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Pro A/D converters faithfully capture your performances\n6. Switchable +48V phantom power feeds studio condenser microphones\n7. Direct/USB monitor switch tailors your monitoring output\n8. Headphone output with independent level control allows for precise monitoring for different audio channels\n9. Includes 1m/3.3ft USB-C to USB-C cable\n10. Includes Producer Essentials software bundle (a $1,200+ value) with professional audio production tools and sound libraries from industry-leading brands. All software listed below includes lifetime access unless otherwise noted.\n\nDAWs - \n\nAbleton Live Lite\nMPC Beats\nReason+ (6-month subscription)\n\nEffects - \n\nVocals: Antares AutoTune Unlimited (2-month access)\nGuitar: HeadRush ReValver\nDrums: BFD Player + Dark Mahogany\nMixing: AIR Creative FX Collection Essentials\nProduction: AIR Jura Chorus\nProduction: AIR Multiband Filterbank\n\nInstruments - \n\nAIR Essential Keyboards\nAIR Xpand!2\nAIR Bassline\nAIR OPx-4\nAIR Tubesynth\n\nSamples\n\nSplice (2-month access)\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio- 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN\t- -128 dBu (max. gain, 40 source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB / Direct Stereo: 6 dB to +60 dB\n\nLine Input - (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance\t- 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB / Direct Stereo: -4 dB to +50 dB\n \nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - \t+4 dBu\n\nHeadphone Output (1/4” [6.35 mm] TRS)\n\nPower\t- 60 mW/Ch, 32Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nPower - USB bus-powered\n\nDimensions (WDH) - 7.5 x 4.4 x 2.1 in / 191 x 111 x 55 mm\n\nWeight - 0.80 lbs / 0.36 kg", "price": 11300.0, "discountamount": 2373.0, "currencycode": "INR", "priority": 1000000, 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knob to nail your desired tone\nComfortable jatoba fingerboard with 12-inch radius\nBolt-on neck is strong and delivers powerful sustain", "price": 25309.0, "discountamount": 6327.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "Ibanez GSR200 TR Gio Series Bass Guitar" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 487, "imageuri": "https://productimages.withfloats.com/actual/65bcc2166d15db569592be08.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bcc2166d15db569592be08.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-02T10:21:08.79Z", "updatedon": "2024-09-08T16:22:16.058Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ibanez-gsr200-tr-gio-series-bass-guitar/487", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, 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"description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5ff31947ed85f900013031e5", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "KORG KROSS 2-61 SYNTHESIZER KEYBOARD WITH MICROSD CARD, INDIAN SOUNDS & STYLES", "description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i（Enhanced Definition Synthesis - integrated）\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators\n\nProgram\n\nTimbres\n\nUp to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset\n\nMaster Keyboard functionality\n\nThese allow you to control external MIDI devices\n\nCombination\n\nDrumkits\n\nStereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).\n\nUser Combinations\n\n896 Combinations (384 Preload)\n\nUser Programs\n\n1280 Programs (768 Preload)\n\nUser Drum Kits\n\n58 Drum Kits (42 Preload)\n\nPreset Programs\n\n265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)\n\n* Total number of preload programs and preset programs：1,075 (810 preload programs, 265 preset programs\n\nThe Number of Combinations/Programs/Drum Kits\n\nFavorites\nNumber of memories\n\n128 (16 favorites × 8 banks)\n\nEffects\nInsert effects\n\n5 Insert Effects In-line processing; stereo in - stereo out.\n\nMaster effects\n\n2 Master Effects Two effects sends; stereo in - stereo out.\n\nEffects types\n\nTotal of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)\n\nModulation\n\nDynamic Modulation\n\nEffects Control Bus\n\nStereo side-chaining for limiter, gates, vocoders, etc.\n\nPolyphonic arpeggiators\nProgram mode\n\nOne arpeggiator\n\nCombination mode\n\nTwo arpeggiators\n\nSequencer modes\n\nTwo arpeggiators\n\nPreset arpeggio patterns\n\nUP, DOWN, ALT1, ALT2, RANDOM\n\nUser arpeggio patterns\n\nNumber of arpeggio patterns: 1280 (1024 preload)\nNumber of tones: 12 tones,\nNumber of steps: up to 64 steps\n\nStep sequencer\nProgram mode\nCombination mode\nSequencer mode\n\nOne unit\nNumber of tones: 12 tones + 1 accent tone\nNumber of steps: up to 64 steps\n* Can be created for each program, combination, and song.\n\nDrum Track\nPreset Patterns\n\n772 patterns (Held in common with sequencer patterns.)\n\nOther\n\nTrigger Mode / Sync / Zone settings can be specified\n\nSequencer\nTracks\n\n16MIDI Tracks\n\nNumber of Songs\n\nUp to 128 songs\n\nResolution\n\n1/480\n\nTempo\n\n40.00–300.00 (1/100 BPM resolution)\n\nMaximum Memory\n\nUp to 210,000 MIDI events\n\nCounter\n\nMeasure/Beat/Tick\n\nTemplate Song\n\n16 preset/16 user template songs\n\nPreset Patterns\n\n772 patterns (shared with Drum Track patterns)\n\nFormat\n\nKORG (KROSS) format, SMF format 0 and 1\n\nPad sampler\nSpecifications\n\n16 pads × 8 banks\nAutomatically saved on the SD card, and automatically loaded\nUp to four pads can play simultaneously\n\nRecording format\n\nPCM audio format 48 kHz/16-bit\n\nRecording time\n\nUp to approximately 14 seconds of stereo sample for each pad\n\nImport\n\nWAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nEdit\n\nWaveform display editing functionality, start address and looping settings etc., normalize and other editing operations\n\nAudio Recorder\nRecording Format\n\nPCM audio format 48kHz/16bit\n\nImport\n\nWAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nExport\n\nWAVE format (file name extension: .wav) 48kHz/16bit, stereo\n\nRecording Time\n\nMaximum continuous recording time: 3 hours\nDepends on the SD card used; approximately 90 minutes per 1 GB\n\nNumber of Songs\n\nUp to 200 songs\n\nNumber of overdub recordings\n\nDepends on the remaining capacity of the SD card\n\nCounter\n\nHour/Min/Sec\n\nPad audio play\n\n\n16 pads × 8 banks\nDirectly play back data from SD card\nMultiple pads cannot be played simultaneously\n\nMedia\nFile, Utility, Information, additional PCM data management functionality\n\nControllers\nGeneral Control\n\nPitch bend wheel, Modulation wheel, SW1, SW2\n\nRealtime Control\n\nSELECT button, SWITCH button, KNOB1 knob, KNOB2 knob\n\nStep Sequencer/Favorite/Pad Sampler/Pad Audio Play\n\n\nPads 1–16\nSTEP SEQ ACTIVE button, Run button\nFAVORITES ACTIVE button\nSAMPLER ACTIVE button, HOLD button\nAUDIO PLAY ACTIVE button\nBANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)\n\nDrum Track\n\nDRUM TRACK button\n\nArpeggiator\n\nARP button\n\nAudio Recorder\n\nAUDIO REC button\n\nUser Interface\nDisplay\n\n240 × 64 pixel LCD backlight\nAdjustable contrast (hold the EXIT button and turn the VALUE dial)\n\nCategory\n\nCATEGORY dial, VALUE dial\n\nMODE\n\nCOMBI button, PROG button, SEQ (GLOBAL/MEDIA) button\n\nValue Controllers\n\nCursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons\n\nSequencer\n\nREC button, START/STOP button\n\nQuick Layer Split\n\nLAYER/SPLIT button\n\nOther\n\nVOLUME knob\n\nControl Input\nDAMPER (Supports piano-style half-damper pedals as well as standard foot switches)\nASSIGNABLE SWITCH\nASSIGNABLE PEDAL\n\nAudio Outputs (Analog)\nAUDIO OUTPUT L/MONO, R\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nOutput Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)\nMaximum Level: +10.0 dBu\nLoad Impedance: 10k ohm or greater\nControllable by the VOLUME knob\n\nHEADPHONE OUTPUT\n\nConnectors: 3.5mm (1/8\") stereo mini phone jack\nOutput Impedance: 33 ohnm\nMaximum Level: 40 + 40 mW\nControllable by the VOLUME knob\n\nAudio Inputs (Analog)\nLINE IN\n\nConnectors: 3.5 mm (1/8\") stereo mini phone jack\nInput Impedance: 1.1k ohm\nMaximum Input Level: -42 to 0 dBu\n\nMIC IN\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nInput Impedance: 33 ohm\nMaximum Input Level: -48 to -6dBu\nPhantom power or plug-in power is not supported.\n\nOthers\nMIDI\n\nIN, OUT\n\nUSB\n\nUSB connector TYPE B x 1, USB-MIDI interface, USB audio interface\n\nSD Card Slot\n\nOne card slat\n\n* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.\n\nMain Specifications\nPower\n\nAC adaptor power supply DC 9V\nAA alkaline batteries x 6, or nickel-metal hydride batteries x 6\n\nBattery Life\n\nAA alkaline batteries x 6: Approximately 6 hours\nAA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours\n\n* Varies depending on the batteries used and the conditions of use.\n\nPower Consumption\n\n5 W\n\nDimensions (W x D x H)\n\nKROSS2-61: 935 mm × 269 mm x 88 mm / 36.81\" × 10.59\" × 3.46\"\nKROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01\" × 15.08\" × 5.35\"\n\nWeight\n\nKROSS2-6: 3.8 kg / 8.38 lbs (excluding batteries)\nKROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)\n\nIncluded Items\n\nAC adapter, Quick Start Guide\n\nAccessories (sold separately)\nKeyboard stand\n\nKROSS2-61: Standard-S-BK61\nKROSS2-88: Standard-L-SV88\n\nSoft case\n\nKROSS2-61: SC-KROSS 2 61\nKROSS2-88: SC-KROSS 2 88\n\nExpression/Volume Pedal\n\nXVP-20\nXVP-10\n\nFoot Controller\n\nEXP-2\n\nDamper Pedal\n\nDS-1H\n\nPedal Switch\n\nPS-1\nPS-3", "price": 69775.0, "discountamount": 10200.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 321, "imageuri": "https://productimages.withfloats.com/actual/5ff319472cc79e00016bcc58.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5ff319472cc79e00016bcc58.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-01-04T13:33:59.118Z", "updatedon": "2023-10-23T12:00:02.019Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/korg-kross-2-61-synthesizer-keyboard-with-microsd-card-indian-sounds-styles/321", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "KORG", "category": "SYNTHESIZER KEYBOARDS", "tags": [ "KORG KROSS 2", "KORG KROSS 2-61 SYNTHESIZER", "KORG SYNTHESIZER KEYBOARD", "KORG KROSS 2-61 SYNTHESIZER KEYBOARD", "korg synthesizer", "", "Synthesizers / Keyboards | KORG (India)", "synthesizers / keyboards korg (india) dealers", "korg (india) dealers", "Korg Keyboard Dealers & Suppliers In Lucknow,", "Keyboard Instruments in Lucknow", "Music Synthesizers - Wholesaler & Wholesale Dealer", "Synthesizer Keyboard Instruments" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b7da6a3f3dc4c06073e325f", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "MXL 440 Studio Condenser Microphone", "description": "MXL 440\nStudio Condenser Microphone\nLarge diaphragm microphones are widely used to record vocals and other featured sound sources due to their low noise and ability to capture more acoustic energy than smaller diaphragm mics. The MXL 440 is a large diaphragm condenser microphone designed to capture the detail and rich sound of vocals, stringed instruments, and percussion recordings. By combining a FET pre-amp with a balanced output, the 440 delivers uncompromised tonal quality and low-noise for professional recordings. The MXL 440 handles a broad range of applications expertly and will be a welcome addition to any studio.\n\nProfessional large diaphragm condenser microphone\nGreat for vocals and a wide range of instruments\nFET preamp and balanced output for low noise\nCardioid pickup pattern captures sound in front of the mic\nVocal Microphone Electric Guitar Microphone Acoustic Guitar Microphone Instrument Microphone Percussion Microphone\n\nwired with Mogami Cable\n\nTECHNICAL SPECS\nACCESSORIES\nIMAGES\n\nType:\nPressure gradient condenser microphone\nFrequency Response:\n30Hz - 20kHz\nPolar pattern:\nCardioid\nSensitivity:\n15 mV/Pa\nOutput Impedance:\n200 ohms\nEquivalent noise:\n20 dB (A-weighted IEC 268-4)\nS/N Ratio:\n80 dB (Ref. 1Pa A-weighted)\nMax SPL for .5% THD:\n130 dB\nPower Requirements:\n48V Phantom Power (+/-4V)\nCurrent Consumption:\n<3.0mA\nSize:\n2.08 in. x 7.08 in./53mm x 180mm\nWeight:\n1.2 lbs/544.3g\nMetal Finish:\nBlack with gold print\nPolar Pattern", "price": 3848.0, "discountamount": 300.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "record vocals", "diaphragm mics", "pickup pattern", "MXL 440 handles", "acoustic energy", "sound sources due", "gradient condenser", "diaphragm microphones", "percussion recordings", "professional recordings", "MXL 440 Studio Condenser Microphone", "large diaphragm condenser microphone", "440 delivers uncompromised tonal quality", "Microphone Electric Guitar Microphone Acoustic Guitar Microphone Instrument Microphone Percussion" ], "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 230, "imageuri": "https://productimages.withfloats.com/actual/5b7da6a496fd7305465a18b2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5b7da6a496fd7305465a18b2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-08-22T18:08:35.864Z", "updatedon": "2020-12-17T05:25:22.703Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM//mxl-440-studio-condenser-microphone/230", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "MXL", "category": "Condenser Microphone", "tags": [ "MXL", "MXL 440 Studio Condenser Microphone", "Condenser Microphone", "Studio Condenser Microphone" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6891c7630f05049239d728c9", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "NUX DP-2000 Digital Percussion Pad", "description": "Introducing the brand new NUX DP-2000, a powerful integrated percussion pad. With its 8 velocity sensitive independent strike pads, the DP-2000 not only includes the high standard acoustic drum samples from our flagship DM-8 kit, but it also includes folk percussion and electronic sound samples. What’s more, you can expand your sound library by importing your own drum samples with a U disk. Additionally, the DP-2000 includes inputs for external triggers. Easily add a hi-hat pedal and external kick drum, making the DP-2000 a mini e-drum kit.\n\n\nHigh Quality Sound Library\nIntroducing the brand new NUX DP-2000, a powerful integrated percussion pad. With its 8 velocity sensitive independent strike pads, the DP-2000 not only includes the high standard acoustic drum samples from our flagship DM-8 kit, but it also includes folk percussion and electronic sound samples. What’s more, you can expand your sound library by importing your own drum samples with a U disk. Additionally, the DP-2000 includes inputs for external triggers. Easily add a hi-hat pedal and external kick drum, making the DP-2000 a mini e-drum kit.\n\n\nNewly Designed Color Screen\nThe DP-2000 sports a newly designed UI interactive interface making for a smooth and positive workflow .\n\nThese 8 velocity sensitive strike pads all have LED lights, and the brightness changes with dynamic playing and tone length, making for an expressive light show on any darkened stage.\n\n\nEven More Possibilities\nThe DP-2000 will find its way into your drumming ecosystem, either onstage next to your acoustic drum kit, or use the MIDI In/Out ports make it a secondary drum brain by connecting it to your already existing e-drum kit.\n\n\nEffects\nThe DP-2000 includes six on board effects, which can be assigned to the percussion pads or as BUS effects via the FX function on the panel.\n\n\nI/O\n\nUSB-C Port-The Best And Most Powerful Friend Of DP-2000\nEasily expand your sound library for the DP-2000, by making use of the included USB port and a USB drive loaded with your favorite drum and percussion samples. The DP-2000 also supports WAV music playback via USB drive, making it a great performance and practice instrument.\n\n\nOf course, you can also connect to our NUX provided Bluetooth module NBT-1 through this USB-C port, which supports Bluetooth audio and Bluetooth MIDI functions.\n\n\nStrike Pad And Expansion\nWant to expand beyond the included pads? Not a problem. The DP-2000 includes three ¼” (6.35mm) jacks can be connected to an extra trigger, hi-hat pedal, and a kick drum pedal, enabling you to create a set of mini but mighty electronic drums.\n\n\n", "price": 23473.0, "discountamount": 4023.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 606, "imageuri": "https://productimages.withfloats.com/actual/6891c767b942df89a967b6e2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6891c767b942df89a967b6e2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-05T08:57:07.048Z", "updatedon": "2025-08-05T08:57:07.048Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/nux-dp-2000-digital-percussion-pad/606", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "NUX", "category": "Digital Percussion Pad", "tags": [ "NUX DP-2000 Digital Percussion Pad", "A powerful integrated percussion pad", "nux dp 2000 octapad", "NUX DP2000 PAD PRICE", "nux dp 2000 octapad price delhi india", "nux india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6860fca0e217a6684019cf2e", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Oxygen 61 MK IV ( USB MIDI Performance Keyboard Controller )", "description": "Melodics Offer\nFor a Limited time join over 100,000 musicians building their skills with Melodics. Melodics is a desktop app that teaches you to play and perform with MIDI keyboards, pad controllers, and drums. Whether your just starting out or a seasoned pro looking to learn advanced techniques Melodics grows with you. It’s free to download upon registration of your controller, and comes with over 60 free lessons (Including Five Exclusive to M-Audio) to get you started!\n\nNEW: Welcome to The World of VIP Music Software | Effortless Integration, Enhanced Workflow\nExperience expanded control of your VST instrument and effect collection with CODE 49 and VIP3.0 (Free Download Included a $99.99 Value). VIP3.0 provides you with unparalleled access to your virtual instrument and effect collection, seamlessly integrating the hardware / software experience and grants the unrestricted freedom to create in a user-friendly, intuitive format. The combination of VIP and CODE 49 maximizes workflow and ensures a playing experience that feels natural and enhances creativity – the natural, tactile feel of hardware fused with the unrivalled processing capability of virtual Instruments. Quickly find sounds based on instrument type, timbre, style or articulation from your entire VST library; sculpt immersive, expressive sounds and textures layering up to 8 separate instruments and patches per VIP instance; load up to 4 different VST effects per instrument channel to sculpt the perfect sound; put power into your performance with Pad Chord Progressions and user-friendly Key Control processors; and much more. From live performance to studio production, VIP’s user-friendly functionality coupled with a diverse feature set guarantees simple, seamless integration into your existing setup and provides the ultimate platform for unrestricted creative expression.\n\nThe Oxygen Series\nM-Audio pioneered the portable MIDI controller market with the Oxygen series of keyboard controllers. Today, M-Audio continues to be a leader of this technology by developing intuitive controllers for software-based music production and performance. Thanks to continued innovation over the course of nearly a decade, the new Oxygen series controllers offer more control, deep hardware/software integration, and come equipped with a reliable build that enables you to make music on the go or implement these controllers into any studio.\n\nStreamlined Control\nWith an array of assignable knobs, pads, and faders, Oxygen 61 gives you total control over your software, allowing you to stay engaged in the creative flow of recording and mixing music without ever reaching for the mouse. It features 61 velocity-sensitive keys for playing chords, bass lines, and melodies; eight assignable knobs for tweaking effect plugins and virtual instruments; eight velocity-sensitive pads for triggering samples or finger drumming; and nine assignable faders for mixing tracks together and controlling the master output. Oxygen 61 also has dedicated transport controls and track-up and -down buttons that allow you to initiate play, stop, and record in the DAW environment right from your keyboard controller.\n\nUse Your Favorite DAW\nThe Oxygen 61 MIDI controller offers out-of-the-box integration with popular DAWs including Ableton Live, Pro Tools, Logic, Cubase, and many more. Using DirectLink, Oxygen 61's controls instantly map to key parameters in your favorite DAW, enabling you to immediately tweak the mixers, editors, and transport windows. Additionally, Oxygen 61 has built-in customizable mapping presets that quickly interface Oxygen 61 with your favorite effect plugins and virtual instruments. Setting up a MIDI controller with your software doesn’t get any easier than this.\n\nFor an easy-to-use and portable setup, all Oxygen controllers are USB-powered, class-compliant, and support USB-MIDI connectivity. Plus, they support iOS connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.\n\nAbleton Live Lite\nAbleton Live Lite is included with Oxygen 61 for immediate music creation. One of the most popular performance and production programs available in the world, Ableton Live Lite is a powerful music creation tool that enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Host plugins and use Oxygen 61 to produce, compose, or perform all within Ableton Live Lite. When you are satisfied with your work, Ableton Live lets you save it or mix it down.\n\nAIR Music Tech Xpand!2\nXpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nTouch Loops\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n\nAbleton is a trademark of Ableton AG. Cubase is a registered trademark of Steinberg Media Technologies AG. Pro Tools is a registered trademark of Avid Technology, Inc. in the U.S. and other countries. Logic is a trademark of Apple Inc., registered in the U.S. and other countries. M-Audio is a trademark of inMusic Brands Inc., registered in the US and other countries. All other product or company names are trademarks or registered trademarks of their respective owners.\n\nFeatures - \n\n1. 61 full-size, synth-action velocity-sensitive keys\n2. 8 velocity-sensitive trigger pads for beat production, clip launching, and more\n3. 8 assignable knobs for manipulating virtual instruments and plugins\n4. 9 assignable faders built in so you can mix with ease\n5. Transport buttons let you control your DAW without reaching for the mouse\n6. DirectLink automatically maps controls to popular DAWs: Ableton Live, Pro Tools, Logic, Cubase, and more\n7. LCD screen provides instant parameter feedback\n8. 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Combining the critically acclaimed AIR 192|4 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium AIR Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the AIR 192|4 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario.\n\nThe AIR 192|4 Vocal Studio Pro comes complete with a software package that has everything to get you started making professional recordings right out of the box. With a powerful DAW to suit your production needs, AIR 192|4 Vocal Studio Pro includes Ableton Live Lite and MPC Beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, 80 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. (1) XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate 6. sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. NOVA Black condenser microphone\n10. HDH40 monitoring headphones\n11. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box - \n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nNOVA Black Microphone\nMicrophone Carrying Pouch\nXLR Microphone Cable\nMicrophone Shock Mount\nMicrophone Windscreen\nHDH40 Headphones\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications - \nAll specifications are measured at 20 kHz bandwidth. Specifications are subject to change without notice.\n\nMinimum System Requirements\nmacOS: 10.8 Class Compliant\nPC: Windows 7, Windows Driver\nStandard USB 2.0 or USB-C Port\n\nNOVA Black Microphone\n\nType - ack Electret condenser microphone\nElement - 18 mm pure aluminum diaphragm capsule\nPolar Pattern -\tCardioid\nFrequency Response - 20 Hz – 20 kHz\nSensitivity - -38 dB (0 dB = 1 V/Pa @ 1 kHz)\nRated Impedance - \t200Ω\nMaximum SPL - 136 dB\nPhantom Power Required - +48 V\nS/N Ratio - 77 dB\nCurrent Consumption - 3 mA\n\nHDH40 Headphones - \n\nAcoustic Design - \tDynamic, Closed\nDriver- 40 mm, neodymium\nFrequency Response - 15 Hz – 22 kHz\nSensitivity - 95 dB ±3 dB\nRated Impedance\t - 32Ω\nEarpad - Leatherette\nCable Length - 9.8 ft. / 3 m\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - \t104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range - 55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - 100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (impedance-balanced 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - +7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - 0.005%\nOutput Impedance - 10 Ω\n\nGeneral - \n\nPower - \tUSB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\n\n\n", "price": 26150.0, "discountamount": 5491.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "1524 cm", "276 2042 cm", "height 80", "buffer settings", "accurate 6 sound", "fastest connection", "professional recording", "piano plugins", "loop package", "powerful daw", "recording scenario", "multimedia projects", "adding voiceovers", "studiobased recording", "delay weve", "software package", "highperformance hardware", "acoustic instruments", "input signal", "warranty manual specifications", "computer hardware whats", "add worldclasssounding instruments", "mpc beats weve", "easytouse software results", "dedicated signal circuit", "ultrapristine ad converters", "guitar tone reverb", "prograde audio capture" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 523, "imageuri": "https://productimages.withfloats.com/actual/685f802de15019c44b0809f0.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685f802de15019c44b0809f0.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-28T05:39:54.672Z", "updatedon": "2025-06-30T05:06:40.041Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-4-vocal-studio-pro/523", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "685ebeb0705f15cc9080b1b7", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "AIR 192|4 ( 2-In/2-Out 24/192 USB Audio Interface )", "description": "With the AIR 192|4, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to 2 channels at once with its dedicated XLR+¼” balanced combo input, and an all-new ¼” instrument input that has a specially-designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface.\n\nThe AIR 192|4 comes complete with a software package that has everything to get you started. With a powerful DAWs to suit your production needs, AIR 192|4 includes Ableton Live Lite, and MPC beats.\n\nWe’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Revalver, AIR effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.\n\nKey Features - \n\n1. 24-bit/192kHz resolution for professional recording and monitoring\n2. Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*\n3. Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality\n4. VU LED meters for dialing in the perfect level\n5. XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate sound available\n6. Stereo ¼” outs; ¼” headphone out with independent level control\n7. Rugged metal chassis; large central control for easy volume adjustment\n8. USB/Direct knob for balancing between the input signal and the computer signal\n9. *Round trip latency is dependent on buffer settings, and computer hardware\n\nWhat’s In The Box\n\nAIR 192|4\nUSB-C-to-USB-C Cable\nUSB-C-to-USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety and Warranty Manual\n\nSpecifications\n\nMinimum System Requirements\n• macOS: 10.8 Class Compliant\n• PC: Windows 7, Windows Driver\n• Standard USB 2.0 or USB-C Port\n\nMic Input 1 (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nDynamic Range - 104 dB (A-weighted)\nSignal-to-Noise Ratio - 104 dB (+1.0 dBu, A-weighted)\nTHD+N - 0.003%\nPreamp EIN - -128 dBu (max gain, 150 Ω source, A-weighted)\nMax Input Level - +1.5 dBu\nGain Range -\t55 dB\n\nLine Input 1 (balanced 1/4“ [6.35 mm] TRS)\n\nFrequency Response -\t 20 Hz – 20 kHz (+0.05 dB)\nSignal-to-Noise Ratio - 101 dB (1 kHz, +4 dBu, A-weighted)\nTHD+N - 0.003%\nMax Input Level - 16 dBu\nGain Range - 55 dB\n\nInst Input 2 (unbalanced 1/4” [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.05 dB)\nDynamic Range - \t100 dB (A-weighted)\nSignal-to-Noise Ratio - 102 dB (+ 4 dBu, A-weighted)\nTHD+N - 0.004%\nMax Input Level - 6 dBu\nInput Impedance - 1 MΩ\nGain Range - 24 dB\n\nMain Outputs, L and R (balanced, differential 1/4\" [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.06 dB)\nDynamic Range / Signal-to-Noise Ratio - 102 dB (A-weighted)\nTHD+N - 0.005%\nMax Output Level - \t+7 dBu (1 kHz, -1 dBFS)\n\nHeadphone Output (impedance-balanced 1/4” [6.35 mm] TRS)\n\nTHD+N - \t0.005%\nOutput Impedance - \t10 Ω\n\nGeneral\n\nPower - USB-bus-powered\nDimensions (width x depth x height) - 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)\nWeight - 2.0 lbs. 0.9 kg\n\nPremium Software Suite Included - \n\nAbleton Live Lite - Ableton Live Lite is one of the most popular performance and production programs available in the world. A powerful music creation tool, Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Explore sonic possibilities in real time whether on stage or in the studio. When you are satisfied with your work, Ableton Live Lite lets you save it or mix it down.\n\nWhatever you set out to achieve, MPC Beats will get you started. Incorporating the finest parts of the legendary MPC workflow, MPC Beats features all the essential tools for pro production. Edit samples, mixdown your tracks, find any sound with the synth engines found on the legendary MPCs, record audio and much more. MPC Beats will host your AU/VST plugins so as you expand your arsenal, know you’ll have complete compatibility with industry standard virtual studio technology.\n\nThe AIR Creative FX Collection features 20 effects that are used by some of the world’s most respected audio professionals. The AIR Creative FX Collection has been featured in many of the last decade’s top film, game and music projects. Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.\n\nThis exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\n80 effect plug-ins provided by AIR\n\nIncluded are some extra goodies to help out any podcaster, guitarist, or producer. This exclusive and diverse collection delivers everything you need for creative production, mixing and mastering, including reverbs, equalizers, delays, filters and so much more.\n\nA new standard for guitar amplifier modeling software\n\nReValver includes ValveKing® & Custom Lite Amp Modules, 3 x cabs, 3 x mics (with multiple selectable positions), and 3x effects.\n\nAIR Music’s Mini Grand is a simple-to-use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Combining premium quality piano samples, innovative re-pedaling technology, built-in room simulation and equal and stretched tuning, Mini Grand is the go-to plugin for authentic, emotive piano sounds.\n\nAIR Music’s Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches.\n\nAIR TubeSynth\n\nThe AIR TubeSynth plugin emulates the sound of vintage analog polyphonic synthesizers. Dive into a collection of warm pads, brass synths, and so much more in this massive collection of synthesizer presets.\n\nAIR Electric\n\nAIR Electric plugin is your total electric piano collection on MPC. Choose from a wide collection of keyboards like Rhodes, Wurlitzers, FM keyboards, and more. Dedicated control sections provide deep virtual control over keyboard pickups, envelope, bell and noise settings, and much more.\n\nAIR Bassline\n\nThe AIR Bassline plugin emulates the sound of classic monophonic synthesizers. Create your own unique synth patches with the integrated AIR effects sections.\n\nChop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!\n", "price": 13500.0, "discountamount": 2835.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "cabs 3", "1524 cm", "276 2042 cm", "height 80", "2 channels", "air 1924", "finest parts", "mix 2 gigs", "sample playback", "amazing patch", "goto plugin", "expertly designed", "complete compatibility", "started incorporating", "real time", "impedance stage", "accurate sound", "air bassline", "air included", "air 1924 enables", "production programs", "vintage drum", "samples ranging", "noise settings", "fm synthesis", "true power", "xpand2 reveals", "broad range", "podcaster guitarist", "extra goodies", "auvst plugins", "tracks find", "essential tools", "popular performance", "buffer settings", "fastest connection", "loop package", "powerful daws", "software package", "accurate representation", "speciallydesigned gain", "music production", "wide collection", "massive collection", "music projects", "mpc choose", "musical styles", "professional recording", "piano plugins", "delay weve", "input signal", "mpc beats", "guitar tone reverb", "air music tech", "active sound slots", "mpc beats weve", "creative production mixing", "synth engines found", "easytouse audio interface", "achieve mpc beats", "diverse collection delivers", "acoustic piano sounds", "ensure professional results", "edit musical ideas", "dedicated signal circuit", "maudio account ready", "unique synth patches", "carefully created thousands", "multitimbral workstation offering", "multiple selectable positions", "respected audio professionals", "computer hardware whats", "ultrapristine ad converters", "add worldclasssounding instruments", "bass plugged directly" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 518, "imageuri": "https://productimages.withfloats.com/actual/685ebeb29e2715528655003c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/685ebeb29e2715528655003c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T15:54:24.066Z", "updatedon": "2025-06-30T05:09:42.591Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/air-192-4-2-in-2-out-24-192-usb-audio-interface-/518", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-Audio", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }

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