classic pearloid dot inlays and standard medium jumbo frets. Tuning is fast and accurate with Epiphone machine heads with a 14:1 tuning ratio along with Epiphone’s adjustable, intonated wrap-around Stop Bar Combo bridge. The Les Paul SL is powered by Epiphone's open coil 650SCR single-coil pickup in the neck position and a 700SCR single-coil pickup in the rhythm or bridge position. The SL’s master volume and master tone knobs control both pickups.\n\nBODY\n\nBody Shape: Les Paul\nBody Material: Alder\nNECK\n\nMaterial: Hard Maple\nProfile: 60s SlimTaper™\nScale Length: 24.75\" / 628.65mm\nFingerboard Material: Granadillo\nNumber Of Frets: 22\nInlays: Pearloid Dot\nJoint: Bolt-on\nHARDWARE\n\nFinish: Chrome\nTuner Plating: Chrome\nBridge: Wrap-Around Combo\nTuning Machines: Epiphone Diecast\nPickguard: SL style\nTrussRod: Dual Action\nControl Knobs: Master Volume, Master Tone\nELECTRONICS\n\nNeck Pickup: Epiphone 650SCR Single-Coil\nBridge Pickup: Epiphone 700SCR Single-Coil\nControls: 1 Master Volume, 1 Master Tone\nPickup Selector: 3-way toggle",
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"name": "GIBSON LES PAUL JUNIOR TRIBUTE DC BASS GUITAR",
"description": "GIBSON LES PAUL JUNIOR TRIBUTE DC BASS GUITAR\nThe Les Paul Junior Tribute DC Bass is a tribute to the historic Gibson EB-0 bass from the late 50's, but with modern features. Not just for smaller players, the short scale length is actually chosen by many for its strong fundamental tone and sits perfectly in a track when recording. The mahogany double cutaway body and maple neck with rosewood fingerboard balances perfectly when playing either sitting or strapped on. It's equipped with a single expanded range LP BassBucker pickup with single volume and tone controls for simplicity. The volume pot has a push-pull feature to coil tap the pickup scooping the mids for further tone shaping possibilities.\n\n\n\nBODY\n\nBody Shape: Les Paul\nBody Material: Mahogany\nWeight Relief: None\nFinish: Satin Nitrocellulose Lacquer\n\n\nNECK\n\nMaterial: Maple\nProfile: Rounded\nScale Length: 30.5\" / 774.7mm\nFingerboard Material: Rosewood\nFingerboard Radius: 12\"\nNumber Of Frets: 20\nFrets: Medium Jumbo\nNut Material: Graph Tech\nNut Width: 1.6\" / 40.64mm\nEnd of Board Width: 2.32\" / 58.93mm\nInlays: Acrylic Dots\n\n\nHARDWARE\n\nFinish: Chrome\nBridge: 3-Point Adjustable\nTuning Machines: Hipshot Ultra-Light Mini-Clovers\nPickguard: Black 5-ply\nControl Knobs: Black Top Hats\nJack Plate Cover: Black\nELECTRONICS\n\nNeck Pickup: BassBucker\nControls: 1 Push/Pull Volume (Coil-Tap) & 1 Tone",
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"name": "YAMAHA MGP24X MIXING CONSOLE",
"description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. 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It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")",
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"name": "YAMAHA MODX7 76-KEY SYNTHESIZER",
"description": "For the synthesist needing unique sound design capabilities, MODX is a synthesizer with an 8-operator, full controllable FM-X engine. MODX features deep programmability, controllability and a huge amount of polyphony.\n\nSOUND\nSound is the most important aspect of any instrument. The power of the MODX synthesis engine allows unlimited potential to create your own unique sound demanded by any artist.\n\nThe MODX sound engine is based on the same technology powering the flagship MONTAGE: AWM2 (Advanced Wave Memory 2) sample and synthesis engine and a pure FM-X (Frequency Modulation) synthesizer modernized for amazing sound playback and complex sound design.\n\nAWM2\nOnly found in Yamaha music synthesizers, the AWM2 engine offers much more than just sample playback. Each of the 16 AWM2 parts feature eight fully-programmable synthesizers with a filter (18 different types!,) amplitude, pitch and filter envelope generators, nine LFOs, 3-band EQ and a dedicated dual insert effect with Virtual Circuitry Modeling.\n\nFM-X\nFM-X is an amazingly sophisticated pure synthesizer engine capable of producing classic ‘80s or cutting-edge, EDM sound with incredible dynamic range, power and fidelity. MODX features an 8-operator FM architecture and 64-note polyphony, allowing for a massive array of sound design options.\n\n192-NOTE TOTAL POLYPHONY\nMODX features 128-note stereo AWM2 polyphony and 64-notes of FM-X polyphony. Due to the unique architecture of MODX and MONTAGE, this polyphony is always available without latency or compromising other features.\n\nSSS (Seamless Sound Switching)\nSeamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without stopping.\n\n* This function is only available for Performances that have a maximum of 4 parts.\n\nCONTROL\nMotion Control puts rhythmic and dynamic control at your fingertips for a unique, personalized sound.\n\nSUPER KNOB\nMacro dynamic control\n\n\nMOTION SEQ\nRhythmic, tempo-synced control\n\n\n \nENVELOPE FOLLOWER\nAudio synth parameter control\n\n\n\nINTEGRATEDFLASH\nMODX includes 1 GB of non-volatile user flash memory with high speed reading/writing for your own custom samples or synth libraries from yamahamusicsoft.com.\n\nEFFECTS\nFrom high definition reverbs to incredibly detailed Virtual Circuit Modeling (VCM) effects, MODX is loaded with DSP innovation, power and, most importantly, sound quality. Use effects like Beat Repeat, Vinyl Break or Bit Crusher to get EDM sound. The Spiralizer effect creates the auditory illusion of a tone continually rising or falling in pitch without getting higher or lower.\n\nYou can even add a compressor with sidechain for a modern “ducking” effect. Or go retro with vintage effects like Analog Delay, VCM Phaser or a variety of Amp Simulators. Piano players will appreciate piano-focused effects like Damper Resonance for a super-realistic piano experience and the HD reverbs that let you put yourself in any performance space.\n\nA/D INPUT\nCoupled with two A/D inputs, MODX is a perfect centerpiece for any professional recording studio or live computer rig.\n\nSIDECHAIN\nAutomatically control the dynamic behavior of one part from another. Sidechain is very popular in modern dance music where a pad or other sustain part is “keyed” to the kick drum. 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This means you can control nearly anything from mix functions like volume, pan and effect sends to detailed synth parameters like filters, LFOs and Operators.\n\nThat’ s 128 parameters…SIMULTANEOUSLY!\n\nThe Super Knob can even be assigned to a second FC7 foot controller making it easy to manipulate the sound when playing with both hands.\n\nMOTION SEQUENCES\nMotion Sequences are tempo-synchronized, completely customizable control sequences that can be assigned to virtually any synthesizer parameter and provide incredible new ways of creating sound.\n\nMotion Sequences also have dedicated controls on the front panel making it easy to manipulate and change in real-time, providing incredible interactivity and expression.\n\nKeyboard\nNumber of Keys: 76\nType: Semi-weighted Keyboard\nInitial Touch: Yes\nAftertouch: No\nTone generator\nTone Generator: Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms\nMaximum Polyphony: AWM2: 128 (max.; stereo/mono waveforms) FM-X: 64 (max.)\nMulti Timbral Capacity: 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part\nWave: Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.00 GB\nPerformance: Approx. 2,000\nFilter: 18 types\nEffects: Reverb x 12 types, Variation x 76 types, Insertion (A, B) x 76 types*, Master Effect x 15 types *A/D part insertion x 71 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)\nOther\nControllers: Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial\nDisplay: 7\" TFT Color Wide VGA LCD touch screen\nConnectors: [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)\nPower Consumption: 16 W (when using PA-150B AC adaptor)\nLive Sets: Preset: 256 and more, User: 2,048\nPerformance Recorder\nTracks: 16 Sequence tracks, Tempo track, Scene track\nRecording type: Real time replace, Real time overdub, Real time punch in/out\nNote Capacity: Approx. 130,000 notes\nNote Resolution: 480 ppq (parts per quarter note)\nTempo (BPM): 5 – 300\nSongs: 128 songs\nArpeggio: Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types\nSequence formats: MODX original format, SMF formats 0, 1",
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"description": "LA-610 mkII classic tube recording channel\n\nA classic tube mic preamp & LA-2A-style compressor in a single unit.\n\nThe LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.\nThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\n\nKey Features\nAll-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\nAuthentic Teletronix LA-2A-style T4 opto-compressor section\nMkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\nMic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\nHigh and Low frequency shelving EQ\nComplete vintage channel strip at groundbreaking price within project studio reach\nUA build quality and heritage, audiophile components, hand-assembled in the USA\nBacked by 1-Year limited warranty\n\nNow you can\nRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\nCompress signals with authentic Teletronix T4 opto-compression tube circuitry\nShape your tones further with High and Low frequency shelving tube EQ\nRecord your tracks through vintage UA, “handmade in the USA,”“ circuits\n\nThe Legendary 610 Preamp\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 MkII will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.\n\nToneful Tube Compression\nThe LA-610 Mk II’s T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or ”\"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 MkII’s legendary preamp and compression circuits.\n",
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