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"name": "FENDER AFFINITY SERIES STARCASTER MAPLE FRETBOARD ELECTRIC GUITAR",
"description": "The Starcaster broke the mold of semi-hollow guitar design with its offset body shape when it was introduced in the ‘70s, offering versatile sound and out-of-this-world styling for the most adventurous players. The Affinity Series Starcaster creates massive tone courtesy of its dual Squier humbucking pickups and is easy to play thanks to its slim, comfortable “C”-shaped neck profile. This Squier model also features a unique contoured headstock, an adjustable bridge with stop tailpiece for solid tuning stability, durable chrome-plated hardware and a smooth satin neck finish for a natural feel.\n\nFEATURES\n\n100% designed by Fender\nOffset semi-hollow body\nDual Squier humbucking pickups\nSatin neck finish\nChrome-plated hardware\nARCHED SEMI-HOLLOW BODY\n\n\n\nThe Starcaster model features an offset arched semi-hollow body with center block for minimal feedback.\n\nCONTOURED HEADSTOCK\n\n\n\nThe Starcaster features a contoured headstock, a unique stylistic touch.\n\nADJUSTABLE BRIDGE WITH STOP TAILPIECE\n\n\n\nThe adjustable bridge and stopbar tailpiece create rock-solid tuning stability.\n\nBODY\n\nBody Material: Laminated Maple\nBody Shape: Starcaster®\nBody Finish: Gloss Polyurethane\nBody Binding: Black\nNECK\n\nNeck Material: Maple\nNeck Finish: Satin Urethane\nNeck Shape: \"C\" Shape\nScale Length: 25.5\" (648 mm)\nFingerboard Material: Maple\nFingerboard Radius: 9.5\" (241 mm)\nNumber of Frets: 22\nFret Size: Narrow Tall\nNut Material: PPS\nNut Width: 1.650\" (42 mm)\nPosition Inlays: Black Dot\nTruss Rod: Head Adjust\nELECTRONICS\n\nBridge Pickup: Standard Humbucking\nNeck Pickup: Standard Humbucking\nControls: Master Volume, Master Tone\nSwitching: 3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup\nConfiguration: HH\nHARDWARE\n\nBridge: 6-Saddle Adjustable Bridge\nHardware Finish: Chrome\nTuning Machines: Die-Cast\nPickguard: None\nControl Knobs: Skirted Amp Knobs\nSwitch Tip: Black\nNeck Plate: 4-Bolt Squier®",
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"name": "FENDER REDONDO PLAYER ELECTRO-ACOUSTIC GUITAR",
"description": "Bold and brash, the chest-thumping sound of this big-bodied acoustic was designed to inspire from the moment you pick it up. The exclusive slope-shouldered Redondo body shape has a rich, commanding voice that fills any room. The gloss metallic top, back and sides, as well as a matching painted 6-in-line headstock and crème binding, give it a shot of electrifying attitude. Dynamic, unique and unconventional—like today’s guitarists—the Redondo Player refuses to be bound by the past.\n\nThe same no-compromise attitude that gives the Redondo Player its uniquely killer vibe extends to every aspect of its construction. It features optimized bracing for reduced mass and superior resonance, a Graph Tech® NuBone® nut and saddle for greater sustain and a Fishman® preamp system that makes it easy to plug in without sacrificing the guitar's natural sound. Its lightweight mahogany neck features a comfortable, easy-to-play, slim-taper \"C\"-shaped profile suitable for any playing style and its walnut fingerboard and bridge further augment its vibrant tone. With superb playability, distinctive looks and unmistakably Fender vibe, the Redondo Player is an inspiring instrument that was made for self-expression.\n\nFEATURES\nFender-exclusive Redondo body shape\nPainted solid spruce top; painted mahogany back and sides\nFishman pickup/preamp system\nMatching painted 6-in-line headstock\nMahogany neck with slim-taper \"C\"-shaped profile; walnut fingerboard and bridge\nColor Finish: Jetty Black (JTB)\nFree Guitar Bag and 4-Picks \nUNIQUE FENDER BODY SHAPE\n \n\nThis guitar's unique body shape is a Fender exclusive, giving it a vintage-inspired look with a modern twist.\n\nSOLID SPRUCE TOP\nSpruce is the standard modern tone wood for fashioning the tops of acoustic guitars and other acoustic instruments—few woods can beat its strength, brightness and dynamic range, and it responds well to any acoustic playing style.\n\nFISHMAN PREAMP AND TUNER\n\n\nA Fishman pickup/preamp system adds peerless amplified performance with a variety of onboard controls to your acoustic instrument without compromising its pure, rich and resonant tone. The onboard tuner is conveniently placed right where you can see it.\n\n6-IN-LINE MATCHING PAINTED HEADSTOCK\n\n\nThe matching painted 6-in-line headstock on this guitar is immediately recognizable and exudes classic Fender vibe. It also provides considerable strength and resistance to “whiplash” that can severely damage most traditional acoustics.\n\nSLIM-TAPER \"C\"-SHAPED MAHOGANY NECK\n\n\nThe supremely comfortable slim-taper \"C\"-shaped mahogany neck has outstanding fret-hand feel that's suitable for any playing style and enhances the overall volume and liveliness of the guitar.\n\nWALNUT FINGERBOARD AND BRIDGE\n\n\nWith a pleasingly dark look, smooth feel and vibrant tone, walnut is an excellent tone wood for crafting quality acoustic instrument bridges and fingerboards.\n\nBODY\nBody Back: Mahogany\n\nBody Sides: Mahogany\n\nBody Top: Solid Sitka Spruce\n\nBody Finish: Gloss Poly\n\nBody Shape: Redondo\n\nBody Binding: Aged White\n\nBracing: Scalloped X\n\nRosette: 2-ring B/W/B\n\nNECK\nNeck Material: Mahogany\n\nNeck Finish: Satin\n\nNeck Shape: Slim \"C\"\n\nScale Length: 25.6\" (650 mm)\n\nFingerboard Material: Walnut\n\nFingerboard Radius: 15.75\" (400 mm)\n\nNumber of Frets: 20\n\nNut Material: Graph Tech® NuBone\n\nNut Width: 1.69\" (43 mm)\n\nPosition Inlays: Dot\n\nELECTRONICS\nControls: Volume, Bass, Treble\n\nHARDWARE\nBridge: Modern Viking\n\nBridge Pins: Aged with Black Dots\n\nHardware Finish: Chrome\n\nTuning Machines: Sealed Nickel\n\nPickguard: 3-Ply Gold",
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"name": "Cort Roselyn LE Nat Limited Edition Orchestra Model Solid Adirondack Spruce Top Semi Acoustic Guitar",
"description": "Cort Roselyn LE Nat Limited Edition Orchestra Model Solid Adirondack Spruce Top Semi Acoustic Guitar\n\nRoselyn LE\n\nInspired by arts and crafts of the 19th century Art Nouveau era, the Roselyn LE is a true masterpiece that incorporates both classic and modern aesthetics and guitar building techniques. It all started with a carefully crafted wooden inlay in the center of the guitar with a portrait of a young woman holding a rose, and the name Roselyn was born. Unique features such as an off-set sound hole on top and sound port on side, bevel cut on body arm rest, and elegant looking vine/flower mother-of-pearl inlay that branches out from the center inlay all contribute to the beauty and uniqueness of the Roselyn LE.\n\nFeatures\n\nSolid Adirondack Spruce Top\nFor the Limited Edition models, only the highest grade woods (Master Grade) were used and Adirondack Spruce fits the bill with its strength and extreme dynamics and sensitivity. Even at full volume, you will still be able to hear smoothness in the tone without losing any definition.\n\nSolid Rosewood Back & Sides\nRich and deep, warm yet punchy with an ideal sprinkling of sweet presence, rosewood imparts a big low-end with plenty of power and volume for use in any musical style.\n\nSpecial Designed Rosette & Side Sound Port\nThe “Roselyn” inlay in the center is crafted in meticulous detail, and with the addition of vine and flowers m.o.p. inlay branching out into the dark ebony, the guitar almost looks like an artwork from 19th century. Instead of a conventional sound hole in the center of the body, an off-set sound hole is cut out in a seed shape to go along with the body outline. There is a second sound hole, a Sound Port, on the lower part of the side of the body which affects the Helmholtz properties of the body and enhances the dynamics and the treble of the acoustic tone. It also allows the player to better monitor the natural sound of the guitar during performance.\n\nOM Cutaway Body\nThe OM’s compact size is ideal for players with a small body frame or seeking playing comfort. The bright and stronger high-midrange emphasis is more suited for fingerpicking than strumming which often requires more low-end. The Florentine cutaway on this model allows easy access to the high frets.\n\n5pcs Mahogany & Walnut Neck\nThe 5-piece neck not only provides strength and stability but a strong and focused sound in conjunction with the body’s acoustic resonance.\n\nGotoh® 510Z Gold\nFeaturing an extremely precise 21:1 tuning ratio, these tuners feel solid and ultra-smooth at the same time. The elegant and streamlined knobs also reduce fatigue during the tuning process. You will feel the quality of these tuners the moment you start tuning the guitar.\n\nL.R. Baggs® Anthem\nThe L.R. Baggs® Anthem pickup/preamp system delivers the pure acoustic vibrations of the instrument to the amplifier and PA without any coloration. Unneeded feedback can also be easily and effectively controlled through minimalistic controls that do not interfere with the look of the instrument.\n\nEbony Fingerboard\nThere are many types of woods that are used for fingerboard but no other compares to the jet-black beauty and slick smoothness of Ebony.\n\nEbony Bridge Pins\nThe high density of Ebony wood keeps the fundamental acoustic sound focused and tight with greater sonic projection than plastic, enhancing the transfer of the string vibrations throughout the soundboard top, body and the neck.\n\n \nSpecifications\nCONSTRUCTION DoubleLock Neck Joint\nCUTAWAY Florentine\nBODY OM(Orchestra Model)\nNUT WIDTH 1 11/16\"(43㎜)\nTOP Solid Adirondack Spruce\nBACK & SIDES Solid Rosewood\nNECK 5pcs Mahogany & Walnut\n(Walnut Reinforced Neck)\nFRETBOARD Ebony\nFRETS 20\nSCALE 25.3\"(643㎜)\nTUNERS Gotoh® 510Z Gold\nBRIDGE Ebony\nELECTRONICS L.R. Baggs® Anthem\nSTRINGS D'Addario® EXP16\nBRACING Hand Scalloped X-Bracing\nSPECIAL Special Designed Rosette & Side Sound Port\nADDITIONAL Tusq Nut & Saddle",
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"name": "KORG KROSS 2-61 SYNTHESIZER KEYBOARD WITH MICROSD CARD, INDIAN SOUNDS & STYLES",
"description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i(Enhanced Definition Synthesis - integrated)\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators\n\nProgram\n\nTimbres\n\nUp to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset\n\nMaster Keyboard functionality\n\nThese allow you to control external MIDI devices\n\nCombination\n\nDrumkits\n\nStereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).\n\nUser Combinations\n\n896 Combinations (384 Preload)\n\nUser Programs\n\n1280 Programs (768 Preload)\n\nUser Drum Kits\n\n58 Drum Kits (42 Preload)\n\nPreset Programs\n\n265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)\n\n* Total number of preload programs and preset programs:1,075 (810 preload programs, 265 preset programs\n\nThe Number of Combinations/Programs/Drum Kits\n\nFavorites\nNumber of memories\n\n128 (16 favorites × 8 banks)\n\nEffects\nInsert effects\n\n5 Insert Effects In-line processing; stereo in - stereo out.\n\nMaster effects\n\n2 Master Effects Two effects sends; stereo in - stereo out.\n\nEffects types\n\nTotal of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)\n\nModulation\n\nDynamic Modulation\n\nEffects Control Bus\n\nStereo side-chaining for limiter, gates, vocoders, etc.\n\nPolyphonic arpeggiators\nProgram mode\n\nOne arpeggiator\n\nCombination mode\n\nTwo arpeggiators\n\nSequencer modes\n\nTwo arpeggiators\n\nPreset arpeggio patterns\n\nUP, DOWN, ALT1, ALT2, RANDOM\n\nUser arpeggio patterns\n\nNumber of arpeggio patterns: 1280 (1024 preload)\nNumber of tones: 12 tones,\nNumber of steps: up to 64 steps\n\nStep sequencer\nProgram mode\nCombination mode\nSequencer mode\n\nOne unit\nNumber of tones: 12 tones + 1 accent tone\nNumber of steps: up to 64 steps\n* Can be created for each program, combination, and song.\n\nDrum Track\nPreset Patterns\n\n772 patterns (Held in common with sequencer patterns.)\n\nOther\n\nTrigger Mode / Sync / Zone settings can be specified\n\nSequencer\nTracks\n\n16MIDI Tracks\n\nNumber of Songs\n\nUp to 128 songs\n\nResolution\n\n1/480\n\nTempo\n\n40.00–300.00 (1/100 BPM resolution)\n\nMaximum Memory\n\nUp to 210,000 MIDI events\n\nCounter\n\nMeasure/Beat/Tick\n\nTemplate Song\n\n16 preset/16 user template songs\n\nPreset Patterns\n\n772 patterns (shared with Drum Track patterns)\n\nFormat\n\nKORG (KROSS) format, SMF format 0 and 1\n\nPad sampler\nSpecifications\n\n16 pads × 8 banks\nAutomatically saved on the SD card, and automatically loaded\nUp to four pads can play simultaneously\n\nRecording format\n\nPCM audio format 48 kHz/16-bit\n\nRecording time\n\nUp to approximately 14 seconds of stereo sample for each pad\n\nImport\n\nWAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nEdit\n\nWaveform display editing functionality, start address and looping settings etc., normalize and other editing operations\n\nAudio Recorder\nRecording Format\n\nPCM audio format 48kHz/16bit\n\nImport\n\nWAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nExport\n\nWAVE format (file name extension: .wav) 48kHz/16bit, stereo\n\nRecording Time\n\nMaximum continuous recording time: 3 hours\nDepends on the SD card used; 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SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.\n\nMain Specifications\nPower\n\nAC adaptor power supply DC 9V\nAA alkaline batteries x 6, or nickel-metal hydride batteries x 6\n\nBattery Life\n\nAA alkaline batteries x 6: Approximately 6 hours\nAA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours\n\n* Varies depending on the batteries used and the conditions of use.\n\nPower Consumption\n\n5 W\n\nDimensions (W x D x H)\n\nKROSS2-61: 935 mm × 269 mm x 88 mm / 36.81\" × 10.59\" × 3.46\"\nKROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01\" × 15.08\" × 5.35\"\n\nWeight\n\nKROSS2-6: 3.8 kg / 8.38 lbs (excluding batteries)\nKROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)\n\nIncluded Items\n\nAC adapter, Quick Start Guide\n\nAccessories (sold separately)\nKeyboard stand\n\nKROSS2-61: Standard-S-BK61\nKROSS2-88: Standard-L-SV88\n\nSoft case\n\nKROSS2-61: SC-KROSS 2 61\nKROSS2-88: SC-KROSS 2 88\n\nExpression/Volume Pedal\n\nXVP-20\nXVP-10\n\nFoot Controller\n\nEXP-2\n\nDamper Pedal\n\nDS-1H\n\nPedal Switch\n\nPS-1\nPS-3",
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"name": "Fender American Ultra Strat Rosewood Fingerboard (Arctic Pearl) ",
"description": "Fender 011 8010 781 American Ultra Stratocaster Electric Guitar\nAmerican Ultra is our most advanced series of guitars and basses for discerning players who demand the ultimate in precision, performance and tone. The American Ultra Stratocaster features a unique “Modern D” neck profile with Ultra rolled fingerboard edges for hours of playing comfort, and the tapered neck heel allows easy access to the highest register. A speedy 10”-14” compound-radius fingerboard with 22 medium-jumbo frets means effortless and accurate soloing, while the Ultra Noiseless Vintage pickups and advanced wiring options provide endless tonal possibilities – without hum. The sculpted rear body contours are as beautiful as they are functional and the S-1 switch adds the neck pickup in to any switch position. This versatile, state-of-the-art instrument will inspire you to push your playing to new heights.\n\nMODERN \"D\" NECK\n\nSlim with wide shoulders, the “Modern D” neck profile works for any style of playing. Ultra rolled fingerboard edges and a silky, smooth Ultra satin finish make the neck effortless to play.\n\n10”-14” COMPOUND-RADIUS\n\nBuilt for speed and easy bending, the 10”-14” compound-radius fingerboard is rounded near the nut for chording ease, becoming increasingly flatter as it nears the upper register for easy soloing.\n\nADVANCED ELECTRONICS\n\nThe volume knob’s S-1 switch adds the neck pickup in to any switch position, while the treble bleed circuit maintains your highs at any volume.\n\nLOCKING TUNING MACHINES\n\nA high-performance feature, locking tuning machines offer increased tuning stability while making string changes fast and easy.\n\nFeatures:\n\nAlder or ash body with sculpted rear contours\nThree Ultra Noiseless Vintage Strat single-coil pickups\n“Modern D”-shaped neck with Ultra satin finish\n10”-14” compound-radius fingerboard; 22 medium-jumbo frets\nIncludes premium molded hardshell case\nSpecifications:\n\nBODY\nBody Material: Ash\nBody Finish: Gloss Polyurethane\nBody Shape: Stratocaster\nBody Binding: None\nNECK\nNeck Material: Maple\nNeck Binding: None\nNeck Finish: Satin Urethane with Gloss Urethane Headstock Face\nNeck Shape: Modern \"D\"\nScale Length: 25.5\" (648 mm)\nFingerboard Material: Rosewood\nFingerboard Radius: 10\" to 14\" Compound Radius (254 mm to 355.6 mm)\nNumber of Frets: 22\nFret Size: Medium Jumbo\nNut Material: Bone\nNut Width: 1.685\" (42.8 mm)\nPosition Inlays: White Pearloid Dot\nTruss Rod: Bi-Flex\nELECTRONICS\nBridge Pickup: Ultra Noiseless Vintage Strat\nMiddle Pickup: Ultra Noiseless Vintage Strat\nNeck Pickup: Ultra Noiseless Vintage Strat\nControls: Master Volume (with S-1 Switch), Tone 1. (Neck/Middle Pickups), Tone 2. (Bridge Pickup)\nSwitching: 5-Position Blade: Position 1. Bridge Pickup Position 2. Bridge and Middle Pickup Position 3. Middle Pickup Position 4. Middle and Neck Pickup Position 5. Neck Pickup\nConfiguration: SSS\nHARDWARE\nBridge: 2-Point Deluxe Synchronized Tremolo with Pop-In Arm\nHardware Finish: Nickel/Chrome\nTuning Machines: Deluxe Cast/Sealed Locking\nPickguard: 3-Ply Mint Green\nControl Knobs: Aged White Soft Touch Knobs\nSwitch Tip: Aged White\nNeck Plate: 4-Bolt Asymmetrical\nMISCELLANEOUS\nStrings: Fender USA 250L Nickel Plated Steel",
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"name": "Martin 000C Jr E StreetMaster Acoustic-Electric Guitar",
"description": "000 JUNIOR BODY SIZE: The 000 Junior body size offers the balanced tone and comfortable feel of a full-size Auditorium model in a more compact, travel-friendly design. Its even response across all six strings delivers smooth highs and controlled bass, making it versatile for any playing style. With a cutaway for easy access to higher frets and a balanced projection that ensures clarity in every note, the 000 Junior is the perfect companion for home, stage, or the road.\nSATIN SAPELE BACK & SIDES: Crafted with solid sapele back and sides, this guitar delivers a warm, balanced tone with a strong midrange and bright, airy trebles. Sourced from Africa, sapele is similar to mahogany in both tone and feel but often features striking light and dark grain banding. Finished with a beautifully distressed satin finish, it offers a rich, dynamic response and a vintage-inspired look that’s perfect for any playing style.\nSATIN SAPELE TOP: A solid sapele top delivers a warm, complex tone with rich harmonics and a focused midrange. Paired with scalloped spruce X-bracing, it enhances resonance and dynamic response, making it ideal for both fingerstyle and flatpicking. The top also features a distressed satin finish, adding a vintage-inspired look to its natural grain pattern. Its balanced tone and strong projection make it a versatile choice for players seeking warmth, clarity, and a dynamic voice.\nPERFORMING ARTIST NECK: The Performing Artist neck profile offers a modern, slimmer shape for fast playing and smooth chord changes. It features a 1 3/4“ nut width and a full 24.9” scale length, providing a familiar feel with enhanced comfort and precision. The high-performance taper ensures a fast, comfortable grip, while the hand-applied finish gives it a smooth, natural feel. Designed for speed and playability, this neck is ideal for a variety of playing styles.\nJUNIOR SERIES: The Martin Junior Series is your full-scale companion—anytime, anywhere. These guitars and basses combine a compact body with a full 24.9\" scale length for a comfortable feel and rich tone. Crafted with all-solid tonewoods like sapele and spruce, they deliver the warmth and depth of a Martin in a more portable size. With ergonomic upgrades, satin chrome tuners on select models, and built-in Martin E1 electronics, the Junior Series is always ready to make music with you.",
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"name": "Martin 000 Jr E Sapele Acoustic-Electric Guitar",
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"description": "Description\n\nA superb gateway into the time-honored Fender® family, the Squier® Affinity Series™ Telecaster® Thinline delivers legendary design and quintessential tone for today’s aspiring guitar hero. This Tele® features several player-friendly refinements such as a thin and lightweight chambered body, a slim and comfortable “C”-shaped neck profile, a string-through-body bridge for optimal body resonance and sealed die-cast tuning machines with split shafts for smooth, accurate tuning and easy restringing. Loaded with dual Squier single-coil Tele pickups with 3-way switching for genre-defying sonic variety, this model is ready to accompany any player at any stage.\n\nFEATURES\n\nThin and lightweight chambered body\nString-through-body bridge\nSlim and comfortable “C”-shaped neck profile\nTwo Squier single-coil pickups\nSealed die-cast tuning machines with split shafts\n\nGeneral\n\nSERIES: Affinity Series\nORIENTATION: Right-Hand\nCOLOR: Olympic White\nCOUNTRY OF ORIGIN: China\nPLATFORM: Squier Guitars\n\nNeck\n\nNECK MATERIAL: Maple\nNECK FINISH: Satin Urethane with Gloss Urethane Headstock Face\nNECK SHAPE: “C” Shape\nNECK CONSTRUCTION: Bolt-On\nFINGERBOARD RADIUS: 9.5“ (241 mm)\nFINGERBOARD MATERIAL: Indian Laurel\nPOSITION INLAYS: Pearloid Dot\nSIDE DOTS: White\nNUMBER OF FRETS: 21\nTRUSS ROD: Head Adjust\nSTRING NUT: Synthetic Bone\nNUT WIDTH: 1.65” (41.91mm)\nNUT MATERIAL: Synthetic Bone\n\nBody\nBODY: Poplar\nBODY FINISH: Gloss Polyurethane\nBODY SHAPE: Telecaster®\nBODY MATERIAL: Poplar\n\nHardware\n\nBRIDGE: 6-Saddle String-Through-Body Tele® with Block Steel Saddles\nPICKGUARD: 3-Ply Black\nPICKUP COVERS: Neck: Chrome; Bridge: Black\nCONTROL KNOBS: Knurled Flat-Top\nSWITCH TIP: Black\nHARDWARE FINISH: Chrome\nTUNING MACHINES: Sealed Die-Cast with Split Shafts\nSTRING TREES: Dual-Wing\nSTRINGS: Nickel Plated Steel (.009-.042 Gauges)\nNECK PLATE: 4-Bolt Squier®\nSTRAP BUTTONS: Standard\nElectronics\nBRIDGE PICKUP: Ceramic Single-Coil\nNECK PICKUP: Ceramic Single-Coil\nPICKUP CONFIGURATION: SS\nCONTROLS: Master Volume, Master Tone\nSWITCHING: 3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup",
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