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{ "products": [ { "_id": "65bf341645a4a11780c23cc2", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier", "description": "KC-220 Battery Powered Stereo Keyboard Amplifier\tKC-220\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nOffering full-range stereo sound and battery-powered operation, the three-channel KC-220 is the ultimate mobile keyboard amp. It also excels as a mini PA, thanks to its built-in DSP effects, dedicated auxiliary input, and support for an XLR vocal mic. Delivering big sound in a super-portable package, the KC-220 is a must-have amp for rehearsals, street performances, and gigging on the go.\n\nHome\nKC-220Features\tSpecs\tAccessories\tSupportTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nBattery-powered stereo keyboard amplifier\nHighly efficient power section with 30 watts of power (15 watts x 2)\nTwo newly developed custom 6.5-inch woofers and two custom tweeters\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nBuilt-in DSP effects: reverb and two chorus types\nXLR mic input, mono/stereo line output, and headphones output\nMetal jacks for increased durability\nRuns on eight AA batteries or included AC adapter; removable cartridge for easy battery replacement\nBuilt-in tilt-back stand and integrated mount for optional ST-A95 speaker stand\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-220 delivers full-range stereo sound with 30 watts of power (15 watts x 2), two newly designed 6.5-inch speakers, and two custom tweeters. Paired with an advanced power section optimized for efficient battery operation, the KC-220 smoothly reproduces the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard 3+1 Mixing\nCompact and convenient, the KC-220 is a complete stereo mixing system that travels everywhere you need to play. Three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments, and Channel 1 also includes an XLR input for using a vocal mic. There’s a dedicated aux channel as well, with 1/8-inch and RCA inputs for connecting smartphones, music players, and other devices.\n\nStereo Effects and EQ\nIt’s easy to enhance your sound with the KC-220’s high-quality DSP effects. Normal and wide stereo chorus effects are provided, plus a lush stereo reverb for vocals and instruments. And for hands-free operation on stage, effects on/off can be controlled with an optional footswitch. The KC-220 also includes high and low EQ for shaping the overall sound to suit the venue.\n\nVersatile Connectivity\nThe KC-220 is equipped with mono/stereo line outputs, allowing you to interface with PA systems, stage monitors, or recording devices. Plugging into the Phones jack mutes the onboard speakers, perfect for private practice sessions and checking sounds on stage with headphones.", "price": 58132.0, "discountamount": 9232.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "go", "off", "must", "TIME", "side", "have", "WORTH", "needs", "today", "venue", "KC amp", "sounds", "low EQ", "vocals", "Normal", "organs", "mini PA", "honored", "1/8-inch", "30 watts", "XLR input", "stage rig", "RCA jacks", "Keyboards", "master EQ", "dedicated", "big sound", "RCA inputs", "3+1 Mixing", "The KC-220", "AC adapter", "PA systems", "rehearsals", "two decades", "smartphones", "Metal jacks", "aux channel", "synthesizers", "KC benchmark", "XLR mic input", "drum machines", "overall sound", "music players", "other devices", "XLR vocal mic", "Stereo Effects", "stage monitors", "auxiliary input", "rhythm machines", "mixing features", "tilt-back stand", "integrated mount", "new enhancements", "onboard speakers", "keyboard players", "two chorus types", "complete control", "working musicians", "recording devices", "headphones output", "6.5-inch speakers", "latest generation", "lush stereo reverb", "eight AA batteries", "lasting durability", "optional footswitch", "street performances", "removable cartridge", "two custom tweeters", "hands-free operation", "three-channel KC-220", "88-note stage pianos", "wide frequency range", "versatile connectivity", "super-portable package", "advanced power section", "full-range stereo sound", "efficient power section", "custom 6.5-inch woofers", "easy battery replacement", "mono/stereo line outputs", "high-quality DSP effects", "private practice sessions", "battery-powered operation", "wide stereo chorus effects", "efficient battery operation", "powerful high-fidelity sound", "other electronic instruments", "ultimate mobile keyboard amp", "KC Series Keyboard Amplifiers", "complete stereo mixing system", "three 1/4-inch input channels", "Electronic Musical Instruments", "various electronic instruments", "Three 1/4-inch line input channels", "Battery-powered stereo keyboard amplifier", "optional ST-A95 speaker stand Full-Range Sound", "KC-220Features Specs Accessories SupportTweet Facebook Pinterest", "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier KC-220 Battery Powered Stereo Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 494, "imageuri": "https://productimages.withfloats.com/actual/65bf3417c355a61540e5dfe4.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf3417c355a61540e5dfe4.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T06:52:06.124Z", "updatedon": "2024-02-04T06:54:45.146Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-220-battery-powered-stereo-keyboard-amplifier/494", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland KC-220 Battery Powered Stereo Keyboard A", "KC-220 Battery Powered Stereo Keyboard Amplifier", "ROLAND KC220", "Roland Price India", "Authorised Dealer Roland", "Authorised Dealer Roland", "Roland India", "roland", "kc220", "Keyboard Amplifier", "kc220 roland", "roland kc220 price in india", "Roland Authorised Online Dealer", "roland stoer india", "roland shop delhi", "roland shop india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6864e245ad2f195062cda7b6", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Frontman 20G", "description": "The Frontman 20G brings together familiar Fender cosmetics and “best-in-class” sound quality at a great price point that fits every player's budget.\n\nThe 20G features a simple intuitive design that anyone, from beginners to pros, will immediately understand. It includes a clean channel with a volume and three EQ knobs for sonic flexibility, plus a separate switchable Drive channel with its own volume. It also comes with 1/8“ auxiliary in to play along with your favorite tunes and a headphone jack for silent practice. The Frontman also puts out 20 watts into an 8” Special Design Speaker that delivers great tones when practicing or playing with friends.\n\nFeatures - \n\n20 watts \n8' Fender Special Design speaker\nGain, volume, treble and bass controls\nOverdrive switch\n1/8' auxiliary input and headphone output jacks\nClosed-back construction", "price": 0.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "20 watts", "18 auxiliary", "silent practice", "headphone jack", "favorite tunes", "sonic flexibility", "eq knobs", "clean channel", "immediately understand", "20g features", "players budget", "delivers great tones", "simple intuitive design", "great price point", "bestinclass sound quality", "familiar fender cosmetics" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 557, "imageuri": "https://productimages.withfloats.com/actual/6864e24f094220ab8066c03e.jpeg", "tileimageuri": "https://productimages.withfloats.com/tile/6864e24f094220ab8066c03e.jpeg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-02T07:39:49.211Z", "updatedon": "2025-07-02T07:40:57.626Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/frontman-20g/557", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Fender ", "category": " Guitar Amplifier", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "685e77e6ca2e6c61c5b792af", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "M-Track Solo - 48-KHz, 2-channel USB Audio Interface with 1 Crystal Preamp, Phantom Power and Instrument Input", "description": "The M-Track Solo is the best, most portable recording interface in its class. It delivers 48 kHz audio resolution in a compact and easy to use format that is ideal for creating music on any Mac, PC or iOS device. This versatile interface works great for recording any type of sound source and features a single Combo Crystal Preamp with phantom power, plus a switchable Line / Instrument input making it compatible with any guitar or microphone. Plus, with M-Track Solo's 2-channel recording you can use both line inputs simultaneously to capture digital pianos, drum machines or any other stereo 1/4' device. M-track Solo is completely powered by USB, removing the need for an external power supply and making it perfectly portable for recording on-the-go. Throw it into your bag, grab a laptop, and create your next podcast, song, or mix anywhere you want!\n\nKey Features - \n\n1.2-Channel USB recording interface for Mac and PC\n2. (1) Combo input with Crystal Preamp for amazing audio quality\n3. +48V phantom power for connecting studio condenser microphones\n4. Dedicated instrument input for guitar or bass\n5. Stereo line input for connecting digital piano, keyboard and more!\n6. 1/8” headphone and RCA stereo outputs provide easy monitoring\n7. USB/Direct switch for listening to the input signal or the computer signal\n8. Software bundle, including: MPC Beats, AIR Music Tech Electric, Bassline, and TubeSynth, Revalver guitar amp plugin and 80 AIR plugin effects.\n\nTechnical Specifications - \n\nMic Input - (balanced XLR)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD+N - 0.003% (min. gain, 0 dBu out, A-weighted)\nPreamp EIN - -128 dBu (max. gain, 40 Ω source, A-weighted)\nGain Range - Direct Mono: 0 dB to +54 dB Direct Stereo: 6 dB to +60 dB\n\nLine Input - (balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSensitivity - -43 dBu\nTHD - 0.002% (min. gain, 0 dBu out, A-weighted)\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\nInstrument Input - (unbalanced 1/4' [6.35 mm] TS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nTHD+N - 0.005% (min. gain, 0 dBu out, A-weighted)\nInput Impedance - 1 MΩ\nGain Range - Direct Mono: -10 dB to +44 dB Direct Stereo: -4 dB to +50 dB\n\n\nMain Outputs - L and R (impedance-balanced 1/4' [6.35 mm] TRS)\n\nFrequency Response - 20 Hz – 20 kHz (+0.1 dB)\nSignal-to-Noise Ratio - 109 dB (A-weighted)\nTHD - 0.002% (0 dBu out, A-weighted)\nMax Output Level - +4 dBu\n\n\nHeadphone Output - (1/4” [6.35 mm] TRS)\n\nPower - 60 mW/Ch, 32 Ω\nFrequency Response - 20 Hz – 20 kHz (+0.5 dB)\nTHD+N - 0.02% (A-weighted)\nSignal-to-Noise Ratio - 100 dB (A-weighted)\n\nWhat’s In The Box\n\nM-Track Duo\nUSB-B–to–USB-A Cable\nSoftware Download Cards\nUser Guide\nSafety & Warranty Manual", "price": 6700.0, "discountamount": 1407.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "6 18 headphone", "mac pc", "input signal", "crystal preamp", "podcast song", "bag grab", "usb removing", "completely powered", "sound source", "ios device", "creating music", "perfectly portable", "phantom power", "portable recording interface", "recording onthego throw", "external power supply", "line inputs simultaneously" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 514, "imageuri": "https://productimages.withfloats.com/actual/685e77e95d1b008bf30737f3.png", "tileimageuri": "https://productimages.withfloats.com/tile/685e77e95d1b008bf30737f3.png", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-06-27T10:52:22.163Z", "updatedon": "2025-06-30T05:02:45.381Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/m-track-solo-48-khz-2-channel-usb-audio-interface-with-1-crystal-preamp-phantom-power-and-instrument-input/514", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "M-AUDIO", "category": "AUDIO INTERFACES", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "66698344cee93a1bbc3822a2", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "IBANEZ AZ2204NW PRESTIGE ELECTRIC GUITAR WITH CASE - MINT GREEN", "description": "SPECS\nneck type\tAZ Oval CS-TECH WOOD Roasted Maple neck\ntop/back/body\tAlder body\nfretboard\tRosewood fretboardMother of Pearl dot inlay\nfret\tJumbo Stainless Steel fretsPrestige fret edge treatment\nnumber of frets\t22\nbridge\tGotoh® T1702B bridge\nstring space\t10.5mm\nneck pickup\tSeymour Duncan® Fortuna™ (S) neck pickupPassive/Alnico\nmiddle pickup\tSeymour Duncan® Fortuna™ (S) middle pickupPassive/Alnico\nbridge pickup\tSeymour Duncan® Fortuna™ (H) bridge pickupPassive/Alnico\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nnut\tBone nut\nhardware color\tChrome\nNECK DIMENSIONS\nScale :\t648mm/25.5\"\na : Width\t42mm at NUT\nb : Width\t56.4mm at 22F\nc : Thickness\t20.5mm at 1F\nd : Thickness\t22.5mm at 12F\nRadius :\t228mmR to 305mmR COMPOUND\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nAZ2204NW's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nAZ2204NW's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nGotoh® Magnum Lock machine heads w/H.A.P.\ndyna-MIX9 switching system w/Alter Switch\nLuminlay side dots\nFretboard Radius: 228mm@nut to 305mm@22nd fret Compound\nNon-recessed bridge cavity\nHardshell case included\nFeatures\nRosewood fretboard\nRosewood fretboard\nRosewood provides a well-balanced solid tone with a focused mid range.\n\nCompound Radius Fretboard (228mm to 305mm)\nCompound Radius Fretboard (228mm to 305mm)\nOffering the best of both worlds, the digitized compound radius fretboard of the AZ-N is built to enhance both smooth chording and lead work in the upper register.\n\n5 tremolo springs\n5 tremolo springs\nFive tremolo springs allow string vibration to be more efficiently transferred to the guitar body.\n\nNon-recessed bridge cavity\nNon-recessed bridge cavity\nWhile the AZ series features a recessed bridge cavity for fluid and dynamic tremolo action, this model has non-recessed bridge cavity. The direct contact between bridge plate and the guitar body provides better resonance and helps facilitate subtle nuances in playing dynamics.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSeymour Duncan® Fortuna™ S-S-H pickups\nSeymour Duncan® Fortuna™ S-S-H pickups\nSeymour Duncan® Fortuna™ Pickups feature a moderate output and natural clean voicing which accurately reflect subtle playing nuances. From treble to bass, the overall tonal balance is evenly adjusted and works well with various effect pedals.\n\nGotoh® T1702B tremolo bridge\nGotoh® T1702B tremolo bridge\nThe T1702B tremolo bridge provides quick response and improved articulation. The 10.5mm string spacing allows for easy picking across strings and its snap-in construction makes it easy to load a tremolo arm. The tremolo block and saddles are made of brass, facilitating better overall resonance.\n\nOval C S-TECH WOOD Roasted Maple neck\nOval C S-TECH WOOD Roasted Maple neck\nThe S-TECH special roasted treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. The neck is sealed with an oil finish which helps make it feel similar to a well-played guitar neck.\n\nErgonomic rear body contour\nErgonomic rear body contour\nA shallow body back contour and a big forearm contour make the guitar body fit the player naturally, thus increasing playing comfort. The AZ body has a deep waist and different radii on each body edge curve, making it easier to play in both standing or sitting positions.\n\nGotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post)\nGotoh® Magnum Lock machine heads w/H.A.P.(Height Adjustable Post)\nGOTOH® MAGNUM LOCK® machine heads have an established reputation for tuning stability. Its H. A. P® (Height Adjustable Post). system allows for the adjustment of string posts for the appropriate tension of each string.\n\nLuminlay side dot inlays\nLuminlay side dot inlays\nThe Luminlay side dot position marks make it easy for players to see fretboard position marks when performing on dark stages.\n\nSuper All Access Neck Joint\nThe Super All Access Neck Joint increases playability and allows for easy access to the higher frets", "price": 207152.0, "discountamount": 20000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "3G", "5A", "1F", "22F", "12F", "AZ-N", "bass", "Width", "brass", "fluid", "model", "flick", "H.A.P.", "number", "228mmR", "worlds", "player", "treble", "saddles", "focused", "H. A. P®", "standing", "One mode", "dynamics", "humbucker", "stability", "mid range", "Thickness", "tolerance", "AZ series", "lead work", "Gotoh®", "oil finish", "deep waist", "solid tone", "6E strings", "MINT GREEN", "adjustment", "durability", "reputation", "tremolo arm", "easy access", "guitar neck", "guitar body", "playability", "The AZ body", "established", "dark stages", "combination", "mini switch", "string posts", "construction", "articulation", "bridge plate", "Alter Switch", "easy picking", "higher frets", "tremolo block", "Fortuna&trade", "Hardshell case", "factory tuning", "quick response", "upper register", "direct contact", "subtle nuances", "OTHER FEATURES", "305mmR COMPOUND", "body edge curve", "SPECS neck type", "different radii", "moderate output", "smooth chording", "IBANEZ AZ2204NW", "control diagram", "playing comfort", "string vibration", "water resistance", "humbucking sound", "Fretboard Radius", "overall resonance", "5 tremolo springs", "sitting positions", "single coil modes", "22nd fret Compound", "Luminlay side dots", "appropriate tension", "big forearm contour", "temperature changes", "Pearl dot inlay fret", "DESCRIPTION CONTROLS", "Five tremolo springs", "Alnico bridge pickup", "middle pickupPassive", "Alnico middle pickup", "S) neck pickupPassive", "natural clean voicing", "NECK DIMENSIONS Scale", "10.5mm string spacing", "nine sound variations", "overall tonal balance", "various effect pedals", "Height Adjustable Post", "subtle playing nuances", "dynamic tremolo action", "H) bridge pickupPassive", "two single coil pickups", "Rosewood fretboardMother", "Luminlay side dot inlays", "PRESTIGE ELECTRIC GUITAR", "Switching system diagram", "fretboard position marks", "The T1702B tremolo bridge", "shallow body back contour", "body Alder body fretboard", "dyna-MIX9 switching system", "Non-recessed bridge cavity", "Ergonomic rear body contour", "Gotoh® T1702B tremolo bridge", "D'Addario® EXL110 string gauge", "The Super All Access Neck Joint", "Gotoh Magnum Lock machine heads", "Seymour Duncan® Fortuna™ Pickups", "Gotoh® Magnum Lock machine heads", "GOTOH® MAGNUM LOCK® machine heads", "Gotoh® T1702B bridge string space", "nut Bone nut hardware color Chrome", "digitized compound radius fretboard", "The Luminlay side dot position marks", "The S-TECH special roasted treatment", "Oval C S-TECH WOOD Roasted Maple neck", "Seymour Duncan® Fortuna™ S-S-H pickups", "AZ Oval CS-TECH WOOD Roasted Maple neck", "Features Rosewood fretboard Rosewood fretboard", "Jumbo Stainless Steel fretsPrestige fret edge treatment" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 504, "imageuri": "https://productimages.withfloats.com/actual/66698347844f26002466fbe6.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/66698347844f26002466fbe6.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-06-12T11:15:16.981Z", "updatedon": "2025-04-22T15:45:22.809Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ibanez-az2204nw-prestige-electric-guitar-with-case-mint-green/504", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "IBANEZ", "category": "Electric guitar", "tags": [ "Ibanez Prestige AZ2204NW Electric Guitar w/Case, J", "Ibanez az2204nw prestige electric guitar with case", "Ibanez az2204nw prestige electric guitar with case", "Ibanez az2204nw prestige electric guitar with case", "Ibanez Prestige", "Ibanez Prestige AZS2209H", "Ibanez Black Electric Guitar", "Ibanez guitar models List", "Ibanez AZ discontinued", "fender guitar shop in delhi", "Electric Guitar", "electric guitar shop near me", "Guitar wholesaler", "Ibanez Electric Guitar PRICE IN DELHI" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bcedac7d5b260c20c24c7c", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "description": "The 50-watt KC-80 is a miniature powerhouse with three line input channels, a dedicated aux input, and support for an XLR vocal mic. Compared to the previous-generation KC-60, the power section has been completely redesigned for higher output, better stability, and enhanced bass reproduction. In addition, the 10-inch woofer has been upgraded for improved sound quality. If desired, the low-end performance can be extended by driving a powered subwoofer from the KC-80’s Sub Out jack.\n\n\n\nFEATURES\nCompact and affordable keyboard amplifier with 50 watts of power\nRedesigned power amp and power supply sections provide increased stability and improved bass reproduction\nCustom two-way speaker system with newly developed 10-inch woofer and tweeter\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nXLR mic input, 1/4-inch line output, headphones output, and sub output\nMetal jacks for increased durability\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-80 offers full-range audio reproduction in an easy-to-carry portable amp. The cabinet features Roland’s patented twin bass-reflex design, providing extended low-frequency response without distortion. Paired with the newly redesigned power section and updated 10-inch woofer, the KC-80 delivers even better bass performance for amplifying 88-note stage pianos, organs, and synthesizers, plus rhythm machines and other electronic instruments.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its easy-access connectivity, the KC-80 integrates into any playing environment. A 1/4-inch line output enables you to interface with PA systems, stage monitors, and recording devices. There’s also a Sub Out jack for connecting to a powered subwoofer, with level conveniently tied to the amp’s master volume for one-touch control. Plugging into the Phones jack mutes the onboard speakers and Sub Out, perfect for private practice sessions and checking sounds on stage with headphones.\n\nOnboard 3+1 Mixing\nThe KC-80’s three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments. In addition, there’s an auxiliary channel with 1/8-inch and RCA inputs for connecting smartphones, music players, or other devices. Channel 1 also includes an XLR input, allowing you to plug in a vocal mic for even more versatility.", "price": 56645.0, "discountamount": 9145.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "level", "carry", "sounds", "organs", "support", "cabinet", "Compact", "tweeter", "50 watts", "addition", "1/8-inch", "FEATURES", "RCA jacks", "XLR input", "stability", "The KC-80", "dedicated", "Keyboards", "distortion", "3+1 Mixing", "PA systems", "sub output", "Performing", "RCA inputs", "Metal jacks", "smartphones", "versatility", "Sub Out jack", "synthesizers", "portable amp", "drum machines", "music players", "master volume", "50-watt KC-80", "power section", "other devices", "sound quality", "higher output", "XLR vocal mic", "10-inch woofer", "stage monitors", "auxiliary input", "rhythm machines", "bass performance", "onboard speakers", "auxiliary channel", "one-touch control", "recording devices", "powered subwoofer", "headphones output", "bass reproduction", "low-end performance", "playing environment", "miniature powerhouse", "Redesigned power amp", "88-note stage pianos", "power supply sections", "Versatile Connectivity", "A 1/4-inch line output", "master EQ XLR mic input", "twin bass-reflex design", "easy-access connectivity", "previous-generation KC-60", "private practice sessions", "three line input channels", "durability Full-Range Sound", "other electronic instruments", "affordable keyboard amplifier", "three 1/4-inch input channels", "Custom two-way speaker system", "full-range audio reproduction", "Electronic Musical Instruments", "various electronic instruments", "extended low-frequency response", "three 1/4-inch line input channels", "Roland KC-80 3-Ch Mixing Keyboard Amplifier" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 490, "imageuri": "https://productimages.withfloats.com/actual/65bcedae8f3782b8fa081035.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bcedae8f3782b8fa081035.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-02T13:27:08.726Z", "updatedon": "2024-09-08T15:50:43.253Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-80-3-ch-mixing-keyboard-amplifier/490", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland KC-80 3-Ch Mixing Keyboard Amplifier", "Roland kc 80 3 ch mixing keyboard amplifier price", "Roland kc 80 3 ch mixing keyboard amplifier specs", "Roland kc 80 3 ch mixing keyboard amplifier review", "roland kc-80 review", "Roland KC-80 price", "roland kc-80 manual", "Roland KC-80 Weight", "Roland KC-80 used" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "612921084fd5270001c171c3", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "YAMAHA MGP24X MIXING CONSOLE", "description": "Yamaha MGP24X 24-Channel Premium Mixing Console with DSP Effects, 24-track mixer with digital controls and features 116 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, 1 Mono out.\n\nD-PRE\nThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\n\nX-pressive EQ\nEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\n\n1-Knob Compressors\nOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\n\nMetal Chassis\nDurability is simply not an issue with the MGP. With a rugged, impact-resistant, powder-coated steel chassis, the MGP is more than ready for the rigours of road abuse. The sleek design of the chassis is contoured for optimal convection cooling, further extending the lifetime of the components inside, while the internal layout separates the power supply from the analog circuitry for superior noise reduction. What's more, knob control placement above the surface of the chassis ensures that any impact or pressure on the knobs will be absorbed by the chassis and not the circuit board or potentiometers underneath.\n\nInternal Universal Power Supply\nYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\n\nIntegrated Rack Ears\nWith integrated rack ears, the MGP easily meets the demands of both installed and portable applications providing safe, stable protection for your console. Extremely durable, their sleek, attractive design instantly gives you the option of a rack-mounted or desk-top configuration, with hassle-free setup saving you time and effort.\n\nA Revolution in Digital\nThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\n\nHybrid Channel - More Than Just Digital... it's Hybrid -\nYamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\n\nDual Digital Effects - Advanced REV-X and Classic SPX -\nMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\n\nDigital Connectivity for Your iPod/iPhone\n- Integrate Your Apple Devices into Your MGP Sound Experience -\n\nIn response to the growing demand for compatibility with iDevices, iPod/iPhone integration with the MGP offers much more than simple playback. With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.\n\n- MGP Editor\n\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters—as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone’s playback settings.\n\n-High-Quality Digital Playback\n\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\n* MGP Editor can be downloaded from Apple's App Store at no charge.\n\n* Apple, the Apple logo, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.\n\nMGP Editor\nMGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters-as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. With MGP32X and 24X, setting of GEQ and Master comp can be adjusted. Direct playback of iTunes play list is also possible.\n\nGraphic EQ\nThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.\n\nMulti-band Compressor\nThe MGP32X and MGP24X are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\n\nHigh-Quality Digital Playback\nThe MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide.\n\nUSB Device Recording and PlayBack\nIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\n\n[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive).?When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\n\n24-Channel Premium Mixing Console \n16 Mic Inputs with 48V Phantom Power and HPF per Channel\n24 Line Inputs (16 mono and 4 stereo)\n6 AUX Sends + 2 FX Sends\n4 GROUP Buses + ST Bus\n2 Matrix out\n1 Mono out\nOutline\nMixing channels: 24 Line Inputs (16 mono and 4 stereo)\nGROUP: 4 GROUP Buses + ST Bus\nAUX: 6 AUX Sends + 2 FX Sends\nMATRIX: 1 Matrix out\nOn-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)\nI/O\nMic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)\nPhantom power: 48V phantom power per channel\nLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\nDigital I/O: USB Device, iPod / iPhone\nTotal harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)\n\nFrequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\n\nHum & noise level\n-128 dBu Equivalent Input Noise\n-94 dBu Residual Output Noise \nCrosstalk: -74dB @ 1kHz\n\nPower requirements: 100-240V 50Hz/60Hz\n\nPower consumption: 86W max\n\nDimensions: \nW: 819mm (32.2\")\nH: 169mm (6.7\")\nD: 565mm (22.2\")", "price": 129500.0, "discountamount": 35900.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 395, "imageuri": "https://productimages.withfloats.com/actual/61292109d6c8110001f7e6cb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61292109d6c8110001f7e6cb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-27T17:29:44.986Z", "updatedon": "2025-08-04T13:44:28.206Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/yamaha-mgp24x-mixing-console/395", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "YAMAHA ", "category": "Audio Mixers", "tags": [ "YAMAHA MGP24X MIXING CONSOLE", "MGP24X mixer", "yamaha mgp24x", "yamaha mixing", "MIXING CONSOLE", "Audio Mixers", "Yamaha MGP24X price in India", "Yamaha MGP24X manual PDF", "Yamaha mgp24x mixing review", "Yamaha MGP16X", "Yamaha MGP24X details", "Yamaha mixer 24 channel olx", "Yamaha mgp24x price in India Amazon", "Yamaha mgp24x mixing price", "Yamaha Mgp24x 24-channel Premium Mixing Console", "MGP Series Mixing Console - Yamaha Asia" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "6129021b2634530001f37e06", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ALTO ZMX122FX 8 CHANNEL COMPACT MIXER", "description": "It features four microphone inputs with balanced TRS jacks (two with Phantom Power), a three-band EQ and two AUX sends on each of the four mono channels and the two stereo channels, and even two-track inputs for integrating audio playback devices. The ZMX122FX is a perfect, take-anywhere professional mixer.\n\nRegardless of what you're mixing, give your mix a professional edge with 256 onboard 24-bit DSP effects designed in partnership with Alesis, a coveted creator of sound-shaping digital effects that has been setting standards for DSP technology for nearly three decades. Choose from room and space delays, small and large hall acoustics, plate and spring reverbs, flangers, chorus effects and more. The ZMX122FX offers 16 variations of 16 professional Alesis effects from which to build, tweak, and dial in your sound. There's even a footswitch input so you can bypass all effects hands-free (footswitch not included).\n\nThe ZMX122FX is the swiss army knife that your creative life needs. Not only can you can plug dynamic, condenser, and wireless microphones into the first four channels, but you also get two stereo channel inputs for keyboards, drum machines, and other instruments. Plus, you can easily plug in your MP3 player, CD player, or audio from a DVD player into the CD/TAPE inputs. You also have two AUX sends that you can use to send streams of audio from your mixer to a digital effects unit, stage monitor, or any number of sources. Choose the ZMX122FX as the audio central command for your live performances, home studio, or video suite.\n\nFEATURES\n16 total inputs including XLR jacks w/ phantom power on ch. 1-4\nOn-board Alesis digital effects with 256 variations\nExpanded channel count perfect for small groups or sub-mixes\n4 mic input channels with gold-plated XLR and balanced line inputs\nTwo stereo input channels with balanced TRS jacks\nHigh headroom circuitry offering extra dynamic range\nUltra-low-noise discrete mic preamps\n3-band EQ on each channel\nFootswitch input for effects on/off (sold separately)\n2 aux sends per channel for external effects and monitoring\n2-bus design with Main and Control Room 1/4” stereo outputs\nAux inputs/outputs for external audio source integration\nSwitchable phantom power", "price": 15350.0, "discountamount": 3500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 388, "imageuri": "https://productimages.withfloats.com/actual/6129021c9a3bea0001dd3cda.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/6129021c9a3bea0001dd3cda.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-08-27T15:17:47.732Z", "updatedon": "2021-08-27T15:17:47.732Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/alto-zmx122fx-8-channel-compact-mixer/388", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "ALTO ", "category": "Audio Mixers", "tags": [ "ALTO ZMX122FX 8 CHANNEL COMPACT MIXER", "Alto ZMX122FX buy online lowest price Musicals" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "5b6b3acc8c85e40558958ff4", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Numark C2 4 Channel Rack DJ Mixer with 5-Band EQ", "description": "Our simplest, most easy-to-understand design, C2 is a powerful rack DJ mixer. There’s no finer mixer value in terms of performance, features, or quality.\n\nFive-band EQ lets you tailor system response to the room with precision. The sophisticated microphone section includes great tools such as auto-ducking, which automatically drops the level of whatever’s going on when announcements need to be made and auto-muting with sensitivity adjustment so feedback will be nothing but a distant memory.\n\nIn a world of mixers with overly-complex designs and unnecessarily complicated operations, C2 delivers a new way of mixing with great value and ease of use.\n\nFEATURES\nFour-channel rack DJ mixer\nInputs: three phono (RCA), eight line (RCA), two mic (1/4\")\nOutputs: Balanced (XLR), Master (RCA), Record (RCA), Zone (RCA), Headphone (1/4\" stereo)\nFive-band EQ, rear-panel defeatable\nSensitivity-adjustable, defeatable auto-ducking and muting when mic signal is present\nSplit or blend-cueing\nPFL gain-adjust with meter\nFader-start and panning on master fader", "price": 23450.0, "discountamount": 3000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "defeatable", "operations", "C2 delivers", "great value", "great tools", "three phono", "performance", "master fader", "announcements", "finer mixer value", "Numark C2 DJ Mixer", "microphone section", "powerful rack DJ mixer", "sensitivity adjustment", "tailor system response" ], "isarchived": false, "isavailable": false, "applicationid": null, "productindex": 203, "imageuri": "https://productimages.withfloats.com/actual/5b350b1e5e4a0d059cd0e9a3.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/5b350b1e5e4a0d059cd0e9a3.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2018-06-28T16:21:51.972Z", "updatedon": "2020-12-17T06:42:32.862Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/numark-c2-4-channel-rack-dj-mixer-with-5-band-eq/203", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Numark ", "category": "DJ Mixer", "tags": [ "Numark C2 4 Channel Rack DJ Mixer with 5-Band EQ", "Numark C2 DJ Mixer" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false } ], "hasmoreitems": false, "isapirequest": false, "totalresults": 27, "query": null, "floatingpoint": null }