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{ "products": [ { "_id": "68a4900ff5434d48fca8b12b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth", "description": "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth\n\nThe Alesis Nitro Pro XL 10-piece electronic drum kit with Mesh heads & Bluetooth redefines the electronic drum experience, offering an expansive setup for players who demand versatility and precision. This upgraded version of the standard Nitro kit features an additional tom and cymbal, creating a dynamic 10-piece configuration that caters to advanced playing styles. With premium mesh drum heads, Bluetooth connectivity, and an intuitive module powered by professionally recorded kits, this model delivers a realistic feel and a rich, customizable sound palette. Designed for practice, live performance, and recording, the Nitro Pro XL combines cutting-edge technology with superior build quality to inspire creativity and elevate your drumming.\n\nAlesis Ntro Pro Premium Mesh Heads For Enhanced Playability\n\nThe Nitro Pro XL features premium mesh drum heads that deliver a natural rebound and quiet performance, closely mimicking the feel of acoustic drums. The 10\" dual-zone snare and four 8\" dual-zone tom pads provide exceptional responsiveness and dynamic range, allowing nuanced articulation whether you're playing soft rolls or aggressive strikes. The mesh heads also ensure that vibrations are evenly distributed across the surface, improving playability and reducing noise. This advanced design lets drummers practice freely without disturbing others, while retaining the tactile feedback needed for expressive playing.\n\nIconic Drum Sounds Powered By BFD Kits\n\nAt the heart of this electronic drum kit is the Nitro Pro XL module, loaded with 36 professionally recorded kits sourced from the renowned BFD library. These kits span decades of iconic drum sounds, from rock and pop to jazz and funk, giving players an expansive sound palette. Additionally, the module includes 52 kits—36 pre-configured and 16 user-customizable—allowing drummers to tweak sounds and create their own unique setups. With intuitive controls and high-quality samples, the module ensures every hit translates into rich, lifelike tones that inspire creativity and enhance performance.\n\nAdvanced Hardware For Dynamic Performance\n\nThis electronic drum kit is equipped with hardware designed to support advanced playing techniques and configurations. The 8\" mesh bass drum tower accommodates double kick pedals, perfect for drummers exploring complex rhythms and fast-paced patterns. The cymbal setup includes two 10\" crash cymbals with choke, a 10\" ride cymbal, and a 10\" hi-hat with foot controller for precise expression. An aluminum rack provides a stable foundation, ensuring the kit remains secure during intense practice sessions or live performances. Together, these components create a platform for dynamic play and reliable functionality.\n\nDurable Construction For Reliable Use\n\nThe Nitro Pro XL is built with durability in mind, featuring high-quality materials and engineering that withstand extended use. The aluminum rack offers lightweight stability, making it easy to transport while maintaining a robust setup for demanding practice or stage environments. Mesh drum heads are designed for long-lasting performance, resisting wear and tear while maintaining consistent response. Every detail—from the reinforced hardware to the module's user-friendly interface—contributes to a kit that's ready to perform and endure over time.\n\nPerfect For Intermediate And Advanced Drummers\n\nThe Alesis Nitro Pro XL combines professional-grade features with intuitive usability, making it ideal for intermediate and advanced players looking to expand their skills. With its premium mesh heads, BFD-powered sound library, and ergonomic design, this electronic drum kit provides the tools needed to explore new techniques and sounds. Whether you're refining your craft or performing live, the Nitro Pro XL offers the precision, durability, and tonal quality to inspire your playing.\n\nFEATURES\n\n10\" dual-zone deep mesh snare for realistic response and dynamic sensitivity\n8\" mesh tom pads ensure quiet play and acoustic-like feel\n8\" mesh drum tower supports double kick pedals for advanced techniques\n10\" crash cymbals with choke provide expressive control and versatility\n10\" ride cymbal delivers consistent tone for various playing styles\n10\" hi-hat with foot controller offers precision for detailed performance\nAluminum rack ensures stability during long practice sessions or gigs\n52 drum kits offer expansive options for creativity and customization\nPremium BFD sounds deliver iconic tones for diverse genres\nBluetooth connectivity enables effortless integration with modern devices", "price": 95377.0, "discountamount": 13077.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 612, "imageuri": "https://productimages.withfloats.com/actual/68a49013f21481169198f8ca.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a49013f21481169198f8ca.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-19T14:54:07.499Z", "updatedon": "2025-08-19T14:54:07.499Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/alesis-nitro-pro-xl-10-piece-electronic-drum-kit-with-mesh-heads-bluetooth/612", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Alesis ", "category": "electronic drum kit", "tags": [ "Alesis Nitro Pro XL 10-Piece Electronic Drum Kit With Mesh Heads & Bluetooth", "Alesis Nitro Pro XL 10PC Electronic Drum Kit ", "Alesis Nitro Pro XL " ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "68641c5ed03c4bf2e85d0a1f", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Ten-Piece Electronic Drum Kit with Touch Screen Drum Module", "description": "Drums - \nStrata Prime comprises six drums with all-mesh heads. Starting with a dual-zone 14” snare drum, with independent sounds triggered on the head, rim click, and rim shot, followed by 8” / 10” / 12” / 14” toms and of course a 20”kick drum which provides a comfortable playing surface while being suitable for all varieties of single and double kick drum pedals.\nPLEASE NOTE: Kick pedal sold separately. The tension can be adjusted on all six mesh heads so you can set the exact level of rebound and expressiveness to your preference - and unnatural ‘hotspots’ on the heads are eliminated by Alesis’ unique patented anti-hotspot sensor design*.\n\nCymbals - \n\nThe Strata Prime’s ARC cymbals are supremely sensitive with a beautifully lathed surface. All three cymbals, the 18” ride, and two 16” crashes, are triple-zone; with different sounds triggered on the bell, bow, and edge of each cymbal.\nThey are all 360-degree responsive, so not only can you play anywhere throughout the cymbal, but they mount on standard acoustic arm mounts, allowing them to respond and swing naturally, without restrictions. The crash and ride cymbals and hi-hats have dual-edge sensors* and profiles that allow incredible expressiveness without having to adjust your technique.\n\nPrecision Hi-hat - \n\nThe 14” hi-hat is the world’s first Active Magnetic, stand mounted controller. PLEASE NOTE: Hi-hat stand sold separately. Like the cymbals, it’s a triple-zoned 360-degree playing surface which is extremely sensitive.\nMagnetic position sensing ensures that pedal movements are translated with extraordinarily high resolution; meaning the contactless controller is unmatched in its accuracy.\nThe unit can be used with a wide variety of hi-hat stands and playing techniques. Its active technology is powered directly from the Prime Drum Module; no extra power adapter required.\n\n1. Overview - \n\nTen- Piece all-Mesh kit including kick, snare, 4 toms, hi hat, ride and 2 crash cymbals PLEASE N0TE - Hi hat stand and kick pedal sold separately. \n360-degree ARC cymbols and active Magnetic hi-hat technology. \nState of the art touch screen module running the BFD sound engine with 75 kits.\n\n2. Drums - \n\n- Dual-zone mesh snare.\n- 8'/10'/12'14' Dual-zone mesh toms.\n- 20' kick drum with mesh head.\n- Four post stell rack with locking clamps. \n\n3. Cymbals - \n\n- 360-degree tripal-zone cymbals and hi-hat.\n- 14' active hi-hat cymbal with megnetic stand-mounted controller.\n- Two 16' crash cymbals and one 18' ride. \n\n4. Kick - Strata Kick 20 (20x14in acoustic shell, mesh head) PLEASE NOTE: Kick pedal sold separately.\n\n5. Snare - Strata Drum 14 (14in mesh head with patented anti-hotspot trigger system).\n\n6. toms\nTom 1: Strata Drum 8in (8in mesh head with patented anti-hotspot trigger system)\nTom 2: Strata Drum 10in (10in mesh head with patented anti-hotspot trigger system)\nTom 3: Strata Drum 12in (12in mesh head with patented anti-hotspot trigger system)\nTom 4: Strata Drum 14in (14in mesh head with patented anti-hotspot trigger system)\n\n7. Hi hat - ARC Hi-hat 14 Active (14in 360-degree triple-zone cymbal with stand mounted Active Magnetic controller) PLEASE NOTE: Hi hat stand sold separately.\n\n8. Ride - ARC Cymbal 18 (18in 360-degree triple-zone cymbal)\n\n9. Cymbals - \nCymbal 1: ARC Cymbal 16 (16in 360-degree triple-zone cymbal)\nCymbal 2: ARC Cymbal 16 (16in 360-degree triple-zone cymbal)\n\n10. Included drum module - \n\nPrime Drum Module w/ 10.1' touchscreen, multi-core processor, powered by BFD3 sound engine.\nNumber of Drum Kits: 75\nNumber of Instruments: 40+ GB of all new, multi-layered factory content, 440+ Kit Pieces, 1092 Articulations across 4 diverse sound libraries from Alesis and BFD\nModule Trigger Inputs: 13 x 1/4' TRS (drum triggers), 1 x 1/4' TRS (Active hi-hat control)\nModule Analog Inputs: 2x 1/4' TRS\nModule Analog Outputs: 2x XLR (main), 4x 1/4' TRS (assignable outs)\nHeadphones: 1 x 1/4' & 1x 1/8'\nModule MIDI I/O: USB MIDI, 5-pin In/ Out, Bluetooth MIDI USB: 1 x Type B (host) & 1x Type A (storage, external MIDI controllers)\nStorage: 128GB internal drive, SD/SDHC Card Slot, USB drive\n\n11. Software - Free BFD Player + Expansion Packs\n\n12. included hardware - 4-post Steel Rack, 3x Cymbal Boom Arms, Snare Stand. ", "price": 385574.0, "discountamount": 0.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "16 crashes", "18 ride", "14 hihat", "ride cymbals", "incredible expressiveness", "powered directly", "active technology", "hihat stands", "wide variety", "contactless controller", "pedal movements", "dualedge sensors", "swing naturally", "360degree responsive", "bell bow", "supremely sensitive", "unnatural hotspots", "exact level", "mesh heads", "playing techniques", "20kick drum", "rim shot", "sounds triggered", "technique precision hihat", "independent sounds triggered", "allmesh heads starting", "prime drum module", "comfortable playing surface", "head rim click", "beautifully lathed surface" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 551, "imageuri": "https://productimages.withfloats.com/actual/68641c61897b811d6f516a23.jpeg", "tileimageuri": "https://productimages.withfloats.com/tile/68641c61897b811d6f516a23.jpeg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-07-01T17:35:26.59Z", "updatedon": "2025-07-01T17:53:07.048Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ten-piece-electronic-drum-kit-with-touch-screen-drum-module/551", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": false, "maxcodorders": 0, "maxprepaidonlineorders": 0, "uniquepaymenturl": null, "brandname": "Alesis Drums", "category": "Alesis Strata Prime Kit", "tags": [], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "None", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "680db921a6537063180ba02a", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Ibanez Q Series QX54QM BSM Electric Guitar", "description": "Ibanez Q Series QX54QM BSM Electric Guitar\nSPECS\nneck type\tParallel Wizard3pc Roasted Maple/Bubinga neck\ntop/back/body\tQuilted Maple topNyatoh body\nfretboard\tRoasted Birdseye Maple fretboardMother of Pearl Step off-set dot inlay\nfret\tJumbo Stainless Steel frets\nnumber of frets\t24\nbridge\tIbanez Mono-Tune bridge\nstring space\t10.8mm\nneck pickup\tR1 (S) neck pickupPassive/Ceramic\nmiddle pickup\tR1 (S) middle pickupPassive/Ceramic\nbridge pickup\tQ58 (H) bridge pickupPassive/Ceramic\nfactory tuning\t1E,2B,3G,4D,5A,6E\nstrings\tD'Addario® EXL110\nstring gauge\t.010/.013/.017/.026/.036/.046\nhardware color\tCosmo black\nNECK DIMENSIONS\nScale :\t648mm/25.5'\na : Width\t42mm at NUT\nb : Width\t57mm at 24F\nc : Thickness\t19mm at 1F\nd : Thickness\t19mm at 12F\nRadius :\t508mmR\n\nDESCRIPTION\n\nSWITCHING SYSTEM\nQX54QM's Switching system diagram\nDESCRIPTION\n\nCONTROLS\nQX54QM's control diagram\nDESCRIPTION\n\nOTHER FEATURES\nRecommended Case\tMR350C\nGig bag included\ndyna-MIX9 switching system w/Alter Switch\nIbanez Custom String Lock\nLuminescent side dot inlay\nFeatures\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nParallel Wizard 3pc Roasted Maple/Bubinga neck\nThe Parallel Wizard neck is 19mm thick all the way through the entire length. It provides an amazing fretting-hand experience for the players who prefer their instrument held in a higher playing position. The 3pc Roasted Maple/Bubinga construction also offers excellent stability and long-term durability.\n\nQuilted Maple top / Nyatoh body\nQuilted Maple top / Nyatoh body\nThe Quilted Maple top sonically enriches the response for picking. Nyatoh used as body wood provides a rich mid-low end.\n\nR1 / Q58 S-S-H pickups\nR1 / Q58 S-S-H pickups\nThe R1 / Q58 pickup combo is designed specifically for use in headless guitars. They provide a clearly defined sound, facilitating excellent tonal balance through all frequencies. The lows are powerful without being muddy, and the highs are bright and clear, but never harsh. As a result, every single note within the chord structure is well defined, and clearly audible. These pickups, with their tonal balance, and extremely low noise performance, work extremely well with both digital and analog effects.\n\nCustom string lock\nCustom string lock\nThis custom string lock is one-piece unit that features very simple construction. This means the hardware requires less maintenance, is highly durable, and allows for very easy string changes. Additionally, no proprietary string is required, so you can continue to use your favorite gauge and brand.\n\nMono-Tune bridges\nMono-Tune bridges\nThe Mono-Tune bridges offer a wide intonation range so that you can easily set the instrument up for tuning down a whole step or even further. The string height is also easily adjustable, and each saddle generally has less material, which leads to more natural and organic tone.\n\ndyna-MIX9 switching system with Alter Switch\ndyna-MIX9 switching system with Alter Switch\nThe dyna-MIX 9 offers nine sound variations and can switch between humbucker and single coil modes with just a flick of the mini switch. One mode even simulates a humbucking sound from the combination of two single coil pickups.\n\nSlanted frets\nSlanted frets\nAll of the frets are equally slanted at an 8-degree angle. Many contemporary players tend to favor a much higher playing positon to execute more effectively, highly technical and intricate techniques like tapping, finger style, and even occasional bass-inspired slap riff. This higher position results in the four fretting fingers naturally tilting slightly inwards. This 8-degree inward tilt of the frets perfectly accommodates this and offers a more natural feeling and comfortably playing guitar.\n\nRoasted Birdseye Maple fretboard\nRoasted Birdseye Maple fretboard\nThe beautiful Birdseye Maple fretboard imbues this model with an exotic appearance . The fretboard is heat-treated for a balanced attack and rich sustain.\n\nJumbo Stainless Steel frets\nJumbo Stainless Steel frets\nStainless steel frets boast excellent corrosion resistance. The wide and tall fret-type offers a quick response and effortless articulation when playing chords and clear tone when playing single notes.\n\nErgonomic body design\nErgonomic body design\nThe body features a number of strategically placed curves on both the top and back of the instrument. This complex, yet sophisticated design provides maximum playing comfort.\n\nCompact and light-weight, yet resonant body\nCompact and light-weight, yet resonant body\nWhile it is really compact and light-weight, its non-chambered, solid body provides great sound with rich woody tones.\n\nLuminescent side dot inlays", "price": 101544.0, "discountamount": 11000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 1, "_keywords": [ "instrument held", "clear tone", "quick response", "natural feeling", "8degree angle", "mini switch", "alter switch", "body features", "great sound", "sophisticated design", "effortless articulation", "balanced attack", "exotic appearance", "intricate techniques", "equally slanted", "humbucking sound", "sound variations", "saddle generally", "easily adjustable", "easily set", "favorite gauge", "hardware requires", "simple construction", "onepiece unit", "tonal balance", "chord structure", "headless guitars", "designed specifically", "picking nyatoh", "entire length", "19mm thick", "thickness 19mm", "width 57mm", "width 42mm", "dynamix 9 offers", "string height", "proprietary string", "easy string", "body wood", "highly durable", "single note", "playing chords", "resonant body", "resonant body compact", "frets perfectly accommodates", "contemporary players tend", "wide intonation range", "tall frettype offers", "custom string lock", "offers excellent stability", "nonchambered solid body", "effectively highly technical", "single coil modes", "higher playing positon", "higher playing position", "higher position results", "tapping finger style", "monotune bridges offer", "amazing frettinghand experience", "parallel wizard neck" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 510, "imageuri": "https://productimages.withfloats.com/actual/680db922a742d9b0452b0975.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/680db922a742d9b0452b0975.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-04-27T04:57:05.291Z", "updatedon": "2025-04-27T04:57:05.291Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/ibanez-q-series-qx54qm-bsm-electric-guitar/510", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Ibanez ", "category": "Electric guitar", "tags": [ "Ibanez Q Series QX54QM BSM Electric Guitar", "Ibanez Q Series QX54QM PRICE", "Ibanez QX54QM BSM Electric Guitar price", "Ibanez Q Series QX54QM BSM Electric Guitar price", "Ibanez Electric Guitar price in India", "Ibanez Q Series Electric Guitar price", "Ibanez Electric Guitar shop in delhi", "Ibanez Electric Guitar" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "65d05dee5f72731e00bc3ea4", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Mark bass little mark vintage 1000 MBH110093Z", "description": "Little Mark Vintage 1000\nProduct code: MBH110093Z\nFollowing the astounding success of the 500W version, this 1000W high-power head is created for those who need the highly appreciated features and lot of tone options of the LITTLE MARK VINTAGE but also like to have a massive supply of power, no matter how big is the stage and the volume you play!\n\nThis one is part of the Gold Series, a state of the art lineup offering superior quality, recognizable by its catching new look marking a new era at Markbass, starting from gold plated circuits, to the highly selected components, to some of the most requested features!\n\n> key points\n\n> Tube Preamp\nThe Little Mark Vintage 1000 features a Tube Preamp, to get rich and warm tone full of harmonics.\n\n> 1000W MPT (Mark Proprietary Technology) Power Amp \nThis ultrahigh-power head gets amplified by a powerful 1000W MPT power amp, delivering a large supply of power and serious headroom with amazing definition and dynamics.\nAbout all the bass amps on the market use the same power amp from different manufacturers, which are not specificically designed for bass. At Markbass, Marco De Virgiliis invested a lot on R&D to create a proprietary power amp technology, specifically designed to respect and glorify the tone of your instrument.\n\n> Limiter Control\nThis control offers a modern reaction when you set it all the way up, or put it down to zero to create that old generation behavior with its typical distortion you get when the Limiter effect is really low, and of course you can also get everything in between.\n\n> New EQ setting / ​​​​​3-WAY Switch\nThe 4 Bands EQ of the Little Mark Vintage 1000 have a new setting on frequencies center, all tuned to offer a pretty balanced tone that easily cuts in the mix, plus a 3-WAY switch with three useful EQ preset options to get very quickly a real FLAT setting, a CUT one with scooped Mids and enhanced Low and High and an OLD one with scooped High to get an old vintage style tone.\n\n> Real DI box\nThe BALANCED DI OUT with transformer is optimized to give pure, full, rich, linear sound on all frequencies. Although Little Mark amp heads already feature high-quality DI circuitry, the transformer upgrades the DI performance offering a real DI box inside the head, handling extreme transients without introducing any distortion or coloration.\n\n> Gold Line Top Features\nAs it happens in the Gold Line series, the Little Mark Vintage 1000 features gold plated circuits and top quality selected components, providing the purest and cleanest sound you can imagine.\n\n> Mute and ON/OFF EQ\nFootswitchable MUTE is one of the most requested features in order to tune or switch an instrument in a silent way. The optional Dual Footswitch also allows to turn ON/OFF the EQ section.\n\n> Size/Weight\nThe Little Mark Vintage 1000 features the same compact SIZE and light WEIGHT of all the Little Mark family heads.\n\n \n\n \n\nMinimum ohm load for all Markbass heads is 4 ohms.\nMarkbass amps/combos are manufactured to be sold and used in the country of purchase, and they are factory preset to that country’s voltage. Due to homologation issues, the voltage may not be changed.", "price": 104480.0, "discountamount": 13580.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "R&D", "lot", "CUT", "mix", "Mids", "part", "stage", "order", "state", "4 ohms", "purest", "volume", "market", "OLD one", "voltage", "new era", "country", "purchase", "dynamics", "Mark bass", "bass amps", "harmonics", "warm tone", "coloration", "EQ section", "instrument", "everything", "key points", "art lineup", "silent way", "Tube Preamp", "Real DI box", "new setting", "transformer", "Size/Weight", "Gold Series", "Product code", "light WEIGHT", "large supply", "500W version", "The BALANCED", "tone options", "balanced tone", "Markbass heads", "same power amp", "Limiter effect", "massive supply", "cleanest sound", "The 4 Bands EQ", "New EQ setting", "DI performance", "modern reaction", "Limiter Control", "serious headroom", "superior quality", "Minimum ohm load", "Gold Line series", "same compact SIZE", "​​​​​3-WAY Switch", "catching new look", "real FLAT setting", "frequencies center", "Marco De Virgiliis", "typical distortion", "extreme transients", "astounding success", "amazing definition", "homologation issues", "Footswitchable MUTE", "ultrahigh-power head", "gold plated circuits", "Little Mark amp heads", "1000W high-power head", "Gold Line Top Features", "old vintage style tone", "different manufacturers", "old generation behavior", "The Little Mark Vintage", "optional Dual Footswitch", "Little Mark family heads", "high-quality DI circuitry", "Mark Proprietary Technology", "powerful 1000W MPT power amp", "MBH110093Z Little Mark Vintage", "three useful EQ preset options", "pure, full, rich, linear sound", "top quality selected components", "proprietary power amp technology" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 499, "imageuri": "https://productimages.withfloats.com/actual/65d05df27e38dded8f74a74c.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65d05df27e38dded8f74a74c.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-17T07:19:10.443Z", "updatedon": "2024-09-08T15:41:09.467Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/mark-bass-little-mark-vintage-1000-mbh110093z/499", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "MARK BASS", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Little Mark Vintage 1000", "MARK BASS LITTLE MARK VINTAG 1000", "Mark Bass Amps", "MARKBASS PRICE IN INDIA", "MRAK BASS", "MARK BASS INDIA", "LITTLE MARK VINTAGE 1000 PRICE IN INDIA", "Markbass Little Mark Vintage D2", "Mark Bass Cabinet", "Markbass Little Mark 250 combo review", "Markbass for sale", "Markbass Little Mark IV 300", "Mark Bass manuals", "Markbass Little Marcus 58R", "Markbass 12 cabinet" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.001, "isnotforsale": false }, { "_id": "61a8e9c961a3d1000148f793", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio", "description": "Universal Audio created Volt 2 for collaborators — from musicians and songwriters to livestreamers and podcasters. This portable 2-in/2-out USB recording interface for Mac, PC, iPad, and iPhone gives you superior sound quality, a Vintage Mic Preamp mode derived from UA’s 610 tube preamp, plus a suite of industry-leading music software — so your next recording will sound classic.\n\nKey Benefits\n● Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone\n● Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode\n● Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more\n● Build your desktop production studio around a stylish interface, built to withstand years of home and mobile recording\n\nCollaborate with Best-in-Class Audio Quality\nFrom the team that brought you the game-changing Apollo interface, Volt 2 delivers superior studio sound quality, with more character and tone than any USB interface in its class.\n\nCapture Classic Vocals with Vintage Mic Preamp Mode\nFew sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 2 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. \n\nStay Inspired with a Curated Suite of Audio Software\nSome audio interfaces give you a smattering of random audio apps. Not Volt. Instead, UA put together a bundle of serious music production tools, virtual instruments, and plug-ins including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more.\n\nIncluded Software\nAbleton Ableton Live Lite\nSoftube Marshall Plexi Classic Amp\nSoftube Time & Tone Bundle\nCelemony Melodyne Essential\nRelab LX480 Essentials\nPlugin Alliance Ampeg SVT-VR Classic\nBrainworx bx_tuner\nBrainworx bx_masterdesk Classic\nUJAM Virtual Drummer DEEP\nVirtual Bassist DANDY\nSpitfire LABS\n\nEasy In, Easy Out\nVolt 2 gives you simple 2-in/2-out audio connections. Just plug your mics, guitars, or synths into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you'll be creating like a pro, fast.\n\niPad & iPhone Ready\nTraveling light? 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This portable 1-in/2-out USB recording interface for Mac, PC, iPad, and iPhone gives you superior sound quality, a Vintage Mic Preamp mode derived from UA’s 610 tube preamp, plus a suite of industry-leading music software — so your next recording will sound classic.\n\nKey Benefits\n● Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone\n● Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode\n● Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more\n● Build your desktop production studio around a stylish interface, built to withstand years of home and mobile recording\n\nRecord Yourself with Best-in-Class Audio Quality\nFrom the team that brought you the game-changing Apollo interface, Volt 1 delivers superior studio sound quality, with more character and tone than any USB interface in its class.\n\nCapture a Classic Vocal with Vintage Mic Preamp Mode\nFew sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 1 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. \n\nStay Inspired with a Curated Suite of Audio Software\nSome audio interfaces give you a smattering of random audio apps. Not Volt. Instead, UA put together a bundle of serious music production tools, virtual instruments, and plug-ins including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more.\n\nIncluded Software\nAbleton Ableton Live Lite\nSoftube Marshall Plexi Classic Amp\nSoftube Time & Tone Bundle\nCelemony Melodyne Essential\nRelab LX480 Essentials\nPlugin Alliance Ampeg SVT-VR Classic\nBrainworx bx_tuner\nBrainworx bx_masterdesk Classic\nUJAM Virtual Drummer DEEP\nVirtual Bassist DANDY\nSpitfire LABS\n\nEasy In, Easy Out\nVolt 1 gives you simple 1-in/2-out audio connections. Just plug a mic or instrument into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. 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Capture your music productions, livestreams, and podcasts with Universal Audio’s 2-in/2-out Volt 276 recording interface, featuring a Vintage Mic Preamp and built-in 76 compressor for classic studio sound.\n\nThis studio pack includes a condenser mic and cable, studio monitoring headphones, and a suite of music production software. So you’ll be recording like a pro, with album-ready sound right out of the box.\n\nKey Benefits\n● Get everything you need for pro studio recordings, including a stylish 2-in/2-out USB interface, condenser mic, headphones, cable, and more\n● Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone\n● Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode\n● Add clarity and punch to voice, instruments, and other sources with an analog compressor based on UA's iconic 1176\n● Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM’s Virtual Drummer, Marshall, Ampeg, and more\n\nCollaborate with Best-in-Class Audio Quality\nFrom the team that brought you the game-changing Apollo interface, Volt 276 delivers superior studio sound quality, with more character and tone than any USB interface in its class.\n\nCapture Classic Vocals with Vintage Mic Preamp Mode\nFew sounds can compare to a vintage Universal Audio 610 tube preamp, used to record everyone from Ray Charles to Van Halen. 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