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"name": "Aphex Channel Master Preamplifier and Input Processor ",
"description": "Patented RPA tube preamp\nEasyRider® Class A automatic compressor\nPatented logic-assisted gate\nUniversal de-esser\nPatented Aphex Aural Exciter® and Big Bottom® processors\nS/PDIF and AES/EBU digital outputs\nComplete High Performance Channel Strip\nWith more and more studios foregoing consoles in favor of recording and mixing \"in the box\", a clean and versatile front end input stage is indispensible. There are dozens and dozens of channel strips and similar devices to choose from, but none that come close to the Channel in terms of sound, features or performance.\n\nOur legendary Model 230 has been re-imagined as the Channel, adding a host of new features to address a greater number of workflows while retaining the sound, functionality and versatility that made the 230 one of the most in-demand processors ever for professional audio, live sound, broadcast and post production.\n\nChannel incorporates seven powerful devices within a compact, single rack space design, including five of Aphex''s exclusive patented technologies. The result is the highest possible audio quality, processing power and flexibility.\n\nThe elegant front panel not only looks great, but is laid out in an intuitive, easy-to-use workflow with easy to understand labeling. Building on the foundation of the Model 230, the Channel features an instrument input, dedicated output and gain reduction metering, front panel sample rate and clock source selection; and a reference quality internal clock.\n\nApplications\nBroadcast - Channel is a tube microphone preamp and signal processor that is an indispensable broadcast station tool. You''ll find them in the production room and installed as permanent on-air processing for pumping up voices.\n\nRecording Studios - Channel is a powerful and easy-to-use channel strip for commercial and project studios, featuring our reflected-plate amplifier tube microphone preamp design plus compression, gating, de-esser, parametric EQ, Aural Exciter and Big Bottom bass enhancement.\n\nLive Sound - When space is at a premium in a touring rig, and night after night reliability is essential, the rugged Channel provides all the top quality processing needed for any instrument without taking up precious rack space.\n\n\nConnector\tXLR-3F\nType\tTransformerless, NPN active balanced, tube second stage\nInput Z\t2k ? nominal\nMaximum Input Level (MIL)\t+25dBu\nCMRR\t70 dB @ 60 Hz\nNominal Preamp Gain\t20 to 65 dB\nPhantom Power\t+48VDC\nPad\t20dB\nEIN\t-127dBu (input shorted)\nTube Type\t12AT7/ECC81 Dual Triode\nOutput\nConnector\tXLR-3M and 1/4\" TRS phone jacks\nType\tXLR is Impedance Balanced (may be used unbalanced)\nTRS is unbalanced\nOut Z Balanced\tXLR 66 ?\nOut Z Unbalanced\tXLR 33 ?\nTRS 600 ?\nNominal Level\tXLR +4dBu\nTRS -10dBV\nMaximum Output Level\t+25dBu Unloaded\nTRS +11dBV\nCompressor\nAttack / Release\tProgram dependent, user variable release baseline\nRatio\t4:1\nThreshold\tFixed\nKnee\tMedium hard\nGate\nAttack\t0.1 millisecond\nHold / Release\t300 milliseconds / 400 milliseconds\nThreshold\t-50 to +20dB (variable)\nDepth\t1 to 58dB (variable)\nDe-Esser\nAttack\t0.1 millisecond\nRelease\t100 milliseconds\nThreshold\tVariable -20 to +20dB\nRatio\t5:1\nActive Band\t4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover\nInsert\nConnector Type - Send\t1/4\" TRS phone jack (balanced)\nConnector Type - Return\t1/4\" TRS phone jack (balanced)\nNominal Operating Level\t0 dBu\nPoint of Insertion\tBetween dynamics processing and equalizers\nBig Bottom\nFrequency\t50 Hz to 280 Hz\nTune\tOff to +12dB\nParametric EQ\nFrequency Tune\t240 Hz to 8 kHz\nPeak / Dip\t±12dB\nQ Range\t0.5 to 5\nAural Exciter\nFrequency Tune\t500 Hz to 5kHz\nMix\tOff to +12dB\nAnalog Audio\nTHD\t<.01% @ +4dBu Out\nIMD\t01% @ +4dBu Out\nFreq Response (Flat)\t18 Hz to 24kHz ±1dB\nDigital Audio\nInternal Sample Rates\t44.1KHz, 48KHz, 88.2KHz, 96KHz\nExternal Sample Rates\tAutomatically syncs to any Word Clock between 32KHz and 96KHz\nResolution\t24 bits\nWord Clock Input\tBNC jack, High Z, Captures\nWord Clock Output\tBNC jack, 75 ?, 5Vp-p\nDynamic Range\tDigital dynamic range greater than analog front end\nNoise Dither\tDithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither.\nLevel Equivalency\t-20dBFS Digital = +4dBu Analog\nPower Requirements\t90-250 VAC 50-60 Hz 12W\nDimensions\t19\"W x 1.75\"H x 8.25\" D 1 Rack U (482.6mm x 44.5mm x 209.6mm)\nDepth Behind Front Panel\t7.5\" (190.5mm)\nNet Weight\t6 lbs(2.73 kg)\nShipping Weight\t9 lbs (4.1 kg)",
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"name": "Universal Audio LA-610MK2",
"description": "LA-610 mkII classic tube recording channel\n\nA classic tube mic preamp & LA-2A-style compressor in a single unit.\n\nThe LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.\nThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\n\nKey Features\nAll-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\nAuthentic Teletronix LA-2A-style T4 opto-compressor section\nMkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\nMic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\nHigh and Low frequency shelving EQ\nComplete vintage channel strip at groundbreaking price within project studio reach\nUA build quality and heritage, audiophile components, hand-assembled in the USA\nBacked by 1-Year limited warranty\n\nNow you can\nRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\nCompress signals with authentic Teletronix T4 opto-compression tube circuitry\nShape your tones further with High and Low frequency shelving tube EQ\nRecord your tracks through vintage UA, “handmade in the USA,”“ circuits\n\nThe Legendary 610 Preamp\nThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 MkII will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.\n\nToneful Tube Compression\nThe LA-610 Mk II’s T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or ”\"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 MkII’s legendary preamp and compression circuits.\n",
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"name": "KORG KROSS 2-61 SYNTHESIZER KEYBOARD WITH MICROSD CARD, INDIAN SOUNDS & STYLES",
"description": "\nFeatures\nA rich selection of more than 1,000 powered-up presets\n128MB of expansion PCM memory is built-in, and option libraries are supported\nThe rich expressive power of the EDS-i sound engine, and a rich selection of effects with 134 types\nSuperb sampling functionality and 16 sampler pads\nA panel layout that lets you access functions without confusion\nRealtime control section for quick parameter editing\nFavorite function lets you register and instantly recall up to 128 frequently-used sounds\nQuick layer/split can be specified by a single button\nUltra-lightweight compact body; the 61-key model weighs only 3.8 kg, the lightest in its class\nLong operating life, with six AA batteries allowing up to seven hours of use/a>\nA color lineup with a peerless finish that exceeds its class/a>\nAudio player/recorder that can be easily triggered by the pads\nSequencer, drum track, and arpeggiator to support your song production\nA rich array of input jacks for singer-instrumentalists or vocoder performance without requiring additional equipment\nAlso functions as a USB audio interface\nEven more powerful preset sounds, with specialized optional expansion sounds\n\nA rich variety of more than 1,000 preset sounds\nThe sound quality of KORG synthesizers is endorsed by top-ranking musicians around the world. The evolved KROSS 2 expands polyphony from 80 to 120 voices, and dramatically powers-up the number of internal programs from 809 to 1,075 programs. Including multi-layered pianos and electric pianos, thick strings and other new sounds that will work well with any band, as well as the latest drum kits to cover current styles such as EDM. The wide selection of programs covers your needs from live performance to studio production.\n\nBuilt-in expansion PCM memory, and support for optional libraries\nThe KROSS 2 now provides 128 MB of built-in expansion PCM memory. By selecting from optional libraries that will be released following KROSS 2, you can expand KROSS 2’s internal sounds to meet the needs of your performing style or situation.\n\nThe rich expressive power of the EDS-i sound engine, with a full complement of effects\nThe high-quality EDS-i Enhanced Definition Synthesis-integrated sound engine is inherited from KORG’s professional synthesizers. You can use a total of seven effects units simultaneously: five insert and two master. Rich expressive power is available from the selection of 134 high-quality effects, including standard effects such as delay and reverb as well as amp modeling, vintage effect units, and even a vocoder.\n\nSuperb sampling function and a pad sampler\n \n\nAs a first in its class, the KROSS 2 is newly equipped with a unique sampling function that provides 16 playable pads. You can record the input from the LINE IN jack and assign a stereo sample of up to 14 seconds to each pad. Up to four pads can be triggered simultaneously. You can edit the sample waveform using functions such as start/end loop point settings and normalize, and even resample within the KROSS 2, allowing you to perform extensive sampling without requiring any additional equipment. Long audio files from an SD card can also be assigned to these pads.\n\nStraightforward access to the sounds and functions you need\n \n\nIt's easy to get around on KROSS 2, thanks to a user-friendly layout. The panel of the KROSS 2 has been further improved since the first KROSS, ensuring that anyone can quickly access desired sounds and functions from the enormous range of choices.\n\nRealtime control section\nThe new realtime control section lets you directly control KROSS 2’s main parameters without having to navigate through a menu hierarchy. In addition to realtime control of the sounds and effects, and simple editing of programs, you can use the knobs to easily control the vocoder settings or adjust the tempo of the arpeggiator and sequencer.\n\nFavorites function\nThe favorite function lets you register frequently-used programs and combinations and recall them at a single touch, and has even been expanded to allow 128 favorite locations, twice the number of the first generation of KROSS. This function is ideal for live players that need quick access to a specialized set of sounds on stage.\n\nQuick layer/split\nThe layer/split function, which lets you layer two sounds or assign separate sounds to the left and right regions of the keyboard, is now easier to set up, thanks to a dedicated quick layer/split button.\n\nCategory dial\nA category dial is provided, allowing you to immediately find the sounds you're looking for amid the vast range of choices. Just choose the general type of sound, such as piano or organ, and then make your selection quickly and efficiently.\n\nKROSS 2-61-RM (Red Marble, Limited Edition)\n \n\nUltra-lightweight and compact body, with support for battery operation\n \n\nKROSS 2-88 - The battery case\n\nThe amazing mobility of the KROSS series is better than ever. The 61-key model features a new and stylish design, and its weight has been further reduced from the 4.3 kg of the previous model to an even more lightweight 3.8 kg. Additional improvements in power efficiency allow up to seven hours of battery-powered operation from six AA batteries. The 88-key model newly provides an accessory compartment that can hold spare batteries or cables, as well as an easily accessible front-located battery panel. On both models, the rear panel KORG logo is fully illuminated, letting you stand out on stage.\n\nThe ultimate body finish that exceeds its class\n \n\nThe evolved KROSS 2 also features a high quality body finish. First, the regular model features a stylish and cool “dark blue” color for both the 61-key and 88-key models. The 61-key model is additionally available in a limited-edition “red marbled” color. The special marbled red finish is unique and different on each KROSS 2 unit.\n\nKeyboard\nKROSS 2-61\n\n61 keys (velocity sensitive; aftertouch not supported)\nNormally C2–C7(adjustable in the range [C1…C6]–[C3…C8]\n\nKROSS 2-88\n\n88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)\nNormally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])\n\n* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.\n\nSystem\nEDS-i(Enhanced Definition Synthesis - integrated)\n\nSound Engine\nMaximum Polyphony\n\n120 voices (120 oscillators), single mode\n60 voices (60 oscillators), single mode\n\n* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.\n\nPreset PCM Memory\n\nApproximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)\n496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)\n\nExpansion PCM Memory\n\nApproximately 128MB (*when converted to 48 kHz 16-bit linear PCM\n\n* Used when loading option PCM\n\nOscillator\n\nOSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.\n\nFilters\n\nFour types of filter routing (single, serial, parallel, 24 dB)\nTwo multi-mode filters per voice (low pass, high pass, band pass, band reject)\n\nModulation\n\nFor each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators\n\nProgram\n\nTimbres\n\nUp to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset\n\nMaster Keyboard functionality\n\nThese allow you to control external MIDI devices\n\nCombination\n\nDrumkits\n\nStereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).\n\nUser Combinations\n\n896 Combinations (384 Preload)\n\nUser Programs\n\n1280 Programs (768 Preload)\n\nUser Drum Kits\n\n58 Drum Kits (42 Preload)\n\nPreset Programs\n\n265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)\n\n* Total number of preload programs and preset programs:1,075 (810 preload programs, 265 preset programs\n\nThe Number of Combinations/Programs/Drum Kits\n\nFavorites\nNumber of memories\n\n128 (16 favorites × 8 banks)\n\nEffects\nInsert effects\n\n5 Insert Effects In-line processing; stereo in - stereo out.\n\nMaster effects\n\n2 Master Effects Two effects sends; stereo in - stereo out.\n\nEffects types\n\nTotal of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)\n\nModulation\n\nDynamic Modulation\n\nEffects Control Bus\n\nStereo side-chaining for limiter, gates, vocoders, etc.\n\nPolyphonic arpeggiators\nProgram mode\n\nOne arpeggiator\n\nCombination mode\n\nTwo arpeggiators\n\nSequencer modes\n\nTwo arpeggiators\n\nPreset arpeggio patterns\n\nUP, DOWN, ALT1, ALT2, RANDOM\n\nUser arpeggio patterns\n\nNumber of arpeggio patterns: 1280 (1024 preload)\nNumber of tones: 12 tones,\nNumber of steps: up to 64 steps\n\nStep sequencer\nProgram mode\nCombination mode\nSequencer mode\n\nOne unit\nNumber of tones: 12 tones + 1 accent tone\nNumber of steps: up to 64 steps\n* Can be created for each program, combination, and song.\n\nDrum Track\nPreset Patterns\n\n772 patterns (Held in common with sequencer patterns.)\n\nOther\n\nTrigger Mode / Sync / Zone settings can be specified\n\nSequencer\nTracks\n\n16MIDI Tracks\n\nNumber of Songs\n\nUp to 128 songs\n\nResolution\n\n1/480\n\nTempo\n\n40.00–300.00 (1/100 BPM resolution)\n\nMaximum Memory\n\nUp to 210,000 MIDI events\n\nCounter\n\nMeasure/Beat/Tick\n\nTemplate Song\n\n16 preset/16 user template songs\n\nPreset Patterns\n\n772 patterns (shared with Drum Track patterns)\n\nFormat\n\nKORG (KROSS) format, SMF format 0 and 1\n\nPad sampler\nSpecifications\n\n16 pads × 8 banks\nAutomatically saved on the SD card, and automatically loaded\nUp to four pads can play simultaneously\n\nRecording format\n\nPCM audio format 48 kHz/16-bit\n\nRecording time\n\nUp to approximately 14 seconds of stereo sample for each pad\n\nImport\n\nWAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nEdit\n\nWaveform display editing functionality, start address and looping settings etc., normalize and other editing operations\n\nAudio Recorder\nRecording Format\n\nPCM audio format 48kHz/16bit\n\nImport\n\nWAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo\n\n* 44.1 kHz is automatically converted to 48 kHz/i>\n\nExport\n\nWAVE format (file name extension: .wav) 48kHz/16bit, stereo\n\nRecording Time\n\nMaximum continuous recording time: 3 hours\nDepends on the SD card used; approximately 90 minutes per 1 GB\n\nNumber of Songs\n\nUp to 200 songs\n\nNumber of overdub recordings\n\nDepends on the remaining capacity of the SD card\n\nCounter\n\nHour/Min/Sec\n\nPad audio play\n\n\n16 pads × 8 banks\nDirectly play back data from SD card\nMultiple pads cannot be played simultaneously\n\nMedia\nFile, Utility, Information, additional PCM data management functionality\n\nControllers\nGeneral Control\n\nPitch bend wheel, Modulation wheel, SW1, SW2\n\nRealtime Control\n\nSELECT button, SWITCH button, KNOB1 knob, KNOB2 knob\n\nStep Sequencer/Favorite/Pad Sampler/Pad Audio Play\n\n\nPads 1–16\nSTEP SEQ ACTIVE button, Run button\nFAVORITES ACTIVE button\nSAMPLER ACTIVE button, HOLD button\nAUDIO PLAY ACTIVE button\nBANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)\n\nDrum Track\n\nDRUM TRACK button\n\nArpeggiator\n\nARP button\n\nAudio Recorder\n\nAUDIO REC button\n\nUser Interface\nDisplay\n\n240 × 64 pixel LCD backlight\nAdjustable contrast (hold the EXIT button and turn the VALUE dial)\n\nCategory\n\nCATEGORY dial, VALUE dial\n\nMODE\n\nCOMBI button, PROG button, SEQ (GLOBAL/MEDIA) button\n\nValue Controllers\n\nCursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons\n\nSequencer\n\nREC button, START/STOP button\n\nQuick Layer Split\n\nLAYER/SPLIT button\n\nOther\n\nVOLUME knob\n\nControl Input\nDAMPER (Supports piano-style half-damper pedals as well as standard foot switches)\nASSIGNABLE SWITCH\nASSIGNABLE PEDAL\n\nAudio Outputs (Analog)\nAUDIO OUTPUT L/MONO, R\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nOutput Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)\nMaximum Level: +10.0 dBu\nLoad Impedance: 10k ohm or greater\nControllable by the VOLUME knob\n\nHEADPHONE OUTPUT\n\nConnectors: 3.5mm (1/8\") stereo mini phone jack\nOutput Impedance: 33 ohnm\nMaximum Level: 40 + 40 mW\nControllable by the VOLUME knob\n\nAudio Inputs (Analog)\nLINE IN\n\nConnectors: 3.5 mm (1/8\") stereo mini phone jack\nInput Impedance: 1.1k ohm\nMaximum Input Level: -42 to 0 dBu\n\nMIC IN\n\nConnectors: 6.3 mm (1/4\") phone jacks(TS unbalanced)\nInput Impedance: 33 ohm\nMaximum Input Level: -48 to -6dBu\nPhantom power or plug-in power is not supported.\n\nOthers\nMIDI\n\nIN, OUT\n\nUSB\n\nUSB connector TYPE B x 1, USB-MIDI interface, USB audio interface\n\nSD Card Slot\n\nOne card slat\n\n* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.\n\nMain Specifications\nPower\n\nAC adaptor power supply DC 9V\nAA alkaline batteries x 6, or nickel-metal hydride batteries x 6\n\nBattery Life\n\nAA alkaline batteries x 6: Approximately 6 hours\nAA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours\n\n* Varies depending on the batteries used and the conditions of use.\n\nPower Consumption\n\n5 W\n\nDimensions (W x D x H)\n\nKROSS2-61: 935 mm × 269 mm x 88 mm / 36.81\" × 10.59\" × 3.46\"\nKROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01\" × 15.08\" × 5.35\"\n\nWeight\n\nKROSS2-6: 3.8 kg / 8.38 lbs (excluding batteries)\nKROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)\n\nIncluded Items\n\nAC adapter, Quick Start Guide\n\nAccessories (sold separately)\nKeyboard stand\n\nKROSS2-61: Standard-S-BK61\nKROSS2-88: Standard-L-SV88\n\nSoft case\n\nKROSS2-61: SC-KROSS 2 61\nKROSS2-88: SC-KROSS 2 88\n\nExpression/Volume Pedal\n\nXVP-20\nXVP-10\n\nFoot Controller\n\nEXP-2\n\nDamper Pedal\n\nDS-1H\n\nPedal Switch\n\nPS-1\nPS-3",
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"name": "Casio WK-7600 Work Station Keyboard (76 Keys) ",
"description": "Features\nEffector and everything else you need to create exactly the sound you want\n\nDigital reproduction of rich sound\n\nDrawbar Organ Function\n\nThe keyboard comes with 50 specially selected built-in drawbar organ tones. Nine sliders can be used to change harmonic overtone level settings and add percussion and click sounds for real-time sound creation as you play. A rotary speaker simulated using a built-in DSP provides the distinctive acoustic effect of drawbar organ speakers. Parameters can be edited to create original \"\"user drawbar organ tones,\"\" 50 of which can be stored in memory for later recall.\n\nCreate distinctly original sounds\n\nTone Editor\n\nThe attack time, release time, cutoff,vibrato, reverb/chorus, DSP and other parameters of a built-in tone can be adjusted and edited. You can save the result as your own unique\"\"user tone\"\" that will be available for instant recall whenever you need it during live performances. A Tone Editor button provides instant access to the editing mode.\n\nVersatile effector, an essential sound creation tool\n\nMultiple Digital Effects\n\nBuilt-in effects include reverb (10 types),chorus (5 types), and DSP (100 preset DSPs).By adjusting the parameters of the DSP effect types, you can create original effects and store up to 100 original types in memory for later recall.\n\nDSP and chorus cannot be used simultaneously.\n\nEqualizer\n\nIncorporates five selectable frequency characteristics,including “Bright” for a lively sound emphasizing the treble range and “Powerful” with a stress on volume.\n\nA great tool for live stage performances\n\nRegistration\n\nA simple operation saves the current setup, including tone, rhythm, and other settings for instant recall when you need them. * You even can save tones to which effector effects are being applied. Recalling a registration instantly changes the digital keyboard's setup, making this a great tool for live stage performances.\n\n* 6 sets x 16 banks tor 96 setups.\n\nA wide selection of phrases that can be used in songs\n\nArpeggiator\n\nWith the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from 150 different arpeggiato types, including playing arpeggios from a fingered chord, guitar phrases, and more.\n\nSequencer and mixer functions for total musical creation support\n\nMulti-track Recorder Capabilities\n\nSong Sequencer\n\n17-track Song Sequencer (16 tracks + 1 system track) acts as a multi-track recorder, so you can use it for real-time recording of your keyboard play. 17 tracks mean that you can perform multi-track recording to layer bass,guitar, piano, and other instruments onto a drum part and build to a final song. Both real-time and step recording are supported.Completed recordings can be converted to SMF (Standard MIDI File) format and stored to an SD memory card.\n\nCompleted recordings can be converted to SMF (Standard MIDI File) format and stored to an SD memory card.\n\nWhen even more sound creation attention to detail is required\n\n32-channel Mixer\n\nNine sliders, one for each channel, can be used for individual simultaneous adjustment of volume, pan, reverb send, and other parameters. Sound input from an external source via the MIC IN terminal and INST IN terminal can also be adjusted as desired.\n\nCreate rich, realistic rhythm sections of your very own\n\nPattern Sequencer\n\nUp to eight tracks (drum, percussion, bass, chord 1 through chord 5) can be edited to create original accompaniment patterns (INTRO, NORMAL, NORMAL FILL-IN, VARIATION, VARIATION FILL-IN). In addition to recording over each individual accompaniment part of an existing rhythm, and event editing function gives you total control over each aspect of recorded data, an Easy Edit function lets you combine accompaniment from multiple built-in rhythms to create original rhythms, and mixer capabilities give you control over the tones, volume levels, reverb, and other parameters of each part.\n\nA full selection of editing tools include event insert, event delete, event copy, quantize, and more. Memory is provided for storage of up to 100 different user rhythms, which can be recalled with the touch of a key.\n\nGreat for creating original demo recordings\n\nAudio Recording / MIC IN & INST IN\n\nNormal keyboard play, Auto Accompaniment,Song Sequencer play, INST IN terminal input,MIC IN terminal input and other audio can be recorded to an SD memory card as digital audio data. While playing back a song you created with the Song Sequencer, you can play along with on a guitar or other instrument, or input vocal with a microphone.\n\nSaved audio files can also be transferred to a computer connected via USB for long-term storage. Special Data Manager 6.1 application software, downloadable from the URL shown below, can be used to convert data to WAV format, which can be played back on a computer.\n\nAll of this greatly simplifies the task of creating original demo recordings.\n\n* To perform the operations described in this section, you will need to obtain a commercially available SD memory card or SDHC memory card with a capacity between 2GB and 32GB.\nData Manager 6.1 download site:\n\nThe expandability to configure an ideal musical environment\n\nSD Memory Card Slot\n\nSong sequencer, pattern sequencer, tone editor, and other data can be saved to an SD or SDHC memory card. An Audio Record function can be used to record digital audio data. SMF (Standard MIDI File) data stored on an SD or SDHC memory card can be played back on the digital keyboard.\n\nInput/Output Terminals\n\nDifferent input/output terminals are provided to meet a variety of different needs: line out terminals (L/MONO, R) for connection of the mixer of a stage PA system or other devices, an INST IN terminal and a MIC IN terminal for connection of a musical instrument or microphone, an audio in terminal (AUDIO IN) for audio device input that can be output through the speakers, and more.\n\nUSB Port\n\nThe USB port provides easy computer and MIDI send/receive connection. It also enables quick and simple transfer of song sequencer, pattern sequencer, tone editor and other data, as well as audio data recorded to an SD memory card from an audio device between the digital keyboard and a computer. Download of a special Data Manager 6.1 application is required in order to transfer data to a computer. *\n\nTrue musical instrument quality, simple operation\n\nAHL Sound Source\n\nThe sound source is pre-programmed with digital samples of acoustic musical instruments recorded using the most advanced digital technology. Thanks to CASIO original sound technology, the AHL sound source is capable of reproducing all of the natural smoothness of the original waveform.\n\n820 Built-in Tones and 100 User Tones\n\nThe AHL sound source delivers a lineup of 820 different built-in tones. You also can store up to 100 of your own original tones for instant recall whenever you need them.\n\n260 Preset Rhythms and Auto Accompaniment\n\nA total of 260 preset rhythms cover a wide range of musical genres, from rock and pops, to jazz, Latin, piano pieces, and more. Simply select the built-in rhythm you want and Auto Accompaniment provides you with backup that is the next best thing to having a professional band at your disposal.\n\nSliders and Large Dial\n\nNine sliders are provided for drawbar organ settings and mixer operations. A large operation dial really comes in handy during music creation using sequencer functions and mixer functions.\n\nDisplay\n\nThe display shows the currently selected tone name and rhythm name, along with a wealth of other information. On the sequencer screen, for example, you can check the current status and volume level of each of the 16 tracks, and other setting information at a glance.\n\nPiano-Style Keyboard and Touch Response\n\nThe keyboard is designed and engineered to provide a realistic piano experience. Just like a grand piano keyboard, Touch Response causes sound that is output to change in accordance with the amount of pressure applied to the keys.\n\nHigh-output 2-Way Bass Reflex Speakers\n\nA 7W+7W high-output bass reflex 2-way 4-speaker system delivers rich sound from low range to high. The speakers can be used as high-quality monitoring speakers during performances and music creation sessions.\n\nPitch Bend Wheel and Modulation Button\n\nThe pitch bender wheel makes it easy to add realistic sounding guitar choking, sax bending, and other effects to keyboard play. This in combination with the modulation button for applying vibrato and other effects puts a wide range of playing versatility at your fingertips.\n\nMusic Presets\n\nMusic presets provide one-touch access to Auto Accompaniment, tone, reverb, and other settings that are configured in accordance with representative chord progressions. A total of 305 presets let you easily configure the keyboard for a wide variety of different musical styles. In addition to built-in presets, you can create your own original presets (user presets) and store them in memory for later recall.",
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"description": "Legendary FET compression with tone and attitude — true to the original.\nUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\n\nUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\n\nRebirth of a Legend\nIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\n\nPush-Button Magic\nOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\n\nAccept No Substitutes\nCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.",
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"description": "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth\n\nThe Alesis Nitro Pro XL 10-piece electronic drum kit with Mesh heads & Bluetooth redefines the electronic drum experience, offering an expansive setup for players who demand versatility and precision. This upgraded version of the standard Nitro kit features an additional tom and cymbal, creating a dynamic 10-piece configuration that caters to advanced playing styles. With premium mesh drum heads, Bluetooth connectivity, and an intuitive module powered by professionally recorded kits, this model delivers a realistic feel and a rich, customizable sound palette. Designed for practice, live performance, and recording, the Nitro Pro XL combines cutting-edge technology with superior build quality to inspire creativity and elevate your drumming.\n\nAlesis Ntro Pro Premium Mesh Heads For Enhanced Playability\n\nThe Nitro Pro XL features premium mesh drum heads that deliver a natural rebound and quiet performance, closely mimicking the feel of acoustic drums. The 10\" dual-zone snare and four 8\" dual-zone tom pads provide exceptional responsiveness and dynamic range, allowing nuanced articulation whether you're playing soft rolls or aggressive strikes. The mesh heads also ensure that vibrations are evenly distributed across the surface, improving playability and reducing noise. This advanced design lets drummers practice freely without disturbing others, while retaining the tactile feedback needed for expressive playing.\n\nIconic Drum Sounds Powered By BFD Kits\n\nAt the heart of this electronic drum kit is the Nitro Pro XL module, loaded with 36 professionally recorded kits sourced from the renowned BFD library. These kits span decades of iconic drum sounds, from rock and pop to jazz and funk, giving players an expansive sound palette. Additionally, the module includes 52 kits—36 pre-configured and 16 user-customizable—allowing drummers to tweak sounds and create their own unique setups. With intuitive controls and high-quality samples, the module ensures every hit translates into rich, lifelike tones that inspire creativity and enhance performance.\n\nAdvanced Hardware For Dynamic Performance\n\nThis electronic drum kit is equipped with hardware designed to support advanced playing techniques and configurations. The 8\" mesh bass drum tower accommodates double kick pedals, perfect for drummers exploring complex rhythms and fast-paced patterns. The cymbal setup includes two 10\" crash cymbals with choke, a 10\" ride cymbal, and a 10\" hi-hat with foot controller for precise expression. An aluminum rack provides a stable foundation, ensuring the kit remains secure during intense practice sessions or live performances. Together, these components create a platform for dynamic play and reliable functionality.\n\nDurable Construction For Reliable Use\n\nThe Nitro Pro XL is built with durability in mind, featuring high-quality materials and engineering that withstand extended use. The aluminum rack offers lightweight stability, making it easy to transport while maintaining a robust setup for demanding practice or stage environments. Mesh drum heads are designed for long-lasting performance, resisting wear and tear while maintaining consistent response. Every detail—from the reinforced hardware to the module's user-friendly interface—contributes to a kit that's ready to perform and endure over time.\n\nPerfect For Intermediate And Advanced Drummers\n\nThe Alesis Nitro Pro XL combines professional-grade features with intuitive usability, making it ideal for intermediate and advanced players looking to expand their skills. With its premium mesh heads, BFD-powered sound library, and ergonomic design, this electronic drum kit provides the tools needed to explore new techniques and sounds. Whether you're refining your craft or performing live, the Nitro Pro XL offers the precision, durability, and tonal quality to inspire your playing.\n\nFEATURES\n\n10\" dual-zone deep mesh snare for realistic response and dynamic sensitivity\n8\" mesh tom pads ensure quiet play and acoustic-like feel\n8\" mesh drum tower supports double kick pedals for advanced techniques\n10\" crash cymbals with choke provide expressive control and versatility\n10\" ride cymbal delivers consistent tone for various playing styles\n10\" hi-hat with foot controller offers precision for detailed performance\nAluminum rack ensures stability during long practice sessions or gigs\n52 drum kits offer expansive options for creativity and customization\nPremium BFD sounds deliver iconic tones for diverse genres\nBluetooth connectivity enables effortless integration with modern devices",
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