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{ "products": [ { "_id": "68a5fce89456e157a3a6b003", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND XPS-10X Expandable Synthesizer", "description": "XPS Quality in a Streamlined Performance Keyboard\nThe XPS-10X brings you the essential features of the flagship XPS-60 in a streamlined, performance-ready keyboard. It offers a massive selection of sounds to cover nearly any style—including a wide range of regional folk instruments—plus support for adding more with World Expansion titles on Roland Cloud. The keyboard also provides powerful tools to enhance performances and creative sessions, such as an Audio Player with independent pitch and speed control, per-tone scale tuning, a class-compliant USB-C audio/MIDI interface, and more.\n\nStandard Features\nXPS-10X\nView the Gallery\nXPS-10X\nAcclaimed Roland Sounds\nThe XPS-10X features over 1600 diverse sounds from the core XPS-60 library, including pianos, organs, guitars, basses, orchestral instruments, synths, drums, and more. In addition, there are many folk instrument selections to perform with authentic local sounds from regions around the world.\n\nXPS-10X\nAdd Global Instruments with the World Expansion Series\nThe XPS-10X also supports region-specific sound collections from the World Expansion series on Roland Cloud. Each title includes new waveforms and tone data, allowing you to discover rare instrument sounds from India, Mexico, South America, Southeast Asia, and more. World Expansions can be purchased and installed via Roland Cloud Manager on a computer or the XPS Tone Loader app for mobile devices.\n\n Explore the World Expansion Series\nXPS-10X\nPortable Inspiration\nLike all instruments in the XPS series, the XPS-10X delivers excellent playability in a robust and rugged design. The expressive 61-note keyboard offers outstanding feel, and you can power the instrument with a rechargeable mobile battery for the ultimate grab-and-go convenience.\n\nXPS-10X\nFree-Flowing Sound Creation\nWith its ergonomic panel layout, performing and composing with the XPS-10X is a joy. Call up tones with intuitive category buttons and set up favorites for quick access. Split and layer tones, change the octave range and transposition, and apply arpeggio and chord memory functions with quick button presses. When you’re done, save the complete setup within a Scene memory for one-touch recall on stage.\n\nXPS-10X\nPerform with Backing Music\nThe XPS-10X’s Audio Player function makes elevating your performances with backing music easy. Connect a USB flash drive with your WAV/AIFF audio files, assign them to the eight phrase pads, and launch them as you play. Pitch and playback speed are independently adjustable for each file, allowing you to match a vocalist's singing range or change the tempo to suit the mood.\n\nXPS-10X\nMulti-Function Phrase Pads\nAlong with song playback, the XPS-10X phrase pads can trigger onboard drum sounds or imported samples in real time. You can also use them as part select and part mute buttons while working with the step sequencer.\n\nXPS-10X\nAccessible Scale Settings\nJust like the XPS-60, the XPS-10X allows you to set the optimal scales for each tone individually so they’re ready to play when needed. When Transpose Sync is enabled, your custom scale settings will automatically follow the current keyboard transpose button setting.\n\nXPS-10X\nStep Sequencer\nThe eight-track step sequencer is ideal for sketching song ideas and creating interactive backing with the XPS-10X’s onboard sounds. The arpeggio function and built-in rhythms automatically synchronize with the sequencer, ready to bring fresh energy to your keyboard performances.\n\nXPS-10X\nConnect with Computers and Mobile Devices\nThe XPS-10X’s class-compliant USB-C audio/MIDI interface lets you perform and record with music apps or stream gig audio via your phone. And with integrated computer DAW control, you can operate functions in your favorite software platform from the XPS-10X panel. The XPS Tone Loader app also communicates via USB-C, allowing you to purchase and install World Expansion titles using your smartphone or tablet.\n\n Learn More About the XPS Tone Loader", "price": 73500.0, "discountamount": 8600.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 0, "_keywords": null, "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 622, "imageuri": "https://productimages.withfloats.com/actual/68a5fceefe1cedd0c02960b2.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/68a5fceefe1cedd0c02960b2.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2025-08-20T16:50:48.136Z", "updatedon": "2025-09-07T08:17:02.958Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-xps-10x-expandable-synthesizer/622", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland ", "category": "SYNTHESIZER ", "tags": [ "ROLAND XPS-10X Expandable Synthesizer", "ROLAND XPS-10X Expandable Synthesizer PRICE" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": null, "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65ced849dc5f451bb4be07be", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Markbass Little AG 1000 Andrew Gouche 1,000W Bass Amplifier Head", "description": "LITTLE AG 1000\n\nlittle_ag_1000_rear_web.png__1980x1980_q85_subsampling-2\nlittle_ag_1000_side_dx_web.png__1980x1980_q85_subsampling-2\nlittle_ag_1000_side_sx_web.png__1980x1980_q85_subsampling-2\nPrevious\nNext\nLITTLE AG 1000\nProduct code: MBH110112Z\nFor 2021 we are excited to announce the godfather of gospel bass players, the legendary Andrew Gouché has joined the Markbass family! A Grammy Award winning producer with over 30 years of experience as the bassist for many R&B and Gospel legends as Prince and the New Power Generation, Gladys Knight, Andraé Crouch, The Winans and musical director for Chaka Khan, he got regular call for recording sessions across all genres including Michael Jackson, Quincy Jones, Julio Iglesias, Madonna, Snoop Dogg, Warren G, Earth, Wind & Fire, Aretha Franklin, Y’anna, Hidden Beach Unwrapped Series, Jimmy Reid, LA Jazz Syndicate, Smokey Robinson, Patti LaBelle, Judith Hill, Kirk Franklin, Donna Summer ... with his distintive bass sound Andrew has made an indelible mark on the history of Gospel and R&B music, inspiring today’s generation of bassists.\n\nHaving played our amplifiers at several events, Andrew fell in love with Markbass’ tone and character. So in partnership with Andrew, we’ve been working together over the past year to make an amplifier head that has his own unique sound - instinctively. We’re proud to introduce the amazing Little AG 1000, designed with Andrew - built by Markbass.\n\nKEY POINTS\n\n> Andrew Gouché signature sound\nWe created this amplifier to suit Andrew’s individual requirements for both sound, and playing style. Thanks to his exceptional music production experience and finely tuned musical ear, the development process was rapid and precise. With Andrew’s deep knowledge of what makes a great bass sound, we customised frequency choices based on his direction and he stamped it with his seal of approval – “Finally I have MY sound!”.\n\n> 1000W high-power / ultimate dynamics\nThis ultra high-power head is underpinned by our powerful 1000W MPT power amp delivering extraordinary power and headroom, with accurate dynamics and amazing definition.\n\n> Limiter Control\nThis dedicated limiter control enables a modern amp response when fully dialled in. In contrast when set to zero it creates that old generation behavior along with the typical distortion you can get when the limiter effect is really low. Of course you can also select everything in between to create your own individual amplifier characteristic response.\n\n> FSW MUTE / EQ ON/OFF\nFeatured on the front panel of the Little AG 1000 amplifier is a convenient mute switch. In addition with an optional dual footswitch (FSW) you can remotely trigger the mute function, and also turn the EQ section on/off.\n\n> MPT - MARK PROPRIETARY TECHNOLOGY\nMany other bass amps on the market use power amps that are not specifically designed for bass. At Markbass, Marco De Virgiliis invested heavily in R&D to develop proprietary power amp technology in house. Our MPT power amp was built from the ground up to respect and elevate the inherent tone of your instrument.\n\nTECHNICAL FEATURES\nINPUTS\nINPUT: impedance 500 Kohm, max. voltage 9 Vpp\n\nEFFECT RETURN: impedance 33 Kohm, max. voltage 10 Vpp\n\nCONTROLS\nGAIN: -46 dB to +23 dB range\n\nMASTER VOLUME \n\nLINE OUT LEVEL \n\nLIMITER\n\nMUTE SWITCH\n\nGROUND LIFT (switch on rear panel)\n\nPRE/POST EQ (switch on rear panel)\n\nEQUALIZATION\nULTRALOW: level ±16 dB (freq. 65 Hz)\n\nLOW: level ±16 dB (freq. 100 Hz)\n\nMID: level ±16 dB (freq. 500 Hz)\n\nHIGH MID: level ±16 dB (freq. 1.4 KHz)\n\nHIGH: level ±16 dB (freq. 6 KHz)\n\nOUTPUTS\nLINE OUT: balanced XLR, max. voltage 20 Vpp\n\nEFFECT SEND: unbalanced, max. voltage 20 Vpp (pre-EQ)\n\nTUNER OUT: unbalanced, max. voltage 2 Vpp\n\nSPEAKER OUT: speakon\n\nOTHERS\nBI-BAND LIMITER\n\nFootswitch (optional) for MUTE and EQ ON/OFF\n\nWEIGHT: 7.05 lbs/ 3.2 kg\n\nWIDTH: 10.87 in. / 27.6 cm\n\nDEPTH: 9.84 in. / 25 cm\n\nHEIGHT: 3.27 in. / 8.3 cm\n\nOUTPUT POWER: 1000W RMS @ 4 ohms / 600W RMS @ 8 ohms\n\nPOWER REQUIREMENT:100/120V; 230V; 240V – 50/60Hz (Voltage is factory preset according to region of sale)\n\n", "price": 99040.0, "discountamount": 15846.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "R&D", "KHz", "OFF", "sale", "LINE", "GAIN", "seal", "Fire", "Wind", "love", "240V", "230V", "120V", "25 cm", "freq.", "TUNER", "DEPTH", "house", "65 Hz", "WIDTH", "today", "Earth", "LEVEL", "market", "genres", "INPUTS", "Prince", "region", "Y’anna", "4 ohms", "3.2 kg", "100 Hz", "WEIGHT", "500 Hz", "HEIGHT", "OTHERS", "8.3 cm", "history", "27.6 cm", "Madonna", "50/60Hz", "SPEAKER", "speakon", "factory", "bassist", "OUTPUTS", "respect", "approval", "headroom", "ULTRALOW", "contrast", "Warren G", "many R&B", "600W RMS", "HIGH MID", "MY sound", "30 years", "7.05 lbs", "addition", "FSW MUTE", "R&B music", "godfather", "past year", "direction", "1000W RMS", 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495, "imageuri": "https://productimages.withfloats.com/actual/65ced84b375aebb9e061c457.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65ced84b375aebb9e061c457.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-16T03:36:41.481Z", "updatedon": "2024-09-08T15:46:52.768Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/markbass-little-ag-1000-andrew-gouche-1-000w-bass-amplifier-head/495", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "MARKBASS", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Markbass Little AG 1000 Andrew Gouche 1,000W Bass ", "markbass little ag 1000", "AG1000", "MARKBASSAMPLIFIER", "Mark Bass Amps", "Little AG 1000 Bass Amp Head", "MBH110112Z", "MarkBass Little AG 1000 Bass Head", "MarkBass Little AG 1000 Bass Head MBH110112Z", "Bass Guitar Amplifier Head", "MARKBASS PRICE IN INDIA", "MARKBASS LITTLE AG1000 PRICE IN INDIA", "markbass dealers", "MARKBASS INDIA", "Markbass little ag 1000 review", "Markbass little ag 1000 specs", "Markbass little ag 1000 manual", "Markbass little ag 1000 manual pdf", "Markbass Vintage 1000", "Markbass Little Mark", "Markbass 58R review", "Markbass Little Mark IV 300" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bf341645a4a11780c23cc2", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier", "description": "KC-220 Battery Powered Stereo Keyboard Amplifier\tKC-220\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nOffering full-range stereo sound and battery-powered operation, the three-channel KC-220 is the ultimate mobile keyboard amp. It also excels as a mini PA, thanks to its built-in DSP effects, dedicated auxiliary input, and support for an XLR vocal mic. Delivering big sound in a super-portable package, the KC-220 is a must-have amp for rehearsals, street performances, and gigging on the go.\n\nHome\nKC-220Features\tSpecs\tAccessories\tSupportTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nBattery-powered stereo keyboard amplifier\nHighly efficient power section with 30 watts of power (15 watts x 2)\nTwo newly developed custom 6.5-inch woofers and two custom tweeters\nOnboard mixing with three 1/4-inch input channels, dedicated auxiliary input with 1/8-inch and RCA jacks, and master EQ\nBuilt-in DSP effects: reverb and two chorus types\nXLR mic input, mono/stereo line output, and headphones output\nMetal jacks for increased durability\nRuns on eight AA batteries or included AC adapter; removable cartridge for easy battery replacement\nBuilt-in tilt-back stand and integrated mount for optional ST-A95 speaker stand\nFull-Range Sound for Keyboards and Electronic Musical Instruments\nThe KC-220 delivers full-range stereo sound with 30 watts of power (15 watts x 2), two newly designed 6.5-inch speakers, and two custom tweeters. Paired with an advanced power section optimized for efficient battery operation, the KC-220 smoothly reproduces the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard 3+1 Mixing\nCompact and convenient, the KC-220 is a complete stereo mixing system that travels everywhere you need to play. Three 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments, and Channel 1 also includes an XLR input for using a vocal mic. There’s a dedicated aux channel as well, with 1/8-inch and RCA inputs for connecting smartphones, music players, and other devices.\n\nStereo Effects and EQ\nIt’s easy to enhance your sound with the KC-220’s high-quality DSP effects. Normal and wide stereo chorus effects are provided, plus a lush stereo reverb for vocals and instruments. And for hands-free operation on stage, effects on/off can be controlled with an optional footswitch. The KC-220 also includes high and low EQ for shaping the overall sound to suit the venue.\n\nVersatile Connectivity\nThe KC-220 is equipped with mono/stereo line outputs, allowing you to interface with PA systems, stage monitors, or recording devices. Plugging into the Phones jack mutes the onboard speakers, perfect for private practice sessions and checking sounds on stage with headphones.", "price": 58132.0, "discountamount": 9232.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "go", "off", "must", "TIME", "side", "have", "WORTH", "needs", "today", "venue", "KC amp", "sounds", "low EQ", "vocals", "Normal", "organs", "mini PA", "honored", "1/8-inch", "30 watts", "XLR input", "stage rig", "RCA jacks", "Keyboards", "master EQ", "dedicated", "big sound", "RCA inputs", "3+1 Mixing", "The KC-220", "AC adapter", "PA systems", "rehearsals", "two decades", "smartphones", "Metal jacks", "aux channel", "synthesizers", "KC benchmark", "XLR mic input", "drum machines", "overall sound", "music players", "other devices", "XLR vocal mic", "Stereo Effects", "stage monitors", "auxiliary input", "rhythm machines", "mixing features", "tilt-back stand", "integrated mount", "new enhancements", "onboard speakers", "keyboard players", "two chorus types", "complete control", "working musicians", "recording devices", "headphones output", "6.5-inch speakers", "latest generation", "lush stereo reverb", "eight AA batteries", "lasting durability", "optional footswitch", "street performances", "removable cartridge", "two custom tweeters", "hands-free operation", "three-channel KC-220", "88-note stage pianos", "wide frequency range", "versatile connectivity", "super-portable package", "advanced power section", "full-range stereo sound", "efficient power section", "custom 6.5-inch woofers", "easy battery replacement", "mono/stereo line outputs", "high-quality DSP effects", "private practice sessions", "battery-powered operation", "wide stereo chorus effects", "efficient battery operation", "powerful high-fidelity sound", "other electronic instruments", "ultimate mobile keyboard amp", "KC Series Keyboard Amplifiers", "complete stereo mixing system", "three 1/4-inch input channels", "Electronic Musical Instruments", "various electronic instruments", "Three 1/4-inch line input channels", "Battery-powered stereo keyboard amplifier", "optional ST-A95 speaker stand Full-Range Sound", "KC-220Features Specs Accessories SupportTweet Facebook Pinterest", "ROLAND KC-220 Battery Powered Stereo Keyboard Amplifier KC-220 Battery Powered Stereo Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 494, "imageuri": "https://productimages.withfloats.com/actual/65bf3417c355a61540e5dfe4.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf3417c355a61540e5dfe4.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T06:52:06.124Z", "updatedon": "2024-02-04T06:54:45.146Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-220-battery-powered-stereo-keyboard-amplifier/494", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "ROLAND", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland KC-220 Battery Powered Stereo Keyboard A", "KC-220 Battery Powered Stereo Keyboard Amplifier", "ROLAND KC220", "Roland Price India", "Authorised Dealer Roland", "Authorised Dealer Roland", "Roland India", "roland", "kc220", "Keyboard Amplifier", "kc220 roland", "roland kc220 price in india", "Roland Authorised Online Dealer", "roland stoer india", "roland shop delhi", "roland shop india" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "65bf0fb43d4ba611b80085d8", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Roland KC-990 Keyboard Amplifier", "description": "KC-990 Stereo Mixing Keyboard Amplifier\tKC-990WHERE TO BUY\nWORTH IT EVERY TIME\nFor over two decades, keyboard players everywhere have relied on Roland’s KC amps for their powerful high-fidelity sound, onboard mixing features, versatile connectivity, and lasting durability. The latest generation carries on the time-honored KC benchmark of quality while offering new enhancements tuned for the needs of today’s working musicians. With a KC amp by your side, you’re in complete control of your stage rig, so you’ll always sound great and play your best. And that’s worth it every time.\n\nThe flagship KC-990 is a performance powerhouse filled with high-end features. Offering four onboard DSP effects, four stereo input channels, a stereo aux input, and support for an XLR vocal mic, it’s a great all-in-one solution for players with large keyboard setups and small groups performing with electronic instruments and backing tracks. The KC-990 delivers big, full sound for both stage monitoring and PA use, thanks to its stereo speaker configuration and 320 watts of total power. And with Stereo Link capability, you can seamlessly add a second KC-990 when you need more inputs and broader sound coverage.\n\nHome\nKC-990Features\tSpecs\tSupport\t\nWHERE TO BUY\nTweet Facebook Pinterest\n\nKC Series Keyboard Amplifiers\nWorth it every time\n\nFlagship stereo keyboard amplifier with 320 watts of power\nOnboard mixer with four stereo input channels, stereo auxiliary input, and master EQ\nTwo newly developed custom 12-inch woofers and two custom horn tweeters\nBuilt-in effects: reverb, chorus, tremolo, and rotary\nControl rotary speed and effects on/off with optional external footswitches\nFlexible I/O with XLR mic input, stereo XLR and ¼-inch line outputs, headphones output, and more\nStereo Link function for chaining two KC-990s\nMetal jacks for increased durability\nCasters and side-mounted handles for enhanced mobility\nFull-Range Stereo Sound for High-Impact Performances\nThe KC-990 offers full-range stereo sound reproduction with 320 watts of power (160 watts x 2), two newly designed 12-inch speakers, and two custom horn tweeters. This allows the KC-990 to accurately reproduce the wide frequency range of 88-note stage pianos, organs, and synthesizers, as well as rhythm machines and other electronic instruments.\n\nOnboard Mixing for Big Rigs and Full Groups\nRoland’s most powerful KC amp is a complete stereo sound system in a single package, making it ideal for backline amplification, stage monitoring, and even main PA use. With four stereo line input channels available, you can connect keyboards, percussion pads, drum machines, and more. There’s also a dedicated auxiliary input to plug in a smartphone or music player for backing tracks. Channel 1 includes an XLR input too, allowing you to connect a vocal mic for even more versatility. The Aux In channel supports 1/8-inch, RCA, and ¼-inch connections, and features a handy monitor function for working with guide tracks on stage.\n\nBuilt-In Stereo Effects\nThe KC-990 comes equipped with four different effects for sweetening your live sound. The chorus effect is derived from Roland’s world-famous JC-series amps, providing unmatched depth and dimension through the KC-990’s stereo speakers. The amp also includes tremolo and rotary effects that work great with organs and electric pianos, plus a lush stereo reverb for vocals and instruments. By connecting optional footswitches, you can turn the effects on/off and control rotary speed hands-free while performing.\n\nVersatile Connectivity for Performing, Recording, and Practice\nWith its rear-panel connectivity, the KC-990 integrates easily into any playing environment. Stereo line outputs are provided on both XLR and ¼-inch jacks, offering simultaneous connections for interfacing with PA systems, stage monitors, and recording devices. The XLR outputs also have a switchable ground lift, which eliminates hum that can sometimes occur when connecting to a main PA. There’s a headphones jack too, perfect for silent practice sessions and discrete monitoring of guide tracks and instruments on stage.\n\nExpand Your Setup with Stereo Link\nIf you ever need to expand your inputs or sound coverage, the KC-990’s Stereo Link function makes it simple. First off, the number of available inputs doubles when you connect to the two stereo link jacks on a second KC-990. In addition, the left and right signals of connected instruments are split across the two amps, providing super-wide stereo dispersion for even more impressive sound.\n\n", "price": 153657.0, "discountamount": 28000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "hum", "RCA", "left", "TIME", "needs", "WORTH", "mixer", "today", "vocals", "organs", "number", "The Aux", "quality", "Casters", "tremolo", "KC amps", "addition", "two amps", "Big Rigs", "enhanced", "dimension", "master EQ", "stage rig", "XLR input", "320 watts", "keyboards", "160 watts", "Performing", "smartphone", "PA systems", "live sound", "The KC-990", "two KC-990s", "Metal jacks", "Full Groups", "main PA use", "versatility", "total power", "two decades", "small groups", "¼-inch jacks", "music player", "one solution", "rotary speed", "guide tracks", "synthesizers", "Flexible I/O", "KC benchmark", "power Onboard", "XLR vocal mic", "drum machines", "XLR mic input", "chorus effect", "second KC-990", "right signals", "Stereo Effects", "single package", "stage monitors", "backing tracks", "rotary effects", "rhythm machines", "percussion pads", "unmatched depth", "electric pianos", "powerful KC amp", "big, full sound", "mixing features", "flagship KC-990", "The XLR outputs", "stereo speakers", "impressive sound", "available inputs", "stereo aux input", "12-inch speakers", "keyboard players", "stage monitoring", "new enhancements", "complete control", "headphones output", "working musicians", "latest generation", "recording devices", "high-end features", "lush stereo reverb", "¼-inch connections", "lasting durability", "discrete monitoring", "Stereo line outputs", "¼-inch line outputs", "playing environment", "wide frequency range", "88-note stage pianos", "side-mounted handles", "Stereo Link function", "two stereo link jacks", "large keyboard setups", "connected instruments", "optional footswitches", "versatile connectivity", "switchable ground lift", "four different effects", "handy monitor function", "stereo auxiliary input", "broader sound coverage", "Stereo Link capability", "backline amplification", "performance powerhouse", "custom 12-inch woofers", "rear-panel connectivity", "four onboard DSP effects", "silent practice sessions", "Tweet Facebook Pinterest", "two custom horn tweeters", "simultaneous connections", "High-Impact Performances", "dedicated auxiliary input", "four stereo input channels", "world-famous JC-series amps", "complete stereo sound system", "stereo speaker configuration", "super-wide stereo dispersion", "powerful high-fidelity sound", "KC-990Features Specs Support", "other electronic instruments", "KC Series Keyboard Amplifiers", "optional external footswitches", "four stereo line input channels", "Roland KC-990 Keyboard Amplifier", "mobility Full-Range Stereo Sound", "Flagship stereo keyboard amplifier", "full-range stereo sound reproduction", "KC-990 Stereo Mixing Keyboard Amplifier KC" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 493, "imageuri": "https://productimages.withfloats.com/actual/65bf0fb67d7faddcb3c791fb.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/65bf0fb67d7faddcb3c791fb.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2024-02-04T04:16:52.905Z", "updatedon": "2024-02-04T04:16:52.905Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/roland-kc-990-keyboard-amplifier/493", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Roland", "category": "AMPLIFIERS & EFFECTS", "tags": [ "Roland Keyboard Amplifier", "Roland KC-990 Keyboard Amplifier", "ROLAND KC990 PRICE IN INDIA", "Roland Price India", "Authorised Dealer Roland", "Roland Authorised Dealer", "roland kc990", "kc990", "Roland Synthesizer Authorised Dealer", "roland india", "roland shop", "roland stoer india", "Roland store in india delhi" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8febf61a3d1000148f7f0", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Slate Digital VRS8 (Free ML-1)", "description": "The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.\n\n\n\nBuy Slate Digital VRS8 before 1st Jan 2021 and get Slate Digital ML-1 FREE!\n\nThe result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.\n\nEight Ultra Linear Preamps\nThe start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.\n\nIndustry Best Converters\nThe next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!\n\nHigh Quality Components\nThe sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.\n\nLow Latency Native\nPart of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible 1 millisecond of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.\n\nXTC Audio Clock\nThe audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.\n\nDiscrete Headphone Amplifiers\nMost engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks.\n\nNative MIDI IO\nOur “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.", "price": 200000.0, "discountamount": 14000.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "audio path", "audio clock", "audio jitter", "entire audio", "audio quality", "audio circuit", "Unlike USB MIDI", "audio performance", "Slate Digital VRS8", "audio interface relies", "robust audio ecosystem", "VRS8 features EIGHT high", "eight channel audio interface", "new VRS8 Virtual Analog interface unifies Slate" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 468, "imageuri": "https://productimages.withfloats.com/actual/61a8fec836d0a60001a0eb19.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8fec836d0a60001a0eb19.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T17:13:35.411Z", "updatedon": "2021-12-02T17:13:35.411Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/slate-digital-vrs8-free-ml-1-/468", "availableunits": -1.0, "iscodavailable": false, "isprepaidonlineavailable": true, "maxcodorders": 0, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Slate Digital VRS8 (Free ML-1)", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Slate Digital VRS8 (Free ML-1)" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8ec6b786f1f0001618cd9", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio Apollo x8 [Heritage Edition]", "description": "Apollo x8 Heritage Edition has all the benefits of the acclaimed Apollo x8, including world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Unison-enabled mic preamps, and full LUNA Recording System integration. And it goes a step further, with a software suite of 10 award-winning UAD plug-in titles, featuring Collections from Helios,® Fairchild,® Teletronix,® Pultec,® and UA.\n\n● Produce with a special edition of UA's elite-class Apollo x8 interface, including a premium suite of award-winning UAD plug-ins worth over $2,400\n● Record with elite-class A/D and D/A conversion nearing the widest dynamic range and lowest signal to noise available — at any price\n● Track and mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more award-winning UAD Powered Plug-Ins in real time\n● Record with near-zero latency through preamp emulations from Neve,® API,® SSL,® Helios,® Manley,® Avalon,® and more using Unison™ technology*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Run UAD Powered Plug-Ins via VST, AU, and AAX 64 in all major DAWs\n● Easily connect to consoles and studio gear with switchable +24 / +20 dBu headroom settings\n● Work in surround formats up to 7.1, complete with speaker calibration and fold-down\n● Use integrated Talkback mic and built-in cues for easy communication and slating takes\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo x8 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 Unison mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to the Apollo x8's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.\n\nRealtime UAD HEXA Core Processing\nApollo x8 Heritage Edition features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, SSL, Avalon, Helios, or API, or running high UAD plug-in counts when mixing in your DAW.\n\nUnison™ Technology — The Sound of Neve, API, Avalon & Manley Preamps\nPerfect for musicians, engineers, producers, and sound designers, Apollo x8 Heritage Edition features four Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nLUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow\nAll Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nSurround Sound Monitoring and +24 dBu Operation\nWith comprehensive surround monitoring support for formats up to 7.1, Apollo x8 Heritage Edition is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x8 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x8 Heritage Edition offers 18 x 24 simultaneous inputs/outputs (8 x 14 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo desktop or rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices.\n\nApollo x8 Heritage Edition Key Features:\n● A special edition of UA's acclaimed Apollo x8 interface — with a premium suite of 10 award-winning plug-in titles from Helios,® Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value\n● 18 x 24 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion\n● Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size\n● 4 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, SSL, Manley, Avalon, Helios, UA, and more*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Surround monitor controller up to 7.1 format\n● UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs\n● Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; 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And it goes a step further, with a software suite of 10 award-winning UAD plug-in titles, featuring Collections from Helios,® Fairchild,® Teletronix,® Pultec,® and UA.\n\n● Produce with a special edition of UA's elite-class Apollo x16 interface, including a premium suite of award-winning UAD plug-ins worth over $2,400\n\n● Record with elite-class A/D and D/A conversion nearing the widest dynamic range and lowest signal to noise available — at any price\n\n● Track and mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more award-winning UAD Powered Plug-Ins in real time\n\n● Easily connect to consoles and studio gear with switchable +24 / +20 dBu headroom settings\n\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac/Thunderbolt)\n\n● Run UAD Powered Plug-Ins via VST, AU, and AAX 64 in all major DAWs\n\n\n● Work in surround formats up to 7.1, complete with speaker calibration and fold-down\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo x16 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to the Apollo x16's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.\n\nRealtime UAD HEXA Core Processing\nApollo x16 Heritage Edition features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, SSL, Avalon, Helios, or API, or running high UAD plug-in counts when mixing in your DAW.\n\nLUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow\nAll Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nSurround Sound Monitoring and +24 dBu Operation\nWith comprehensive surround monitoring support for formats up to 7.1, Apollo x16 Heritage Edition is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x16 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x16 Heritage Edition offers 18 x 20 simultaneous inputs/outputs (16 x 18 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo desktop or rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices.\n\nApollo x16 Heritage Edition Key Features:\n● A special edition of UA's acclaimed Apollo x16 interface — with a premium suite of 10 award-winning plug-in titles from Helios,® Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value\n● 18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion\n● Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size\n● LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Surround monitor controller up to 7.1 format\n● UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs\n● Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 Macs via optional adapter \n● Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines\n● Uncompromising UA analog design, superior components, and premium build quality\n● Also includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp, Legacy Pultec EQ, additional LA-2A and 1176 compressors, Marshall Plexi Classic, Ampeg SVT-VR Classic, and more\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nFairchild Tube Limiter Collection\nTeletronix LA‑3A Audio Leveler\nUA 610 Tube Preamp & EQ Collection\nHelios Type 69 Preamp & EQ Collection\nV76 Preamplifier\nOxide Tape Recorder\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Plus Bundle:\nUA 610-B Tube Preamp & EQ\nMarshall Plexi Classic Guitar Amp\nAmpeg SVT-VR Classic Bass Amp\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nFairchild 670 Compressor (Legacy)\nPrecision Enhancer Hz\nRaw Distortion\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler\n", "price": 420240.0, "discountamount": 39500.0, "currencycode": "INR", "priority": 1000000, "isfreeshipmentavailable": false, "shipmentduration": 7, "_keywords": [ "Apollo x16 interface", "Realtime UAD Processing", "Universal Audio Apollo x16", "Apollo X series interfaces", "previous generation Apollo", "Iconic UAD Analog Collections", "Precision Mix Rack Collection", "powerful HEXA Core processing", "premium Heritage Edition titles", "UAD HEXA Core processing onboard", "Realtime UAD HEXA Core Processing", "x16 Heritage Edition Key Features", "flagship Apollo x16 Heritage Edition", "18 x 20 Thunderbolt 3 audio interface", "full LUNA Recording System integration" ], "isarchived": false, "isavailable": true, "applicationid": null, "productindex": 457, "imageuri": "https://productimages.withfloats.com/actual/61a8ebb60e0fd000018d2c6a.jpg", "tileimageuri": "https://productimages.withfloats.com/tile/61a8ebb60e0fd000018d2c6a.jpg", "images": null, "totalqueries": 0, "gpid": null, "groupproductid": null, "createdon": "2021-12-02T15:52:14.926Z", "updatedon": "2022-10-08T17:11:15.094Z", "buyonlinelink": null, "producturl": "http://WWW.PRIYANKAMUSICALHOUSE.COM/products/universal-audio-apollo-x16-heritage-edition-/457", "availableunits": -1.0, "iscodavailable": true, "isprepaidonlineavailable": true, "maxcodorders": -1, "maxprepaidonlineorders": -1, "uniquepaymenturl": null, "brandname": "Universal Audio Apollo ", "category": "AUDIO INTERFACES / SOUND CARDS", "tags": [ "Universal Audio Apollo x16 [Heritage Edition]" ], "variants": false, "keyspecification": null, "otherspecifications": null, "pickupaddressreferenceid": "5fc797d25f3db3ce1adcf253", "paymenttype": "AssuredPurchase", "producttype": "products", "hsncode": null, "gstslab": 0.0, "isnotforsale": false }, { "_id": "61a8ead161a3d1000148f79b", "fptag": "PRIYANKAMUSICALHOUSE", "merchantname": null, "customwidgets": null, "externalsourceid": null, "name": "Universal Audio Apollo x6 [Heritage Edition]", "description": "Apollo x6 Heritage Edition has all the benefits of the acclaimed Apollo x6, including world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Unison-enabled mic preamps, and full LUNA Recording System integration. And it goes a step further, with a software suite of 10 award-winning UAD plug-in titles, featuring Collections from Helios,® Fairchild,® Teletronix,® Pultec,® and UA.\n\n● Produce with a special edition of UA's elite-class Apollo x6 interface, including a premium suite of award-winning UAD plug-ins worth over $2,400\n● Record with elite-class A/D and D/A conversion nearing the widest dynamic range and lowest signal to noise available — at any price\n● Track and mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more award-winning UAD Powered Plug-Ins in real time\n● Record with near-zero latency through preamp emulations from Neve,® API,® SSL,® Helios,® Manley,® Avalon,® and more using Unison™ technology*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Run UAD Powered Plug-Ins via VST, AU, and AAX 64 in all major DAWs\n● Easily connect to consoles and studio gear with switchable +24 / +20 dBu headroom settings\n● Work in surround formats up to 5.1, complete with speaker calibration and fold-down\n● Use integrated Talkback mic and built-in cues for easy communication and slating takes\n\nA Special Edition featuring Iconic UAD Analog Collections Onboard\nA hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins at near-zero latency. Taking you a step further, Apollo x6 Heritage Edition gives you 10 premium plug-in titles worth over $2,400 — including the full suite of UA's Teletronix, 1176, and Fairchild compressors, Helios Type 69, V76, and UA 610 Unison mic preamps, all Pultec EQs, Oxide Tape Recorder, and Pure Plate Reverb.\n\nThese premium Heritage Edition titles are in addition to Apollo x6's included \"Realtime Analog Classics Plus\" bundle, giving you the most accurate library of classic analog emulations included with any professional audio interface.\n\nElite-Class A/D and D/A Conversion\nWith thousands of chart-topping songs and Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.\n\nRealtime UAD HEXA Core Processing\nApollo x6 Heritage Edition features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, SSL, Avalon, Helios, or API, or running high UAD plug-in counts when mixing in your DAW.\n\nUnison™ Technology — The Sound of Neve, API, Avalon & Manley Preamps\nPerfect for electronic musicians and post production professionals who don’t require tons of mic inputs, Apollo x6 Heritage Edition features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, SSL, Avalon, Helios, and Universal Audio.* A Universal Audio exclusive, Unison is a proprietary hardware-software integration that nails the tone of these sought-after tube and solid-state mic pres — including their input impedance, gain stage “sweet spots,” and component-level circuit behaviors.\n\nLUNA Recording System — Deep Apollo Integration with a Fast, Natural Workflow\nAll Apollo X series interfaces work with all major DAWs, including Logic Pro, Ableton Live, Pro Tools, and more. But they become a fully integrated recording system with LUNA, a powerful recording application for Mac from Universal Audio. Bolstered by Accelerated Realtime Monitoring,™ LUNA lets you track and mix in an intuitive single-window workflow with unlimited track counts, with full AU support and access to exclusive LUNA Instruments and Extensions.\n\nSurround Sound Monitoring and +24 dBu Operation\nWith comprehensive 5.1 surround monitoring support, Apollo x6 Heritage Edition is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x6 Heritage Edition offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.\n\nBuild a Networked Studio System Over Thunderbolt\nApollo x6 Heritage Edition offers 16 x 22 simultaneous inputs/outputs (6 x 12 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo desktop or rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices.\n\nApollo x6 Heritage Edition Key Features:\n● A special edition of UA's acclaimed Apollo x6 interface — with a premium suite of 10 award-winning plug-in titles from Helios,® Fairchild,® Teletronix,® Pultec,® UA, and more — a $2,400 value\n● 16 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 kHz conversion\n● Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size\n● 2 Unison-enabled mic/line preamps — track through fully authentic preamp emulations from Neve, API, SSL, Manley, Avalon, Helios, UA, and more*\n● Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac only)\n● Compatible with Logic Pro, Pro Tools, Cubase, Ableton Live, and more\n● Surround monitor controller up to 5.1 format\n● UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Live, and other major DAWs\n● Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices; backward-compatible with Thunderbolt 1 and 2 Macs via optional adapter \n● Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines\n● Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono\n● Uncompromising UA analog design, superior components, and premium build quality\n● Also includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp, Legacy Pultec EQ, additional LA-2A and 1176 compressors, Marshall Plexi Classic, Ampeg SVT-VR Classic, and more\n● Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers\n\nIncluded in Apollo \"Heritage Edition\" Bundle:\nUA 1176 Classic Limiter Collection\nTeletronix LA-2A Classic Leveler Collection\nPultec Passive EQ Collection\nFairchild Tube Limiter Collection\nTeletronix LA‑3A Audio Leveler\nUA 610 Tube Preamp & EQ Collection\nHelios Type 69 Preamp & EQ Collection\nV76 Preamplifier\nOxide Tape Recorder\nPure Plate Reverb\n\nIncluded in the Realtime Analog Classics Plus Bundle:\nUA 610-B Tube Preamp & EQ\nMarshall Plexi Classic Guitar Amp\nAmpeg SVT-VR Classic Bass Amp\nUA 1176LN Limiting Amplifier (Legacy)\nUA 1176SE Limiting Amplifier (Legacy)\nPultec EQP-1A EQ (Legacy)\nPultec Pro EQ (Legacy)\nTeletronix LA-2A Leveling Amplifier (Legacy)\nFairchild 670 Compressor (Legacy)\nPrecision Enhancer Hz\nRaw Distortion\nPrecision Channel Strip (Precision Mix Rack Collection)\nPrecision Reflection Engine (Precision Mix Rack Collection)\nPrecision Delay Mod (Precision Mix Rack Collection)\nPrecision Delay Mod L (Precision Mix Rack Collection)\nRealVerb Pro Custom Room Modeler\n\n*Apollo x6 Heritage Edition includes ten premium UAD plug-in titles, plus the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com. 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